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JAVA Mar-2019

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mother had allowed me into her house. She said, “I<br />

think I had so much trouble in my life and I’m just so<br />

fed up with it. I need to puke this out.” She went in<br />

the bathroom to throw up and I sat shaken, having<br />

seen all this firsthand, and never took a picture.<br />

The second time she went to the bathroom I said,<br />

“I’m sorry to say this, but may I follow you?” And she<br />

was like, “That’s why you’re here.” That’s saying a<br />

lot. Whatever story I’m working on, whether someone<br />

likes the media or not, I want to show them that<br />

they’re beautiful, not just a face. I always want to<br />

show the beauty and humanity.<br />

In some of the toughest possible situations, too…<br />

Yes, yes. And covering this immigration issue, it takes<br />

a toll on your mind. You are hearing about atrocities –<br />

people that are fleeing because of gang violence, and<br />

women getting raped. I met two siblings coming to<br />

the U.S. The brother was fourteen, and he was able<br />

to stay. His sister was eighteen, so she got deported,<br />

and she was raped after going back.<br />

The mother called to tell the brother what happened,<br />

and it was just too much to comprehend. People<br />

fleeing with nothing, leaving everything they know. Poor<br />

people, leaving their heart and soul, and they cannot go<br />

back because they’re fleeing danger and violence.<br />

Being from Mumbai, how has your own<br />

immigration experience impacted the work<br />

you’ve done?<br />

I understand better than most, not because I relate<br />

to their specific issues, but I understand the concept<br />

and what it takes. I came here to study, so the<br />

circumstances were different. Maybe the community<br />

opens up because of my ethnicity. I’m not sure. A<br />

lot of times I feel like a cat. I go and people are so<br />

nice, and I do my work. Once you build the trust and<br />

communication, you can do much better work.<br />

It feels like we live in a pretty interesting time,<br />

from a journalistic standpoint.<br />

Yes, chaos. And I’m sorry to say it, but chaos creates<br />

opportunities. It’s a tough time for journalists. Things<br />

have gone so extreme on both sides, but I just want<br />

to communicate that these are the facts, this is what<br />

is happening.<br />

Do people want to hear the facts, or do they just<br />

want to hear what they want to hear?<br />

We are living in the age of social media. Traditional<br />

media is having a hard time keeping up. Everybody<br />

wants to be first, without fact checking. I’d rather be<br />

good than first. First is not my priority and neither are<br />

the awards, though I do have bragging rights. I would<br />

rather leave the awards for athletes because that’s<br />

what they do. Everything is about competition, but<br />

in journalism, you shouldn’t think about competing.<br />

Journalists should focus on an effective way of<br />

storytelling with the facts.<br />

What do you think is going to happen in the<br />

next decade in terms of how journalism exists?<br />

We are living in an evolving society. Everything<br />

changes, but good journalism and good storytelling<br />

will always exist. You can see forty or fifty<br />

photojournalists’ work in one place, but everybody<br />

has a unique way of seeing. I have my own vision,<br />

and nobody can take it away. I know some amazing<br />

photographers who have done great work, even<br />

pocket cameras. They are visionaries and poets of<br />

storytelling. That’s what I aim to be.<br />

<strong>JAVA</strong> 37<br />

MAGAZINE

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