January 15, 2019—CAMA presents Itzhak Perlman, violin—International Series at The Granada Theatre, Santa Barbara
TUESDAY, JANUARY 15, 2019, 7:00 PM (EARLY START) Itzhak Perlman, violin Rohan De Silva, piano Cultural icon, virtuoso, transcendent superstar – when the subject is violinist Itzhak Perlman the superlatives stack up quickly, yet somehow fail to give a full account of his status, talent, and near-universal appeal. His numerous accolades include the Presidential Medal of Freedom, a Kennedy Center Honor, the National Medal of Arts, and a Medal of Liberty. Maestro Perlman (Co-Chair of the CAMA Centennial Honorary Artist Council) returns for his 6th CAMA concert appearance going back 50+ years to when he first performed for CAMA as soloist with the Los Angeles Philharmonic in 1967 at age 21. He’ll be joined by acclaimed pianist Rohan De Silva, a Best Accompanist honoree at the International Tchaikovsky Competition in Moscow and a longtime Perlman collaborator. PROGRAM: Alfred Schnittke: Suite in the Old Style for Violin & Piano, Op.80 Ludwig van Beethoven: Violin Sonata No.7 in C minor, Op.30, No.2 Antonín Dvořák: Sonatina in G Major, Op. 100 Additional Works to Be Announced from the Stage PRE-CONCERT LECTURE BY KOSTIS PROTOPAPAS, ARTISTIC & GENERAL DIRECTOR OF OPERA SANTA BARBARA Lecture will begin at 6:00 PM; doors to The Granada Theatre will open for the lecture at 5:45 PM. Lecture seating is limited to the first 100 patrons. First come, first served. #CAMASB #CAMAat100 #CAMACentennial
TUESDAY, JANUARY 15, 2019, 7:00 PM (EARLY START)
Itzhak Perlman, violin
Rohan De Silva, piano
Cultural icon, virtuoso, transcendent superstar – when the subject is violinist Itzhak Perlman the superlatives stack up quickly, yet somehow fail to give a full account of his status, talent, and near-universal appeal. His numerous accolades include the Presidential Medal of Freedom, a Kennedy Center Honor, the National Medal of Arts, and a Medal of Liberty. Maestro Perlman (Co-Chair of the CAMA Centennial Honorary Artist Council) returns for his 6th CAMA concert appearance going back 50+ years to when he first performed for CAMA as soloist with the Los Angeles Philharmonic in 1967 at age 21. He’ll be joined by acclaimed pianist Rohan De Silva, a Best Accompanist honoree at the International Tchaikovsky Competition in Moscow and a longtime Perlman collaborator.
PROGRAM:
Alfred Schnittke: Suite in the Old Style for Violin & Piano, Op.80
Ludwig van Beethoven: Violin Sonata No.7 in C minor, Op.30, No.2
Antonín Dvořák: Sonatina in G Major, Op. 100
Additional Works to Be Announced from the Stage
PRE-CONCERT LECTURE BY KOSTIS PROTOPAPAS, ARTISTIC & GENERAL DIRECTOR OF OPERA SANTA BARBARA
Lecture will begin at 6:00 PM; doors to The Granada Theatre will open for the lecture at 5:45 PM.
Lecture seating is limited to the first 100 patrons. First come, first served.
#CAMASB #CAMAat100 #CAMACentennial
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After 32 years, the Los Angeles<br />
Philharmonic returned to the<br />
<strong>Granada</strong> stage for wh<strong>at</strong> would<br />
be the highlight of the 2008<br />
season and conductor Esa-Pekka<br />
Salonen’s final <strong>Santa</strong> <strong>Barbara</strong><br />
performance.<br />
Photo by David Bazemore<br />
architect Roger Phillips and acoustician David<br />
Conant would assure th<strong>at</strong> no orchestra would<br />
ever again complain th<strong>at</strong> they were playing into<br />
a pillow!<br />
On March 6, 2008, the <strong>Granada</strong> threw open<br />
its doors for a Spanish-themed p<strong>at</strong>ron’s gala.<br />
<strong>Santa</strong> <strong>Barbara</strong> Independent reviewer Charles<br />
Donelan reported th<strong>at</strong> from the red carpet<br />
outside to the grand staircases th<strong>at</strong> flank the<br />
lobby, the space was packed with well-heeled<br />
supporters sipping wine and greeting one<br />
another enthusiastically. <strong>The</strong> opening night<br />
performances of the <strong>Santa</strong> <strong>Barbara</strong> Choral<br />
Society and <strong>Santa</strong> <strong>Barbara</strong> Symphony, as well<br />
as th<strong>at</strong> of renowned pianist Warren Jones, who<br />
arrived on stage together with the <strong>Granada</strong>’s<br />
brand new Steinway via the giant open elev<strong>at</strong>or<br />
of the orchestra pit, left the audience enthralled.<br />
After intermission, Opera <strong>Santa</strong> <strong>Barbara</strong> and<br />
St<strong>at</strong>e Street Ballet’s collabor<strong>at</strong>ion on the opera<br />
Carmen was dazzling. “With the opening of this<br />
<strong>Granada</strong>, a star the<strong>at</strong>er has been born,” wrote<br />
Donelan.<br />
In February, Donelan had reported th<strong>at</strong><br />
Stephen Cloud, who programmed for both CAMA<br />
and the Lobero <strong>The</strong><strong>at</strong>re, believed th<strong>at</strong> May 3<br />
would be the real acid test for the room’s acoustics.<br />
“Dave Conant, the principal acoustician,” Donelan<br />
had said, “feels confident th<strong>at</strong> the acoustic bumps<br />
added to the walls and the oversized orchestra<br />
shell will offset any issues raised by the structure<br />
of the the<strong>at</strong>er as a whole.”<br />
Conant’s confidence was not overblown.<br />
After the Los Angeles Philharmonic returned<br />
to the <strong>Granada</strong> <strong>The</strong><strong>at</strong>re for the first time in<br />
32 years on May 3, Donelan opined, “[It] was<br />
easily the most anticip<strong>at</strong>ed event of the 2008<br />
season thus far, and it more than lived up to<br />
some very high expect<strong>at</strong>ions.” Not only was<br />
this the first time the Philharmonic performed<br />
<strong>at</strong> the new <strong>Granada</strong>, it was Music Director Esa-<br />
Pekka Salonen’s last performance in <strong>Santa</strong><br />
<strong>Barbara</strong>. Donelan lauded the program devoted<br />
to two monumental works, the Piano Concerto<br />
No. 2 of Johannes Brahms and three selections<br />
from Götterdämmerung by Richard Wagner, and<br />
ended by saying, “<strong>The</strong> piece, the orchestra, the<br />
soloist, the conductor, and the room all came<br />
together for an unforgettable experience….<br />
<strong>The</strong> <strong>Granada</strong> is back, and the Los Angeles<br />
Philharmonic has shown wh<strong>at</strong> majesty there is<br />
to look forward to.” •<br />
CAMA AT THE GRANADA THEATRE - ITZHAK PERLMAN<br />
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