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CAMA Presents English Baroque Soloists ⫽ John Eliot Gardiner, conductor ⫽ Tuesday, April 12, 2022 ⫽ The Granada Theatre, Santa Barbara, California ⫽ 7:30PM

TUESDAY, APRIL 12, 2022, 7:30PM ENGLISH BAROQUE SOLOISTS JOHN ELIOT GARDINER, conductor Kati Debretzeni, violin Fanny Paccoud, viola Almost inexcusably absent from the pantheon of great conductors appearing in Santa Barbara during CAMA’s long history, John Eliot Gardiner will at last grace the Granada stage directing the English Baroque Soloists, the preeminent period-instrument chamber ensemble founded by the maestro himself in 1978. Arguably the foremost living interpreter of 17th‑ and 18th‑century choral and orchestral repertoire, John Eliot Gardiner is also the Founder and Director of the Monteverdi Choir and the Orchestre Révolutionnaire et Romantique. With these and other ensembles, he has recorded more than 250 albums; among them are benchmark recordings of the Monteverdi Vespers and Bach B‑minor Mass, the complete Beethoven symphony cycle on period instruments, and each and every Bach sacred cantata. In his spare time, the prodigious maestro runs an organic farm at Springhead near Fontmell Magna in North Dorset. PROGRAM: HAYDN: Symphony No.103 in E‑flat Major, “The Drumroll,” H.1/103 MOZART: Sinfonia Concertante for Violin, Viola and Orchestra in E‑flat Major, K.364 (320d) MOZART: Symphony No.39 in E‑flat Major, K.543

TUESDAY, APRIL 12, 2022, 7:30PM

ENGLISH BAROQUE SOLOISTS
JOHN ELIOT GARDINER, conductor
Kati Debretzeni, violin
Fanny Paccoud, viola

Almost inexcusably absent from the pantheon of great conductors appearing in Santa Barbara during CAMA’s long history, John Eliot Gardiner will at last grace the Granada stage directing the English Baroque Soloists, the preeminent period-instrument chamber ensemble founded by the maestro himself in 1978. Arguably the foremost living interpreter of 17th‑ and 18th‑century choral and orchestral repertoire, John Eliot Gardiner is also the Founder and Director of the Monteverdi Choir and the Orchestre Révolutionnaire et Romantique. With these and other ensembles, he has recorded more than 250 albums; among them are benchmark recordings of the Monteverdi Vespers and Bach B‑minor Mass, the complete Beethoven symphony cycle on period instruments, and each and every Bach sacred cantata. In his spare time, the prodigious maestro runs an organic farm at Springhead near Fontmell Magna in North Dorset.

PROGRAM:
HAYDN: Symphony No.103 in E‑flat Major, “The Drumroll,” H.1/103
MOZART: Sinfonia Concertante for Violin, Viola and Orchestra in E‑flat Major, K.364 (320d)
MOZART: Symphony No.39 in E‑flat Major, K.543

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Presenting the world’s finest classical artists since 1919

CAMA'S 2021/2022 SEASON 103 rd CONCERT SEASON

INTERNATIONAL SERIES AT THE GRANADA THEATRE SEASON SPONSORSHIP: SAGE PUBLISHING

Photo by Juan Luis Cortes

ENGLISH BAROQUE SOLOISTS

JOHN ELIOT GARDINER

CONDUCTOR

KATI DEBRETZENI, violin


FANNY PACCOUD, viola

Tuesday, April 12, 2022, 7:30PM

Granada Theatre, Santa Barbara

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MARCH 24, 2022

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American Tour is made

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The Lead Sponsors of the

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and London Symphony

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CAMA joins the Music Academy

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re mem brance of Léni Fé Bland.

Primary Sponsors

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APRIL 12, 2022

ENGLISH

BAROQUE

SOLOISTS

Principal Sponsors

Herbert & Elaine Kendall

Jocelyne & William Meeker

Sponsors

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Co-Sponsors

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Young

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GROSVENOR, piano

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ISABEL

BAYRAKDARIAN, soprano

MARK FEWER, violin

JAMIE PARKER, piano

Sponsors

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MAY 24, 2022

JAMES EHNES, violin

ORION WEISS, piano


In Memoriam

MARY LLOYD MILLS

Mary Lloyd Mills and her husband, Kendall were long-time residents of the Santa Ynez

Valley where they raised their three children and were always active in community and

church affairs.

Known to her friends as "Lloyd," Mary Lloyd Mills joined the CAMA Board in 1994 and

served for 10 years until leaving the Board in June 2004. She served as chair of the

Nominating Committee and became the first chair of the Governance Committee

when it was created in 2003. She also served on the Education Committee. Lloyd’s

deep interest in education provided much of the impetus behind the expansion of

CAMA’s music education and outreach programs. Not only did she help found CAMA’s

Elementary School Appreciation Program, she and Kendall supported the CAMA

program with generous annual gifts, and donated the first projector to La Patera School

for use in the program.

Lloyd and Kendall were founding members of the CAMA Mozart Society, and were

among the very first patrons to make a commitment to the CAMA Endowment, inspiring

many others to join in giving. Lloyd and Kendall were also founding members of CAMA’s

International Circle, having joined at its inception in 1995.

Known for her hard work, good judgment, productive ideas and delightful sense of

humor, everyone who knew Lloyd enjoyed working with her. She approached each task

with a quiet, intelligent efficiency.

In recognition of Lloyd’s years of exemplary service to CAMA, on June 1, 2006 the Board

of Directors unanimously voted to elect her as a Emeritus Director of Community Arts

Music Association.

Lloyd graduated from Occidental College and received her M.A. from UC Santa Barbara.

She was a leader in funding programs for the arts, the environment, education, health

and human services, and youth programs. An avid hiker, she was the founder of the

Santa Ynez Valley Women Hikers and led many summer group hiking trips in the Alps.


Presenting the world’s finest classical artists since 1919

INTERNATIONAL SERIES AT THE GRANADA THEATRE

SEASON SPONSORSHIP: SAGE PUBLISHING

ENGLISH BAROQUE SOLOISTS

JOHN ELIOT GARDINER,

conductor

Kati Debretzeni, violin Fanny Paccoud, viola

Tuesday, April 12, 2022, 7:30PM

The Granada Theatre, Santa Barbara

PROGRAM: Mozart & Haydn Symphonies

Franz Joseph HAYDN (1732–1809)

Symphony No.103 in E-flat Major, “Drumroll”

I. Adagio—Allegro con spirito

II. Andante più tosto allegretto

III. Minuet—Trio

IV. Finale. Allegro con spirito

INTERMISSION

MOZART

Symphony No.39 in E-flat Major, K.543

I. Adagio—Allegro

II. Andante con moto

III. Menuetto—Trio

IV. Finale. Allegro

Wolfgang Amadeus MOZART (1756–1791)

Sinfonia concertante in E-flat Major, K.364

I. Allegro maestoso

II. Andante

III. Presto

Program and artists subject to change.

Monteverdi Choir | English Baroque Soloists | Orchestre Révolutionnaire et Romantique

Artistic Director: John Eliot Gardiner | General Director: Rosa Solinas

Monteverdi Choir and Orchestras | Level 12, 20 Bank Street, Canary Wharf, London E14 4AD, UK

Registered charity 272279 | Company registered in England & Wales 1277513

CAMA thanks our generous sponsors who have made this evening’s performance possible:

International Series Season Sponsor: SAGE Publishing

Principal Sponsors: Herbert & Elaine Kendall • Jocelyne & William Meeker

Sponsor: Anonymous • Bob & Val Montgomery • George & Judy Writer

Co-Sponsors: Edward S. DeLoreto • Elizabeth Karlsberg & Jeff Young • John & Fran Nielsen

Ellen & Craig Parton • Nancy & Byron Kent Wood

We request that you switch off cellular phones, watch alarms and pager signals during the performance. The photographing

or sound recording of this concert or possession of any device for such photographing or sound recording is prohibited.

