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GA012 | The Spring Auction Series

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<strong>The</strong> <strong>Spring</strong><br />

<strong>Auction</strong> <strong>Series</strong><br />

Melbourne, Monday 11 November 2019


03 9500 2607<br />

gibsonsauctions.com.au<br />

Jennifer Gibson<br />

CEO & Head of Valuations<br />

Jennifer.Gibson@gibsonsauctions.com.au<br />

Elliott Hughes<br />

<strong>Auction</strong>s Manager & Specialist<br />

Elliott.Hughes@gibsonsauctions.com.au<br />

Elizabeth Stannard<br />

Head of Jewellery<br />

Elizabeth.Stannard@gibsonsauctions.com.au<br />

Simon Gibson<br />

CFO<br />

Simon.Gibson@gibsonsauctions.com.au<br />

Deanna Baxter<br />

Business Manager<br />

Deanna.Baxter@gibsonsauctions.com.au<br />

Marilla O’Sullivan<br />

<strong>Auction</strong> Assistant<br />

Marilla.Osullivan@gibsonsauctions.com.au<br />

ORRONG RD<br />

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII<br />

OSMENT ST<br />

HAMPDEN RD ASHLEIGH RD<br />

MT PLEASANT GROVE<br />

NEW ST<br />

HIGH ST<br />

AUBURN GROVE<br />

DENBIGH RD<br />

SUTHERLAND RD<br />

NORTHCOTE RD<br />

KOOYONG RD<br />

<strong>Auction</strong>, Viewing and<br />

Payment & Collections<br />

Level 1, 885-889 High Street<br />

Armadale, Victoria 3143<br />

DALE ST<br />

CHEEL ST


FRONT COVER:<br />

Lot 119<br />

BACK COVER:<br />

Lot 567<br />

<strong>The</strong> <strong>Spring</strong><br />

<strong>Auction</strong> <strong>Series</strong><br />

<strong>Auction</strong><br />

Monday 11 November 2019, 10.30am<br />

Level 1, 885-889 High Street<br />

Armadale, Victoria 3143<br />

Viewing<br />

Thursday 7 November<br />

Friday 8 November<br />

Saturday 9 November<br />

Sunday 10 November<br />

10.00–5.00pm<br />

10.00–5.00pm<br />

10.00–5.00pm<br />

10.00–5.00pm<br />

<strong>Auction</strong> Code: <strong>GA012</strong><br />

GST<br />

† Lots with this symbol are subject<br />

to GST on the hammer price and the<br />

buyer’s premium.<br />

Buyer’s Premium<br />

Buyer’s Premium is charged at 22%<br />

of the hammer price plus GST. GST is<br />

applicable to the buyer’s premium only,<br />

unless otherwise indicated by the †<br />

symbol.<br />

Registration<br />

To register to bid at Gibson's<br />

<strong>Auction</strong>eers & Valuers an accredited<br />

form of photo identification is required.<br />

This applies to bidding in person at<br />

the auction, Telephone, Absentee and<br />

Online bidding.<br />

Resale Royalty Scheme<br />

Lots subject to payment of the Artist's<br />

Resale Royalty Scheme will be denoted<br />

by the symbol §. <strong>The</strong> Australian Resale<br />

Royalty is a flat rate of 5% on the<br />

hammer price (including GST) and is<br />

payable by the seller.<br />

Restricted or Organic Material<br />

♦ Lots with this symbol have been<br />

identified at the time of cataloguing<br />

as containing organic material which<br />

may be subject to export or import<br />

restrictions. <strong>The</strong> absence of this<br />

symbol is not a guarantee that export<br />

or import restrictions will not apply. See<br />

www.cites.org for further information.<br />

Payments & Collections<br />

Can be made from:<br />

Level 1, 885-889 High Street,<br />

Armadale, Vic 3143<br />

Tuesday 12 November 10–5pm<br />

Wednesday 13 November 10–5pm<br />

Thursday 14 November 10–5pm<br />

All goods must be collected and paid in<br />

full by 5pm on Thursday 14 November<br />

(unless by prior arrangement) to avoid<br />

removal and storage charges.<br />

All payments are to be made in<br />

Australian Dollars (AU$).<br />

Please refer to the methods of payment<br />

in the HOW TO BUY section on the<br />

following pages.<br />

Credit card surcharges apply – 1.2%<br />

(incl GST) for Visa and Mastercard and<br />

3% (incl GST) for American Express.


2<br />

How to Buy<br />

All you need to know about the bidding process at auction<br />

Viewing<br />

Catalogues<br />

Online catalogues can be viewed at<br />

www.gibsonsauctions.com.au approximately three weeks<br />

prior to the auction date.<br />

Complimentary printed catalogues are available at Gibson’s<br />

<strong>Auction</strong>eers & Valuers.<br />

Symbols<br />

Occasionally, a symbol is printed next to a lot number,<br />

indicating a special clause associated with the sale of the<br />

item/s. Further information on symbols within our catalogues<br />

can be found on Page 1.<br />

Viewing<br />

<strong>Auction</strong> viewings are open to the public and usually take place<br />

three or four days prior to the auction date, at the location/s<br />

listed in the auction catalogue and on the website.<br />

Lot Descriptions<br />

Lot Descriptions provide basic catalogue information such<br />

as dimensions, date or age, medium, attribution, provenance<br />

and quantity.<br />

All lots are guaranteed for fourteen (14) days from the<br />

auction date.<br />

Estimates<br />

Estimates are printed in the catalogue beside every lot and<br />

take into account rarity, condition, quality and provenance.<br />

<strong>The</strong> reserve is the amount at which the item is available for<br />

purchase. <strong>The</strong> reserve is an undisclosed confidential amount<br />

which is set at, or below the low estimate.<br />

<strong>The</strong> reserve will never exceed the low estimate at Gibson’s<br />

<strong>Auction</strong>eers & Valuers. Many lots are sold without reserve.<br />

Talk to our Specialists<br />

Gibson’s <strong>Auction</strong>eers & Valuers are an experienced team of<br />

specialists who are available to discuss items in further detail,<br />

and to offer advice and assistance.<br />

Contact details for relevant specialists can be found on the<br />

inside front cover our auction catalogues and on our website.<br />

Condition Reports<br />

Condition Reports are available on request. Condition Reports<br />

supplement the lot description and provide information on the<br />

condition of an item.<br />

We strongly advise obtaining a condition report if you are<br />

unable to view an item in person prior to the auction.<br />

To request a condition report please email<br />

condition.reports@gibsonsauctions.com.au with the auction<br />

title and lot number/s.<br />

Bidding<br />

Gibson’s <strong>Auction</strong>eers & Valuers offer four bidding options:<br />

1. <strong>Auction</strong> Room Bidding<br />

To bid in person we suggest you arrive early so that you<br />

have sufficient time to register for a bidding number prior<br />

to the auction. If this is your first time bidding with Gibson’s<br />

<strong>Auction</strong>eers & Valuers please bring photo identification, such<br />

as a driver’s licence or passport with you.<br />

2. Telephone Bidding<br />

Gibson’s <strong>Auction</strong>eers & Valuers offer telephone bidding on all<br />

lots, at all auctions.<br />

Telephone Bidding is a convenient solution if you are unable to<br />

attend an auction in person. A Gibson’s <strong>Auction</strong>eers & Valuers<br />

staff member will call you approximately 5 lots in advance and<br />

with your instruction, bid on your behalf at the auction.<br />

Please note: Telephone Bids must be organised at least 24<br />

hours prior to the auction and that occasionally, the number<br />

of telephone bidders available may be restricted when the<br />

auction is offsite.<br />

To organise a Telephone Bid please follow the link<br />

to the Telephone Bidding form on our website:<br />

www.gibsonsauctions.com.au.<br />

Please fill in & return via email to mail@gibsonsauctions.com.au<br />

If this is your first time bidding with Gibson’s <strong>Auction</strong>eers &<br />

Valuers, an email address is to be supplied when you submit<br />

your Telephone Bid, along with clear Photo ID verifying<br />

your address.


3<br />

3. Absentee Bids<br />

Absentee Bidding is another convenient solution if you<br />

are unable to attend an auction in person, to speak on the<br />

telephone or if you simply have a strict budget.<br />

An Absentee Bid should be set at the maximum amount<br />

you wish to bid on the lot/s you are interested in purchasing.<br />

Should the lot/s be knocked down at an amount lower than<br />

the bid recorded on your form, the lot will be sold to you for<br />

the lesser hammer price.<br />

Please note Absentee Bids must be received at least 24 hours<br />

prior to the auction to allow time for processing.<br />

To organise an Absentee Bid please follow the link to<br />

the Absentee Bidding form available on our website:<br />

www.gibsonsauctions.com.au.<br />

Please fill in & return via email to mail@gibsonsauctions.com.au<br />

If this is your first time bidding with Gibson’s <strong>Auction</strong>eers<br />

& Valuers, an email address is to be supplied when you<br />

submit your Absentee Bid, along with clear Photo ID verifying<br />

your address.<br />

4. Online Bidding<br />

Online bidding allows you to bid via the internet in real<br />

time with a live broadcast of the auction. To bid online visit<br />

our website and follow the ‘Live Bidding’ link under the<br />

‘<strong>Auction</strong>s’ tab.<br />

Please register for this service at least 24 hours prior to the<br />

auction to ensure you do not miss your lot.<br />

Please note online bidding is powered by Invaluable.com and<br />

so will incur a 5% fee on successful lots.<br />

If you have not bid with Gibson’s <strong>Auction</strong>eers & Valuers<br />

previously, a photo ID verifying your address will be<br />

required before you can be approved to bid. Please email to<br />

mail@gibsonsauctions.com.au as soon as practical.<br />

International Bidding<br />

If you are bidding from overseas for the first time, you will be<br />

asked to provide a clear Photo ID verifying your address and<br />

a deposit (set at Gibson’s <strong>Auction</strong>eers & Valuers’ discretion)<br />

prior to the auction. <strong>The</strong> deposit is refundable within 48<br />

hours should you not be successful. If you are successful<br />

the deposit will be deducted from your invoice total. <strong>The</strong><br />

remaining balance must be paid preferably by direct deposit.<br />

Bank details are provided in the Payment & Collection section<br />

of this guide.<br />

Payment & Collection<br />

Payments<br />

If you are successful an invoice (AU$) will be emailed or<br />

posted to you immediately after the auction.<br />

You will pay the hammer price, plus the buyer’s premium<br />

(22% plus GST) on each Lot, together with any additional<br />

applicable charges such as GST on hammer.<br />

Payments must be made in full by the final day of Collections<br />

as printed in the catalogue.<br />

Bank Transfer/Direct Deposit is our preferred method<br />

of payment:<br />

Account Name: Gibsons <strong>Auction</strong>s<br />

Bank:<br />

Bank of Melbourne (A division of St George)<br />

BSB: 193879<br />

Account No: 441701443<br />

Swift Code: SGBLAU2S<br />

Routing Code: 021000021<br />

Bank Address: 197-201 Glenferrie Road, Malvern, Vic, 3144<br />

• Personal, Company and Bank Cheques are not accepted<br />

without prior approval.<br />

• Eftpos (no charge).<br />

• Credit cards: Visa and Mastercard (1.2% inc GST merchant<br />

fee) and American Express (3% inc GST merchant fee).<br />

• Please note that credit card transactions over $5,000<br />

will not be accepted over the telephone unless by prior<br />

arrangement.<br />

• Cash payments up to AU$10,000 can be accepted. For any<br />

amount over this, cash is to be deposited directly into our<br />

account at a Bank of Melbourne/St George branch.<br />

Collections<br />

Gibson’s <strong>Auction</strong>eers & Valuers are happy to assist and<br />

provide you with recommended transport companies whether<br />

it be a local, interstate or international delivery.<br />

Storage<br />

All items must be paid for and collected within the collection<br />

times advertised for each individual auction. If items are not<br />

collected within this time-frame, Gibson’s <strong>Auction</strong>eers &<br />

Valuers reserve the right to charge removal and storage fees.


