21102019 - BORDER CLOSURE:‘How neighbouring countries worked against Nigeria’
Vanguard Newspaper 21 October 2019
Vanguard Newspaper 21 October 2019
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Vanguard, MONDAY, OCTOBER 21, 2019 — 39<br />
Remembering the late playwright, Ken<br />
Saro-Wiwa<br />
By Prisca Sam-Duru<br />
At the Startup/Funders Roundtables and<br />
Entrepreneurship Conference 2019,<br />
held at the LCCI Conference and Exhibition<br />
Centre, Alausa Ikeja recently, memories<br />
of late playwright and environmental<br />
activist, Kenule Saro-Wiwa reverberated<br />
all through the duration of the event.<br />
The highpoint of the conference which held<br />
courtesy of Global Entrepreneurship Network<br />
in Partnership with Ogoni Liberation<br />
Initiative, was the presentation of the book<br />
titled “Complete Statement by Ken Saro-<br />
Wiwa to Ogoni Civil Disturbances Tribunal:<br />
The Complete Story”<br />
Presenting the book to the public, the President<br />
of the Ogoni Liberation Initiative, Mr<br />
Douglas Fabeke stated that the book which<br />
was presented alongside a calendar, titled,<br />
“The Ogoni of My Dream”, documents statements<br />
by Ken Saro Wiwa prior, during his incarceration<br />
and before he was finally hanged in<br />
Port Harcourt, by the then Military ruler, Gen.<br />
Sani Abacha. He noted that it corresponds<br />
with what Ken Saro-Wiwa lived and died for<br />
which was why the principles he laid down are<br />
documented in the book, adding that “The compendium<br />
will give the entire world the exact information<br />
about the struggles of the Ogoni people.”<br />
“The book helps to understand Ogoni<br />
issues very well. If it had been available early<br />
•L-R: Mr. Clement Ucho, Mrs. Comfort Aruosa Osamwegie, Mr. Dougla Fabeke, and<br />
Mr. Seye Soneye at the event in Lagos.<br />
enough, the world would not have swallowed<br />
the much available misconceptions and lies<br />
about Ken and the Ogoni people. We presented<br />
the book because a lot of people<br />
misunderstood what Ken Saro Wiwa did and<br />
why he died and so, when we researched<br />
and got some of his materials, we decided<br />
to put them together so that people will know<br />
these things, the reason he campaigned for<br />
Ogoni and what has happened in Ogoni. So<br />
read the book and you will be well informed.”<br />
Fabeke said. From all indication, the Ogoni<br />
people in Niger Delta region seem to have<br />
finally found a way out of the daunting challenges<br />
that have bedevilled them over the<br />
years. These challenges stemmed from the<br />
discovery of oil and its resultant environmental<br />
pollution that has degraded the region. The<br />
people believe it has come to the point where<br />
entrepreneurship skill development will replace<br />
dependency on oil for any meaningful development<br />
to take place.<br />
That, being the focal point of the presentation<br />
of the book on Saro Wiwa, Fabeke disclosed<br />
that the Initiative is making a ten year plan in<br />
entrepreneurship as an alternative to oil so as to<br />
bring development to the area. The vision he<br />
said will reconnect Ogoniland again to the world.<br />
And in line with this, the initiative in collaboration<br />
with Global Entreprenuership City Network<br />
also launched a 10billion naira investment<br />
fund in Education, Agriculture, health, ICT development,<br />
youth empowerment, entrepreneurship<br />
skill development etc.<br />
The essence of the conference according to him<br />
was to build an entrepreneurship platform that<br />
will transform Ogoni land into the Dubai of Nigeria<br />
by attracting investors. “Ogoniland has been<br />
in crisis for so many years but there are things we<br />
can do that can bring in funders, industrialists,<br />
not just oil but entrepreneurship to begin manufacturing<br />
that would generate employment for<br />
not just Ogoni people but Nigerians who qualify<br />
for the jobs. It is intended to also boost the economy<br />
of the country and turn things around.”<br />
“Every year Nigeria graduates youths into the<br />
labour market which is the reason for entrepreneurship<br />
development skills. The inclusion of<br />
over 500 peace ambassadors some of which participated<br />
in the workshop is a sign that Ogoni<br />
people want peace since no business thrives during<br />
war.” He intoned.<br />
He also revealed that a High-tech Polytechnic<br />
is being set up as part of plans to breed a crop of<br />
