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148<br />

A FAMILY ON THEIR LAWN ONE SUNDAY 1968<br />

WESTCHESTER, NEW YORK<br />

A woman and a man sunbathe while a boy bends over a small plastic wading pool behind them. In 1972, Neil Selkirk was put in charge of producing an exhibition<br />

print of this i<strong>mag</strong>e when Marvin Israel advised him to make the background trees appear “like a theatrical backdrop that might at any moment roll forward<br />

across the lawn.” This anecdote illustrates vividly just how fundamental dialectics between appearance and substance are for the understanding of Arbus’ art.

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