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ENGLISH BAROQUE

SOLOISTS

Photo by Simon van Boxtel

Founded in 1978 by John Eliot Gardiner,

the English Baroque Soloists seeks to challenge

preconceptions of 200 years of music

ranging from Monteverdi to Mozart and

Haydn. Equally at home in chamber, symphonic

and operatic performances, their

distinctively warm and incisive playing is

instantly recognisable. One of the world’s

leading period instrument orchestras, the

ensemble has performed at many of the

world’s most prestigious venues including

the Milan’s Teatro alla Scala, the Concertgebouw

in Amsterdam and the Sydney

Opera House.

In 2021, the ensemble performed its

first live streamed concert; Bach’s St John

Passion, filmed in Oxford’s historic Sheldonian

Theatre and streamed on Deutsche

Grammophon’s online platform ‘DG Stage’.

It also gave critically acclaimed performances

of Handel and Bach at two of Europe’s

most prestigious music festivals; the

BBC Proms and the Berliner Festspiele.

In 2019 the EBS made its inaugural visit

to South America for the Cartagena International

Music Festival, and subsequently

undertook a tour of Handel’s dramatic oratorio

Semele with the Monteverdi Choir,

visiting a series of iconic venues including

Barcelona’s Palau de la Música and Milan’s

Teatro alla Scala. The ensemble then gave

its debut performances in Russia alongside

the Monteverdi Choir with a programme

of works by Monteverdi, Carissimi, Scarlatti

and Purcell, before returning to South

America for further inaugural concerts in

Brazil, Uruguay, Argentina and Chile.

2017 saw the EBS take part in the celebrated

Monteverdi 450 tour, in which they

performed all three of Monteverdi’s surviving

operas across Europe and in the USA, a

project that was recognised by a Royal Philharmonic

Society award in the Opera and

Music Theatre category.

The ensemble famously took part in

the iconic Bach Cantata Pilgrimage in 2000

alongside the Monteverdi Choir, performing

all of Bach’s sacred cantatas throughout Europe.

The EBS has also participated in major

opera productions alongside the Choir

in works by Handel, Purcell and Monteverdi,

and recorded Mozart’s greatest operas for

Deutsche Grammophon in the 1990s.

CAMA AT THE GRANADA THEATRE • ENGLISH BAROQUE SOLOISTS

7


JOHN ELIOT

GARDINER

conductor

Photo by Liliya Olkhovaya

John Eliot Gardiner is revered as one of the

world’s most innovative and dynamic musicians

and is a leader in the contemporary

musical world. His work, as Founder and

Artistic Director of the Monteverdi Choir,

English Baroque Soloists (EBS) and Orchestre

Révolutionnaire et Romantique (ORR)

has made him a key figure both in the early

music revival and historically informed performance

practice.

Gardiner is a regular guest of the

world’s leading symphony orchestras, including

the London Symphony Orchestra,

Symphonieorchester des Bayerischen

Rundfunks, Royal Concertgebouw Orchestra

and Gewandhausorchester Leipzig,

conducting repertoire from the 16th to the

20th centuries. He has also conducted

opera productions at the Royal Opera

House, Covent Garden, the Wiener Staatsoper

and the Teatro alla Scala in Milan.

From 1983 to 1988 he was Artistic Director

of the Opéra de Lyon, where he founded its

new orchestra.

His broad repertoire is illustrated by

his extensive catalogue of award-winning

recordings with the Monteverdi ensembles

and other leading orchestras on both major

labels and his own Soli Deo Gloria label. He

holds two GRAMMY ® awards and has received

more Gramophone Awards than any

other living artist.

In 2021 Gardiner conducted the Monteverdi

Choir and EBS in a live streamed

CAMA AT THE GRANADA THEATRE • ENGLISH BAROQUE SOLOISTS

9


performance of Bach’s St John Passion

from Oxford’s Sheldonian Theatre, and performed

at several of Europe’s most prestigious

music festivals, including his 60th appearance

at the BBC Proms. He ended the

year conducting the Monteverdi Choir and

ORR in performances of Berlioz’s sacred

oratorio L’enfance du Christ, which included

a critically acclaimed performance at the

Monteverdi Choir & Orchestras new London

home, St Martin-in-the-Fields.

The beginning of 2020 saw Gardiner

conduct the ORR in three Beethoven symphony

cycles as part of the Beethoven 250

anniversary celebrations, with concerts at

Barcelona’s Palau de la Música, New York’s

Carnegie Hall, and the Harris Theatre in

Chicago. Other recent achievements with

the Monteverdi ensembles include the RPS

award winning Monteverdi 450 project in

2017, a reprise of the 2000’s famous Bach

Cantata Pilgrimage, which toured to some

of Europe’s most famous concert halls and

churches in 2018, a five-year exploration

of Berlioz’s major works to mark the 150th

anniversary of the composer’s death, and a

landmark performance of Verdi’s Requiem

at London’s Westminster Cathedral in aid of

Cancer Research UK. In 2019 Gardiner conducted

new productions of Handel’s Semele

and Berlioz’s Benvenuto Cellini, and gave his

debut performances in Colombia, Russia,

Brazil, Uruguay, Argentina and Chile.

An authority on the music of Johann

Sebastian Bach, Gardiner’s book, Music in

the Castle of Heaven: A Portrait of Johann

Sebastian Bach, was published in October

2013 by Allen Lane, leading to the Prix des

Muses award (Singer-Polignac). Among numerous

awards in recognition of his work,

Gardiner holds several honorary doctorates.

He was awarded a knighthood for his services

to music in the 1998 Queen’s Birthday

Honours List.

Photo by Sim Canetty-Clarke


KATI

DEBRETZENI

violin

Photo by Eric Richmond

Born in Transylvania, Kati studied the violin

with Ora Shiran in Israel, and the Baroque

violin with Catherine Mackintosh and

Walter Reiter at the Royal College of Music

in London.

Since the year 2000 she has led the

English Baroque Soloists under the direction

of John Eliot Gardiner, and her playing

can be heard on their recordings of the

Bach Cantata Pilgrimage (SDG). In 2008

she was appointed as one of the leaders of

the Orchestra of the Age of Enlightenment,

with whom she has often appeared as soloist,

directing and leading the orchestra in

performances in the UK, Europe and the US.

Kati has recorded numerous chamber

music CDs with the ensembles Florilegium

(Chanel Classics), Ricordo (Linn Records)

and most recently Trio Goya (Chandos).

Additionally, she features as soloist on

two versions of Bach’s Brandenburg

Concertos, one with the European Brandenburg

Ensemble under Trevor Pinnock

(Avie Records—Gramophone Award 2008),

and the other with the English Baroque

Soloists (SDG).

Over the last few years, Kati has been

invited to direct various ensembles in Israel,

Canada, Norway, Poland, Iceland and the

UK. She currently teaches the Baroque and

Classical violin at the Royal Conservatory

of Music in The Hague.

CAMA AT THE GRANADA THEATRE • ENGLISH BAROQUE SOLOISTS

11


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FANNY

PACCOUD

viola

Photo Courtesy of Monteverdi Choir Orchestra

After receiving her Diploma from the Strasbourg

Conservatory, Fanny Paccoud concentrated

initially on chamber music and

new music. Since 1999 she has formed a

duo with the pianist Michel Gaechter, exploring

a rich repertoire from Mozart to

Schoenberg. She has taken part in many

premières and recordings, including Gérard

Pesson's Forever Valley, Pascal Dusapins's

Momo, Claudio Gabriele's Ai confine dell'

oscurità, Veillée and Georges Aperghis’s Le

Petit Chaperon Rouge.

