JAVA Mar-2019
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mother had allowed me into her house. She said, “I<br />
think I had so much trouble in my life and I’m just so<br />
fed up with it. I need to puke this out.” She went in<br />
the bathroom to throw up and I sat shaken, having<br />
seen all this firsthand, and never took a picture.<br />
The second time she went to the bathroom I said,<br />
“I’m sorry to say this, but may I follow you?” And she<br />
was like, “That’s why you’re here.” That’s saying a<br />
lot. Whatever story I’m working on, whether someone<br />
likes the media or not, I want to show them that<br />
they’re beautiful, not just a face. I always want to<br />
show the beauty and humanity.<br />
In some of the toughest possible situations, too…<br />
Yes, yes. And covering this immigration issue, it takes<br />
a toll on your mind. You are hearing about atrocities –<br />
people that are fleeing because of gang violence, and<br />
women getting raped. I met two siblings coming to<br />
the U.S. The brother was fourteen, and he was able<br />
to stay. His sister was eighteen, so she got deported,<br />
and she was raped after going back.<br />
The mother called to tell the brother what happened,<br />
and it was just too much to comprehend. People<br />
fleeing with nothing, leaving everything they know. Poor<br />
people, leaving their heart and soul, and they cannot go<br />
back because they’re fleeing danger and violence.<br />
Being from Mumbai, how has your own<br />
immigration experience impacted the work<br />
you’ve done?<br />
I understand better than most, not because I relate<br />
to their specific issues, but I understand the concept<br />
and what it takes. I came here to study, so the<br />
circumstances were different. Maybe the community<br />
opens up because of my ethnicity. I’m not sure. A<br />
lot of times I feel like a cat. I go and people are so<br />
nice, and I do my work. Once you build the trust and<br />
communication, you can do much better work.<br />
It feels like we live in a pretty interesting time,<br />
from a journalistic standpoint.<br />
Yes, chaos. And I’m sorry to say it, but chaos creates<br />
opportunities. It’s a tough time for journalists. Things<br />
have gone so extreme on both sides, but I just want<br />
to communicate that these are the facts, this is what<br />
is happening.<br />
Do people want to hear the facts, or do they just<br />
want to hear what they want to hear?<br />
We are living in the age of social media. Traditional<br />
media is having a hard time keeping up. Everybody<br />
wants to be first, without fact checking. I’d rather be<br />
good than first. First is not my priority and neither are<br />
the awards, though I do have bragging rights. I would<br />
rather leave the awards for athletes because that’s<br />
what they do. Everything is about competition, but<br />
in journalism, you shouldn’t think about competing.<br />
Journalists should focus on an effective way of<br />
storytelling with the facts.<br />
What do you think is going to happen in the<br />
next decade in terms of how journalism exists?<br />
We are living in an evolving society. Everything<br />
changes, but good journalism and good storytelling<br />
will always exist. You can see forty or fifty<br />
photojournalists’ work in one place, but everybody<br />
has a unique way of seeing. I have my own vision,<br />
and nobody can take it away. I know some amazing<br />
photographers who have done great work, even<br />
pocket cameras. They are visionaries and poets of<br />
storytelling. That’s what I aim to be.<br />
<strong>JAVA</strong> 37<br />
MAGAZINE