4<br />

Silver<br />

1<br />

A set of eight George III sterling<br />

silver plates by Daniel Smith &<br />

Robert Sharp, London 1784<br />

scalloped edges with gadroon<br />

detail to rim and bearing two<br />

engraved armorial crests<br />

4090gms total weight of<br />

silver, 24.4cm diameter<br />

$2,000–3,000<br />

2<br />

A pair of Continental silver<br />

candlestick holders, 19th century<br />

26cm high<br />

$200–300<br />

3<br />

A fifty five piece suite of<br />

American sterling silver cutlery<br />

by Gorham & Co., circa 1915<br />

1355gms<br />

$1,000–1,500<br />

4<br />

A cut crystal mounted Sheffield plate<br />

centrepiece, English, 19th century<br />

38.5cm high<br />

$200–300<br />

5<br />

A large pair of silver plate<br />

cloches by Hardy Brothers<br />

30cm high, 52cm wide, 39cm deep<br />

$200–300<br />

1


5<br />

6<br />

A sterling silver four piece<br />

tea and coffee set<br />

by Walker & Hall, Birmingham,<br />

circa 1876<br />

comprising tea and coffee pot,<br />

creamer and sugar pot<br />

decorated in a Grecian style<br />

with gilt wash interior<br />

2725gms combined weight,<br />

coffee pot 31cm high<br />

$2,000–3,000<br />

7<br />

Four Victorian Queen’s pattern<br />

sterling silver serving spoons by<br />

Wilson & Sharp, Glasgow, 1862<br />

325grams, 23cm long<br />

$200–300<br />

6


6<br />

8<br />

8<br />

An associated collection of thirty one<br />

pieces of sterling silver cutlery, mostly<br />

early 19th century and later together<br />

with a large Scottish sterling silver ladle<br />

1720gms excluding knives,<br />

35cm length ladle<br />

$1,500–2,500<br />

9<br />

A collection of English and French<br />

sterling silver condiments and table<br />

accessories, 18th century and later<br />

including a pair of pepperettes, four<br />

hoof footed salts, two white pepper<br />

shakers, two condiment spoons, two<br />

Christofle dishes, a letter opener and<br />

a card case and two silver plate bottle<br />

stands with pierced decoration<br />

mixed makers marks and dates<br />

the largest bottle stand<br />

13.5cm diameter<br />

$150–250<br />

10<br />

A sterling silver rose bowl by<br />

Walker and Hall, Sheffield, 1924<br />

940grams, 30cm across the handles<br />

$200–300<br />

11<br />

A pair of silver plate candlesticks,<br />

19th century<br />

26cm high<br />

$100–200<br />

12<br />

A collection of a sterling silver<br />

condiments, cruets, pierced fretwork<br />

basket and a Thai silver double ended<br />

cup, earliest legible date London 1911<br />

$80–120


7<br />

13<br />

An associated set of sterling<br />

silver flatware, mostly London<br />

early 19th century and later<br />

comprising eighty one pieces<br />

decorated with a bead edge<br />

2860gms excluding knives<br />

$1,500–2,500<br />

14<br />

A Victorian sterling silver wine funnel<br />

by Edward, Edward Jr., John &<br />

William Barnard, London 1838<br />

with thread rim and fluted body<br />

100gms, 15cm x 7.5cm<br />

$400–600<br />

15<br />

A collection of items including sterling<br />

silver Dutch christening cup, circa 1860<br />

chatelaine attachments,<br />

propelling pencils, bookmark,<br />

boot hook and two whistles<br />

the christening cup 8cm high<br />

$60–80<br />

16<br />

A sterling silver mounted claret jug,<br />

Birmingham 1900<br />

stamped maker BB<br />

23cm high<br />

$120–150<br />

17<br />

A small Hong Kong silver spill vase,<br />

19th century<br />

silver overlay design in bamboo<br />

with glass interior on iron base<br />

14cm high<br />

$40–60<br />

18<br />

A collection of sterling silver and<br />

EPNS items, 19th century<br />

including a sterling silver toddy<br />

ladle, a pair of asparagus tongs<br />

and a small collection of spoons<br />

the toddy ladle 39cm<br />

$100–200<br />

14<br />

13


8<br />

19<br />

A pair of Edward VII sterling<br />

silver candlesticks<br />

by Martin, Hall & Co, London 1891<br />

Corinthian column form, square<br />

stepped foot with beaded detail<br />

29cm high<br />

$1,200–1,500<br />

20<br />

A George V sterling silver<br />

tureen and cover by George<br />

Carrington & Co London, 1931<br />

decorated with a beaded border<br />

and figural Corinthian style finial<br />

1530 gms, 26cm length, 19cm width<br />

$800–1,200<br />

19<br />

20


9<br />

21<br />

21<br />

A set of six George III sterling<br />

silver dessert spoons by James<br />

Hewitt, Edinburgh 1789<br />

with a pointed heel and armorial crest<br />

395gms, 22.5cm length<br />

$400–600<br />

22<br />

A large sterling silver ewer with hinged<br />

cover by John Kilpatrick London, 1873<br />

heavily chased swags and foliate detail<br />

with acanthus leaf shaped handle<br />

720gms silver, 34cm high<br />

$500–800<br />

23<br />

An assortment of sterling silver,<br />

early 19th century<br />

including two mother of pearl<br />

handled fruit knives, a Scottish<br />

teaspoon, a George III silver spoon<br />

and a small George III sterling<br />

silver ribbed tankard, probably for<br />

Elizabeth Morley, London 1807<br />

the largest piece 5.5cm high<br />

$100–200<br />

22


10<br />

26<br />

A large Thai silver and niello<br />

picture frame, 20th century<br />

40 x 29cm<br />

$200–400<br />

27<br />

A George II sterling silver<br />

thimble in shagreen case<br />

bears label to interior: P.Blashki<br />

Watchmaker & Jeweller, 120 Bourke<br />

street, Melbourne and a small silver<br />

capped perfume bottle, circa 1860<br />

8cm high, the thimble 2cm long<br />

$100–200<br />

28<br />

A collection of English sterling silver<br />

spoons, George III and later<br />

mixed patterns, maker’s marks and<br />

dates, comprising five serving spoons,<br />

nine table spoons, five dessert<br />

spoons and seven teaspoons (26)<br />

1196 gms<br />

$800–1,200<br />

26<br />

24<br />

An Indian silver bowl, 19th century<br />

the serpentine sides repoussed<br />

with gadrooning and grape<br />

and leaf decoration<br />

17cm diameter<br />

$400–600<br />

25<br />

A pair of George III sterling<br />

silver asparagus tongs<br />

by William Eley, William Fearn &<br />

William Chawner, London 1808<br />

180gms, 24cm long<br />

$120–150<br />

24


11<br />

29<br />

29<br />

A Russian silver cigarette case,<br />

19th century<br />

embossed with a bear and a<br />

hunter, inscribed in Russian to the<br />

interior and impressed 84 Zolotnik<br />

and illegible makers mark<br />

11.5cm high, 9cm wide<br />

$600–800<br />

30<br />

An African silver mounted horn switch<br />

88cm high<br />

PROVENANCE<br />

<strong>The</strong> Estate of Joan Harris AM<br />

and Frederick Parslow AM.<br />

$200–300<br />

31<br />

A pair of silver plate telescopic<br />

candlesticks, 19th century<br />

26cm high<br />

$200–300<br />

32<br />

A George IV sterling silver pap boat,<br />

by Edward Farrell, London, 1822<br />

decorated with vine and grapes, lions<br />

head and gadroon rim; together with a<br />

Victorian sterling silver sauce boat<br />

possibly by William Smily, London 1846<br />

with gadroon rim, shell top<br />

scroll legs and hoof feet<br />

the sauce boat 230gms, 17cm length<br />

pap boat 65gms, 15cm length<br />

$300–500<br />

33<br />

A silver mounted boar tusk snuff<br />

box together with a small silver<br />

enamelled figure of a pig<br />

6cm length snuff box<br />

$100–200<br />

34<br />

A large two handled silver plate butlers<br />

tray, French, early 20th century<br />

83.5cm wide, 52.5cm deep<br />

$500–800<br />

30


12<br />

Jewellery<br />

35<br />

A VINTAGE DANISH PEWTER<br />

NECKLACE BY JORGEN JENSEN<br />

Elongated pewter pendant, two<br />

horizontal plates set with purple glass<br />

sections, on a white metal collar, design<br />

number 230B, signed Jorgen Jensen.<br />

$200–300<br />

36<br />

A VINTAGE BRITISH PEWTER<br />

NECKLACE BY LORD PYTHON<br />

Triangular concave pewter pendant,<br />

two drops set with blue glass sections,<br />

on a white metal collar, signed Lord<br />

Python, Sheffield, on a silver collar.<br />

$240–340<br />

37<br />

A VINTAGE GARNET AND SAPPHIRE<br />

SILVER SERPENT NECKLACE<br />

of articulated design, stone set<br />

head, gold overlay highlights<br />

135 gms, 61cm long<br />

$1,200–1,500<br />

38<br />

A VINTAGE SAPPHIRE<br />

AND DIAMOND RING<br />

Featuring a faceted oval cut Ceylonese<br />

sapphire of approximately 3.30cts,<br />

shouldered by tapered baguette and<br />

round brilliant cut diamonds totalling<br />

approximately 0.25cts, within a pierced,<br />

raised mount; platinum. Ring size M.<br />

$2,600–3,600<br />

39<br />

A SAPPHIRE AND DIAMOND<br />

DRESS RING<br />

Featuring a fancy rectangular<br />

cut sapphire of an estimated<br />

1.15cts, within a round brilliant and<br />

princess cut diamond set band<br />

totalling 0.40cts; 18ct white gold.<br />

Ring size M½. Weight 6.7g.<br />

$1,200–1,500<br />

40<br />

A PAIR OF DIAMOND STUD EARRINGS<br />

Each earring featuring a<br />

round brilliant cut diamond of<br />

0.30cts; 14ct white gold.<br />

$650–800<br />

41<br />

A CULTURED PEARL, PURPLE<br />

SAPPHIRE AND DIAMOND PENDANT<br />

Featuring a white cultured pearl<br />

measuring 10.4mm, surmounted<br />

by a faceted pear shaped purple<br />

sapphire of 0.35cts, within a diamond<br />

set border; 14ct rose gold.<br />

$500–700<br />

42<br />

A MULTI-COLOURED SAPPHIRE<br />

AND DIAMOND BRACELET<br />

Set with pear shaped faceted<br />

gold, green and orange sapphires<br />

totalling 8.40cts, spaced by round<br />

brilliant cut diamonds totalling<br />

0.49cts; 14ct gold. Length 17cms.<br />

$2,400–2,800<br />

43<br />

A SAPPHIRE, RUBY AND<br />

EMERALD BAND RING<br />

Set with calibre cut emeralds (0.23cts),<br />

rubies (0.21cts) and sapphires<br />

(0.21cts), single cut diamond<br />

highlights; 9ct gold. Ring size K½.<br />

$480–520<br />

44<br />

A PAIR OF PINK SAPPHIRE AND<br />

DIAMOND DROP EARRINGS<br />

Each earring set with a faceted<br />

oval cut pink sapphire of 1.00ct,<br />

suspended from a diamond set circle,<br />

shepherds hook fittings; 14ct gold.<br />

$750–850<br />

45<br />

A SAPPHIRE AND DIAMOND<br />

THREE STONE RING<br />

Featuring three faceted oval cut<br />

sapphires totalling 1.30cts, set within a<br />

diamond border; 9ct gold. Ring size O½.<br />

$550–650<br />

46<br />

AN EMERALD AND DIAMOND RING<br />

Featuring an emerald cut emerald<br />

of 2.07cts, round brilliant cut<br />

diamond set shoulders totalling<br />