Aside from chamber music and contemporary

music, Fanny pursues research

into early music interpretation on original

instruments. She is a member—playing

violin and viola—of the Concert Spirituel

(Hervé Niquet), the English Baroque Soloists

and the Orchestre Révolutionnaire

et Romantique (John Eliot Gardiner), the

Concert Brisé (William Dongois), Les Ambassadeurs

(Alexis Kossenko), Pygmalion

(Raphaël Pichon), the Amarillis ensemble,

with whom she travels the world, taking

part in numerous recordings.

In 2002 she founded the Anpapié string

trio with violinist Alice Piérot and cellist

Elena Andreyev, which is devoted specifically

to Classical repertoire (2011 recording

of the trios of Hyacinth Jadin for the

« La Courroie » label).

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NOTES ON THE PROGRAM

By Howard Posner

In the years after he left England for the last

time in 1795, Franz Joseph Haydn would

often say that he “first became famous in

Germany through England.” This was only a

bit of an overstatement.

Haydn had worked as music director

for Esterházy princes at their estates in

Eisenstadt, Austria and rural Hungary since

1761, and developed a sufficient reputation

from his published music that when

one music‐loving Esterházy died and his

non‐music‐loving Esterházy successor dismissed

most of the court musicians and

left Haydn a paid retainer with nothing to

do, there were promoters who thought of

him as a hot property. His music was particularly

popular in England, giving the violinist

and impresario Johann Peter Salomon the

confidence to make Haydn a generous offer

to come to London.

Haydn wound up spending nearly four

years in England in 1791‐92 and 1794‐95,

where he was treated like a superstar and

increased his net worth eightfold, if not

more. It made him financially comfortable

for the rest of his life. After composing a

dozen symphonies for his London stays, he

never wrote another one.

Haydn’s penultimate symphony was

first heard March 2, 1795 as part of a concert

series led by Giovanni Battista Viotti,

an eminent Italian violinist who would, improbably,

be remembered as the father of

the French school of violin‐playing.

The symphony begins with something

of a mystery: the drumroll that gives it its

name. Haydn wrote a single half note with

16th‐note flags on its stem, the symbol for

a drumroll (also a string tremolo). There is

no marking for how loud to play it. He wrote

CAMA AT THE GRANADA THEATRE • ENGLISH BAROQUE SOLOISTS

15


On June 7, 1954, Austrian-born sculptor, poet and artist Gustinus Ambrosi reunited Franz Joseph Haydn’s skull with

his body, returning it to the coffin in the church at Eisenstadt, Austria.

“solo” beneath the note (no one else is playing)

and “Intrada” above it, which may mean

the player is expected to play more than a

simple roll. In some performances, the player

improvises a flourish on both timpani.

However played, the timpani solo was an

extraordinary way to begin a symphony.

What follows is equally extraordinary:

a dark slow introduction that would not be

out of place in music written half a century

later, redolent of Berlioz as much as Haydn,

with a theme that recalls the Gregorian

chant Dies irae from the Catholic Requiem

Mass, though it is unclear that Haydn

intended any such allusion, and unlikely

that he would have expected his Church

of England‐going audience to recognize it

if he did.

As is usually the case in movements

with murky slow introductions, the Allegro

con spirito that follows is mostly sunshine,

in that muscularly happy vein that Haydn

developed in his mature years. The second

subject has the character of a ländler, or

even a waltz (the waltz was known in Austria

throughout Haydn’s adulthood, but the

monied classes were slow in taking to it),

and reminds us that Haydn was born a middle‐class

rural Austrian villager, and never

entirely left his roots behind.

16 CAMA'S 103 RD CONCERT SEASON


The movement manages an extraordinary

ending by bringing back its extraordinary

beginning by way of a coda. It was

rare to reprise the slow introduction once

the allegro part of the movement started,

as if allegros regarded slow introductions

as backward relatives they were ashamed

of. Haydn, the composer who did more to

establish the rules of the symphony than

anyone else, could also have a grand time

breaking them.

The second movement is an extended

set of variations on a sly‐sounding theme.

The third variation is a long violin solo, a

nod to Viotti.

The full‐throated Minuet has a middle

section of velvety delicacy. The flutes,

oboes, trumpets, second bassoon and

timpani are silent, while the two clarinets

(which were silent the entire second movement)

double the first and second violins,

and the first bassoon doubles the violas, in

undulating arpeggiated lines.

Haydn wrote two versions of the sparkling,

driving finale. The original version

made another venture into shadowy tonal

regions just before the end. Haydn thought

better of it, either because it didn’t fit the

mood or because he’d already had enough

fun messing with the audience, and wrote a

simpler, brighter finish.

Wolfgang Amadeus Mozart usually

composed with a specific performance or

publication or dedication in mind, but he

didn’t always leave evidence about why, or

even when, he wrote a piece. Both the Mozart

works on this program present origin

puzzles. The Sinfonia concertante for violin

and viola dates from 1779 or 1780, days

of his early adulthood in Salzburg, when he

spent much time garnering adulation on

tours and, upon his return, was dissatisfied

with both the quality of the Archbishop's

musical establishment and his own

status within it. In particular, he had been

in Mannheim, home of Europe’s most renowned

virtuoso orchestra. The sinfonia

concertante with multiple soloists was an

unusual form in places like Salzburg, where

the quality of the orchestra was nothing

special, but it was very popular in more

favored musical establishments. Carl Stamitz,

who composed for the Mannheim orchestra,

wrote dozens of them, including at

least three for solo violin and viola. It isn’t

known why Mozart wrote the present work.

One obvious possibility is that he wrote it

for himself and his father, the man who literally

wrote the book on violin playing (Leopold

Mozart’s Treatise on the Fundamentals

of Violin Playing dates, like Wolfgang, from

1756, and was reprinted many times in

several languages). Either of them could

have played either part.

Because he chose to cast his soloists

as absolute equals, engaging in a running

dialogue, Mozart was concerned that the

violin not overpower the less brilliant viola.

He solved the problem by having the viola

tune up a half‐step and play in D major

while everyone else plays in E‐flat. Not only

does this let the viola play in a key that is

more resonant for the instrument, since

the viola's open A, D and G strings vibrate

in sympathy with the principal harmonic

chords (the tonic, subdominant and domi-

CAMA AT THE GRANADA THEATRE • ENGLISH BAROQUE SOLOISTS

17


nant chords) in D major, but it also makes

the viola a bit louder, because tuning a

string higher means the string is more massive

in relation to its pitch, and a the greater

the mass‐to‐pitch ratio the louder the string,

up to a point. At some point the increased

tension interferes with the instrument’s

resonance, breaks the strings, or damages

the instrument. Playing the Sinfonia concertante

on a tuned‐up viola as Mozart wrote it

is mostly the province of period‐instrument

players. It wreaks havoc with the modern viola,

which is already strung at nearly twice

the tension of the 18th‐century instrument.

Mozart struck another blow for equal

viola rights by writing two viola parts in

the orchestra, and with the double‐basses

given their own part rather than playing

from a single bass part with the cellos and

continuo, the strings are always in six parts

(eight, counting the soloists). It lends some

richness to a work that is scored lightly, the

only other instruments being pairs of horns

and oboes.

The slow movement, one of Mozart’s

few slow movements in a minor key, brings

the atmosphere of an operatic lament. The

concluding rondo displays Mozart’s wealth

of melodic invention, as if he is seeing just

how many catchy tunes he can throw at the

listener before he needs to repeat one.

