juillet – septembre - Université de Genève
juillet – septembre - Université de Genève
juillet – septembre - Université de Genève
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BIBLIOTHÈQUE D’ANGLAIS 48<br />
R/HLit*Gro<br />
The grotesque / edited and with an introduction by Harold Bloom ; volume editor, Blake Hobby. <strong>–</strong> New<br />
York : Bloom's Literary Criticism, cop. 2009. <strong>–</strong> xviii, 218 p. ; 25 cm. <strong>–</strong> (Bloom's literary themes). <strong>–</strong><br />
Inclu<strong>de</strong>s bibliographical references and in<strong>de</strong>x. <strong>–</strong> Contains: The American and European grotesque.<br />
"Notes on the grotesque: An<strong>de</strong>rson, Brecht, and Williams. <strong>–</strong>- As I lay dying, William Faulkner -- The<br />
bacchae, Euripi<strong>de</strong>s -- The birds, Aristophanes -- Candi<strong>de</strong>, Voltaire -- Don Quixote, Miguel <strong>de</strong> Cervantes<br />
-- Edgar Allan Poe's short stories, Edgar Allen Poe -- Frankenstein, Mary Shelley -- "Good Country<br />
People," Flannery O'Connor -- Gulliver's Travels, Jonathan Swift -- Henry IV, William Shakespeare --<br />
Inferno, Dante Alighieri -- King Lear, William Shakespeare -- The metamorphosis, Franz Kafka -- Miss<br />
Lonelyhearts, Nathanael West -- The mysterious stranger, Mark Twain -- "The overcoat," Nikolai Gogol -<br />
- "Revelation," Flannery O'Connor -- Six characters in search of an author, Luigi Piran<strong>de</strong>llo -- Winesburg,<br />
Ohio, Sherwood An<strong>de</strong>rson. <strong>–</strong> ISBN 978<strong>–</strong>07<strong>–</strong>9109<strong>–</strong>8028 (acidfree paper) R005435887<br />
GE FL/ANGL : salle lecture * classif.: R/HLit*Gro * cote: BFLA 219548<br />
R/HLit*Mus alm<br />
Music and literary mo<strong>de</strong>rnism : critical essays and comparative studies / edited by Robert McParland. <strong>–</strong><br />
2nd ed. <strong>–</strong> Newcastle upon Tyne : Cambridge Scholars, 2009. <strong>–</strong> 260 p. ; 22 cm. <strong>–</strong> Contains: Part I:<br />
Criticism, music and literature. The sonority of language in literary and musical mo<strong>de</strong>rnity / Marc<br />
Derveaux ; Sounds like now: Music, Avant-gardism, and the post-mo<strong>de</strong>rn sublime / Kiene Brillenburg<br />
Wurth ; Boulez, Joyce, Mallarmé : Music as mo<strong>de</strong>rnist literature / Zbigniew Granat -- Part II: Musical and<br />
literary interactions. Within a space of tears: Music, writing, and the mo<strong>de</strong>rn in Virginia Woolf's The<br />
Voyage out / Emma Sutton ; Dear EzzROAR, Dear Anthill: Ezra Pound, George Antheil and the<br />
complications of patronage / Erin E. Templeton ; Not just tangle and drift: Music as metaphor in the<br />
poetry of W.B. Yeats / Juli White ; The sound of an i<strong>de</strong>a: Music in the mo<strong>de</strong>rnist writings of Mina Loy and<br />
Gertru<strong>de</strong> Stein / Tanya Dalziell ; Musical and i<strong>de</strong>ological synthesis in James Weldon Johnson's The<br />
autobiography of an ex-colored man / Michael Kardos ; Opera, maternal influence, and gen<strong>de</strong>r in Ernest<br />
Hemingway's The Ash Heel's Tendon / Lisa Tyler ; Music: Wallace Stevens' Supreme fiction / Karl<br />
Coulthard -- Part III: Musical aesthetics and the mystical. Unstable metaphors of divinity: Proust's<br />
theology of musical aesthetics / Gregory Erickson ; Silent music in James Joyce's Sirens / Enrico<br />