0.14ct; 14ct gold. Ring size M.<br />

$650–850<br />

47<br />

A BLUE AND WHITE<br />

DIAMOND NECKLACE<br />

Featuring spaced round brilliant cut<br />

irradiated blue diamonds totalling<br />

0.92cts, white round brilliant cut<br />

diamonds totalling 0.19cts; 14ct white<br />

gold, on an integral chain, length 46cms.<br />

$1,200–1,500<br />

48<br />

AN ANTIQUE STYLE EMERALD<br />

AND DIAMOND PENDANT<br />

Set with a round faceted emerald<br />

totalling 5.76cts, within a pierced<br />

grain set diamond mount totalling<br />

0.50cts; 14ct white gold.<br />

$5,500–6,500<br />

49<br />

A SINGLE DIAMOND RING<br />

Featuring a princess cut diamond<br />

of 1.04cts, set within a diamond<br />

border totalling 0.40cts; 14ct<br />

rose gold. Ring size M.<br />

$2,200–2,600<br />

50<br />

A DIAMOND SET STAR CLUSTER RING<br />

Featuring a star shaped cluster<br />

set throughout with round brilliant<br />

cut diamonds totalling 0.25cts;<br />

9ct gold. Rings size N.<br />

$440–480<br />

51<br />

A RUBY AND DIAMOND BRACELET<br />

Fully set with a double row of<br />

faceted oval cut rubies totalling<br />

26.25cts, spaced by round brilliant<br />

cut diamonds totalling 1.96cts;<br />

14ct white gold. Length 17cms.<br />

$4,800–5,200<br />

52<br />

AN AUSTRALIAN ARTS AND<br />

CRAFTS-STYLE OPAL RING<br />

Central oval cut light opal, set within<br />

a mount featuring Australian native<br />

flowers to the shoulders; silver.<br />

$180–240


13<br />

35<br />

37<br />

36


14<br />

53<br />

A VINTAGE WHITE GOLD<br />

WRISTWATCH BY PATEK PHILIPPE<br />

square blue face, baton markers,<br />

case diameter 26mm, white gold<br />

bracelet band, clasp stamped JPE,<br />

Patek Philippe, Geneve, Swiss, 750,<br />

bracelet length 18cms. Weight<br />

(all in) 84.1gms, with original Patek<br />

Phillippe box and certificate booklet.<br />

REF 3570-1<br />

Case Dial and Movement:<br />

175 Manual wind<br />

Movement number: 1173749 18 jewels<br />

$4,000–6,000<br />

54<br />

A PAIR OF DIAMOND<br />

COCKTAIL EARRINGS<br />

Each earring designed as a stylised<br />

shell, pave set diamond panel totalling<br />

0.90cts; 18ct gold. Post and clip<br />

backing. Each earring weighs 10.8g.<br />

$3,000–5,000<br />

55<br />

A CORAL, EMERALD AND<br />

DIAMOND SWAN RING<br />

Styled as two intertwining swans,<br />

carved coral bodies, emerald eyes,<br />

diamond set collars, necks and beaks;<br />

18ct gold. Ring size O. Weight 10.4gms.<br />

$1,800–2,200<br />

56<br />

A PAIR OF SAPPHIRE AND<br />

DIAMOND HOOP EARRINGS<br />

Each earring set with faceted oval cut<br />

sapphires totalling 5.10cts, spaced<br />

by round brilliant cut diamonds<br />

totalling 0.44cts; 14ct white gold.<br />

$2,800–3,200<br />

57<br />

AN EMERALD AND DIAMOND<br />

CLUSTER RING<br />

Set with a faceted oval cut emerald<br />

of 4.04cts, within a round brilliant cut<br />

diamond border totalling 0.86cts; 18ct<br />

white and yellow gold. Ring size M.<br />

$1,600–1,800<br />

58<br />

A PAIR OF DIAMOND SET<br />

FLOWER EARRINGS<br />

Each earring styled with textured gold<br />

petals, diamond set centre totalling<br />

approximately 0.17cts; 18ct gold. Clipon<br />

fitting. Each earring weighs 10.6gms.<br />

$2,400–2,800<br />

59<br />

A SAPPHIRE AND DIAMOND<br />

RING BY MEGAN WEBB<br />

Featuring a faceted round cut<br />

Australian sapphire of 1.60cts, round<br />

brilliant cut diamond set shoulders<br />

totalling 0.49cts; 18ct gold. Ring size<br />

N. Boxed. Accompanied by Origin<br />

Australia diamond certificate.<br />

$1,000–1,500<br />

60<br />

A SAPPHIRE AND DIAMOND PENDANT<br />

Featuring a fancy cut sapphire of<br />

approximately 1.00ct, set with a<br />

round brilliant cut diamond; 18ct<br />

rose gold. Chain length 45cms.<br />

$600–800<br />

61<br />

A JADE PENDANT NECKLACE<br />

Featuring uniform pale greenish<br />

white jade beads measuring<br />

9.5mm, suspending a carved<br />

Chinese character pendant, gold<br />

plated spacers, length 82cms.<br />

$200–300<br />

62<br />

A VINTAGE CZECHOSLOVAKIAN<br />

FACETED GLASS COLLAR<br />

of elegant form with three rows of<br />

circular graduated cut glass beads<br />

$200–300<br />

63<br />

A PAIR OF SPANISH COLONIAL<br />

STYLE GOLD EARRINGS<br />

Of embellished ornate, scrolled design,<br />

flora and fauna detail, set with Motherof-Pearl<br />

and seed pearls, detachable<br />

drop; stamped 18ct, testing as 14ct<br />

gold. Length 8cms. Weight 31.2g.<br />

$1,600–2,000<br />

64<br />

A PAIR OF SPANISH COLONIAL<br />

STYLE GOLD EARRINGS<br />

Each earring of embellished ornate<br />

floral design, set with a rose cut<br />

citrine and seed pearls, detachable<br />

drop; unmarked, testing as 14ct gold.<br />

Length 7.5cms. Weight 24.6g.<br />

$1,400–1,800<br />

65<br />

An Edward VII silver cigarette case<br />

by Charles S Green & Co<br />

Ltd, Birmingham 1905<br />

of plain form, hinged frontal panel<br />

opens to reveal a picture compartment.<br />

gilded interior, engraved shield with<br />

fleur-de-lis detail, initials DF, weight<br />

103.1gms, length 8cm, width 6cm<br />

$200–300<br />

66<br />

A DIAMOND PENDANT<br />

NECKLACE BY CARTIER<br />

Solid circular pendant set with diamond<br />

detail, on an integral chain, clasp<br />

stamped Cartier no. 001435; 18ct<br />

gold, length 42cms, weight 14.7gms.<br />

$3,200–4,000<br />

67<br />

A DIAMOND ETERNITY BAND<br />

Fully set throughout with French<br />

cut diamonds totalling 3.10cts,<br />

engraved detail to band; platinum.<br />

Ring size M. Weight 3.4g.<br />

$4,600–5,000<br />

68<br />

A PINK SAPPHIRE AND DIAMOND RING<br />

Featuring a cushion cut pink sapphire<br />

of 1.84cts, bordered by round brilliant<br />

cut diamonds, totalling approximately<br />

0.35cts; platinum. Ring size O. Weight<br />

4.4gms. Accompanied by a GIA<br />

report stating the pink sapphire has<br />

no indications of heat treatment.<br />

$6,500–7,000<br />

69<br />

A VINTAGE GREEN TURQUOISE RING<br />

the large oval green stone with<br />

a pierced fretwork mount<br />

$300–400


15<br />

54<br />

55<br />

58<br />

53<br />

57<br />

56


16<br />

70<br />

A VINTAGE SILVER PENDANT<br />

Freeform textural pendant, gilded, on<br />

a silver collar, signed Eve, 1/150.<br />

$260–360<br />

71<br />

AN ITALIAN DESIGNER SILVER<br />

BANGLE BY ORALANDINI<br />

Hinged bangle, architectural<br />

design, fully hallmarked, inner<br />

diameter 6cms. Weight 80gms.<br />

$400–600<br />

72<br />

A VINTAGE MEXICAN SILVER AND<br />

LAPIS LAZULI NECKLACE<br />

Designed as graduated elongated<br />

concave panels, some set with lapis<br />

lazuli inlay, length 37cms, weight<br />

127gms. Hallmarked clasp.<br />

$300–500<br />

73<br />

A VINTAGE CONTINENTAL<br />

SILVER AND PASTE TIARA<br />

of classical form with scrolling<br />

strapwork and faux pearls<br />

$300–400<br />

74<br />

AN ANTIQUE FRENCH GOLD<br />

CHARM BRACELET<br />

Featuring various charms including a<br />

chestnut and a set of keys; 18ct gold.<br />

Length 19cms. Weight 33.9gms.<br />

$3,600–3,800<br />

75<br />

A PAIR OF RUBY AND DIAMOND<br />

CHANDELIER EARRINGS<br />

Each earring of Art Deco inspired<br />

design, set with a pear shaped ruby<br />

of approximately 0.40cts, within<br />

a diamond set mount; platinum,<br />

threaded backing. Length 4.5cms.<br />

Each earring weighs 3.4gms.<br />

$3,600–3,800<br />

76<br />

A RUTILATED QUARTZ DRESS RING<br />

<strong>The</strong> handmade ring featuring gold<br />

twisted rope detail, set with a rutilated<br />

quartz, makers mark R&F; 14ct<br />

gold. Ring size N. Weight 10.8g.<br />

$300–500<br />

77<br />

A GROUP OF CULTURED<br />

PEARL JEWELLERY<br />

Comprising a double strand of grey<br />

freshwater pearls, length 45cms<br />

with a matching bracelet and<br />

fifteen extra pearls, together with<br />

a pair of white freshwater baroque<br />

pearl earrings measuring 11mm;<br />

sterling silver fittings and clasp.<br />

$260–360<br />

78<br />

A COLLECTION OF CULTURED<br />

PEARL JEWELLERY<br />

Comprising two Akoya pearl necklaces,<br />

two brooches and a pair of earclips.<br />

$300–500<br />

79<br />

Two sets of cased brass<br />

gold weighing scales<br />

the stand 17cm high<br />

黃 銅 金 天 秤 兩 件<br />

$100–200<br />

80<br />

A DESIGNER SILVER NECKLACE<br />

BY DGANIT HEN<br />

Freeform, textural panels, gold<br />

plated spacer balls, T-bar clasp, fully<br />

hallmarked by Israeli designer Dganit<br />

Hen, length 43cms, weight 36.2gms.<br />

$100–200<br />

81<br />

A DESIGNER SILVER NECKLACE<br />

BY DGANIT HEN<br />

Freeform, textural panels, gold plated<br />

spacers, silver tassel, T-bar clasp, fully<br />

hallmarked by Israeli designer Dganit<br />

Hen, length 43cms, weight 33.2gms.<br />

$100–200<br />

82<br />

A SILVER BRACELET AND MATCHING<br />

EARRINGS BY DGANIT HEN<br />

Freeform, textural panels, gold<br />

plated spacers, central freeform<br />

scrolled panel, earrings of similar<br />

design with ball drop, post and hinge<br />

backing, fully hallmarked by Israeli<br />

designer Dganit Hen, bracelet length<br />

20cms, total weight 32.6gms.<br />

$100–200<br />

83<br />

AN ANTIQUE GOLD ROLEX<br />

WRISTWATCH<br />

Gold tone face, machine-turned<br />

detail, circular set Arabic numerals,<br />

engraved detail to case; 9ct rose gold,<br />

leather strap. Weight (all in) 21.1gms.<br />

$500–800<br />

84<br />

An Omega 14ct gold manual<br />

wind chronograph with two subs<br />

dials, 17 jewels, cal. 27 chro. 1<br />

movement no. 9602790<br />

case ref. 10757391<br />

silver dial with gold hands and batons<br />

brown leather strap<br />

35mm diameter<br />

$1,500–2,000<br />

85<br />

An Omega steel manual wind<br />

wristwatch, 17 jewels, cal. 286<br />

movement no. 21073248<br />

case ref. 131.002/64/SC<br />

silver dial with Roman<br />

numerals and gold hands<br />

34mm diameter<br />

dark blue leather strap<br />

$300–500<br />

86<br />

An Omega rose gold manual<br />

wind wristwatch, subs second<br />

dial, 17 jewels, cal. 30T2<br />

movement no. 10318104<br />

silver dial with Arabic numerals<br />

and batons, gold plated hands<br />

black leather strap; stamped<br />

18ct rose gold, weight 34.6g<br />

37mm diameter<br />

$1,200–1,500<br />

87<br />

An Omega pie-pan gold capped<br />

stainless steel automatic date<br />

constellation chronometer,<br />

24 jewels, cal. 564<br />

movement no. 24879102<br />

case ref. 167.005<br />

silver dial with gold hands and batons<br />

