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21102019 - BORDER CLOSURE:‘How neighbouring countries worked against Nigeria’

Vanguard Newspaper 21 October 2019

Vanguard Newspaper 21 October 2019

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Vanguard, MONDAY, OCTOBER 21, 2019 — 39<br />

Remembering the late playwright, Ken<br />

Saro-Wiwa<br />

By Prisca Sam-Duru<br />

At the Startup/Funders Roundtables and<br />

Entrepreneurship Conference 2019,<br />

held at the LCCI Conference and Exhibition<br />

Centre, Alausa Ikeja recently, memories<br />

of late playwright and environmental<br />

activist, Kenule Saro-Wiwa reverberated<br />

all through the duration of the event.<br />

The highpoint of the conference which held<br />

courtesy of Global Entrepreneurship Network<br />

in Partnership with Ogoni Liberation<br />

Initiative, was the presentation of the book<br />

titled “Complete Statement by Ken Saro-<br />

Wiwa to Ogoni Civil Disturbances Tribunal:<br />

The Complete Story”<br />

Presenting the book to the public, the President<br />

of the Ogoni Liberation Initiative, Mr<br />

Douglas Fabeke stated that the book which<br />

was presented alongside a calendar, titled,<br />

“The Ogoni of My Dream”, documents statements<br />

by Ken Saro Wiwa prior, during his incarceration<br />

and before he was finally hanged in<br />

Port Harcourt, by the then Military ruler, Gen.<br />

Sani Abacha. He noted that it corresponds<br />

with what Ken Saro-Wiwa lived and died for<br />

which was why the principles he laid down are<br />

documented in the book, adding that “The compendium<br />

will give the entire world the exact information<br />

about the struggles of the Ogoni people.”<br />

“The book helps to understand Ogoni<br />

issues very well. If it had been available early<br />

•L-R: Mr. Clement Ucho, Mrs. Comfort Aruosa Osamwegie, Mr. Dougla Fabeke, and<br />