While we know from Mozart's personal

catalogue of his works that the Symphony

in E‐flat was finished June 26, 1788 in Vienna,

we know nothing for certain about

what was done with it or the other two

symphonies he composed that year, the

Portrait of Wolfgang Amadeus Mozart, Dated

c.1788–1790. Courtesy of Hampel Auctions, Munich,

Artist Unknown

last he would write. The lack of information

about them has bred a myth that they

were never performed in his lifetime. They

almost certainly were: he included symphonies

in concerts he gave in Leipzig in 1789

and Frankfurt in 1790, and would doubtless

have used the new ones. We also know that

a “grand symphony” by Mozart was performed

at a concert led by Antonio Salieri in

Vienna in April 1791. But there is no way to

identify a specific symphony with any occasion

because concert advertisements and

programs typically would not name symphonies

by key, and certainly not by number.

Mozart himself would have had no idea

what “Symphony number 39” meant; the

numbers we use for his symphonies were

18 CAMA'S 103 RD CONCERT SEASON


assigned to them by a publisher nearly a

century after his death.

The Symphony in E‐flat is unusual,

even a bit weird, in that it does not include

oboes. The orchestra in the late 18th century

was not standardized, but oboes, horns

and bassoons were pretty much standard

equipment. Clarinets were not universally

available and trumpets and timpani were

often left out, as they were in the G‐minor

symphony Mozart wrote after this one.

The oboes’ absence in the Symphony in

E‐flat makes more room in the spotlight for

the clarinets.

The first movement’s slow introduction,

compared to the one from Haydn’s

“Drumroll” Symphony, is normalcy itself:

a traditional grand gesture that tells us

something big is coming. It also introduces

the descending runs in the violins that

lace themselves through the allegro part of

the movement.

The ambling Andante con moto and the

bounding, energetic Minuet are typical of

Mozart’s mature symphonies. The middle

section of the Minuet, with one clarinet

playing a simple but unforgettable little

tune over the other clarinet’s bubbly arpeggios,

would be at home in any of the dances

that Mozart was writing in his part‐time job

as Imperial court chamber composer.

The scrambling finale is almost the opposite

of the Sinfonia concertante’s finale.

Instead of a plethora of melodic ideas, this

finale relies on a single theme, explored and

worked over in exquisite depth. Haydn was

known for such monothematic construction,

and Mozart may have had his older

friend and mentor in mind in this finale. A

Haydnesque sense of mischief is also very

much present, never more apparent than

at the very end, when the theme gets in

the last word, elbowing aside conventional

final chords.

CAMA AT THE GRANADA THEATRE • ENGLISH BAROQUE SOLOISTS

19


Presenting the world’s finest classical artists since 1919

MASTERSERIES

at the Lobero Theatre

Season Sponsor: Esperia Foundation

© Zach Mendez

APRIL

23

SAT, 7:30PM

2022

ISABEL

BAYRAKDARIAN, soprano

MARK FEWER, violin JAMIE PARKER, piano

Program: “Glorious and Free”

Romani-inspired Songs and Operetta Arias

Featuring works by Brahms, Dvořák, Iradier, Valverde, Sarasate, Yvain, Lehár and Kálmán

Soprano Isabel Bayrakdarian has been an eagerly anticipated performer

at major opera houses and concert halls the world over including New York,

Chicago, San Francisco, Boston, London, Paris, Vienna, Florence and Salzburg.

She was a fellow of the Music Academy of the West in 1996, winner of the 1997

Marilyn Horne International Voice Competition and the 2000 Placido Domingo

Operalia competition, recipient of Queen Elizabeth II Golden Jubilee and

Diamond Jubilee awards, and was awarded the Republic of Armenia’s “Komitas

Medal” and the “Movses Khorenatsi” medal, Armenia’s highest cultural award.

Ms. Bayrakdarian is currently an Associate Professor of Voice in the Department

of Music at UC Santa Barbara. She is joined by extraordinary Canadian chamber

musicians Mark Fewer and Jamie Parker for a not-to-be-missed concert!

Sponsors: Bob Boghosian & Beth Gates-Warren • The Elaine F. Stepanek Foundation

Tickets at the Lobero Theatre Box Office

(805) 963-0761 lobero.org


ENGLISH BAROQUE SOLOISTS

VIOLIN I

Kati Debretzeni

Beatrice Philips

Jane Gordon

May Kunstovny

Jenna Sherry

Silvia Schweinberger

Jayne Spencer

Beatrice Scaldini

Sophie Simpson

VIOLIN II

Lucy Jeal

Davina Clarke

Jean Paterson

Debbie Diamond

Håkan Wikström

Henrietta Wayne

Anna Lester

Chloe Prendergast

VIOLA

Fanny Paccoud

Monika Grimm

Lisa Cochrane

Mari Giske

Jordan Bowron

Aliye Cornish

CELLO

Marco Frezzato

Catherine Rimer

Ruth Alford

Kinga Gáborjáni

DOUBLE BASS

Valerie Botwright

Cecilia Bruggemeyer

Markus van Horn

FLUTE

Rachel Beckett

Christine Garratt

OBOE

Michael Niesemann

Rachel Chaplin

CLARINET

Frank van den Brink

James Maltby

BASSOON

Veit Scholz

Catriona McDermid

HORN

Anneke Scott

Gijs Laceulle

TRUMPET

Neil Brough

Robert Vanryne

TIMPANI

Robert Kendell

Photo by Eric Larraydieu

CAMA AT THE GRANADA THEATRE • ENGLISH BAROQUE SOLOISTS

21


Presenting the world’s finest classical artists since 1919

MASTERSERIES at the Lobero Theatre

Season Sponsor: Esperia Foundation

James

Ehnes

© Benjamin Ealovega

© Jacob Blickenstaff

Orion

Weiss

MAY

24

TUE, 7:30PM

2022

JAMES EHNES, violin

ORION WEISS, piano

“A violinist in a class of his own” —The Times

Canadian James Ehnes has established himself as one of the most treasured violinists

of international stages. Acclaimed as “a supreme virtuoso and artist of the first rank”

(The Daily Telegraph), James Ehnes plays the “Marsick” Stradivarius (1715). His Santa

Barbara debut in July 2019 at the Granada Theatre with the London Symphony

Orchestra (presented by the Music Academy of the West) elicited the following

glowing concert review: “Ehnes was magnificent throughout, an impressive figure on

stage whose playing blazed like a laser beam, though brimming with compassion and

heart” (seenandheard-international.com). Ehnes is joined by gifted collaborative pianist

Orion Weiss who previously appeared in Masterseries with violinist Augustin Hadelich.

Mozart: Violin Sonata No.17 in C Major, K.296

Schubert: Fantasy in C Major, D.934

Korngold: Much Ado About Nothing, Suite Op.11

Saint-Saëns: Violin Sonata No.1 in D Minor, Op.75

Tickets at the Lobero Theatre Box Office

(805) 963-0761 lobero.org


CENTENNIAL CIRCLE

CRESCENDO

$250,000–$500,000

Bitsy & Denny Bacon and The Becton Family Foundation

Robert & Christine Emmons

The Elaine F. Stepanek Foundation

CADENZA

$100,000–$249,000

Judith L. Hopkinson

Sara Miller McCune

Stephen J.M. & Anne Morris

The Samuel B. & Margaret C. Mosher Foundation

SAGE Publishing

George & Judy Writer

RONDO

$50,000–$99,999

Anonymous

Marta Babson

Deborah & Peter Bertling

Alison & Jan Bowlus

Dan & Meg Burnham

NancyBell Coe & William Burke

Jill Felber & Paul A. Bambach

Herbert & Elaine Kendall

Lois S. Kroc

Jocelyne & William Meeker

Mari & Hank Mitchel

Bob & Val Montgomery

Northern Trust

Michele & Andre Saltoun

The Walter J. & Holly O. Thomson Foundation

Patricial Yzurdiaga

Cumulative Centennial Celebration Gifts of $50,000 and above include Centennial Circle membership.