brown leather strap<br />

34mm diameter<br />

$750–950


17<br />

71<br />

70<br />

72


18<br />

88<br />

A VINTAGE HORN BRACELET<br />

BY FIKEL FOR JESSIE HILL<br />

of unusual stylised form<br />

$200–300<br />

89<br />

An Omega 18ct gold automatic bump<br />

wristwatch, 17 jewels, cal. 28.10RA<br />

movement no. 10548388<br />

case ref. 10707090<br />

silver dial with gold hands and batons<br />

black and brown leather strap<br />

35mm diameter<br />

$750–950<br />

90<br />

An Omega stainless steel manual wind<br />

chronometer, 17 jewels, cal. 30T2Rg<br />

movement no. 10332480<br />

case ref. 2366<br />

silver dial with gold hands<br />

and Roman numerals<br />

brown leather strap<br />

36mm diameter<br />

$600–800<br />

91<br />

A COPPER MASK BRACELET<br />

Square beaten copper panels,<br />

theatre mask detail, length 19cms.<br />

$100–200<br />

92<br />

A DANISH DESIGNER HORN<br />

NECKLACE BY MONIES<br />

Of tribal inspired design, elongated<br />

polished horn sections, on a leather<br />

rope, total length 124cms, comes<br />

with original Monies pouch.<br />

$500–700<br />

93<br />

A CORAL NECKLACE<br />

Featuring graduated freeform<br />

coral beads, length 51cms.<br />

$80–120<br />

94<br />

A VINTAGE PLASTIC<br />

BAKELITE NECKLACE<br />

Graduated panels, plastic faux<br />

tortoise shell, closing to a yellow<br />

metal clasp, length 44cms<br />

$100–200<br />

95<br />

A VINTAGE MEXICAN SILVER<br />

BANGLE BY CRYS<br />

Wide 21mm hinged bangle,<br />

geometrical lapis lazuli inlay,<br />

signed Crys. Weight 116.3gms.<br />

$180–240<br />

96<br />

A VINTAGE TURQUOISE NECKLACE<br />

Comprising graduated turquoise discs,<br />

length 58cms, closing to a silver clasp.<br />

$160–260<br />

97<br />

A VINTAGE TURQUOISE<br />

BEAD NECKLACE<br />

Uniform 20.5mm turquoise<br />

beads, yellow metal spacers<br />

and clasp, length 44cms.<br />

$260–360<br />

98<br />

A CONVERTED FRENCH<br />

POCKETWATCH WRISTWATCH<br />

Featuring a pocket watch by<br />

Superior, converted to a wristwatch,<br />

Roman numerals, exposed<br />

mechanism, on a leather strap.<br />

$140–240<br />

99<br />

A VINTAGE CORAL NECKLACE<br />

Featuring graduated circular beads,<br />

silver spacers, length 54cms.<br />

$120–150<br />

100<br />

A VINTAGE WRISTWATCH BY<br />

PIERRE CARDIN FOR JAEGER<br />

Brushed stainless steel case, circular<br />

face, baton markers, manual wind,<br />

black leather strap, signed Jaeger<br />

France 529698 to verso of case.<br />

$140–240<br />

101<br />

A VINTAGE DU MAURIER WRISTWATCH<br />

Textured gold metal case, rectangular<br />

red face, red leather strap, manual wind.<br />

$100–200<br />

88


19<br />

102<br />

A SUBSTANTIAL DANISH DESIGN<br />

HORN BRACELET BY MONIES<br />

Designed as three graduated rows of<br />

triangular shaped horn panels, on an<br />

elastic rope, comes with Monies pouch.<br />

$500–700<br />

103<br />

A VINTAGE FRENCH SILVER<br />

WRISTWATCH BY JAQUET-DROZ<br />

Rectangular face, Roman numerals at<br />

12 and 6 o’clock, blue enamel and silver<br />

bracelet, watch case fully hallmarked to<br />

verso; 800 Continental silver, bracelet<br />

length 20cms. Weight (all in) 96.2gms.<br />

$460–550<br />

104<br />

A VINTAGE BONE NECKLACE<br />

Of tribal influence, black and white<br />

elongated panels and circular<br />

discs, c.1920, length 42cms.<br />

$120–150<br />

105<br />

A PAIR OF VINTAGE MEXICAN SILVER<br />

EARRINGS BY RAFAEL MELENDEZ<br />

Designed as theatre masks,<br />

gilded silver, black enamel, clipon<br />

backings. Hallmarked.<br />

$140–180<br />

106<br />

A GERMAN DESIGNER<br />

NECKLACE BY LANGANI<br />

Featuring wooden sections and glass<br />

beads graduated design, length<br />

50cms, original Langani box.<br />

$160–260<br />

107<br />

A VINTAGE DANISH PEWTER<br />

BANGLE BY JORGEN JENSEN<br />

Designed as a tapered convex<br />

bangle, central panel set with a<br />

purple glass section, design number<br />

220, hallmark Jorgen Jensen.<br />

$140–180<br />

108<br />

A VINTAGE COPPER BANGLE<br />

AND EARRINGS BY RENOIR<br />

Designed as swirling lines of copper,<br />

clip-on earrings, signer Renoir.<br />

$100–200<br />

109<br />

A PAIR OF DANISH DESIGN<br />

HORN EARRINGS BY MONIES<br />

Graduated horn sections, clip-on<br />

backings, signed Monies, comes<br />

in original Monies pouch.<br />

$120–180<br />

110<br />

A DESIGNER RESIN BRACELET<br />

Designed as a series of large resin<br />

pyramids with black inclusions,<br />

signed to inside panel ‘Artificial vs<br />

Real’, Elke for Jessie Hill, boxed.<br />

$140–240<br />

111<br />

AN AMBER DRESS RING<br />

Featuring a large faceted amber,<br />

set within four claws; stamped<br />

18ct gold, testing as 14ct. Ring<br />

size U½. Weight 17.1g.<br />

$400–500<br />

112<br />

AN ANTIQUE EMERALD<br />

AND DIAMOND RING<br />

Central oval shaped emerald<br />

cut en cabochon, set with a four<br />

old cut diamonds; 14ct gold.<br />

Ring size Q. Weight 2.7g.<br />

$300–400<br />

113<br />

TWO ANTIQUE STONE SET RINGS<br />

One set with turquoise and citrine,<br />

inscribed ‘Forget Me Not’, the<br />

other set with glass pearls and<br />

turquoise; both 18ct gold. Ring<br />

sizes J and M. Total weight 3.3g.<br />

$300–400<br />

114<br />

A PAIR OF CITRINE EARRINGS<br />

Each stud earring featuring a fancy<br />

square chequerboard cut citrine of<br />

approximately 7.60cts, set within four<br />

claws, post and butterfly backings;<br />

14ct gold. Total weight 9.1g.<br />

$400–600<br />

102


20<br />

Other<br />

Properties<br />

115<br />

A pair of gilt bronze mounted marble<br />

cassolettes, French 19th century<br />

46cm high<br />

$1,000–1,500<br />

116<br />

A large Schneider cameo<br />

glass vase, circa 1925<br />

mottled orange glass decorated with<br />

stylised flowers, raised mark Charder<br />

41cm high<br />

$1,000–2,000<br />

117<br />

A Biedermeier beechwood suite<br />

comprising a chaise lounge and four<br />

chairs upholstered in black velvet<br />

the chaise 186cm long<br />

$400–600<br />

118<br />

A provincial oak dining table,<br />

English 19th century<br />

74cm high, 270cm wide, 70cm deep<br />

PROVENANCE<br />

purchased Leonard Joel <strong>Auction</strong>s<br />

$400–600<br />

119<br />

PETER LELY (ATRRIB.)<br />

(1618-1680)<br />

Portrait of Miss Margaret Waller,<br />

circa 1660<br />

oil on canvas<br />

bears inscribed label verso:<br />

Marg Daugtr of Sr William Waller<br />

and Sister to Ann, Wife to<br />

Sr Philip Harcourt Knight<br />

125 x 99cm<br />

NOTE<br />

Printed label verso: “Sir Peter Lely<br />

- Portrait of Margaret Waller - Circa<br />

1660 oil on canvas size 49” x 39”,<br />

Prov. Powderham Castle, Viscount<br />

Harcourt, Oxford University, UK”<br />

$15,000–25,000<br />

115


21<br />

119


22<br />

120<br />

121


23<br />

120<br />

120<br />

H. F. JONES<br />

(ENGLISH, 19TH CENTURY)<br />

Untitled (Coaching Scenes)<br />

two oil on canvas<br />

one signed lower right: H. F. Jones<br />

29 x 49cm (each)<br />

$400–600<br />

121<br />

A Louis XVI style green leather<br />

top gilt bronze mounted desk<br />

79cm high, 16cm wide, 62cm deep<br />

$400–600<br />

122<br />

A brass mounted mahogany<br />

bracket clock by Winterhalder<br />

and Hofmeier, circa 1910<br />

with a three train Westminster<br />

chime movement contained within<br />

a string inlaid domed case<br />

39cm high<br />

$800–1,200<br />

123<br />

Two carved oak elbow chairs,<br />

English, late 17th/18th century<br />

each pierced and carved with<br />

foliate scrolls and turned stretchers,<br />

later upholstered seats<br />

$800–1,200<br />

124<br />

A Spanish provincial<br />

oak dining table<br />

76cm high, 179cm wide,<br />

93cm deep<br />

$1,500–2,500<br />

125<br />

A George III style Chinoiserie<br />

decorated cabinet on stand<br />

130cm high, 76cm wide,<br />

42cm deep<br />

$400–600<br />

126<br />

A sienna tasselled<br />

silk brocade sofa<br />

length of back 210cm<br />

$1,200–2,000<br />

122


24<br />

127<br />

127<br />

ENGLISH SCHOOL<br />

(18TH CENTURY)<br />

Untitled (Classical Landscape)<br />

oil on canvas<br />

62 x 74cm<br />

$800–1,200<br />

128<br />

A profusely carved walnut chest, Indian<br />

Kashmiri region, mid 20th century<br />

57cm high, 102cm wide, 48cm deep<br />

$600–800<br />

129<br />

A profusely carved walnut circular<br />

coffee table, Indian Kashmiri<br />

region, mid 20th century<br />

43cm high, 92cm diameter<br />

$300–500<br />

130<br />

A profusely carved walnut screen,<br />

Indian Kashmiri region, mid 20th<br />

174cm high, 184cm wide<br />

$400–600<br />

131<br />

A set of four striped silk<br />

upholstered boudoir chairs<br />

$200–300<br />

132<br />

A pair of pale pink and white floral<br />

upholstered ladies chairs<br />

$200–300<br />

133<br />

A French provincial style pollard<br />

oak dressing table and stool<br />

143cm high, 102cm wide, 56cm deep<br />

$200–300<br />

134<br />

A leather inset ladies desk,<br />

English, 19th century<br />

80cm high, 115cm wide, 62cm deep<br />

$200–300<br />

135<br />

A Chinese rosewood<br />

marble top pedestal<br />

77cm high. 39cm wide, 39cm deep<br />

$100–200<br />

136<br />

A giltwood Rococo style mirror<br />

110 x 74cm<br />

$400–600<br />

137<br />

A George III oak corner cabinet<br />

192cm high, 110cm wide, 54cm deep<br />

$800–1,200


25<br />

138<br />

A Continental carved ivory and<br />

enamel box, probably Austrian,<br />

early 19th century<br />

of circular form decorated with a<br />

scene of children and cherubs in a<br />

landscape scene, the cover finely<br />

carved with a seated goddess<br />

and a cherub in front of a mirror<br />

7cm diameter, 9cm high<br />

$500–800 ♦<br />

139<br />

A French Directoire period gilt bronze<br />

mounted parquetry inlaid marble top<br />

commode, late 18th/19th century<br />

90cm high, 145cm wide, 65cm deep<br />

$5,000–8,000<br />

140<br />

HENRY MOON (1857-1905)<br />

Cattleya Lawrenceana:<br />

Orchid, 1886<br />

chromolithograph<br />

signed lower right: Henry G Moon 1886<br />

from “Reichenbachia, Orchids<br />

Illustrated and Described”<br />

engraved by Joseph Mansell<br />

49.5 x 34cm<br />

PROVENANCE<br />

Lyons Ltd. Antique Prints,<br />

San Francisco (certificate verso)<br />

$200–300<br />

138<br />

139


26<br />

141<br />

A pair of carved limestone top<br />

wrought iron consoles<br />

