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31<br />

1956<br />

In 1956, when Maier moved to Chicago, she enjoyed the luxury of a darkroom as well as a private bathroom. This allowed her to process her<br />

prints and develop her own rolls of B&W film. As the children entered adulthood, the end of Maier’s employment from that first Chicago<br />

family in the early seventies forced her to abandon developing her own film. As she would move from family to family, her rolls of undeveloped,<br />

unprinted work began to collect.

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