October 2018–May 2020


LIFETIME GIVING

DIAMOND CIRCLE

$500,000 and above

Bitsy & Denny Bacon and

The Becton Family Foundation

Suzanne & Russell Bock

Linda Brown*

The Andrew H. Burnett

Foundation

Esperia Foundation

The Stephen & Carla Hahn

Foundation

Judith L. Hopkinson

Herbert & Elaine Kendall

Mary Lloyd & Kendall Mills

Mosher Foundation

SAGE Publishing

The Elaine F. Stepanek

Foundation

Elaine & Edward Stepanek

The Towbes Fund for the

Performing Arts

SAPPHIRE CIRCLE

$250,000–$499,999

The CAMA Women's Board

Robert & Christine Emmons

Ann Jackson Family Foundation

Sara Miller McCune

The Walter J. & Holly O. Thomson

Foundation

Wood-Claeyssens Foundation

Patricia & Joseph Yzurdiaga

RUBY CIRCLE

$100,000–$249,999

Denise & Stephen Adams/Adams

Family Foundation

Hollis Norris Fund

Deborah & Peter Bertling

Alison & Jan Bowlus

Dan & Meg Burnham

Janet & Thomas Kelly/Winona

Fund

Virginia Castagnola-Hunter

NancyBell Coe & William Burke

Léni Fé Bland

Mary & Raymond Freeman

George H. Griffiths and Olive J.

Griffiths Charitable Fund

Raye & Melville H. Haskell, Jr.

Dolores M. & Immanuel Hsu

Shirley Ann & James H. Hurley, Jr.

Shirley & Seymour Lehrer

John & Lucy Lundegard

Jocelyne & William Meeker

Mr. & Mrs. Frank R. Miller, Jr./

The Henry E. & Lola Monroe

Foundation

Montecito Bank & Trust

Bob & Val Montgomery

Stephen J.M. & Anne Morris

Kathleen & John Moseley/The

Nichols Foundation

Nancy & William G. Myers

Michele & Andre Saltoun

Santa Barbara Bank & Trust

Santa Barbara Foundation

Jan & John G. Severson

Judith F. & Julian Smith

Jeanne C. Thayer

Marilyn & H.Wallace Vandever

Wallis Foundation

Nancy & Byron Kent Wood

George & Judy Writer

EMERALD CIRCLE

$50,000–$99,999

Anonymous (3)

Ruth Appleby

Marta Babson

Helene & Jerry Beaver

Linda & Peter Beuret

Edward & Sue Birch

Bob Boghosian & Beth Gates-

Warren

Elizabeth & Andrew Butcher

Louise & Michael Caccese

Jane & Jack Catlett

Roger & Sarah Chrisman,

Schlinger Chrisman Foundation

Bridget & Robert Colleary

Suzanne & Maurice Faulkner

Jill Felber & Paul A. Bambach

Arthur R. Gaudi

Sherry & Robert Gilson

Janette "Dotsy" Main Hellmann

& Richard Hellmann

Joanne C. Holderman

Natalia & Michael Howe

Hutton Parker Foundation

Ellen & Peter Johnson

Elizabeth Karlsberg & Jeff Young

Lynn P. Kirst & Lynn R. Matteson

Lois Sandra Kroc

Betty & Max Meyer

Northern Trust

Craig & Ellen Parton

Austin H. Peck

Marjorie & Hugh Petersen

Diana & Roger Phillips

Theodore Plute & Larry Falxa

Lady Leslie & Viscount Paul

Ridley-Tree

SB County Office of Arts

& Culture

The Shanbrom Family Foundation

Barbara & Sam Toumayan

Carrie Towbes and John Lewis

TOPAZ CIRCLE

$25,000–$49,999

Anonymous

Peggy & Kurt Anderson

Barbara & Edward Bakewell

Helen & Andrew Burnett

California Small Business Relief

Program

Huguette Clark

Cecelia & Leonard Dalsemer

Edward DeLoreto and William

DeLoreto

Patricia & Larry Durham

Frederika & Dennis Emory

Nancyann & Robert Failing

Rosalind Amorteguy-Fendon &

Ronald Fendon

Priscilla & Jason Gaines

Preston B. & Maurine M. Hotchkis

Family Foundation

The George Frederick Jewett

Foundation

Patricia Kaplan

Jill Dore Kent

Kum Su Kim

Otto Korntheuer/The Harold L.

Wyman Foundation


LIFETIME GIVING

Laura & Robert Kuhn

Chris Lancashire & Catherine Gee

Lillian & Jon Lovelace

Leatrice & Eli Luria

Marilyn & Frank Magid

Ruth McEwen

Frank McGinity

Mary & James Morouse

Pat Hitchcock O'Connell

Efrem Ostrow Living Trust

The Outhwaite Foundation

Carolyn & Ernest Panosian

Performing Arts Scholarship

Foundation

John & Ellen Pillsbury

William H. Kearns Foundation

Mary Dell Pritzlaff & John Pritzlaff

Mary Louise & Kenneth W. Riley

Dorothy Roberts

City of Santa Barbara

Anitra & Jack Sheen

Linda Stafford Burrows

Marion Stewart

Irene & Robert Stone/Stone

Family Foundation

Ina & Martin Tornallyay

Steven Trueblood

Carol & Edward R. Valentine

Susie & Hubert Vos

Marjorie K. & Roderick S. Webster

Westmont College

Ann & Dick Zylstra

AMETHYST CIRCLE

$10,000–$24,999

Rebecca & Peter Adams

Christina & David Allison

Bernice & Mortimer Andron

Sally & Robert Arthur

Marjorie & J.W. Bailey

Else Schilling Bard

Joan C. Benson

Leslie & Philip Bernstein

Frank Blue & Lida Light Blue

Toos & Erno Bonebakker

Shelley & Mark Bookspan

Cynthia Brown & Arthur Ludwig

Suzanne & Peyton Bucy

The CAMA Fellows

Margo & Charles Chapman

Chubb Sovereign

Carnzu Clark

Stephen Cloud

Nan Burns & Dr. Gregory Dahlen

Karen Davidson, M.D.