90cm high, 157cm wide, 50cm deep<br />

$4,000–6,000<br />

142<br />

A set of six French provincial<br />

oak rush seat dining chairs<br />

$400–600<br />

143<br />

A George III style mahogany<br />

bow front sideboard<br />

69cm high, 112cm wide, 43cm deep<br />

$200–300<br />

144<br />

A George III style bachelors<br />

bow front cross banded<br />

mahogany chest of drawers<br />

81cm high, 86cm wide, 45cm deep<br />

$500–800<br />

145<br />

A George III style Pembroke table<br />

60cm high, 70cm wide, 60cm deep<br />

$200–300<br />

146<br />

A Regency style oval three tier<br />

library stand<br />

60cm high, 70cm wide, 60cm deep<br />

$500–300<br />

147<br />

A large Louis XV giltwood over<br />

mantel mirror, late 19th century<br />

151 x 99cm<br />

$1,200–1,500<br />

148<br />

A Napoleon III parquetry<br />

inlaid bonheur du jour<br />

75cm high, 57cm wide, 40cm deep<br />

$1,000–1,500<br />

149<br />

A pair of French provincial<br />

style oak elbow chairs<br />

$500–800<br />

150<br />

A pair of white painted<br />

simulated bamboo mirrors<br />

160 x 60cm<br />

$3,000–5,000<br />

151<br />

A pair of Chinese covered<br />

urns converted to lamps<br />

with cream silk shades<br />

74cm high with shade<br />

$100–200<br />

152<br />

A brass banker style desk<br />

lamp, 20th century<br />

with a green glass shade<br />

31cm high<br />

$100–200<br />

141


27<br />

153<br />

Two Herend porcelain<br />

figures, 20th century<br />

in the form of two ducks and a<br />

rooster, factory marks to the base<br />

the rooster 41cm high<br />

$200–300<br />

154<br />

A pair of William and Mary<br />

upholstered walnut side chairs<br />

padded back and seat and upholstered<br />

in yellow linen, turned cross stretchers<br />

$300–500<br />

153<br />

153<br />

141


28<br />

155<br />

A Sheraton style cross banded<br />

and marquetry inlaid rosewood<br />

fold over card table<br />

77cm high, 92cm wide, 45cm deep<br />

$600–800<br />

156<br />

A pair of bronze mounted marble<br />

cassolettes, French, 19th century<br />

converted to lamps with<br />

later silk shades<br />

75cm high<br />

$3,000–5,000<br />

157<br />

A Louis XV style marble top<br />

commode, French, 19th century<br />

89cm high, 123cm wide, 62cm deep<br />

$4,000–6,000<br />

158<br />

A pair of Wedgwood creamware<br />

plates, circa 1790<br />

impressed marks to base<br />

25cm diameter<br />

$80–120<br />

159<br />

A panthera pardus (leopard<br />

skin), 19th/20th century<br />

with a fully taxidermied head, together<br />

with a taxidermied lion head<br />

the leopard skin 145cm long<br />

$500–800 ♦<br />

160<br />

Two framed silhouettes,<br />

English 19th century<br />

the largest 8.5 x 7cm<br />

$200–300<br />

161<br />

A pair of carved giltwood torcheres<br />

60cm high<br />

$200–300<br />

162<br />

A pair of spelter ewers<br />

with marble bases<br />

62cm high<br />

$100–200<br />

163<br />

Three pairs of brass firedogs<br />

and implements<br />

74cm high<br />

$100–200<br />

164<br />

A Japanese sake cup by<br />

Katsumo Hiroskuni<br />

6cm diameter<br />

$80–120<br />

155


29<br />

156<br />

157


30<br />

165<br />

165<br />

A brass and mother-of-pearl<br />

marquetry inlaid walnut jewel<br />

box, French, 19th century<br />

with original key<br />

6cm high, 30cm wide, 23cm deep<br />

$300–500<br />

166<br />

A large four seater sofa<br />

upholstered in a wide stripe<br />

light brown corduroy<br />

81cm high, 234cm wide<br />

$1,000–1,500<br />

167<br />

A pair of taub upholstered easy chairs<br />

79cm high<br />

$600–800<br />

168<br />

An oval​blackwood dining table<br />

by Kim Moir Bespoke<br />

76cm high, 183cm wide, 120cm deep<br />

$400–600<br />

169<br />

A pair of Louis XVI style oak side tables<br />

65cm high, 65cm wide, 45cm deep<br />

$200–300<br />

170<br />

A brass and cast iron<br />

queen size bed frame<br />

154cm high, 204cm wide, 150cm deep<br />

$100–200<br />

171<br />

A red lacquered Chinoiserie<br />

decorated mirror, early 20th century<br />

97 x 61cm<br />

$100–200<br />

172<br />

A heavily carved oak pediment with<br />

central armorial, English 19th century<br />

79cm high, 198cm wide, 18cm deep<br />

$400–600<br />

173<br />

A white painted cast iron over<br />

mantel mirror, English circa 1900<br />

130cm high, 115cm wide<br />

PROVENANCE<br />

<strong>The</strong> Interior Decorator,<br />

Mossgreen <strong>Auction</strong>s, Melbourne,<br />

1st October 2012, Lot 304<br />

$300–500<br />

174<br />

A George III style grey velvet<br />

upholstered wingback armchair<br />

$800–1,200<br />

175<br />

A mahogany cylinder top pedestal<br />

desk, English, 19th century<br />

the cylinder enclosing satinwood<br />

drawers and a leather inset writing<br />

slide, thee drawers to each pedestal<br />

121cm high, 123cm wide, 78cm deep<br />

$600–1,200<br />

176<br />

A Chinese elm square tray<br />

9.5cm high, 55cm wide, 55cm deep<br />

$200–300<br />

177<br />

An oak library ladder<br />

370cm long<br />

$600–800<br />

178<br />

A green leather top mahogany pedestal<br />

partners desk and compendium<br />

77cm high, 168cm wide, 107cm deep<br />

$900–1,200


31<br />

179<br />

179<br />

A model brass cannon on stand<br />

24cm high, 44cm wide, 22cm deep<br />

$500–800<br />

180<br />

An Indonesian bronze cannon<br />

(Lantaka), 18th/19th century<br />

the barrel cast and chased in low relief<br />

with foliage, the fore-sight in the form<br />

of sea-horse, and original peg-mount,<br />

raised on a later wooden carriage<br />

the barrell 98cm long, mounted<br />

on the carriage 156cm long<br />

$4,000–6,000<br />

180


32<br />

181<br />

A carved marble figure of<br />

Cupid & Psyche<br />

after the original by Antonio Canova<br />

53cm high, 61cm wide, 28cm deep<br />

$1,500–2,000<br />

182<br />

A set of four mahogany dining<br />

chairs with red and green<br />

striped seats, 19th century<br />

$300–500<br />

183<br />

A French oak buffet a deux corps,<br />

18th century<br />

301cm high, 115cm wide, 53cm deep<br />

$4,000–6,000<br />

181<br />

182


183<br />

33


34<br />

184<br />

A pair of French provincial vert<br />

lacquer caned fauteuil, 19th century<br />

$800–1,200<br />

185<br />

A pair of Great Exhibition etchings<br />

35 x 40cm<br />

$100–200<br />

186<br />

A set of five lithograph scenes<br />

from the Crimean War<br />

circa 1855<br />

34 x 46cm<br />

$800–1,200<br />

187<br />

A pair of copperplate engravings<br />

by Jean Miel, circa 1755<br />

49 x 27cm<br />

$300–500<br />

188<br />

BRITISH SCHOOL<br />

(EARLY 20TH CENTURY)<br />

Summer River Thames and<br />

Summer Richmond Park<br />

oil on board<br />

monogrammed and titled lower<br />

left: SUMMER RIVER THAMES and<br />

SUMMER RICHMOND PARK<br />

each 8.5 x 18cm<br />

$200–300<br />

189<br />

ATTRIBUTED TO HENRY FOLEY<br />

(ENGLISH, 1848-1874)<br />

Untitled (Santa Maria Burgos)<br />

oil on canvas<br />

29.5 x 45cm<br />

$300–500<br />

190<br />

GEORGE MARKS (1857-1933)<br />

English Countryside<br />

watercolour<br />

signed lower right: George Marks<br />

61 x 45 cm<br />

$600–900<br />

184


35<br />

191<br />

A Herend ‘Apponyi’ pattern<br />

‘tea for two’ teaset on tray<br />

the tray 42cm wide<br />

$400–600<br />

191<br />

192<br />

A French provincial vert lacquer<br />

leather top bureau plat, 19th century<br />

76cm high, 158cm wide, 83cm deep<br />

$1,500–2,500<br />

192


36<br />

193<br />

A set of George III ivory handled<br />

steel cutlery in a fitted shagreen<br />

cutlery box, circa 1790<br />

$600–800 ♦<br />

194<br />

A Louis XV style marquetry<br />

inlaid marble top commode<br />

85cm high, 125cm wide, 54cm deep<br />

$1,500–2,500<br />

193<br />

195<br />

A Wedgwood creamware<br />

pierced and foliate decorated<br />

fruit basket, circa 1915<br />

impressed marks to base:<br />

WEDGWOOD / 3KQ, and inscribed<br />

pattern number mark A6215,<br />

28cm across the handles<br />

$80–120<br />

194


37<br />

196<br />

A large and impressive Regency bronze<br />

mounted ebonised and giltwood<br />

convex girandole, circa 1810<br />

the later plate within a ribbed and<br />

beaded reverse-profile frame<br />

mounted with orbs, flanked by a pair<br />

of scrolling candle-branches with<br />

camel head terminals to each side,<br />

the feathered apron centred by a<br />

coiled serpent, the whole surmounted<br />

by a substantial rock form bracket<br />

supporting a spread-eagle suspending<br />

a ball-and-chain from its beak<br />

150cm high, 100cm wide<br />

$12,000–15,000<br />

197<br />

A carved ebonised hardwood and<br />

bronze inkstand, English, 19th century<br />

27cm high, 48cm wide, 23cm deep<br />

$100–200<br />

196


38<br />

Porcelain<br />

198<br />

A large Wemyss ware carp<br />

tureen and cover, circa 1900<br />

modelled in the form of a live fish<br />

decoration attributed to Karel Nekola<br />

mark to base: incised<br />

Wemyss Ware RH & S<br />

48cm x 28cm<br />

$5,000–8,000<br />

199<br />

A large Wemyss Plichta pig decorated<br />

with pink clover, Scottish circa 1930s<br />

mark to base: underglaze green<br />

stamp Plichta London England<br />

44cm x 28cm<br />

$500–800<br />

200<br />

A Wemyss ware chamber pot<br />

and jug, Scottish circa 1900<br />

decorated with a floral motif, marks<br />

to base: pot black underglaze painted<br />

Wemyss and jug incised Wemyss<br />

and yellow painted Wemyss<br />

26cm high<br />

PROVENANCE<br />

Wemyss ware exhibition<br />

presented by Rogers De Rin<br />

Thomas Goode & co<br />

Mayfair 1987<br />

$300–500<br />

201<br />

A pink rose decorated Wemyss<br />

ware teapot, Scottish circa 1900<br />

mark to base: green painted<br />

underglaze T Goode and Wemyss<br />

16cm high<br />

$100–200<br />

198


39<br />

202<br />

A large Wemyss ware iris<br />

vase, Scottish circa 1920<br />

handpainted with iris and leaf<br />

motif, mark to base: incised<br />

Wemyss and stamp for T Goode<br />

south audleys London<br />

40cm high<br />

$2,000–3,000<br />

203<br />

A Wemyss ware jug and tankard,<br />

Scottish circa 1900<br />

the jug decorated with hand<br />

painted purple flowers, mark to<br />

base: incised Wemyss and tankard<br />

decorated with cherries<br />

19cm high<br />

$300–400<br />

204<br />

Three Wemyss ware pink rose<br />

decorated plates, Scottish circa 1920<br />

the largest 22cm diameter<br />

$100–200<br />

202


40<br />

205<br />