skilled individuals as well as increase the literacy<br />
level of the area.<br />
•Otunba Segun Runsewe, DG, National Council for<br />
Arts & Culture (left) with Hon. Ogbeide Ihama during<br />
the inspection of the facilities at Oba Akenzua Cultural<br />
Centre, venue of the 2019 NAFEST opening today in<br />
Edo State<br />
Hotels in Benin booked up<br />
for 2019 NAFEST<br />
By Osa Amadi, Arts Editor<br />
THE Director General of National Council for<br />
Arts and Culture, Otunba Segun Runsewe<br />
disclosed yesterday that most hotels in Benin<br />
City have been booked up by visitors in preparation<br />
for the 2019 National Festival of Arts & Culture<br />
(NAFEST) which kicks off today in Edo State.<br />
Speaking in a press conference yesterday at the Oba<br />
Akenzua Cultural Centre, venue of the NAFEST,<br />
Runsewe said: “Edo State has a population of 3.6<br />
million people. We are coming into Benin with over<br />
500, 000 visitors and to impact on the people, change<br />
the economic platform of Edo State, particularly Benin<br />
City. And we all know that Edo is the cradle of culture<br />
in the history of this country, right from the colonial<br />
days till now.”<br />
The national event formally starts today, 21 October<br />
till 26 October 2019.<br />
The NCAC DG later conducted Honorable Ogbeide<br />
Ihama round the facility and later the team moved to<br />
the Oba’s palace, The Omo N’ Oba N’ Edo Uku<br />
Akpolokpolo whose 3rd Coronation anniversary<br />
celebration coincides with this year’s NAFEST being<br />
hosted by Edo State.<br />
When US-based Anthonia Akinbola exhibited Culture of Forced Migration<br />
By Chukwuma Ajakah<br />
FROM her base in<br />
Queens, New York,<br />
Nigerian-born<br />
textile artist, Anthonia<br />
Akinbola, August 30-<br />
September 7, 2019 held an<br />
art exhibition tagged<br />
“Culture of Migration”.<br />
Anthonia’s contemporary<br />
vision of history and<br />
today’s migrant life is<br />
couched on cotton fabric<br />
exploring sub-themes,<br />
around the history of<br />
Migration. Anthonia<br />
captures a flow in her direct<br />
application batik dye<br />
painting by using<br />
captivating dye colours to<br />
express movement. Her<br />
expression is depicted in<br />
faces, slave ships, historic<br />
buildings, religious<br />
symbols, language, food,<br />
culture and iconography.<br />
Reminiscing that the<br />
Statue of Liberty was<br />
originally intended as a<br />
symbol of friendship,<br />
embracing immigrants as<br />
they troop in and out,<br />
Anthonia’s work captures<br />
the plight of people of<br />
diverse races as many lives<br />
are lost in the process of<br />
migration.<br />
Born in Abeokuta, Ogun<br />
State, Nigeria, Athonia<br />
started off with traditional<br />
indigo, adire and batik<br />
designs. Batik painting as<br />
a contemporary art medium<br />
is uncommon. Her<br />
experience within her<br />
family in the area of<br />
traditional textile art<br />
enabled her to create many<br />
innovative aspects of the<br />
medium. She presents<br />
these through her mother,<br />
who runs a private school<br />
where she invites local<br />
artists to design Saris as<br />
gifts for expatriate teachers<br />
from Pakistan and India.<br />
Anthonia’s realization that<br />
this medium had the<br />
potential to create new<br />
pathways inspired her to<br />
become the host of<br />
Feminine Scope, a craft<br />
based television programme<br />
for housewives.<br />
The textile artist holds a<br />
degree in Art Education<br />
and Textile Design from<br />
Yaba College of Science<br />
andTechnology, Lagos,<br />
Nigeria. After her<br />
education in Nigeria, she<br />
moved to Columbia Mo<br />
where she received a<br />
bachelor’s degree in<br />
Education, majoring in<br />
Fine Arts. While in<br />
Columbia she did<br />
community works for two<br />
decades through visual<br />
arts, partnering with<br />
public schools, Infopower<br />
International and other<br />
community organizations<br />
where she facilitated<br />
workshops and exhibited.<br />
She also participated in<br />
some group exhibitions as<br />
a member of the Art<br />
League, a professional Art<br />
Organization in Columbia.<br />
In 2012, she moved to New<br />
York where she has been<br />
teaching batik workshops<br />
through Infopower<br />
.International and has held<br />
workshops and other<br />
professional outings at<br />
various settings such as<br />
the Brooklyn Textile Art<br />
Center and the South East<br />
Queens Park Association.