Issue 101 / July 2019
July 2019 issue of Bido Lito! magazine. Featuring: BILL NICKSON, SPINN, MICHAEL ALDAG, KITTY'S LAUNDERETTE, NEIL KEATING, RAHEEM ALAMEEN, KRS-ONE and much more.
July 2019 issue of Bido Lito! magazine. Featuring: BILL NICKSON, SPINN, MICHAEL ALDAG, KITTY'S LAUNDERETTE, NEIL KEATING, RAHEEM ALAMEEN, KRS-ONE and much more.
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REVIEWS<br />
“The ideas here<br />
represent the end<br />
of learning, and the<br />
beginning of practice”<br />
The End Is Nigh! (Carlos Santos and Milos Sampraga)<br />
The End Is Nigh!<br />
LJMU Art and Design degree show<br />
<strong>2019</strong> – 24/05<br />
As an early major platform for many of the artists involved,<br />
degree shows are a unique prospect. LJMU’s <strong>2019</strong> edition –<br />
dramatically titled THE END IS NIGH! – is big in both significance<br />
and size, occupying every floor of the John Lennon Art and<br />
Design Building. Four subjects have been given space: alongside<br />
fine art there’s graphic design and illustration, fashion design and<br />
communication and architecture.<br />
The fine art presentations cover pretty much every<br />
medium – film, painting and sculpture. There are a couple of<br />
rooms dominated by installations that are clearly meant as ‘big<br />
statements’. The ambition to do something large-scale must<br />
be tempting when several years of study have all led up to this<br />
moment. The success of these pieces, though, must rest on the<br />
same question as any artwork: what’s their point, or purpose? Is<br />
it clear, and do they succeed in moving the audience? In a couple<br />
of cases, this isn’t entirely successful. The best is one of the<br />
simplest: a tent-fort made out of dyed sheets. Inside music plays,<br />
soundtracking videos of people being unequivocally themselves;<br />
whether dancing semi-naked or dressing up, this is a space for<br />
expression without shame, and filled with warm feeling because<br />
of it.<br />
Among the rest of the show, in the objects of the walls<br />
and floors, there are some really great pieces to discover. An<br />
armadillo-accordion hybrid creature, standing in a sea of torn<br />
fables, is totally endearing. There is a corner of weavings<br />
stretching up from and down to the ground like braids – slightly<br />
unnerving, but irresistibly tactile. An intricately detailed, sexually<br />
charged dragon appears to shoot lasers from its eyes at anything<br />
that might disturb its power.<br />
Despite being closely related disciplines, there’s a massive<br />
difference between the work by the fine art and graphic design<br />
and illustration students. The graphic design and illustration<br />
section is somewhat more straightforward in terms of message<br />
and medium – more enjoyable for it. It’s not that politics isn’t<br />
present – there are zines about the environment, cults and Trump.<br />
But there’s a sense that the more defined medium unlocks a<br />
different sense of play. Details of everyday objects are enlarged<br />
to abstraction; new worlds are filled with characters ready for you<br />
to join their adventures. These artists have produced work that is<br />
confident in its own ability to make a point without feeling a need<br />
to overthink things<br />
The fashion design and communication show is<br />
predominantly based around the publication of UN_FOLD<br />
magazine. Combining design, editorial, photography and<br />
graphics, the look and feel is polished and it feels ready to sit<br />
alongside any other publication on the shelves in a gallery gift<br />
shop. It’s an impressive vehicle for conveying the students’ skills.<br />
Architecture is arguably, in terms of its impact on the way<br />
we live, the most significant discipline here. In exhibition form,<br />
however, it can be difficult for a casual observer to relate to.<br />
Each building comes with a significant amount of rationale and<br />
exemplification about its approach and solution to issues. This<br />
isn’t to say it’s not impressive, but it’s a very different kind of<br />
experience to engage with. So as well as being here for design<br />
value, the decision to have these presentations sharing the space<br />
with the more immediate visual disciplines is interesting for the<br />
questions it raises about what it interrogated in each type of<br />
work, and the complexities of defining success.<br />
The End Is Nigh! is a title that really only tells half the story.<br />
The degree show marks the end of one phase, but the beginning<br />
of another. So the ideas here represent the end of learning, and<br />
the beginning of practice. Should we expect the finished article?<br />
Or should this be seen instead as a starting point for the next<br />
stage? The world offers huge learning curves: if an idea doesn’t<br />
land now, it can still be a point for the development that comes<br />
with experience. !<br />
Julia Johnson / @MessyLines_<br />
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