A Wemyss ware pig with ‘haahaf’ and<br />

‘Kruger’ on the side, Scottish circa 1900<br />

decorated with sponged black on<br />

white, ‘Kruger’ possibly referring to<br />

Paul Kruger, President of the Transvaal<br />

from 1880, who gained international<br />

recognition as the face of Boer<br />

resistance against the British during<br />

the South African or Second Boer War<br />

(1899-1902) impressed mark: Wemyss<br />

16cm long<br />

$400–600<br />

205<br />

206<br />

A Wemyss ware pig, Scottish circa 1900<br />

decorated with black daubs<br />

on white ground, mark to base:<br />

underglaze black painted Wemyss<br />

28cm high<br />

$1,000–1,500<br />

206


41<br />

207<br />

A Wemyss ware reclining<br />

pig, Scottish circa 1930<br />

black sponge to white ground,<br />

mark to base: incised Wemyss<br />

16cm long<br />

$2,000–3,000<br />

208<br />

A Wemyss ware Plichta pig<br />

and a bear, circa 1920<br />

both decorated with thistles<br />

the pig 7cm tall<br />

$100–200<br />

209<br />

A small pink Wemyss ware pig,<br />

Scottish circa 1900<br />

mark to base: impressed<br />

Wemyss Ware R.H & S<br />

15cm x 9.5cm<br />

$300–500<br />

210<br />

A small yellow Wemyss pig,<br />

Scottish circa 1900<br />

mark to base: impressed<br />

Wemyss ware R.H & S<br />

9cm high<br />

$200–300<br />

211<br />

A small burgundy Wemyss pig,<br />

Scottish circa 1900<br />

mark to base: impressed<br />

Wemyss ware R.H & S<br />

9cm high<br />

$300–500<br />

212<br />

A small green Wemyss ware pig,<br />

Scottish circa 1900<br />

mark to base: impressed Wemyss<br />

9cm high<br />

$300–500<br />

213<br />

A small Wemyss ware pig,<br />

Scottish 1900<br />

sponged black on white, mark to base:<br />

painted underglaze black Wemyss<br />

9cm high<br />

$400–600<br />

214<br />

A small Wemyss dish decorated<br />

with fish together with an unsigned<br />

ceramic container with yellow<br />

blossom pattern, missing lid<br />

17cm diameter fish dish<br />

$50–100<br />

215<br />

Two Wemyss ware tankards,<br />

Scottish 19th century<br />

hand painted with geese motif<br />

mark to base: R.H & S<br />

15cm high<br />

$200–300<br />

216<br />

Two Wemyss ware tankards,<br />

Scottish 19th century<br />

one adorned with apples and<br />

the other with ducks<br />

17.5cm high<br />

$200–300<br />

207


42<br />

217<br />

A large Wemyss ware tabby cat with<br />

green glass eyes, Scottish circa 1900<br />

modelled in a seated upright<br />

position, mark to base: underglaze<br />

painted green wemyss<br />

31cm high<br />

$3,000–5,000<br />

218<br />

A Wemyss ware platter,<br />

Scottish circa 1900<br />

rectangular with red and yellow<br />

roses on multi coloured ground,<br />

mark to base: incised Wemyss and<br />

underglaze painted black Wemyss<br />

20 x 25cm<br />

$100–200<br />

219<br />

A Wemyss ware concave vase and a<br />

stationery holder, Scottish circa 1920<br />

both decorated with pink climbing roses<br />

the largest 18cm high<br />

$200–300<br />

220<br />

A collection of Wemyss ware,<br />

Scottish circa 1900<br />

pink rose decorated comprising<br />

of an inkstand with complete<br />

ink pots, two partial inkwells<br />

and a porcelain candlestick<br />

the candlestick 18cm high<br />

$200–300<br />

217


43<br />

221<br />

A small brown Wemyss ware pig,<br />

Scottish circa 1900<br />

mark to base: impressed<br />

wemyss ware R.H & S<br />

9cm high<br />

$500–800<br />

222<br />

A small Wemyss ware pig in oak and<br />

leaves pattern, England 1930’s<br />

mark to base: made in England<br />

stamp green<br />

9cm high<br />

$400–600<br />

223<br />

A Wemyss ware jug, Scottish<br />

early 20th century<br />

decorated in the ‘Earshall’ castle<br />

pattern with crows and rabbits, mark to<br />

base: underglaze black painted Wemyss<br />

18cm high<br />

$400–600<br />

221<br />

224<br />

A three piece square form Wemyss<br />

honey pot, Scottish circa 1900<br />

decorated with bees and hives<br />

mark to base: underglaze<br />

painted green Wemyss<br />

19cm width 12cm high<br />

PROVENANCE<br />

Rogers De Rin<br />

76 Hospital Road Chelsea, London<br />

$300–500<br />

225<br />

A collection of Wemyss ware,<br />

Scottish circa 1920<br />

including a three piece soap dish and<br />

two vases decorated in pink roses<br />

the vases 15cm<br />

$100–200<br />

226<br />

A Wemyss ware inkstand with<br />

covers, Scottish circa 1900<br />

heart shaped form with hand<br />

painted irises, mark to base:<br />

incised Wemyss Ware RH & S<br />

18cm wide<br />

$100–200<br />

222


44<br />

227<br />

A small Wemyss ware ovoid form<br />

vase, Scottish 19th century<br />

hand painted with dragonflies and grass<br />

mark to base: incised and<br />

painted Wemyss<br />

14cm high<br />

$100–200<br />

228<br />

A green rimmed Wemyss ware Gordon<br />

dessert plate, Scottish circa 1900<br />

hand painted with sloe berries,<br />

impressed mark to base:<br />

Wemyss Ware RH &S.<br />

20cm diameter<br />

PROVENANCE<br />

Rogers De Rin<br />

76 Hospital Road Chelsea, London<br />

$100–200<br />

229<br />

An oval shaped Wemyss<br />

ware pin dish, circa 1900<br />

with hand painted daffodil and green<br />

rim together with a Wemyss pin dish<br />

decorated with hand painted thistles<br />

and a pink blossom Wemyss napkin ring<br />

thistle dish 14cm<br />

$120–100<br />

230<br />

An (unmarked) Wemyss tea<br />

pot with hand painted grey and<br />

white sparrows, circa 1930s<br />

16cm high<br />

$200–300<br />

231<br />

A Wemyss ware vase, circa 1900<br />

decorated with geese, mark<br />

to base: incised Wemyss<br />

15cm high<br />

$100–200<br />

232<br />

A pair of Wemyss ware tankards, one<br />

with daffodils and the other adorned<br />

with pink clover, Scottish 1900<br />

14cm high<br />

$200–400<br />

233<br />

A small cylindrical Wemyss ware<br />

plum vase, Scottish circa 1900<br />

together with a slightly larger vase of<br />

the same form adorned with peaches,<br />

the tallest 9cm high<br />

$100–200<br />

234<br />

A Wemyss ware vase painted with<br />

cherries, Scottish circa 1900<br />

12cm high<br />

$150–250<br />

235<br />

A three handled Wemyss ware<br />

tyg mug, Scottish circa 1900<br />

decorated with roses, mark to<br />

base: impressed Wemyss and<br />

underglaze green Wemyss<br />

11cm<br />

$100–200<br />

236<br />

A Wemyss ware dog bowl with<br />

plums, Scottish circa 1900<br />

embellished in french with ‘ the more<br />

I know men the more I admire dogs’<br />

21cm diameter<br />

$100–200<br />

237<br />

A Plichta pink clover decorated<br />

rabbit, together with a matte<br />

black with white daisy rabbit<br />

13.5cm high<br />

$200–300<br />

238<br />

A large Wemyss ware vase,<br />

Scottish circa 1900<br />

decorated with roses on a black<br />

ground, mark to base: incised Wemyss<br />

33cm high<br />

$300–500<br />

239<br />

Two Wemyss ware tankards,<br />

Scottish circa 1900<br />

decorated with black Cockerels,<br />

mark to base: incised Wemyss<br />

and painted Wemyss to other<br />

14cm high<br />

$200–400<br />

240<br />

Two Plichta pink clover<br />

decorated figures<br />

one a recumbent deer and<br />

the other a koala bear<br />

mark to base: stamp Plichta<br />

London England to both<br />

the largest 12cm high<br />

$100–200<br />

241<br />

A Plichta pelican form figurine,<br />

London, circa 1950s<br />

handpainted with clovers<br />

23cm high<br />

$100–200<br />

242<br />

Two Plichta pigs, one a<br />

money box, circa 1930<br />

both decorated with thistle motif<br />

the largest 9cm high<br />

$300–500<br />

243<br />

A small Plichta ware pig, London 1930s<br />

black sponge on white, mark to<br />

base: stamp Plichta London England<br />

and painted “Nekola pinxt”<br />

9cm high<br />

$400–600<br />

244<br />

A mixed lot of Wemyss pink and<br />

purple floral decorated porcelain<br />

comprising of a frill edged<br />

vase, a teacup and a small pot,<br />

together with two buttons<br />

the largest 9cm high<br />

$100–200<br />

245<br />

A Martin Brothers ‘marred’ stoneware<br />

vase, London, circa 1900<br />

incised decoration to the neck ‘this<br />

vessel that he made of clay was marred<br />

in the hand of the potter’ Jer.XVIII.4<br />

incised to base: R. M. Martin<br />

London & Southall<br />

16cm x 11.5cm<br />

$500–800


45<br />

246<br />

An early large Wemyss cockerel<br />

vase, Scottish circa 1900<br />

moulded in relief with large<br />

cockerel and a fly<br />

with applied rosette bosses<br />

mark to base: painted burgundy<br />

underglaze Wemyss<br />

39.5cm x 32.5cm<br />

$1,000–1,500<br />

247<br />

A Wemyss ware frilled edge<br />

dish, Scottish circa 1920<br />

decorated with ‘black cockerels’<br />

27cm at widest point<br />

$100–200<br />

248<br />

A Wemyss ware frilled lip black<br />

cockerel vase, Scottish circa 1900<br />

impressed mark to base:<br />

Wemyss Ware RH &S.<br />

21cm high<br />

$100–200<br />

249<br />

Two pieces of Wemyss ware<br />

including a concave vase and a<br />

sugar pot, Scottish circa 1900<br />

both decorated with yellow primroses<br />

the vase 11cm high<br />

$100–200<br />

250<br />

A small collection of assorted<br />

publications on Wemyss, Plichta and<br />

Martin Brothers porcelain/ceramic ware<br />

$50–100<br />

251<br />

A set of four carpet bowls, 19th century<br />

8.5cm diameter<br />

$80–120<br />

246


46<br />

252<br />

252<br />

A pair of Longwy Faience plates,<br />

French circa 1920<br />

printed marks to base<br />

32cm diameter<br />

$500–800<br />

253<br />

A Meissen porcelain teacup, circa 1740<br />

decorated with flowers and<br />

insects on white ground<br />

mark to base: crossed swords in<br />

underglaze blue and letter H<br />

7cm high<br />

$200–300<br />

254<br />

A Mennecy porcelain cup<br />

and saucer, circa 1750<br />

decorated with flowers within a pink rim<br />

incised to base: D,V and P<br />

saucer 12cm diameter<br />

$600–800<br />

255<br />

A Mennecy porcelain coffee<br />

cup and saucer, circa 1750<br />

decorated with flowers within a pink rim<br />

incised to base: D,V and f<br />

saucer 11.5cm diameter<br />

$300–500<br />

256<br />

A Rosenthal coffee set, circa 1960<br />

comprising seven cups<br />

and nine saucers<br />

$80–100<br />

257<br />

A pair of Parian wear<br />

figures, 20th century<br />

each decorated as figures and cupid<br />

33cm high<br />

$200–300<br />

258<br />