Terrinoni -- Part IV: Mo<strong>de</strong>rnism and popular culture. T.S. Eliot and Ubiquitous Music, 1909-1922 / T.<br />
Austin Graham ; The Beatles as mo<strong>de</strong>rnists / Kenneth Womack ; For further reading ; Contributors ;<br />
Notes. <strong>–</strong> ISBN 978<strong>–</strong>14<strong>–</strong>4381<strong>–</strong>4027 R005436455<br />
GE FL/ANGL : salle lecture * classif.: R/HLit*Mus alm * cote: BFLA 219819<br />
R/HLit*Nor aot<br />
The Norton anthology of theory and criticism / Vincent B. Leitch, general editor. <strong>–</strong> 2nd ed. <strong>–</strong> New York :<br />
W.W. Norton and company, 2010. <strong>–</strong> xl, 2758 p. ; 21 cm. <strong>–</strong> Inclu<strong>de</strong>s bibliographical references and<br />
in<strong>de</strong>xes. <strong>–</strong> ISBN 978<strong>–</strong>03<strong>–</strong>9393<strong>–</strong>2928 (hbk) R005431316<br />
GE FL/ANGL : salle lecture * classif.: R/HLit*Nor aot * cote: BFLA 219525<br />
R/HLit*The n<br />
Theorizing narrativity / edited by John Pier and José Ángel García Landa. <strong>–</strong> Berlin : W. <strong>de</strong> Gruyter,<br />
2008. <strong>–</strong> 464 p. ; 24 cm. <strong>–</strong> (Narratologia ; 12). <strong>–</strong> "Theorizing Narrativity is a collective work by an<br />
international array of leading specialists in narrative theory. It provi<strong>de</strong>s new perspectives on the nature<br />
of narrative, genre theory, narrative semiotics and communication theory. Most contributions center on<br />
the specificity of literary fiction, but each chapter investigates a different dimension of narrativity with<br />
many issues <strong>de</strong>alt with in innovative ways (including oral storytelling, the law, vi<strong>de</strong>o games, causality,<br />
intertextuality and the theory of reading). There are chapters by Gerald Prince on narrativehood and<br />
narrativity, Meir Sternberg on the narrativity of the law-co<strong>de</strong>, Werner Wolf on chance and Peter Hühn on<br />
eventfulness in fiction, Jukka Tyrkkö on kaleidoscope narratives, Marie-Laure Ryan on transfictionality<br />
and computer games, Ansgar Nünning and Roy Sommer as well as Monika Flu<strong>de</strong>rnik on the narrativity<br />
of drama, Beatriz Penas on (non)standard narrativities, David Rudrum on narrativity and performativity,<br />
Michael Toolan on textual guidance, John Pier on causality and retrospection, and José Ángel García<br />
Landa on retelling and represented narrations"--From publisher's website. <strong>–</strong> Inclu<strong>de</strong>s bibliographical<br />
references and in<strong>de</strong>x. <strong>–</strong> ISBN 978<strong>–</strong>311<strong>–</strong>020<strong>–</strong>2441(alk paper) R004668198<br />
GE FL/ANGL : salle lecture * classif.: R/HLit*The n * cote: BFLA 220657<br />
R/HLit*Thr agd<br />
Through a glass darkly: suffering, the sacred, and the sublime in literature and theory / ed. by Holly<br />
Faith Nelson, Lynn R. Szabo, Jens Zimmerman. <strong>–</strong> Waterloo, Ont. : Wilfrid Laurier University Press, cop.<br />
2010. <strong>–</strong> xxvii, 450 : ill. ; 24 cm. <strong>–</strong> Inclu<strong>de</strong>s bibliographical references and in<strong>de</strong>x. <strong>–</strong> ISBN 978<strong>–</strong>15<strong>–</strong>5458<strong>–</strong><br />
1849. ISBN 1<strong>–</strong>554<strong>–</strong>58184<strong>–</strong>2 R005468636<br />
GE FL/ANGL : salle lecture * classif.: R/HLit*Thr agd * cote: BFLA 219757