Elizabeth & Kenneth Doran

Julie & William Esrey

Audrey Hillman Fisher

Foundation

David W. Fritzen/DWF Magazines,

DWF Media International

Catherine H. Gainey

Tish Gainey & Charles Roehm

Dorothy & John Gardner

Kay & Richard Glenn

Corinna Gordon, Larry Dale

Gordon

Dorothy & Freeman Gosden

Grace Jones Richardson Trust

Dianne & Robert S. Grant

Beverly & Bruce Hanna

Dolores & Robert Hanrahan

Lorraine C. Hansen

Margret & David F. Hart

Betty & Stan Hatch

Renee & Richard Hawley

Ruth & Alan Heeger

Mary & Campbell Holmes

Jackie Inskeep

Glenn Jordan & Michael Stubbs

Martha & Peter Karoff

Connie & Richard Kennelly

Mahri Kerley/Chaucer's Books

Linda & Michael Keston

MaryAnn & Frederick Lange

Dodie Little

Ruth & John Matuszeski

Dona & George McCauley

Jayne Menkemeller

Sally & George Messerlian

Keith W. Moore

Maryanne Mott & Herman Warsh

Sybil & Russell Mueller

Myra & Spencer Nadler

Karin Nelson & Eugene Hibbs/

Maren Henle

Fran & John Nielsen

Ellen Lehrer Orlando & Thomas

Orlando

Joanne & Alden Orput

Mr. & Mrs. Charles W. Partridge

John Perry

Patricia & Carl Perry

Justyn & Ray Person

Susan & James Petrovich

Ann M. Picker

Anne & C.Wesley Poulson

Susannah Rake

Jaquelin & Frank Reed

Jack Revoyr

Regina & Rick Roney

Rebecca Ross

Betty Barrett & John Saladino

William E. Sanson

Maryan & Richard Schall

Nancy & William Schlosser

Pat & Roby Scott

Dody Waugh & Eric Small

Sally & Jan E.G. Smit

Constance & C.Douglas Smith

Barbara & Wayne Smith

Betty J. Stephens

Diane & Selby Sullivan

The Godric Foundation

Joseph Thomas

Milan E. Timm

Mark E. Trueblood

Drs. Shirley & Kenneth Tucker

Barbara & Gary Waer

Nick & Patty Weber

Dr. Robert W. Weinman

Victoria & Norman Williamson

Lisa Bjornsen Wolf & David

Russell Wolf

Charles and Merryl Snow Zegar

*promised

Gifts received by December 13, 2021


MOZART SOCIETY

CAMA’s mission is to enrich Santa Barbara’s cultural life by bringing live performances by worldrenowned

classical artists and orchestras of the highest artistic excellence to our community

and by providing creative, focused music education programs for individuals of all ages.

CAMA thanks and honors the following members of the CAMA community who have

contributed to CAMA’s Endowment. A commitment to CAMA’s Endowment ensures the

success of CAMA’s next 100 years. Gifts at every level are deeply appreciated.

James H. Hurley and Judith L. Hopkinson

Co-Chairs Endowment

CONDUCTOR'S CIRCLE

$500,000 and above

Suzanne & Russell Bock

Linda Brown*

SAGE Publishing

Elaine Stepanek

Esperia Foundation

CRECENDO CIRCLE

$250,000–$499,999

Bitsy & Denny Bacon and

The Becton Family Foundation

The Andrew H.

Burnett Foundation

Robert & Christine Emmons

Judith L. Hopkinson

Herbert & Elaine Kendall

Mary Lloyd & Kendall Mills

CADENZA PATRONS

$100,000–$249,999

Mary & Raymond Freeman

The Stephen & Carla

Hahn Foundation

Shirley Ann & James H. Hurley, Jr.

Nancy & William G. Myers

Jan Severson

Judith F. Smith

The Towbes Fund for

the Performing Arts

George & Judy Writer

RONDO PATRONS

$50,000–$99,999

Ruth Appleby

Deborah & Peter Bertling

Linda & Peter Beuret

Dr. Dolores M. Hsu

Lois Sandra Kroc

The Samuel B. & Margaret C.

Mosher Foundation

Santa Barbara Bank & Trust

Nancy & Byron Kent Wood

CONCERTO PATRONS

$25,000–$49,999

Jane Catlett

Bridget B. Colleary

Suzanne Faulkner

Léni Fé Bland

Raye Haskell Melville

Joanne C. Holderman

Hutton Parker Foundation

Sara Miller McCune

Mr. & Mrs. Frank R. Miller, Jr./

The Henry E. & Lola Monroe

Foundation

Efrem Ostrow Living Trust

Craig & Ellen Parton

Diana & Roger Phillips

Linda Stafford Burrows

The Walter J. & Holly O. Thomson

Foundation

Barbara & Sam Toumayan

SONATA PATRONS

$10,000–$24,999

Anonymous

Rebecca & Peter Adams

Denise & Stephen Adams/

Adams Family Foundation

Marta Babson

Else Schilling Bard

Edward & Sue Birch

Frank Blue & Lida Light Blue

Bob Boghosian &

Beth Gates-Warren

Elizabeth & Andrew Butcher

The CAMA Women's Board

Virginia Castagnola-Hunter

Margo Chapman

NancyBell Coe & William Burke

Karen Davidson, M.D.

Nancyann & Robert Failing

Rosalind Amorteguy-Fendon

& Ronald Fendon

Priscilla & Jason Gaines

Arthur R. Gaudi

Sherry & Robert Gilson

Lorraine C. Hansen

Mary & Campbell Holmes

Patricia Kaplan

Winona Fund

Mahri Kerley/Chaucer's Books

Lynn P. Kirst

Laura Kuhn

John Lundegard

Keith Moore

Jayne Menkemeller

Betty Meyer

Mary & James Morouse

Myra & Spencer Nadler

Pat Hitchcock O'Connell

John Perry

Marjorie & Hugh Petersen

John & Ellen Pillsbury

Susannah Rake

Michele & Andre Saltoun

Anitra & Jack Sheen

Sally & Jan E.G. Smit

Constance Smith

The Elaine F. Stepanek

Foundation

Betty J. Stephens

Mark E. Trueblood

Marilyn Vandever

Barbara & Gary Waer

David & Lisa Wolf

*promised

Gifts received by December 13, 2021


LEGACY SOCIETY

Rebecca & Peter Adams

Bitsy & Denny Bacon and

The Becton Family Foundation

Deborah & Peter Bertling

Linda & Peter Beuret

Frank Blue & Lida Light Blue

Linda Brown

Elizabeth & Andrew Butcher

Virginia Castagnola-Hunter

Jane Catlett

Bridget B. Colleary

Karen Davidson, M.D.

Robert & Christine Emmons

Rosalind Amorteguy-Fendon

& Ronald Fendon

Mary & Raymond Freeman

Priscilla & Jason Gaines

Arthur R. Gaudi

Lorraine C. Hansen

Raye Haskell Melville

Joanne C. Holderman

Judith L. Hopkinson

Dr. Dolores M. Hsu

Shirley Ann & James H. Hurley, Jr.

Herbert & Elaine Kendall

Mahri Kerley/Chaucer's Books

Lynn P. Kirst

Lois Sandra Kroc

John Lundegard

Keith Moore

Mary Lloyd & Kendall Mills

Myra & Spencer Nadler

Craig & Ellen Parton

Diana & Roger Phillips

John & Ellen Pillsbury

Andre & Michele Saltoun

Judith F. Smith

Barbara & Sam Toumayan

Mark E. Trueblood

Marilyn Vandever

Barbara & Gary Waer

Nancy & Byron Kent Wood

Gifts received by December 13, 2021

We gratefully acknowledge all CAMA Mozart Society and Legacy

Society members for their gifts to CAMA’s endowment, ensuring

CAMA’s mission to bring the world’s greatest classical artists to

Santa Barbara for years to come.

Thank you


INTERNATIONAL CIRCLE

We most gratefully acknowledge and thank International Circle Members

for their annual contribution of $1,000 or more.