A pair of Delft blue and white urns,<br />

18th century<br />

mark to base: monogram<br />

HB in underglaze blue<br />

18cm high<br />

$300–500<br />

259<br />

A Bristol Delft blue and white charger,<br />

circa 1770<br />

34cm diameter<br />

$200–300<br />

260<br />

A Bristol Delft polychrome charger,<br />

circa 1740<br />

decorated with a bird within a<br />

stylised oriental garden<br />

33.5cm<br />

$200–300<br />

261<br />

A Spode “Tiber” transfer pattern<br />

blue and white meat dish with<br />

gravy reservoir, circa 1815<br />

marked Spode on reverse<br />

40cm high, 52cm wide<br />

$250–350<br />

262<br />

A Mennecy fruit and foliate decorated<br />

sugar bowl and cover, circa 1760<br />

impressed marks to the base<br />

Mennecy ‘Duc de Villeroy’ DV mark<br />

12cm high<br />

$450–600


47<br />

263<br />

A pair of Sevres style gilded<br />

porcelain vases<br />

each decorated with applied caryatid<br />

handles and panels of palatial scenes<br />

reserved on a bleu celeste ground<br />

47cm high<br />

$1,200–1,500<br />

264<br />

A salt glaze ‘Gardner’s Ink’<br />

figure of punch<br />

together with two 19th century inkwells<br />

12cm high<br />

$300–500<br />

265<br />

A First Period Worcester porcelain<br />

blue and white Chinoiserie decorated<br />

teapot stand, circa 1770<br />

inscribed to base: disguised numerical<br />

mark 7 in underglaze blue<br />

15cm diameter<br />

$200–300<br />

266<br />

A pair of Minton serving dishes,<br />

19th century<br />

decorated with a classical frieze<br />

with handpainted gilding<br />

30cm long<br />

$120–150<br />

267<br />

A collection of seven pieces<br />

of blue and white willow ware<br />

‘pagoda’ pattern, 19th century<br />

the plate 22cm diameter<br />

$80–120<br />

268<br />

A Masons Ironstone Jug, circa 1870<br />

Imari Japan pattern with snake handle<br />

painted pattern number 8839<br />

13cm high<br />

$50–100<br />

263


48<br />

269<br />

A large Majolica jardinière,<br />

French, 19th century<br />

23cm high, 24cm wide, 22cm deep<br />

$400–600<br />

270<br />

A Royal Worcester porcelain spill vase<br />

signed by Harry Stinton, circa 1917<br />

trumpet shaped with highland cattle<br />

scene red factory marks to base<br />

pattern no. G923<br />

12cm high<br />

$150–250<br />

271<br />

An amphora fairy double spill vase,<br />

19th century<br />

stamp to base<br />

26cm high<br />

$40–60<br />

272<br />

A Derby porcelain figure of a recumbent<br />

sheep with a bocage, circa 1780<br />

patch marks to base<br />

10cm high<br />

$200–300<br />

273<br />

A Derby porcelain figure of a yellow<br />

canary on a flowering branch by<br />

William Duesbury & Co, circa 1780<br />

patch marks to base<br />

7cm high<br />

NOTE<br />

For a similar example see the Collection<br />

of the Victoria & Albert Museum,<br />

London, ref no. 414:234/A-1885,<br />

Ceramics, Room 139, <strong>The</strong> Curtain<br />

Foundation Gallery, case 14, shelf 7,<br />

gift of Lady Charlotte Schreiber.<br />

$200–300<br />

274<br />

A small Chelsea or Bow porcelain<br />

figure of a seated child with an<br />

apple and bocage to the rear<br />

circa 1765, bears labels to base:<br />

Margaret Cadman Antiques and<br />

Ceramics and Glass Circle of Australia<br />

8cm high<br />

$100–200<br />

275<br />

A Bow porcelain figure of a recumbent<br />

pug on a cushion, circa 1750-1753<br />

bears label to base: Ceramic<br />

and Glass Circle of Australia<br />

7.5cm high<br />

NOTE<br />

For a similar example see the Collection<br />

of the Victoria & Albert Museum,<br />

London, ref no. 414:147/A-1885,<br />

Ceramics, Room 139, <strong>The</strong> Curtain<br />

Foundation Gallery, case 2, shelf 7,<br />

gift of Lady Charlotte Schreiber.<br />

$600–800<br />

276<br />

A Meissen hard-paste<br />

porcelain plate, 1735<br />

relief-moulded in the Sulkowski ozier<br />

pattern divided by pearls in twelve<br />

sections conforming with the lobed<br />

edge, hand painted with a Korean lion, a<br />

flying crane, Indian flowers and insects<br />

inscribed to base: crossed<br />

swords in underglaze blue<br />

23cm diameter<br />

$300–500<br />

269


49<br />

277<br />

277<br />

A Samson porcelain covered<br />

baluster vase, circa 19th century<br />

painted in the chinoiserie style<br />

with flowers on blue ground<br />

with a lion foot ormolu base<br />

31cm high<br />

$700–900<br />

278<br />

A Meissen porcelain sweetmeat<br />

dish with putto, 19th century<br />

inscribed mark to base, crossed<br />

swords in underglaze blue<br />

13cm high<br />

$200–300<br />

279<br />

A Lowestoft porcelain sparrow beak<br />

milk jug and cover, circa 1780<br />

printed in the style of the<br />

Worcester Mansfield pattern<br />

inscribed mark to base: open<br />

crescent mark in underglaze blue<br />

13.5cm high<br />

$300–500<br />

280<br />

A Lowestoft Chinoiserie painted<br />

tea bowl and saucer, circa 1780<br />

the tea bowl 4.5cm high<br />

$200–300<br />

281<br />

A Worcester cup and saucer, circa 1765<br />

painted with the fan pattern<br />

inscribed to base: mock Oriental<br />

mark in underglaze blue<br />

the saucer 13cm diameter<br />

$300–500<br />

282<br />

A Liverpool porcelain Chinoiserie<br />

decorated tea bowl, cup and saucer<br />

circa 1765<br />

the cup 6.5cm high<br />

$200–300


50<br />

283<br />

A glazed stoneware ‘Eskimo’<br />

pitcher by Martin Brothers<br />

London circa 1912<br />

decorated with a figure shrouded in<br />

a fur with large loop handle, incised<br />

to the base: Martin, London 4<br />

33cm high<br />

$1,200–1,500<br />

284<br />

A First Period Worcester<br />

porcelain blue and white tea<br />

bowl and saucer, circa 1770<br />

decorated with the cannonball pattern<br />

the tea bowl 4.5cm diameter<br />

$100–200<br />

285<br />

A cream ware plate with<br />

Chinoiserie decoration lady<br />

and a parasol, circa 1780<br />

25cm diameter<br />

$100–200<br />

286<br />

A First Period Worcester plate,<br />

circa 1765<br />

painted with the “Chequered Tent”<br />

pattern<br />

inscribed to base: fret mark<br />

in underglaze blue<br />

18.5cm diameter<br />

$300–500<br />

287<br />

A small Bow porcelain powder<br />

blue and white plate, circa 1760<br />

painted with a Chinese landscape<br />

with circular and fan shaped<br />

reserves and flowers<br />

inscribed to base: mock Oriental mark<br />

22cm diameter<br />

$100–200<br />

288<br />

A Bow porcelain ornament in the<br />

form of a flowerpot, circa 1770<br />

the tub form flowerpot with ring handles<br />

and foliate rim containing a plant<br />

painted in enamel with floral sprays<br />

8cm high<br />

$200–300<br />

289<br />

A large Paris porcelain gilt<br />

bronze mounted vase<br />

with painted and gilt foliate banding<br />

75cm high<br />

$1,000–1,500<br />

290<br />

A pair of Limoges gilt<br />

decorated porcelain vases<br />

with panels of maidens on a balcony<br />

38cm high<br />

$600–800<br />

291<br />

A Derby cabinet plate, circa 1825<br />

decorated with a large finely painted<br />

floral spray to the centre and four<br />

blooms to the border possibly<br />

painted by Moses Webster<br />

inscribed mark to base:<br />

standard mark for date<br />

25cm diameter<br />

$100–200<br />

292<br />

An English cabinet plate,<br />

mid 19th century<br />

with an Italian scene to centre<br />

and gilted floral border and a<br />

Wedgwood Jasperware blue<br />

plate, circa 20th century<br />

decorated with applied classical scenes<br />

23.5cm diameter<br />

$80–120<br />

283


51<br />

293<br />

293<br />

A large stoneware double sided<br />

face jug by Robert Wallace Martin<br />

for Martin bros, London 1911<br />

incised to base: R.W. Martin bros<br />

London & Southall 8-1911<br />

23cm x 20cm<br />

$3,000–5,000<br />

294<br />

A Sevres style porcelain cobalt blue<br />

and gilt decorated terrine on stand<br />

the cover with painted cartouche<br />

scenes and a gilded pomegranate finial<br />

31cm high<br />

$500–800<br />

295<br />

A Royal Doulton Fanling vase,<br />

Burslem Artwares<br />

limited edition stamped<br />

to base 141/250<br />

18cm high<br />

$200–300<br />

296<br />

A Royal Doulton Nanjing bowl,<br />

Burslem Artwares<br />

limited edition stamped to base 83/250<br />

16cm high<br />

$200–300<br />

297<br />

A Royal Doulton Jintan vase,<br />

Burslem Artwares<br />

limited edition stamped<br />

to base 102/350<br />

30cm high<br />

$250–350<br />

298<br />

A pair of French porcelain cobalt blue<br />

and gilt decorated baluster form vases<br />

with swan form handles and floral<br />

motifs encased in a central medallion<br />

46cm high<br />

$800–1,200


52<br />

299<br />

A large French brass mounted porcelain<br />

centrepiece vase, 19th century<br />

50cm high, 30cm diameter<br />

$600–800<br />

300<br />

A New Hall porcelain tea set in the<br />

“Boy and Butterfly” pattern, circa 1800<br />

comprising a tea pot, two<br />

creamers, tea bowl and saucer<br />

inscribed to base: pattern<br />

number 421 in red enamel<br />

the tea pot 15cm high<br />

$300–500<br />

301<br />

Three Clarice Cliff jugs in the Bizarre<br />

Crocus pattern, circa 1930<br />

the largest 15cm high<br />

$300–500<br />

302<br />

A Chelsea porcelain Kakiemon<br />

style plate, circa 1755<br />

decorated with a phoenix<br />

stilt marks to base<br />

24.5cm diameter<br />

$300–500<br />

303<br />

A Mason’s Ironstone jug, circa 1829<br />

decorated with the “Table<br />

and Flowerpot” pattern<br />

20cm high<br />

$50–100<br />

304<br />

A Worcester porcelain cup<br />

and saucer, circa 1770<br />

painted with green flowers by Giles<br />

inscribed to base: crossed swords<br />

mark (of Dresden) and 91<br />

the saucer 13cm diameter<br />

$200–300<br />

305<br />

A Worcester porcelain punch bowl,<br />

circa 1780<br />

printed with the Fisherman pattern<br />

inscribed to base: disguised numerical<br />

mark 8 in underglaze blue<br />

22.5cm diameter<br />

$300–500<br />

306<br />

A First Period Worcester porcelain<br />

chocolate cup and saucer, circa 1770<br />

decorated with the fence pattern<br />

the saucer inscribed to base: hatched<br />

crescent mark and ‘E’ in underglaze<br />

blue, the cup inscribed to base: hatched<br />

crescent mark in underglaze blue<br />

the saucer 14.5cm diameter<br />

$200–300<br />

307<br />

A First Period Worcester tea<br />

bowl and saucer, circa 1760<br />

