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NZPhotographer Issue 23, September 2019

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

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ARTISTIC JUDGMENT<br />

What element of art is used to drive the message<br />

in the picture? There are basically 7 elements: line,<br />

shape, form, colour, space, texture and value. To stick<br />

to the objective of this article, I will not go too deep<br />

discussing these elements since art is so subjective but<br />

we can discuss a little.<br />

Each of the elements is unique in its own way and is<br />

used to drive different kinds of messages. The more<br />

of these elements you are able to incorporate, the<br />

better your photo will be. However, not every good<br />

picture has all of these elements in it, sometimes you<br />

just need one dominant element.<br />

LINES<br />

The use of lines (leading lines) is important when you<br />

take a picture with your subject in the far distance. An<br />

example of using lines is a trail or road leading towards<br />

your subject. You could take the picture from where you<br />

are standing tracing the line until its end point to help<br />

the viewer follow the line towards the main subject whilst<br />

helping them see everything around that same subject.<br />

SHAPES<br />

Shapes work well with a two-dimensional and/or<br />

enclosed area. If the picture you are taking is more shape<br />

oriented you might want to incorporate a number of<br />

shapes into the picture to portray the message well. Or<br />

you may even introduce shapes into the picture just to<br />

make your work more artistic. For example, in the picture<br />

on the previous page, the model was asked to pose<br />

in a certain way that expresses various shapes just to<br />

incorporate that element in the work.<br />

FORM<br />

This has to do with the shape of a particular object<br />

along its volume or perceived volume. It’s about<br />

creating an image from a perspective where you can<br />

give the viewer a sense of size. For instance, a picture<br />

of a building taken from the front allows people to<br />

see the rectangular shape but it can also be taken<br />

from a 45% side angle to give a 3D overview with the<br />

viewer able to see the front and side to get a sense of<br />

volume to show it isn’t just a flat building.<br />

COLOUR<br />

Another popular element is the use of striking colours<br />

to drive home your message. However, in instances<br />

where the scene is overflowing with many colours,<br />

such as at a carnival, you have to concentrate on<br />

a particular colour scheme to get the right result.<br />

For example, at a carnival, you can effectively use<br />

complementary colours from a scheme to single out<br />

your focus.<br />

SPACE<br />

This deals with how you are able to incorporate<br />

space so that the elements are not choked up. More<br />

often than not, a picture may not incorporate this<br />

element as it depends on the subject and the scene<br />

being shot. For instance, thinking of a carnival, space<br />

might not be that evident owing to the nature of<br />

the activities. However, the more you are able to<br />

incorporate space, the better your picture looks,<br />

especially when you need to single out a particular<br />

activity in the midst of all that is going on.<br />

TEXTURE<br />

This helps in creating a perception of how something<br />

feels or looks. For instance, a picture of a table with a<br />

rough surface and one with a smooth surface will give<br />

you different feelings. One might give the sense of<br />

luxury and the other of durability.<br />

VALUE<br />

This is the degree of lightness or darkness in a<br />

particular image. It deals with the relationship<br />

between highlights and shadows. Value helps to<br />

express a form or create an illusion of it in a picture.<br />

For example, if you take a photo of a white ball<br />

against a white background; if the picture is overly<br />

exposed, we may not be able to differentiate the ball<br />

and the background but if the photo is moderately<br />

exposed, there will be some level of shadow<br />

(darkness) in the picture which will help to differentiate<br />

between the ball and the background.<br />

NARRATIVE JUDGMENT<br />

After considering all the points above so that you are<br />

able to interpret your photo well yourself, you need to<br />

consider if the layman (the person viewing your work)<br />

will be able to recognise and see the same things.<br />

This determines how much post production work is<br />

necessary.<br />

Consider how much post production work the<br />

photo needs. Ask yourself if the exposure should<br />

be increased or reduced? Are there distractions to<br />

remove? Does it need to cropping?<br />

It is important to note that post production is usually<br />

one of the last things to consider and saying “I will<br />

fix things in Photoshop” is the statement of a poor<br />

photographer. Know that you are a photographer<br />

before you are an editor and post production is used<br />

to enhance a photo, not recreate it.<br />

CONCLUSION<br />

After you have considered all of these points<br />

individually you can put your picture out into the<br />

world for others to critique and give feedback on.<br />

Remember that no one can narrate your work as best<br />

as you can and you need to gain the confidence<br />

and ability to defend your work regardless of people’s<br />

opinion. Their feedback should only strive to make you<br />

a better photographer because at the end of it the<br />

day, everything is art.

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