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05.09.19

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PW OPINION PW NEWS PW LIFE PW ARTS<br />

•NITELIFE•<br />

were one thing, a<br />

feminist singing<br />

was a whole other<br />

matter.” DiFranco<br />

wasn’t the only<br />

musician blazing<br />

a DIY path, but<br />

she was the rare<br />

success who<br />

demonstrated the<br />

viability — and<br />

constraints — of a<br />

music career conducted<br />

independent<br />

of corporate<br />

label support. It<br />

was simple survival:<br />

She didn’t<br />

make money from<br />

club gigs unless<br />

she had albums to<br />

sell; she couldn’t<br />

sustain a fan base<br />

without a mailing<br />

list (“my preinternet,<br />

direct<br />

outreach to each<br />

and every person<br />

in the world who<br />

gave a shit about<br />

my art”); and she couldn’t continue to record and perform music without<br />

those fans. Streaming and 360 deals had not yet become industry<br />

realities.<br />

More importantly, her independence as an artist and label owner<br />

reflected her political convictions — a vital distinction. Entrepreneurship<br />

was ironically opposite to her goal: “having a career in music<br />

without having to associate with businesspeople at all. I came to<br />

represent the future of the music industry, but I meant only to avoid it.<br />

… Demand before supply. That’s the reality of my supposed entrepreneurial<br />

genius.”<br />

Her frank but loving recollections of “teachers” like Prince, sometime<br />

collaborator Maceo Parker, and folk forebears Pete Seeger and<br />

especially Utah Phillips, with whom she produced and released two<br />

albums, make for some of the most compelling passages. Even more<br />

poignant are her recollections of how Feminism 101 and poet Sekou<br />

Sundiata awakened her mind and spirit at the New School in Manhattan,<br />

where she “really learned the art of political engagement.”<br />

The meatiest sections by far lay out DiFranco’s thoughts concerning<br />

her anti-corporate stance, voting, civil rights, human diversity,<br />

patriarchy, racism, reproductive freedom and women’s rights. She<br />

writes with candor of a supposed friend who gives her a place to<br />

crash in England then insists she “use [her] body to pay him rent”:<br />

“It is hard to know sometimes what constitutes ‘rape.’ Rape is<br />

a black dot in the center of a dark smudge in the center of a very<br />

big grey cloud that dissipates and pales at the edges. I have found<br />

myself in various gradations of powerlessness around that dark<br />

center and never quite known what the name is for where I am. I<br />

imagine most women have looked down at some point in their life<br />

and not been able to see their own hands in the fog.”<br />

Her sociopolitical consciousness develops in tandem with an<br />

increasingly chaotic personal life as she explores polyamory and<br />

becomes a champion of the indie artist and LGBTQ communities.<br />

Her idealism and work ethic are admirable, but there are times when<br />

it would be valuable to hear from partners, friends and bandmates<br />

burned by her exploratory zeal.<br />

“The thing that you don’t realize (until you do) is that your<br />

self-respect is the foundation that allows you to weather all manner<br />

of adversity and struggle. When you lose your self-respect, everything<br />

else becomes impassible. My duplicities made me hate myself<br />

which made me crumbly and desperate at my core. There was just<br />

no one to blame but myself.”<br />

That DiFranco’s stubbornness and reflexive independence seem<br />

to have been encoded in her DNA from birth fits her persona. That she<br />

also comes off at key points as heedless, blinkered by her own drive,<br />

and dangerously, selfishly reckless might surprise some fans; but to her<br />

credit she mostly owns the pain she caused others. It is a mark of moral<br />

courage, and of someone who remains an artist and student of life. n<br />

Vroman’s Bookstore presents Ani DiFranco in conversation with activist Valarie Kaur<br />

from 7 to 9 p.m. Thursday, May 16, at Pasadena Presbyterian Church, 585 E. Colorado<br />

Blvd., Pasadena; $38. Info: (626) 449-5320. Anidifranco.com, anidifranco.bandcamp.<br />

