The Breeze Magazine of the Lowcountry, MARCH 2019
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and <strong>the</strong>n split in half at <strong>the</strong> paper, <strong>the</strong>n mounted on<br />
<strong>the</strong> panel. <strong>The</strong> entire entablature is multi-colored,<br />
each piece meticulously hand painted with multiple<br />
coats. I would like to point out that Lucy did most<br />
all <strong>of</strong> <strong>the</strong> intricate and complex turning and a good<br />
bit <strong>of</strong> <strong>the</strong> fine delicate painting.<br />
Entering <strong>the</strong> building is like entering ano<strong>the</strong>r world.<br />
<strong>The</strong> walls are clad with six foot wainscoting that is<br />
picture framed with a chamfered frame, perfectly<br />
jointed toge<strong>the</strong>r, and each panel has a turned<br />
rosette in <strong>the</strong> center. <strong>The</strong> wainscot is cherry in <strong>the</strong><br />
main room and ash in <strong>the</strong> conference room.<br />
<strong>The</strong> most amazing part <strong>of</strong> <strong>the</strong> building is <strong>the</strong> floor.<br />
Through <strong>the</strong> years Hank had saved scrap wood <strong>of</strong> a<br />
variety <strong>of</strong> species, thinking he would use <strong>the</strong>m one<br />
day. Well, <strong>the</strong> floor is made <strong>of</strong> over 15,000 pieces <strong>of</strong><br />
20 different species <strong>of</strong> wood. Walnut, cherry, white<br />
oak, ash, maple, mahogany, magnolia, pecan,<br />
water chestnut – to mention a few varieties. When<br />
you look at <strong>the</strong> pictures each piece was scribed<br />
toge<strong>the</strong>r and fitted like a jigsaw puzzle. <strong>The</strong>re is no<br />
pattern. Each man and woman would take a corner<br />
<strong>of</strong> <strong>the</strong> room and work for that day, <strong>the</strong> next day<br />
<strong>the</strong>y would move to ano<strong>the</strong>r corner that had been<br />
started by someone else. This is to make sure that<br />
it is totally spontaneous and irregular. You will find<br />
<strong>the</strong> burl <strong>of</strong> tree stumps and limbs, all milled to <strong>the</strong><br />
same thickness. A compass rose, an embedded<br />
silver dollar. <strong>The</strong>y also used larger slabs <strong>of</strong> boards<br />
that had been felled by hurricane Mat<strong>the</strong>w. Once<br />
toge<strong>the</strong>r it was all filed with epoxy and <strong>the</strong>n multiple<br />
coats <strong>of</strong> varnish. <strong>The</strong>re will never be ano<strong>the</strong>r floor<br />
exactly like this one….never. <strong>The</strong> entire building is<br />
truly a masterpiece.<br />
Ano<strong>the</strong>r master in his own right, which can be<br />
seen in his body <strong>of</strong> work and more recently in his<br />
restaurant, Andes Rotisserie, is Andy Fishkind, <strong>the</strong><br />
General Contractor that guided <strong>the</strong> trio through<br />
<strong>the</strong> necessary complexities <strong>of</strong> <strong>the</strong> structure and<br />
mechanicals. We must also add that <strong>the</strong> tile work in<br />
<strong>the</strong> bath was completed, again masterfully, by D.J.<br />
and Matt Gies, <strong>of</strong> Gies Tile and Marble.<br />
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