juillet – septembre - Université de Genève
juillet – septembre - Université de Genève
juillet – septembre - Université de Genève
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BIBLIOTHÈQUE D’ANGLAIS 21<br />
A Shak 8*BEVI<br />
Bevington, David M. <strong>–</strong> Shakespeare and biography / David Bevington. <strong>–</strong> Oxford : Oxford University<br />
Press, 2010. <strong>–</strong> 179 p. ; 21 cm. <strong>–</strong> (Oxford Shakespeare topics). <strong>–</strong> Bibliogr.: p. [163]-170. <strong>–</strong> ISBN 978<strong>–</strong>01<strong>–</strong><br />
9958<strong>–</strong>6486 (hardback). ISBN 978<strong>–</strong>01<strong>–</strong>9958<strong>–</strong>6479 (pbk.) R005182378<br />
GE FL/ANGL : salle lecture * classif.: A Shak 8*BEVI * cote: BFLA 219999<br />
A Shak 8*CORC Sha atm<br />
Corcoran, Neil. <strong>–</strong> Shakespeare and the mo<strong>de</strong>rn poet / Neil Corcoran. <strong>–</strong> Cambridge : Cambridge<br />
University Press, 2010. <strong>–</strong> vi, 248 p. ; 24 cm. <strong>–</strong> Contains: Introduction ; Part I. Yeats's Shakespeare: 1.<br />
Setting a sail for shipwreck: Yeats's Shakespeare criticism ; 2. Myself must I remake: Shakespeare in<br />
Yeats's poetry ; Part II. Eliot's Shakespeare: 3. That man's scope: Eliot's Shakespeare criticism ; 4. This<br />
man's gift: Shakespeare in Eliot's poetry ; Part III. Au<strong>de</strong>n's Shakespeare: 5. A plenum of experience:<br />
Au<strong>de</strong>n's Shakespeare criticism ; 6. The reality of the mirror: Shakespeare in Au<strong>de</strong>n's poetry ; Part IV.<br />
Ted Hughes's Shakespeare: 7. A language of the common bond ; 8. The Shakespearean moment ; 9.<br />
Survivor of cease: Shakespeare and Sylvia Plath in Ted Hughes's poems ; In<strong>de</strong>x. <strong>–</strong> ISBN 978<strong>–</strong>05<strong>–</strong><br />
2119<strong>–</strong>9827 (hardback) R005432424<br />
GE FL/ANGL : salle lecture * classif.: A Shak 8*CORC Sha atm * cote: BFLA 219511<br />
A Shak 8*New cct<br />
The new Cambridge companion to Shakespeare / edited by Margreta De Grazia, Stanley Wells. <strong>–</strong> [New<br />
ed. of The Cambridge companion to Shakespeare]. <strong>–</strong> Cambridge ; New York [etc.] : Cambridge<br />
University Press, 2010. <strong>–</strong> xvi, 360 p. : ill. ; 23 cm. <strong>–</strong> (Cambridge companions to literature). <strong>–</strong> Inclu<strong>de</strong>s<br />
bibliographical references and in<strong>de</strong>x. <strong>–</strong> ISBN 0<strong>–</strong>521<strong>–</strong>71393<strong>–</strong>5 (pbk.). ISBN 0<strong>–</strong>521<strong>–</strong>88632<strong>–</strong>5 (hardback).<br />
ISBN 978<strong>–</strong>05<strong>–</strong>2171<strong>–</strong>3931 (pbk.). ISBN 978<strong>–</strong>05<strong>–</strong>2188<strong>–</strong>6321 (hardback) R005432514<br />
GE FL/ANGL : salle lecture * classif.: A Shak 8*New cct * cote: BFLA 219958<br />
A Shak 8*PETE Sha et<br />
Petersen, Lene B. <strong>–</strong> Shakespeare's errant texts : textual form and linguistic style in Shakespearean<br />
'Bad' quartos and co-authored plays / Lene B. Petersen. <strong>–</strong> Cambridge ; New York : Cambridge<br />
University Press, 2010. <strong>–</strong> xx, 310 p. : ill. ; 23 cm. <strong>–</strong> Inclu<strong>de</strong>s bibliographical references and in<strong>de</strong>x. <strong>–</strong><br />
Contains: Foreword ; Prologue ; Part I. Oral-Memorial Transmission and the Formation of<br />
Shakespeare's Texts: 1. The Elizabethan dramatic industry and industrious Shakespeare ; 2.<br />
Decomposing the text: oral transmission and the theory of the Zielform ; 3. The popular play and the<br />
popular ballad: evi<strong>de</strong>nce of 'Quarto mechanics' in the multiple texts of Hamlet and Romeo and Juliet ;<br />
Conclusion Part I ; Part II. Recomposing the Author: Some Tools for Positioning the Role of the<br />
Playwright in Dramatic Transmission: 4. Introduction to quantitative textual analysis: computational<br />
stylistics, cognition and the missing author ; 5. Stylometry and textual multiplicity I: contextual stylistics<br />
and the case of Titus Andronicus ; 6. Stylometry and textual multiplicity II: testing the grading between<br />
authorship and 'orality' in the scenes of Romeo and Juliet and Hamlet ; Conclusion Part II: evaluating the<br />
experiment ; Epilogue ; Appendix I. Scenic units in Q1 Hamlet/Der Bestrafte Bru<strong>de</strong>rmord and Romeo<br />
and Juliet/Romio und Julietta ; Appendix II. 'Meet it is I set it downe': verbal evi<strong>de</strong>nce of Quarto<br />
mechanics in the short versions of Hamlet and Romeo and Juliet ; Appendix III. Chapter 4: table of<br />
results for 257-Plays DA, using 50 principal components ; Appendix IV. Examples of principal<br />
component screen plots for three-text Hamlet by scenes and three-text Romeo and Juliet by scenes only<br />
; Bibliography. <strong>–</strong> ISBN 978<strong>–</strong>05<strong>–</strong>2176<strong>–</strong>5220 R005439727<br />
GE FL/ANGL : salle lecture * classif.: A Shak 8*PETE Sha et * cote: BFLA 220075<br />
A Shak 8*PUGL Sha atj<br />
Pugliatti, Paola. <strong>–</strong> Shakespeare and the just war tradition / Paola Pugliatti. <strong>–</strong> Al<strong>de</strong>rshot : Ashgate,<br />
2010. <strong>–</strong> x, 249 p. ; 25 cm. <strong>–</strong> Inclu<strong>de</strong>s bibliographical references and in<strong>de</strong>x. <strong>–</strong> Contains: Part 1: Ethics and<br />
warfare: the just war tradition in Europe -- Part 2: Theatres of war in the 1590s: offstage and onstage --<br />
Part 3: Shakespeare on war and peace -- Part 4: In god's name: Henry V and the wars of our time. <strong>–</strong><br />
ISBN 978<strong>–</strong>07<strong>–</strong>5465<strong>–</strong>9273 (hardback). ISBN 978<strong>–</strong>07<strong>–</strong>5469<strong>–</strong>9644 (ebook) R005435150<br />
GE FL/ANGL : salle lecture * classif.: A Shak 8*PUGL Sha atj * cote: BFLA 219578