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January 15, 2019—CAMA presents Itzhak Perlman, violin—International Series at The Granada Theatre, Santa Barbara

TUESDAY, JANUARY 15, 2019, 7:00 PM (EARLY START) Itzhak Perlman, violin Rohan De Silva, piano Cultural icon, virtuoso, transcendent superstar – when the subject is violinist Itzhak Perlman the superlatives stack up quickly, yet somehow fail to give a full account of his status, talent, and near-universal appeal. His numerous accolades include the Presidential Medal of Freedom, a Kennedy Center Honor, the National Medal of Arts, and a Medal of Liberty. Maestro Perlman (Co-Chair of the CAMA Centennial Honorary Artist Council) returns for his 6th CAMA concert appearance going back 50+ years to when he first performed for CAMA as soloist with the Los Angeles Philharmonic in 1967 at age 21. He’ll be joined by acclaimed pianist Rohan De Silva, a Best Accompanist honoree at the International Tchaikovsky Competition in Moscow and a longtime Perlman collaborator. PROGRAM: Alfred Schnittke: Suite in the Old Style for Violin & Piano, Op.80 Ludwig van Beethoven: Violin Sonata No.7 in C minor, Op.30, No.2 Antonín Dvořák: Sonatina in G Major, Op. 100 Additional Works to Be Announced from the Stage PRE-CONCERT LECTURE BY KOSTIS PROTOPAPAS, ARTISTIC & GENERAL DIRECTOR OF OPERA SANTA BARBARA Lecture will begin at 6:00 PM; doors to The Granada Theatre will open for the lecture at 5:45 PM. Lecture seating is limited to the first 100 patrons. First come, first served. #CAMASB #CAMAat100 #CAMACentennial

TUESDAY, JANUARY 15, 2019, 7:00 PM (EARLY START)
Itzhak Perlman, violin
Rohan De Silva, piano
Cultural icon, virtuoso, transcendent superstar – when the subject is violinist Itzhak Perlman the superlatives stack up quickly, yet somehow fail to give a full account of his status, talent, and near-universal appeal. His numerous accolades include the Presidential Medal of Freedom, a Kennedy Center Honor, the National Medal of Arts, and a Medal of Liberty. Maestro Perlman (Co-Chair of the CAMA Centennial Honorary Artist Council) returns for his 6th CAMA concert appearance going back 50+ years to when he first performed for CAMA as soloist with the Los Angeles Philharmonic in 1967 at age 21. He’ll be joined by acclaimed pianist Rohan De Silva, a Best Accompanist honoree at the International Tchaikovsky Competition in Moscow and a longtime Perlman collaborator.

PROGRAM:
Alfred Schnittke: Suite in the Old Style for Violin & Piano, Op.80
Ludwig van Beethoven: Violin Sonata No.7 in C minor, Op.30, No.2
Antonín Dvořák: Sonatina in G Major, Op. 100
Additional Works to Be Announced from the Stage
PRE-CONCERT LECTURE BY KOSTIS PROTOPAPAS, ARTISTIC & GENERAL DIRECTOR OF OPERA SANTA BARBARA
Lecture will begin at 6:00 PM; doors to The Granada Theatre will open for the lecture at 5:45 PM.
Lecture seating is limited to the first 100 patrons. First come, first served.
#CAMASB #CAMAat100 #CAMACentennial

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After 32 years, the Los Angeles<br />

Philharmonic returned to the<br />

<strong>Granada</strong> stage for wh<strong>at</strong> would<br />

be the highlight of the 2008<br />

season and conductor Esa-Pekka<br />

Salonen’s final <strong>Santa</strong> <strong>Barbara</strong><br />

performance.<br />

Photo by David Bazemore<br />

architect Roger Phillips and acoustician David<br />

Conant would assure th<strong>at</strong> no orchestra would<br />

ever again complain th<strong>at</strong> they were playing into<br />

a pillow!<br />

On March 6, 2008, the <strong>Granada</strong> threw open<br />

its doors for a Spanish-themed p<strong>at</strong>ron’s gala.<br />

<strong>Santa</strong> <strong>Barbara</strong> Independent reviewer Charles<br />

Donelan reported th<strong>at</strong> from the red carpet<br />

outside to the grand staircases th<strong>at</strong> flank the<br />

lobby, the space was packed with well-heeled<br />

supporters sipping wine and greeting one<br />

another enthusiastically. <strong>The</strong> opening night<br />

performances of the <strong>Santa</strong> <strong>Barbara</strong> Choral<br />

Society and <strong>Santa</strong> <strong>Barbara</strong> Symphony, as well<br />

as th<strong>at</strong> of renowned pianist Warren Jones, who<br />

arrived on stage together with the <strong>Granada</strong>’s<br />

brand new Steinway via the giant open elev<strong>at</strong>or<br />

of the orchestra pit, left the audience enthralled.<br />

After intermission, Opera <strong>Santa</strong> <strong>Barbara</strong> and<br />

St<strong>at</strong>e Street Ballet’s collabor<strong>at</strong>ion on the opera<br />

Carmen was dazzling. “With the opening of this<br />

<strong>Granada</strong>, a star the<strong>at</strong>er has been born,” wrote<br />

Donelan.<br />

In February, Donelan had reported th<strong>at</strong><br />

Stephen Cloud, who programmed for both CAMA<br />

and the Lobero <strong>The</strong><strong>at</strong>re, believed th<strong>at</strong> May 3<br />

would be the real acid test for the room’s acoustics.<br />

“Dave Conant, the principal acoustician,” Donelan<br />

had said, “feels confident th<strong>at</strong> the acoustic bumps<br />

added to the walls and the oversized orchestra<br />

shell will offset any issues raised by the structure<br />

of the the<strong>at</strong>er as a whole.”<br />

Conant’s confidence was not overblown.<br />

After the Los Angeles Philharmonic returned<br />

to the <strong>Granada</strong> <strong>The</strong><strong>at</strong>re for the first time in<br />

32 years on May 3, Donelan opined, “[It] was<br />

easily the most anticip<strong>at</strong>ed event of the 2008<br />

season thus far, and it more than lived up to<br />

some very high expect<strong>at</strong>ions.” Not only was<br />

this the first time the Philharmonic performed<br />

<strong>at</strong> the new <strong>Granada</strong>, it was Music Director Esa-<br />

Pekka Salonen’s last performance in <strong>Santa</strong><br />

<strong>Barbara</strong>. Donelan lauded the program devoted<br />

to two monumental works, the Piano Concerto<br />

No. 2 of Johannes Brahms and three selections<br />

from Götterdämmerung by Richard Wagner, and<br />

ended by saying, “<strong>The</strong> piece, the orchestra, the<br />

soloist, the conductor, and the room all came<br />

together for an unforgettable experience….<br />

<strong>The</strong> <strong>Granada</strong> is back, and the Los Angeles<br />

Philharmonic has shown wh<strong>at</strong> majesty there is<br />

to look forward to.” •<br />

CAMA AT THE GRANADA THEATRE - ITZHAK PERLMAN<br />

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