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Volume 24 Issue 7 - April 2019

Arraymusic, the Music Gallery and Native Women in the Arts join for a mini-festival celebrating the work of composer, performer and installation artist Raven Chacon; Music and Health looks at the role of Healing Arts Ontario in supporting concerts in care facilities; Kingston-based composer Marjan Mozetich's life and work are celebrated in film; "Forest Bathing" recontextualizes Schumann, Shostakovich and Hindemith; in Judy Loman's hands, the harp can sing; Mahler's Resurrection bursts the bounds of symphonic form; Ed Bickert, guitar master remembered. All this and more in our April issue, now online in flip-through here, and on stands commencing Friday March 29.

Arraymusic, the Music Gallery and Native Women in the Arts join for a mini-festival celebrating the work of composer, performer and installation artist Raven Chacon; Music and Health looks at the role of Healing Arts Ontario in supporting concerts in care facilities; Kingston-based composer Marjan Mozetich's life and work are celebrated in film; "Forest Bathing" recontextualizes Schumann, Shostakovich and Hindemith; in Judy Loman's hands, the harp can sing; Mahler's Resurrection bursts the bounds of symphonic form; Ed Bickert, guitar master remembered. All this and more in our April issue, now online in flip-through here, and on stands commencing Friday March 29.

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´<br />

“a thrilling cast<br />

of Canada’s<br />

finest singers”<br />

—OPERA CANADA<br />

Dion Mazerolle, featured in Shakespeare’s Criminal<br />

TOT goes tried and true<br />

This year even Toronto Operetta Theatre finishes its season with the<br />

tried and true – in this case Franz Lehár’sThe Merry Widow (1905),<br />

the greatest of all Silver Age operettas. The opera runs <strong>April</strong> <strong>24</strong> to 28<br />

and features Lucia Cesaroni in the title role, Michael Nyby as Count<br />

Danilo, Daniela Agostino as Valencienne and Gregory Finney as Baron<br />

Zeta. Larry Beckwith conducts the TOT Ensemble and Guillermo<br />

Silva-Marin directs.<br />

And finally … something new<br />

Despite this plethora of familiar works, <strong>April</strong> does offer one new<br />

opera and one important but seldom-seen opera. The new opera is<br />

Shakespeare’s Criminal by Dustin Peters to a libretto by Sky Gilbert.<br />

Orpheus Productions will give the chamber piece three workshop<br />

performances at Factory Theatre from <strong>April</strong> 26 to 28.<br />

The magic realist work, set in the present, plays with the notion that<br />

Shakespeare was gay, a view some hold since many of Shakespeare’s<br />

sonnets are addressed to a young man. Other sonnets are addressed<br />

to an unknown woman whom critics have dubbed the “Dark Lady<br />

of the Sonnets.” In Shakespeare’s Criminal, an older male poet<br />

named Shakespeare is unable to admit that he is homosexual. Instead<br />

he hides his attraction for men in the eloquent language of the<br />

sonnets for which he is much esteemed. He meets a beautiful young<br />

HIV-positive man to whom he finds himself attracted, but whom he<br />

resists. Enter a wild, fierce voyeur who urges the older poet to fall<br />

in love with the young man and bed him. The woman is so persuasive<br />

that it seems the older closeted poet will succumb, but at the last<br />

moment he cannot bring himself to risk his reputation. In revenge,<br />

the woman turns the old poet into a tree – a gender-reversed image<br />

of what the river god Peneus does in Ovid’s Metamorphoses to his<br />

daughter Daphne to preserve her chastity.<br />

Dustin Peters is a Toronto-based composer whose works range<br />

from concert and chamber music to film scores and pieces for voice<br />

and dance. Sky Gilbert is an award-winning writer, director, filmmaker<br />

and professor. His many critically acclaimed plays have been<br />

performed in theatres worldwide. Guernica will publish his investigation<br />

of Shakespeare’s rhetoric, Shakespeare: Beyond Science, later<br />

this year.<br />

The opera features mezzo-soprano Marion Newman, baritone Dion<br />

Mazerolle and actor Nathaniel Bacon. The structure of Shakespeare’s<br />

Criminal is inspired by musicologist Ellen T. Harris’s notion that male<br />

composers were able to ground the emotional core of their operas<br />

through the wild female voice (something which eventually led to<br />

the tragic Romantic heroines of Verdi and Puccini). Presented operain-concert<br />

style, Shakespeare’s Criminal raises many questions<br />

including, “Why do gay men often gravitate towards friendships with<br />

women and vice versa?” Peters is music director of the accompanying<br />

string quartet and Gilbert directs.<br />

MOZART<br />

IDOMENEO<br />

with MEASHA<br />

BRUEGGERGOSMAN<br />

APRIL 4–13<br />

Ed Mirvish Theatre<br />

TICKETS FROM $39!<br />

OPERAATELIER.COM<br />

Season Presenting Sponsor<br />

Season Underwriter<br />

Season Supported by<br />

Photo by<br />

BRUCE ZINGER<br />

thewholenote.com <strong>April</strong> <strong>2019</strong> | 35

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