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51<br />

OTIS STEEL MILL 1930<br />

CLEVELAND<br />

People wondered if Margaret Bourke-White and her delicate camera<br />

could stand up to the intense heat, hazard, and generally dirty and gritty<br />

conditions inside a steel mill.<br />

Black and white film at the time was sensitive to blue light, not the red<br />

and orange lights that came from hot steel. All of her <strong>photo</strong>s would<br />

come out black but she solved the problem by bringing along a new style<br />

of <strong>mag</strong>nesium flare which produced white light. She had an assistant hold<br />

them to light her scenes. This resulted in some of the best steel factory<br />

<strong>photo</strong>graphs of that era and earned national attention.

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