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American Street Guide<br />
1930s Hollywood Theater in Fort Worth<br />
Needs Pricey Face-Lift By Bud Kennedy | Fort Worth Star-Telegram<br />
Downtown Fort Worth’s hidden Hollywood Theater has been closed for around 40 years. Only an awning outside the Historic Electric Building Apartments<br />
hints that the mezzanine lobby, balcony and ornate auditorium of a 1,800-seat theater are hidden behind locked doors. (Steve Wilson/Star-Telegram via<br />
AP)<br />
FORT WORTH, Texas (AP) — Dark 41 years, a forgotten downtown<br />
movie theater flickered to life the other day, and for a<br />
few minutes Fort Worth relived the era of downtown glitz,<br />
showbiz premieres and Gone With the Wind.<br />
The Fort Worth Star-Telegram reports the 1930-vintage Hollywood<br />
Theater, sealed away for decades like some old movie<br />
monster’s secret crypt, opened to daylight for the first time<br />
in two generations as a crowd relived past grandeur and<br />
imagined a future restoration.<br />
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Only an awning outside the Historic Electric Building Apartments<br />
hints that the mezzanine lobby, balcony and ornate<br />
auditorium of a 1,800-seat theater are hidden behind locked<br />
doors at 410 W. Seventh St.<br />
“I love old Fort Worth things,” said Casey Tibbetts, 36, president<br />
at the new Guaranty Bank & Trust location next door.<br />
He saw the theater and arranged public tours as part of the<br />
new bank’s open house.<br />
“When we picked this location, people started asking about<br />
the theater. We wanted people to come take a look.”<br />
Like an aging movie star, the Hollywood needs an expensive<br />
face-lift.<br />
Restoring a typical theater costs from $5 million to $10 million,<br />
according to the National Trust for Historic Preservation.<br />
The lower auditorium floor and seats are gone, stripped and<br />
removed to make room for residents of the adjacent apartments<br />
to park underneath.<br />
But the balcony, walls, ceiling and screen area remain, along<br />
with the mezzanine, marble staircase and part of the lobby,<br />
in a style described in one opening-day 1930 news report as<br />
Georgian modernist.<br />
Houston-based owner Tradewind Properties has been<br />
advertising the 3,000-square-foot lobby and concourse and<br />
<strong>12</strong>,000-square-foot theater for lease.<br />
“I personally think it sets up nicely for a performance venue,”<br />
said Andy Taft, president of Downtown Fort Worth, Inc.<br />
“I was surprised at how intact the features are inside. It<br />
doesn’t take much imagination to see the potential.”<br />
It’d need disability access and an auditorium floor. But it<br />
could easily become a black-box performance theater or<br />
music club.<br />
The Hollywood is inside the Electric Building, built in 1929 by<br />
Houston investor Jesse H. Jones for Texas Electric Service Co.,<br />
now TXU Energy.<br />
The Historic Star-Telegram Building, converted in 2013 to<br />
MorningStar Partners, is next door. (The Star-Telegram is now<br />
in a different Jesse Jones tower at 808 Throckmorton St.,<br />
built in 1930 as the Fair Building.)<br />
The Hollywood was built in 1930, just when the industry<br />
was switching from silent movies and musicians to “talking<br />
pictures,” so it only has a screen, not a stage. The first movie<br />
shown was director Frank Capra’s “Flight.”<br />
In 1940, the Hollywood was in the spotlight twice.<br />
In February, it unreeled Fort Worth’s first-run showings of<br />
“Gone With the Wind,” to audiences that included Civil War<br />
veterans and that stood in lines circling the block.<br />
That September, the Hollywood and the larger Worth Theater<br />
one block east co-hosted the city’s first world movie<br />
premiere: “The Westerner” with Gary Cooper, telling the<br />
story of legendary Texas frontier Judge Roy Bean.<br />
The movie was partly shot at Star-Telegram owner Amon G.<br />
Carter’s Shady Oak Ranch. A Houston movie critic described<br />
the premiere, hosted by comedian Bob Hope, as classic Fort<br />
Worth:<br />
“Cowboys in full regalia slouched around in boots, cowboy<br />
Stetsons at rakish angles.<br />
The dinner out at Amon G. Carter’s ranch looked like a<br />
miniature Academy Awards banquet. In cowboy outfit and<br />
riding his Palomino pony, he greeted the celebrities. ‘I can<br />
think of nothing more appropriate than having the premiere<br />
here where the West begins,’ he said.”<br />
It was the night Hollywood came to the Hollywood.<br />
66 | Chief Engineer<br />
Volume 83 · Number <strong>12</strong> | 67