Mr. Seye Soneye at the event in Lagos.<br />

enough, the world would not have swallowed<br />

the much available misconceptions and lies<br />

about Ken and the Ogoni people. We presented<br />

the book because a lot of people<br />

misunderstood what Ken Saro Wiwa did and<br />

why he died and so, when we researched<br />

and got some of his materials, we decided<br />

to put them together so that people will know<br />

these things, the reason he campaigned for<br />

Ogoni and what has happened in Ogoni. So<br />

read the book and you will be well informed.”<br />

Fabeke said. From all indication, the Ogoni<br />

people in Niger Delta region seem to have<br />

finally found a way out of the daunting challenges<br />

that have bedevilled them over the<br />

years. These challenges stemmed from the<br />

discovery of oil and its resultant environmental<br />

pollution that has degraded the region. The<br />

people believe it has come to the point where<br />

entrepreneurship skill development will replace<br />

dependency on oil for any meaningful development<br />

to take place.<br />

That, being the focal point of the presentation<br />

of the book on Saro Wiwa, Fabeke disclosed<br />

that the Initiative is making a ten year plan in<br />

entrepreneurship as an alternative to oil so as to<br />

bring development to the area. The vision he<br />

said will reconnect Ogoniland again to the world.<br />

And in line with this, the initiative in collaboration<br />

with Global Entreprenuership City Network<br />

also launched a 10billion naira investment<br />

fund in Education, Agriculture, health, ICT development,<br />

youth empowerment, entrepreneurship<br />

skill development etc.<br />

The essence of the conference according to him<br />

was to build an entrepreneurship platform that<br />

will transform Ogoni land into the Dubai of Nigeria<br />

by attracting investors. “Ogoniland has been<br />

in crisis for so many years but there are things we<br />

can do that can bring in funders, industrialists,<br />

not just oil but entrepreneurship to begin manufacturing<br />

that would generate employment for<br />

not just Ogoni people but Nigerians who qualify<br />

for the jobs. It is intended to also boost the economy<br />

of the country and turn things around.”<br />

“Every year Nigeria graduates youths into the<br />

labour market which is the reason for entrepreneurship<br />

development skills. The inclusion of<br />

over 500 peace ambassadors some of which participated<br />

in the workshop is a sign that Ogoni<br />

people want peace since no business thrives during<br />

war.” He intoned.<br />

He also revealed that a High-tech Polytechnic<br />

is being set up as part of plans to breed a crop of<br />

skilled individuals as well as increase the literacy<br />

level of the area.<br />

•Otunba Segun Runsewe, DG, National Council for<br />

Arts & Culture (left) with Hon. Ogbeide Ihama during<br />

the inspection of the facilities at Oba Akenzua Cultural<br />

Centre, venue of the 2019 NAFEST opening today in<br />

Edo State<br />

Hotels in Benin booked up<br />

for 2019 NAFEST<br />

By Osa Amadi, Arts Editor<br />

THE Director General of National Council for<br />

Arts and Culture, Otunba Segun Runsewe<br />

disclosed yesterday that most hotels in Benin<br />

City have been booked up by visitors in preparation<br />

for the 2019 National Festival of Arts & Culture<br />

(NAFEST) which kicks off today in Edo State.<br />

Speaking in a press conference yesterday at the Oba<br />

Akenzua Cultural Centre, venue of the NAFEST,<br />

Runsewe said: “Edo State has a population of 3.6<br />

million people. We are coming into Benin with over<br />

500, 000 visitors and to impact on the people, change<br />

the economic platform of Edo State, particularly Benin<br />

City. And we all know that Edo is the cradle of culture<br />

in the history of this country, right from the colonial<br />

days till now.”<br />

The national event formally starts today, 21 October<br />

till 26 October 2019.<br />

The NCAC DG later conducted Honorable Ogbeide<br />

Ihama round the facility and later the team moved to<br />

the Oba’s palace, The Omo N’ Oba N’ Edo Uku<br />

Akpolokpolo whose 3rd Coronation anniversary<br />

celebration coincides with this year’s NAFEST being<br />

hosted by Edo State.<br />

When US-based Anthonia Akinbola exhibited Culture of Forced Migration<br />

By Chukwuma Ajakah<br />

FROM her base in<br />

Queens, New York,<br />

Nigerian-born<br />

textile artist, Anthonia<br />

Akinbola, August 30-<br />

September 7, 2019 held an<br />

art exhibition tagged<br />

“Culture of Migration”.<br />

Anthonia’s contemporary<br />

vision of history and<br />

today’s migrant life is<br />

couched on cotton fabric<br />

exploring sub-themes,<br />

around the history of<br />

Migration. Anthonia<br />

captures a flow in her direct<br />

application batik dye<br />

painting by using<br />

captivating dye colours to<br />

express movement. Her<br />

expression is depicted in<br />

faces, slave ships, historic<br />

buildings, religious<br />

symbols, language, food,<br />

culture and iconography.<br />

Reminiscing that the<br />

Statue of Liberty was<br />

originally intended as a<br />

symbol of friendship,<br />

embracing immigrants as<br />

they troop in and out,<br />

Anthonia’s work captures<br />

the plight of people of<br />

diverse races as many lives<br />

are lost in the process of<br />

migration.<br />

Born in Abeokuta, Ogun<br />

State, Nigeria, Athonia<br />

started off with traditional<br />

indigo, adire and batik<br />

designs. Batik painting as<br />

a contemporary art medium<br />

is uncommon. Her<br />

experience within her<br />

family in the area of<br />

traditional textile art<br />

enabled her to create many<br />

innovative aspects of the<br />

medium. She presents<br />

these through her mother,<br />

who runs a private school<br />

where she invites local<br />

artists to design Saris as<br />

gifts for expatriate teachers<br />

from Pakistan and India.<br />

Anthonia’s realization that<br />

this medium had the<br />

potential to create new<br />

pathways inspired her to<br />

become the host of<br />

Feminine Scope, a craft<br />

based television programme<br />

for housewives.<br />

The textile artist holds a<br />

degree in Art Education<br />

and Textile Design from<br />

Yaba College of Science<br />

andTechnology, Lagos,<br />

Nigeria. After her<br />

education in Nigeria, she<br />

moved to Columbia Mo<br />

where she received a<br />

bachelor’s degree in<br />

Education, majoring in<br />

Fine Arts. While in<br />

Columbia she did<br />

community works for two<br />

decades through visual<br />

arts, partnering with<br />

public schools, Infopower<br />

International and other<br />

community organizations<br />

where she facilitated<br />

workshops and exhibited.<br />

She also participated in<br />

some group exhibitions as<br />

a member of the Art<br />

League, a professional Art<br />

Organization in Columbia.<br />

In 2012, she moved to New<br />

York where she has been<br />

teaching batik workshops<br />

through Infopower<br />

.International and has held<br />

workshops and other<br />

professional outings at<br />

various settings such as<br />

the Brooklyn Textile Art<br />

Center and the South East<br />

Queens Park Association.

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