Anonymous (4)

Sylvia Abualy

Catherine L. Albanese

Todd & Allyson Aldrich Family

Charitable Fund

Jane & Kenneth Anderson

Peggy & Kurt Anderson

Argonaut Charitable Foundation

Marta Babson

Bitsy & Denny Bacon and The

Becton Family Foundation

Becky & William Banning

Ms. Isabel Bayrakdarian

Helene Beaver

Bitsy & Denny Bacon and The

Becton Family Foundation

Deborah & Peter Bertling

Linda & Peter Beuret

Jerry & Geraldine Bidwell

Edward & Sue Birch

Suzanne & Russell Bock

Bob Boghosian & Beth Gates-

Warren

Shelley & Mark Bookspan

Diane Boss

Alison & Jan Bowlus

Cynthia Brown & Arthur Ludwig

Wendel Bruss

Suzanne & Peyton Bucy

Barbara Burger & Paul Munch

Alison H. Burnett

Dan & Meg Burnham

Karen Bushnell

Elizabeth & Andrew Butcher

Louise & Michael Caccese

Annette & Richard Caleel

The CAMA Women's Board

Susan & Claude Case

Mahri Kerley/Chaucer's Books

Roger & Sarah Chrisman,

Schlinger Chrisman Foundation

Patricia Clark

Lavelda & Lynn Clock

Stephen Cloud

Betsy & Kenneth Coates

NancyBell Coe & Bill Burke

Bridget B. Colleary

Joan & Steven Crossland

Gregory Dahlen III &

Christi Walden

Jan Davis-Hadley

Janet Davis

Sheryl & Michael DeGenring

Edward S. DeLoreto

Diane L. Dodds

Margaret & Ronald Dolkart

Nancy Donaldson

Elizabeth & Kenneth Doran

Glenn and Karen Doshay

Ann & David Dwelley

Wendy & Rudy Eisler

Julia Emerson

Robert & Christine Emmons

Frederika & Dennis Emory

Nancy Englander

Lois Erburu

Thomas & Doris Everhart

Nancyann & Robert Failing

Bob & Margo Feinberg

Jill Felber & Paul A. Bambach

Rosalind Amorteguy-Fendon &

Ronald Fendon

Mary & Raymond Freeman

Priscilla & Jason Gaines

Catherine H. Gainey

Tish Gainey & Charles Roehm

Santa Barbara Foundation

Dorothy & John Gardner

Arthur R. Gaudi

George H. Griffiths and Olive J.

Griffiths Charitable Fund

The Stephen & Carla Hahn

Foundation

David Hamilton

Raye Haskell Melville

Renee & Richard Hawley

Maison K

Kevin Hess

Barbara Hirsch

Ronda & Bill Hobbs

Gerhart Hoffmeister

Joanne C. Holderman

Hollis Norris Fund

Judith L. Hopkinson

Natalia & Michael Howe

Shirley Ann & James H. Hurley, Jr.

Jackie Inskeep

Ann Jackson Family Foundation

Karin Jacobson & Hans Koellner

Gina & Joseph Jannotta

Diane Johnson

Ellen & Peter Johnson

Glenn Jordan & Michael Stubbs

Gerd & Peter Jordano

Elizabeth Karlsberg & Jeff Young

William H. Kearns Foundation

James P. Kearns

Herbert & Elaine Kendall

Connie & Richard Kennelly

Jill Dore Kent

Kum Su Kim & John Perry

Sally Kinney

Lynn P. Kirst

Thomas & Travis Kranz

28 CAMA'S 103 RD CONCERT SEASON


INTERNATIONAL CIRCLE

Lois Sandra Kroc

Chris Lancashire & Catherine Gee

Stefanie L. Lancaster Charitable

Foundation

Francis and Stefanie Lancaster

MaryAnn Lange

Elinor & James Langer

Kathryn Lawhun & Mark Shinbrot

Shirley & Seymour Lehrer

Dodie Little

Christie & Morgan Lloyd

Nancy & James Lynn

Gloria & Keith Martin

Maureen Masson

Phyllis Brady & Andy Masters

Ruth & John Matuszeski

Donald & Karine McCall

Dona & George McCauley

Sara Miller McCune

Jeffrey McFarland

Frank McGinity & Debbie Geremia

Patriicia & William McKinnon

Jocelyne & William Meeker

Sally & George Messerlian

The Henry E. & Lola Monroe

Foundation

Robert Miller & Susie Triolo Miller

Mary Lloyd & Kendall Mills

Montecito Bank & Trust

Bob & Val Montgomery

Stephen J.M. & Anne Morris

Peter L. Morris

The Samuel B. & Margaret C.

Mosher Foundation

Maryanne Mott

Russell Mueller

Mrs. Raymond King Myerson

Karin Nelson & Eugene Hibbs/

Maren Henle

Fran & John Nielsen

Northern Trust

Ellen Lehrer Orlando &

Thomas Orlando

Gail Osherenko & Oran Young

Patti Ottoboni

Anne & Daniel Ovadia

Craig & Ellen Parton

Carol & Kenneth Pasternack

Samuel F. Pellicori

Performing Arts Scholarship

Foundation

Patricia & Carl Perry

Diana & Roger Phillips

Ann M. Picker

John & Ellen Pillsbury

Minie & Hjalmar Pompe van

Meerdervoort

Carol & Edward Portnoy

William H. Kearns Foundation

Donald Rink

The Roberts Brothers Foundation

Dorothy Roberts

Regina & Rick Roney

Merlin Rossow

SAGE Publishing

Michele Saltoun

Ada B. Sandburg

William E. Sanson

Santa Barbara Foundation

City of Santa Barbara

Lynn & Mark Schiffmacher

Nancy Schlosser

The Shanbrom Family Foundation

Maureen & Les Shapiro

Anitra & Jack Sheen

Halina W. Silverman

Dody Waugh & Eric Small

Paul & Delia Smith

Judith F. Smith

Barbara & Wayne Smith

Linda Stafford Burrows

The Elaine F. Stepanek

Foundation

Marion Stewart

Irene & Robert Stone/Stone

Family Foundation

Elaine & Robert Sweet

Pamala Temple

Suzanne Holland &

Raymond Thomas

The Walter J. & Holly O. Thomson

Foundation

Milan E. Timm

Barbara & Sam Toumayan

TheTowbes Fund for the

Performing Arts, a field of

interest fund of the

Bicky Townsend

Mark E. Trueblood

Steven Trueblood

Dr. Shirley Tucker

Carol Vernon & Robert Turbin

Department of Music, University

of California, Santa Barbara

Hubert Vos

Esther & Tom Wachtell

Barbara & Gary Waer

Sheila Wald

Nick & Patty Weber

Dr. Robert Weinman

Judy L Weisman

Westmont College

Victoria & Norman Williamson

Winona Fund

Wood-Claeyssens Foundation

Nancy & Byron Kent Wood

George & Judy Writer

Grace & Edward Yoon

Patricia Yzurdiaga

Katina Zaninovich

Zegar Family Fund

Cheryl & Peter Ziegler

Ann & Dick Zylstra

Gifts received by December 13, 2021

CAMA AT THE GRANADA THEATRE • ENGLISH BAROQUE SOLOISTS

29


MUSICIANS SOCIETY

CAMA thanks our Musicians Society for their annual support.

