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Issue 101 / July 2019

July 2019 issue of Bido Lito! magazine. Featuring: BILL NICKSON, SPINN, MICHAEL ALDAG, KITTY'S LAUNDERETTE, NEIL KEATING, RAHEEM ALAMEEN, KRS-ONE and much more.

July 2019 issue of Bido Lito! magazine. Featuring: BILL NICKSON, SPINN, MICHAEL ALDAG, KITTY'S LAUNDERETTE, NEIL KEATING, RAHEEM ALAMEEN, KRS-ONE and much more.

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REVIEWS<br />

“The ideas here<br />

represent the end<br />

of learning, and the<br />

beginning of practice”<br />

The End Is Nigh! (Carlos Santos and Milos Sampraga)<br />

The End Is Nigh!<br />

LJMU Art and Design degree show<br />

<strong>2019</strong> – 24/05<br />

As an early major platform for many of the artists involved,<br />

degree shows are a unique prospect. LJMU’s <strong>2019</strong> edition –<br />

dramatically titled THE END IS NIGH! – is big in both significance<br />

and size, occupying every floor of the John Lennon Art and<br />

Design Building. Four subjects have been given space: alongside<br />

fine art there’s graphic design and illustration, fashion design and<br />

communication and architecture.<br />

The fine art presentations cover pretty much every<br />

medium – film, painting and sculpture. There are a couple of<br />

rooms dominated by installations that are clearly meant as ‘big<br />

statements’. The ambition to do something large-scale must<br />

be tempting when several years of study have all led up to this<br />

moment. The success of these pieces, though, must rest on the<br />

same question as any artwork: what’s their point, or purpose? Is<br />

it clear, and do they succeed in moving the audience? In a couple<br />

of cases, this isn’t entirely successful. The best is one of the<br />

simplest: a tent-fort made out of dyed sheets. Inside music plays,<br />

soundtracking videos of people being unequivocally themselves;<br />

whether dancing semi-naked or dressing up, this is a space for<br />

expression without shame, and filled with warm feeling because<br />

of it.<br />

Among the rest of the show, in the objects of the walls<br />

and floors, there are some really great pieces to discover. An<br />

armadillo-accordion hybrid creature, standing in a sea of torn<br />

fables, is totally endearing. There is a corner of weavings<br />

stretching up from and down to the ground like braids – slightly<br />

unnerving, but irresistibly tactile. An intricately detailed, sexually<br />

charged dragon appears to shoot lasers from its eyes at anything<br />

that might disturb its power.<br />

Despite being closely related disciplines, there’s a massive<br />

difference between the work by the fine art and graphic design<br />

and illustration students. The graphic design and illustration<br />

section is somewhat more straightforward in terms of message<br />

and medium – more enjoyable for it. It’s not that politics isn’t<br />

present – there are zines about the environment, cults and Trump.<br />

But there’s a sense that the more defined medium unlocks a<br />

different sense of play. Details of everyday objects are enlarged<br />

to abstraction; new worlds are filled with characters ready for you<br />

to join their adventures. These artists have produced work that is<br />

confident in its own ability to make a point without feeling a need<br />

to overthink things<br />

The fashion design and communication show is<br />

predominantly based around the publication of UN_FOLD<br />

magazine. Combining design, editorial, photography and<br />

graphics, the look and feel is polished and it feels ready to sit<br />

alongside any other publication on the shelves in a gallery gift<br />

shop. It’s an impressive vehicle for conveying the students’ skills.<br />

Architecture is arguably, in terms of its impact on the way<br />

we live, the most significant discipline here. In exhibition form,<br />

however, it can be difficult for a casual observer to relate to.<br />

Each building comes with a significant amount of rationale and<br />

exemplification about its approach and solution to issues. This<br />

isn’t to say it’s not impressive, but it’s a very different kind of<br />

experience to engage with. So as well as being here for design<br />

value, the decision to have these presentations sharing the space<br />

with the more immediate visual disciplines is interesting for the<br />

questions it raises about what it interrogated in each type of<br />

work, and the complexities of defining success.<br />

The End Is Nigh! is a title that really only tells half the story.<br />

The degree show marks the end of one phase, but the beginning<br />

of another. So the ideas here represent the end of learning, and<br />

the beginning of practice. Should we expect the finished article?<br />

Or should this be seen instead as a starting point for the next<br />

stage? The world offers huge learning curves: if an idea doesn’t<br />

land now, it can still be a point for the development that comes<br />

with experience. !<br />

Julia Johnson / @MessyLines_<br />

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