com/album/no-walls-mixtape, vromansbookstore.com<br />

Wednesday—Preacher Lawson; Wednesday<br />

Night Live w/Rudy Moreno<br />

Kings Row Gastropub<br />

20 E. Colorado Blvd., Pasadena<br />

(626) 793-3010<br />

kingsrowpub.com<br />

Live music most nights of the week<br />

MEOWMEOWZ! Retro ‘80s Thrift Shop<br />

2423 E. Colorado Blvd., Pasadena<br />

(626) 798-6969<br />

facebook.com/meowmeowz<br />

Fridays and Saturdays—Live music every<br />

Friday and Saturday; all ages welcome<br />

Old Towne Pub<br />

66 N. Fair Oaks Ave., Pasadena<br />

(626) 577-6583<br />

theoldtownepub.com<br />

Live music most nignts of the week<br />

Pasadena Ballroom Dance Association<br />

73 N. Hill Ave., Pasadena<br />

(626) 799-5689<br />

pasadenaballroomdance.com<br />

Saturday—Saturday Swing Dance features Rob<br />

Dehlinger’s Alpha Rhythm Kings<br />

Plate 38<br />

2361 E. Colorado Blvd., Pasadena<br />

(626) 793-7100<br />

plate38.com<br />

Fridays & Saturdays—Live music on select<br />

Fridays & Saturdays<br />

The Mixx<br />

443 E. Colorado Blvd., Pasadena<br />

(626) 500-0021<br />

themixxclub.com<br />

Thursday—Lorraina Marro & Jackie Gibson<br />

Friday—Dale Fielder Quartet<br />

Sunday—Mother’s Day Brunch w/live jazz<br />

Tuesday—Elizabeth Hangan Blues Jam<br />

The Rose<br />

Paseo Colorado<br />

245 E. Green St., Pasadena<br />

(888) 645-5006<br />

wheremusicmeetsthesoul.com<br />

Thursday—Songs & Stories: Art Alexakis of<br />

Everclear<br />

Friday—Oingo Boingo former members<br />

Saturday—Yngwie Malmsteen<br />

Sunday—Mother’s Day Soulful Sunday Brunch;<br />

Hard Day’s Night Beatles tribute<br />

T. Boyle’s Tavern<br />

37 N. Catalina Ave., Pasadena<br />

(626) 578-0957<br />

tboylestavern.com<br />

Sunday—Action Trivia<br />

Tuesday—Action Trivia<br />

SAN GABRIEL VALLEY<br />

Arcadia Blues Club<br />

16 E. Huntington Drive, Arcadia<br />

(626) 447-9349<br />

arcadiabluesclub.com<br />

Saturday—Rod Piazza & the Mighty Flyers<br />

The Buccaneer<br />

70 W. Sierra Madre Blvd., Sierra Madre<br />

(626) 355-9045<br />

https://www.facebook.com/Buccaneer-847437898642883/<br />

Wednesday—Wednesday Night Platter Party:<br />

Bring your fave vinyl to be spun on turntable<br />

First Cabin<br />

46 E. Huntington Drive, Arcadia<br />

(626) 446-2575<br />

Fridays-Saturdays—Pat O’Brien & the Priests<br />

of Love exalt the blues and classic rock<br />

The Granada<br />

17 S. First St., Alhambra<br />

(626) 227-2572<br />

thegranadala.com<br />

Thursday—Deejay Zonik; Deejay Vince; Top<br />

Social Dance Competition<br />

Friday—Live music w/La Seleccion; Deejay<br />

Moreno; Deejay Vince; Deejay Miro<br />

Saturday—Live music w/Don Sonera & Papote<br />

Jimenez w/The Granada All Stars; Deejay Zonik;<br />

Deejay Miro; Super Deejay Robby<br />

J.C. Hyke Songwriter Serenade<br />

Matt Denny’s Ale House Restaurant<br />

145 E. Huntington Drive, Arcadia<br />

(626) 462-0250<br />

mattdennys.com, jchyke.com<br />

Tuesday—Ric Taylor; Pat Nason; Tim Tedrow;<br />

Emanuela Bellezza; Tieg<br />

Pizza Place California<br />

Flying High<br />

303 S. Mission Drive, San Gabriel<br />

(626) 570-9622<br />

facebook.com/pizzaplaceca<br />

Sundays—Open mic the first three Sundays of<br />

every month<br />

Villa Catrina<br />

251 N. Santa Anita Ave., Arcadia<br />

(626) 294-1973<br />

villacatrina.com<br />

Thursdays—Comedy open mic every first and<br />

third Thursday of the month<br />

Wednesdays—Karaoke w/Deejay Zary<br />

WEST OF PASADENA<br />

Colombo’s Restaurant<br />

1833 Colorado Blvd., Eagle Rock<br />

(323) 254-9138<br />

colombosrestaurant.com<br />

Thursday—Trifecta<br />

Friday—Steve Thompson; Bluebird Harmony<br />

Saturday—Ernie Draffen; Dave Victorino<br />

Sunday—Sunny & Cher<br />

Monday—Eric Eckstrand Trio<br />

Tuesday—Tom Armbruster<br />

Wednesday—Karen Hernandez w/Irene<br />

Cathaway<br />

Days Inn Lounge<br />

450 Pioneer Drive, Glendale<br />

(323) 259-5900<br />

tommydodson.com<br />

Fridays—Tommy Dodson and friends present<br />

Cabaret Fridays<br />

The Oak and Vine<br />

117 E. Harvard St., Glendale<br />

(818) 507-7011<br />

theoakandvine.com<br />

Live music most nights of the week<br />

Winchester Room<br />

6522 San Fernando Road, Glendale<br />

(818) 241-5475<br />

thewinchesterroom.com<br />

Friday—Karaoke<br />

Saturday—Karaoke n<br />

ROD PIAZZA AND THE MIGHTY FLYERS TOUCH DOWN AT ARCADIA BLUES CLUB<br />

ROD PIAZZA, CONSIDERED ONE OF THE TOP HARMONICA PLAYERS IN THE WORLD, AND HIS BAND THE MIGHTY FLY-<br />

ERS WILL BE COMING IN FOR LANDING SATURDAY AT ARCADIA BLUES CLUB.<br />

Starting his lauded career in 1967, the Southern California native and his band, which he formed in 1980 with his wife<br />

Honey Piazza, have been churning out great music like a smooth-running blues machine.<br />

The group’s credentials include numerous W.C. Handy Awards. They also boast countless appearances with blues<br />

legends of the past and present, both in recordings and on stage, producing sounds infused with a gritty Chicago style<br />

blended with the drive of early R&B and rock.<br />

Visit themightyflyers.com. — John Sollenberger<br />

Music starts at 8 p.m. Saturday at Arcadia Blues Club, 16 E. Huntington Drive, Arcadia. Tickets are $15 in advance, $20 at the door.<br />

Call (626) 447-9349 or visit arcadiabluesclub.com.<br />

<strong>05.09.19</strong> | PASADENA WEEKLY 17

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