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NZPhotographer Issue 21, July 2019

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

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APERTURE IS CRUCIAL<br />

The closer you are to an object, the more<br />

dramatic the effect of aperture will be. In<br />

macro photography, depth of field is crucial.<br />

A shallow depth of field can be used to isolate<br />

your subject from the surrounding clutter.<br />

Equally, you may want everything crisp and<br />

sharp to give a full sense of the detail.<br />

SACRIFICE F11 FOR BETTER DEPTH OF FIELD<br />

The closer you are to an object, the more your<br />

aperture will become crucially important. A general<br />

rule of thumb for landscape photography is most<br />

lenses are sharpest at f11. If you are using a macro<br />

lens, however, it may be more important to use a<br />

smaller aperture, even as small as f32 or f45, to get<br />

everything in focus.<br />

EXPERIMENT WITH APERTURE<br />

It’s often difficult to tell exactly what is, and isn’t in<br />

focus using the screen on your camera back, so it’s<br />

best to experiment with a range of apertures, and<br />

determine which works best back on your home<br />

computer.<br />

ALIGNING PLANES<br />

Another important aspect of close-up photography is<br />

the plane between the subject and your camera lens.<br />

If you are photographing a relatively flat subject, such<br />

as the bark of a tree, it’s worth spending some time<br />

aligning your camera lens perfectly parallel with the<br />

subject. That maximizes your ability to get everything in<br />

focus, and might mean you can drop your aperture to<br />

f11.<br />

WIND IS YOUR ENEMY<br />

Air movement will move ferns or any delicate object<br />

very easily, and the smaller the object and the closer<br />

you are to it, the worse the problem. You can use<br />

your pack, or an umbrella to help shield your subject<br />

from the wind, or wait for any small lull and then press<br />

your cable release. If the wind proves too much of<br />

a problem, consider a higher ISO to enable a faster<br />

shutter speed. It’s worth sacrificing extra noise for a<br />

sharp shot.<br />

KNOW YOUR SUBJECT<br />

As with any photographic subject, the more<br />

you know, the better the chance of making a<br />

meaningful image. Buy a guidebook, read the<br />

information panels at the start of the track, search<br />

online. It all helps, and greater knowledge usually<br />

leads to greater appreciation too.<br />

HONE YOUR OBSERVATION SKILLS<br />

Take your time. Have patience. Look underfoot,<br />

overhead, sideways, behind you. Sometimes the<br />

best subject is the one you just passed, but looking<br />

back on it from a different angle.<br />

These shots of the same koru, at McLean Falls<br />

in the Catlins, show the effect<br />

of experimenting with aperture on depth of<br />

field.<br />

FINALLY…<br />

Experiment. Take risks. Be prepared to fail. Try again.<br />

That’s photography!<br />

<strong>July</strong> <strong>2019</strong><br />

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