BENEFACTORS

$500–$999

Catherine L. Albanese

Barbara Burger and Paul Munch

Sandy and Jerry Gothe

Dr. Hsiu-Zu Ho &

Dr. William A. Below

Edward O. Huntington

James and Stephanie Ingraham

Sue Larsen

Phyllis Brady & Andy Masters

Julia & Arthur Pizzinat

Monica Romero

Michael and Nancy Sheldon

Taka Yamashita

CONTRIBUTORS

$250–$499

Helen Arnold

Jyl & Allan Atmore

Howard A. Babus

Lance and Judy Boyd

Maggy Cara

Edith M. Clark

Michael & Ruth Ann Collins

Meg & Jim Easton

Claudette & Gene Geller

Nancy & Frederic Golden

Robert L. Grant

Marie-Paule & Laszlo Hajdu

Lorraine C. Hansen

Lorna S. Hedges

David and Linda James

Debbie & Frank Kendrick

Christine & James V. McNamara

Doug and Diane Morgan

Carolyn & Dennis Naiman

Maureen O'Rourke

George Porter

Gaines Post

Muriel & Ian K. Ross

Denis and Jennifer Sanan

Naomi Schmidt

Joan Tapper & Steven Siegel

Beverly & Michael Steinfeld

Heidi Stilwell

Jerre Sumter

Katherine Thomassin

ASSOCIATES

$100–$249

Anonymous

Peter and Mary Alden

Barbara Bonadeo

Margaret & David Carlberg

Joanne & John Chere

Marna Coday

Pattie & Charles Firestone

Eunice & J.Thomas Fly

Edward Gastaldo

Bernice & Harris Gelberg

Ghita Ginberg

Bradford and Ursula Ginder

Robert Hanrahan

Victoria Hendler

Emmy & Fred Keller

Anna & Petar Kokotovic

Lady Patricia & Sir Richard

Latham

Catherine Leffler

Mr. Paul Levine

Lesli and Michael Marasco

Ria S. Marsh

Barbara & Ernest Marx

Andrew Mester

Betty Meyer

Catherine & Kenneth Murphy

Carol Hawkins & Larry Pearson

Jean Perloff

Jane Roney

Sonia Rosenbaum

Dr. Paul Ryack

Alan R Schweitzer

Laura Tomooka

Mary H. Walsh

Jon and Nina Warner

Lorraine & Stephen Weatherford

Judy & Mort Weisman

Theresa & Julian Weissglass

David Yager

FRIENDS

$10–$99

Anne Ashmore

Susan Badger

Melvin and Pearl Brooks

Polly Clement

Amelia Dallenbach

Margaret & Nicholas Dewey

Sumner and Dana Fein

Nona & Lorne Fienberg

George and Leanne Friedenthal

Susan & Larry Gerstein

Elliot Gross

Betty Harwick

Ms. Martha Hassenplug

Carol Hester

Christine Hoehner

Susan S. Johnston

Ms. Jaclyn Maduff

Christine Markussen

Phillip and Pam McLendon

Sandra and Nelson Merwizer

Lori Kraft Meschler

Elisabetta Riva

Doris & Bob Schaffer

Dr. and Mrs. Stuart L Silverman

Julie & Richard Steckel

Hayley Thompson

Patricia & Edward Wallace

Fritz and Hertha Will

Gifts received by December 13, 2021

30 CAMA'S 103 RD CONCERT SEASON


MUSIC EDUCATION

$25,000 and above

The Walter J. & Holly O. Thomson Foundation

$10,000–$24,999

Ms. Irene Stone/ Stone Family Foundation

Mary Lloyd & Kendall Mills

Mr. & Mrs. Frank R. Miller, Jr. /

The Henry E. & Lola Monroe Foundation

$1,000–$9,999

CAMA Women's Board

William H. Kearns Foundation

Stefanie L. Lancaster Charitable Foundation

Sara Miller McCune

James P. and Shirley F. McFarland Fund

of the Minneapolis Foundation

Performing Arts Scholarship Foundation

Westmont College

$100–$999

Becky & William Banning

William S. Hanrahan

Lynn P. Kirst

CAMA Education Endowment

Fund Income

$50,000 AND ABOVE

Mary Lloyd Mills

$1,000–$4,999

Linda Stafford Burrows

$1,000–$4,999

Linda Stafford Burrows –

This opportunity to experience great musicians excelling is

given in honor and loving memory of Frederika Voogd

Burrows to continue her lifelong passion for enlightening

young people through music and math.

Kathryn H. Phillips, in memory of Don R. Phillips

Walter J. Thomson/The Thomson Trust

$50–$999

Lynn P. Kirst

Keith J. Moore

Performing Arts Scholarship Foundation

Marjorie S. Petersen

Gifts received by December 13, 2021

Volunteer docents are trained by CAMA's Education

Committee Chair Joan Crossland to deliver this

program to area schools monthly. Music enthusiasts

are invited to learn more about the program and

volunteer opportunities.

Call the CAMA office at (805) 966-4324 for

more information about the docent program.

MEMORIAL GIFTS

IN MEMORY OF

IN HONOR OF

Michelle "CoCo" Ogburn

Margaret & Ronald Dolkart

Prof. Frederick F. Lange

MaryAnn Lange

Deborah Bertling

Diane Dodds

Nancy L. Wood

David Wood

Mark Trueblood

Nancy & James Lynn

Joan Crossland, Nancy Lynn

and David Malvinni

Carolyn & Dennis Naiman

Joan Crossland

George Porter

Elizabeth Alvarez

Stephen J.M. & Anne Morris

CAMA AT THE GRANADA THEATRE • ENGLISH BAROQUE SOLOISTS

31


BUSINESS SUPPORTERS

We thank the many businesses that support

CAMA's programs and events!

Laurel Abbott, Berkshire

Hathaway Luxury Properties

Alma Rosa Winey

Babcock Winery

James P. Ballantine

Bertling Law Group

Bibi Ji

Black Sheep Restaurant

Blue Star Parking

bouchon

Brander Vineyard

Wes Bredall

Ca' Dario Ristorante

Camerata Pacifica

Cebada Wine

The Cheese Shop

Chaucer's Books

Chocolats du CaliBressan

Custom Printing

eji experiences

Eye Glass Factory

Felici Events

Finch & Fork

Flag Factory of

Santa Barbara

Frequency Wine

Gainey Vineyard

The Good Lion

Grassini Family Vineyards

Grimm’s Bluff

Hogue & Company

Holdren's Catering

Inside Wine Santa Barbara

Kristin Jackson

Graphic Design

Jano Printing & Mailworks

Jardesca

Le Sorelle

Lumen Wines

M4 Interactive

Maravilla/Senior

Resource Group

Mercury Press International

Montecito Bank & Trust

Montgomery Vineyard

Northern Trust

Olio e Limone/Olio Crudo

Bar/Olio Pizzeria

Opal Restaurant & Bar

Opera Santa Barbara

Pacific Coast

Business Times

Pali Wine Co.

Performing Arts

Scholarship Foundation

Pete Clements Catering

Presqu’ile Winery

SAGE Publishing

Santa Barbara Foundation

Santa Barbara

Travel Bureau

The Tent Merchant

The Upham Hotel

Via Maestra 42

Westmont Orchestra


THANK YOU TO OUR CO-PRESENTER

THE MUSIC ACADEMY OF THE WEST!

THURSDAY, MARCH 24, 2022, 7:30PM

LONDON SYMPHONY

ORCHESTRA

Sir Simon Rattle, Music Director

Works by Berlioz, Sibelius, Bartók,

Ravel and Hannah Kendall.

The London Symphony Orchestra’s 2022 North American Tour is made possible through an

intercontinental partnership with the Music Academy of the West.

The Lead Sponsors of the Music Academy of the West and London Symphony Orchestra

partnership are Linda & Michael Keston and Mary Lynn & Warren Staley.

CAMA joins the Music Academy of the West in acknow ledging addition al support

in re mem brance of Léni Fé Bland.

CAMA thanks our generous sponsors who have made this evening’s performance possible:

International Series Season Sponsor: SAGE Publishing

Photo by Mark Allan

Primary Sponsor: Bitsy & Denny Bacon and The Becton Family Foundation


Sometimes, a Round of

Applause Just Isn’t Enough.

Northern Trust is proud to support Community Arts Music

Association of Santa Barbara. For 130 years, we’ve been

meeting our clients’ financial needs while nurturing a culture

of caring and a commitment to invest in the communities we

serve. We’re proud to play a supporting role.

TO LEARN MORE VISIT

northerntrust.com

WEALTH PLANNING | BANKING | TRUST & ESTATE SERVICES | INVESTING | FAMILY OFFICE

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