decorated with the prunus root pattern<br />

tea bowl and saucer inscribed to base:<br />

open crescent mark in underglaze blue<br />

the saucer 12cm diameter<br />

$100–200<br />

308<br />

A First Period Worcester tea<br />

bowl and saucer, circa 1765<br />

decorated with the hollow<br />

rock lolly pattern<br />

inscribed mark to base: open<br />

crescent in underglaze blue<br />

the saucer 11.5cm diameter<br />

$100–200<br />

299


53<br />

309<br />

309<br />

A pair of Swansea gilded and fluted<br />

cups and saucers, circa 1830<br />

the saucer 15cm diameter<br />

$200–300<br />

310<br />

A First Period Worcester tea cup,<br />

circa 1750<br />

decorated with the feather<br />

moulded floral pattern<br />

inscribed to base: painters<br />

mark in underglaze blue<br />

5.5 high<br />

$80–120<br />

311<br />

A First Period Worcester porcelain<br />

slop bowl, circa 1770<br />

decorated with the Fence pattern<br />

inscribed to base: hatched crescent<br />

mark in underglaze blue<br />

10cm diameter<br />

$100–200<br />

312<br />

A First Period Worcester porcelain<br />

coffee can, circa 1765<br />

decorated with the prunus root pattern<br />

inscribed to base: open crescent<br />

mark in underglaze blue<br />

6cm high<br />

$100–200<br />

313<br />

A First Period Worcester porcelain<br />

sauce boat, circa 1765<br />

decorated with the mission<br />

church pattern<br />

inscribed to base: open crescent<br />

mark in underglaze blue<br />

5.5cm high, 15cm wide<br />

$200–300<br />

314<br />

A First Period Worcester porcelain<br />

butter boat, circa 1758<br />

decorated with the butter<br />

boat Mansfield pattern<br />

inscribed to base of handle:<br />

cross in underglaze blue<br />

3.5cm high<br />

$100–200<br />

315<br />

A First Period Worcester porcelain<br />

pickle dish, circa 1758<br />

decorated with the two<br />

peony rock bird pattern<br />

inscribed to base: painters<br />

mark in underglaze blue<br />

10cm diameter<br />

$100–200<br />

316<br />

A Chamberlain’s Worcester breakfast<br />

cup and saucer, circa 1825<br />

the cup decorated with painted<br />

scenes of St. John’s, Isle of Wight, the<br />

saucer of Brathay Hall, Lancashire<br />

saucer 17cm diameter<br />

$100–200<br />

317<br />

A Copeland cup and saucer, circa 1860<br />

decorated with floral swags in<br />

a gilt arbor on green ground<br />

printed mark to base: back<br />

to back C’s COPELAND<br />

the saucer 13.5cm diameter<br />

$100–200<br />

318<br />

A Minton sucrier with twin handles,<br />

circa 1840<br />

decorated with rose sprigs between<br />

green and gilt oval bands<br />

10cm high<br />

$100–200<br />

319<br />

A New Hall cup and saucer, circa 1790<br />

printed with the three willow<br />

pattern with gilt border<br />

saucer 13cm diameter<br />

$80–120<br />

320<br />

A Chelsea porcelain lobed<br />

edge plate, circa 1765<br />

painted with flowers and birds<br />

inscribed to base: gold anchor<br />

22.5cm diameter<br />

$200–300<br />

321<br />

A Bow porcelain plate, circa 1760<br />

decorated with flowers, bushes and<br />

rocks in a famille rose palette<br />

22.5cm diameter<br />

$200–300


54<br />

322<br />

322<br />

A pair of Swansea plates, circa 1850<br />

each painted and gilt with floral<br />

cartouches reserved on a green<br />

glazed partridge eye ground, red<br />

Swansea mark to the base<br />

21cm diameter<br />

$400–600<br />

323<br />

A large Wemyss ware slop pail<br />

and cover, Scottish circa 1900<br />

decorated with pussy willow and wicker<br />

work handle, mark to base: incised<br />

Wemyss and yellow painted underglaze<br />

37cm high<br />

$800–1,200<br />

323


55<br />

324<br />

A large Sevres style urn and cover,<br />

late 19th century<br />

the tapered neck decorated with<br />

a cartouche portrait of Louis XVI<br />

above panels of bucolic landscape<br />

scenes reserved on a ‘Bleu Celeste’<br />

ground, all surmounted by a cover<br />

with a gilt bronze acorn finial<br />

70cm high<br />

$1,000–1,500<br />

325<br />

A large collection of Booths<br />

gilt and blue painted porcelain,<br />

early 19th century<br />

the covered urns 26cm high<br />

$300–500<br />

326<br />

A collection of three Derby<br />

cabinet plates, circa 1820<br />

painted with landscape scenes<br />

of Italy, France and Wales within<br />

a cobalt blue and gilt border<br />

and gilded gadrooned rim<br />

printed to base on two: BLOOR DERBY<br />

in underglaze red, the other painted<br />

to base: standard mark in red<br />

21.5cm diameter<br />

$200–300<br />

324


56<br />

327<br />

327<br />

A pair of large ebony elephants,<br />

first half of 20th century<br />

each carved with raised<br />

trunks in mirror image<br />

23cm high<br />

PROVENANCE<br />

<strong>The</strong> Estate of Joan Harris AM<br />

and Frederick Parslow AM.<br />

$500–800<br />

328<br />

A group of ebony elephants and<br />

bookends, first half 20th century<br />

comprising four elephants, a<br />

bookend and a small bakelite<br />

trail stand of elephants<br />

the largest 18cm high<br />

PROVENANCE<br />

<strong>The</strong> Estate of Joan Harris AM<br />

and Frederick Parslow AM.<br />

$300–500<br />

328


57<br />

329<br />

EDOUARD PAUL DELABRIERRE<br />

(1829-1912)<br />

A bronze figure of a lioness<br />

inscribed to base: E DELABRIERRE<br />

19cm high<br />

$600–800<br />

330<br />

A Regency miniature portrait of a<br />

lady in pearls, early 19th century<br />

painted on copper<br />

11.5cm x 9.5cm<br />

$200–300<br />

331<br />

JOHN ROWELL (1894-1973)<br />

Deception Bay at Sunset, 1956<br />

oil on board<br />

signed lower left: John Rowell<br />

inscribed verso: DECEPTION BAY<br />

/ AT SUNSET / By John Rowell /<br />

Presented to C Roberts by the Artist<br />

/ as “a personal token” / 1956<br />

23.5 x 34cm<br />

$400–600<br />

332<br />

A pair of George III style<br />

giltwood mirrors<br />

107 x 77cm<br />

$700–900<br />

329


58<br />

333<br />

333<br />

A set of eight George III style<br />

Hepplewhite dining chairs<br />

and a mahogany extension<br />

dining table, 19th century<br />

the table 72cm high,<br />

338cm wide, 122cm deep<br />

$4,000–6,000<br />

334<br />

An ivory night light with<br />

bakelite base, circa 1920<br />

depicting scenes of tigers<br />

and elephants in the wild<br />

16cm high<br />

$150–250 ♦<br />

335<br />

A large Anglo Indian iron bound<br />

damchiya trunk, 19th century<br />

the domed hinged lid and body with<br />

applied heavy wrought iron lockplates,<br />

strapping and handles<br />

92cm high, 141cm wide, 78cm deep.<br />

$600–800


59<br />

336<br />

A Chinese elm altar table<br />

84cm high, 160cm wide, 41cm deep<br />

$400–600<br />

337<br />

A pair of Chinese elm square stools<br />

50cm high, 36cm wide, 36cm deep<br />

$300–500<br />

338<br />

A large elm coffee table<br />

manufactured by Kazari<br />

49cm high, 185cm wide, 112cm deep<br />

$400–600<br />

333


60<br />

339<br />

A silver mounted Russian icon of the<br />

Virgin of Kazan, 18th/19th century<br />

with a gilded mandorla<br />

41 x 35cm<br />

$1,000–1,500<br />

340<br />

A pair of George III cream<br />

upholstered carvers<br />

$400–600<br />

341<br />

Five lithophane porcelain<br />

panels by Prensaich Porzellan<br />

Manufactur, 19th century<br />

four set into a night lamp<br />

and one separate<br />

each impressed mark verso:<br />

PPM and pattern numbers<br />

1286, 434, 1138, 357, 1096<br />

the largest panel 19.5 x 15.5cm<br />

$300–500<br />

339<br />

340


61<br />

342<br />

342<br />

A French bronze bust of a girl<br />

on marble stand<br />

signed verso: vandin straeten<br />

37cm high<br />

$300–500<br />

343<br />

A Louis XV style marquetry inlaid<br />

walnut vitrine, French, 19th century<br />

146cm high, 70cm wide, 37cm deep<br />

$1,500–2,500<br />

344<br />

A gilt framed portrait miniature of a<br />

lady, German, 17th/18th century<br />

painted on panel the figure with<br />

distinctive red hair and wearing a fur<br />

over one shoulder, within an elaborate<br />

relief decorated giltwood frame<br />

the image 9.5 x 7.5cm,<br />

the frame 26 x 24cm<br />

$300–500<br />

343


62<br />

345<br />

A bronze and ormolu figural mantel<br />

clock, French, 19th century<br />

with an eight day bell striking movement<br />

44cm high<br />

$1,000–1,500<br />

346<br />

An Italian provincial floral<br />

painted buffet, 19th century<br />

92cm high, 174cm wide, 49cm deep<br />

$1,800–2,500<br />

347<br />

A Tournai porcelain mustard pot and<br />

cover, French mid 18th century<br />

inscribed to base: G<br />

9.5cm high<br />

$100–200<br />

348<br />

A collection of six large seashells<br />

the largest 9cm high, 8cm deep<br />

$100–200<br />

345<br />

346


63<br />

349<br />

349<br />

SPANISH COLONIAL SCHOOL<br />

(19TH CENTURY)<br />

Untitled (Shepherd)<br />

oil on canvas<br />

76.5 x 57.5cm<br />

$1,500–2,500<br />

350<br />

JOS LAW<br />

Untitled (Golfing), 1997<br />

mixed media and collage<br />

signed and dated lower<br />

right: Jos Law ‘97<br />

78 x 99cm<br />

$100–200<br />

351<br />

LEOPOLDO MARIOTTI<br />

(ITALIAN 1848-1916)<br />

Buffalo Emerging from the Forest<br />

watercolour<br />

signed lower left: Mariotti Roma<br />

64.5 x 99cm<br />

$300–500


64<br />

352<br />

A French Empire style gilt bronze<br />

mounted mahogany bureau plat,<br />

19th century<br />

82cm high, 142cm wide, 75cm deep<br />

$1,500–2,500<br />

353<br />

A French provincial oak dresser,<br />

18th/19th century<br />

225cm high, 165cm wide, 58cm deep<br />

$1,500–2,500<br />

354<br />

A Jugendstil copper platter, by<br />

Steinicken & Lohr, Munich, circa 1900<br />

relief decorated to the serpentine<br />

rim with fish and seaweed<br />

57cm diameter<br />

$800–1,200<br />

355<br />

A set of four door panels inset with<br />

scenes from the life of Christ<br />

two doors 196 x 81.5cm<br />

and two 196 x 55cm<br />

$800–1,200<br />

356<br />

HENRY MARTIN (1891-1944)<br />

End of the Day<br />

oil on canvas<br />

signed lower left: H Martin<br />

inscribed verso: End of the Day<br />

53 x 42.5cm<br />

$600–800<br />

357<br />

JANET DAWSON (BORN 1935)<br />

Japanese Pumpkin and<br />

Duck Egg Shells<br />

pastel on watercolour paper<br />

28 x 32cm<br />

$600–900<br />

358<br />

MARIE LAURENCIN (1885-1956)<br />

Trois Graces 1942<br />

lithograph<br />

signed lower left Marie Laurencin<br />

25 x 30cm<br />

$300–400<br />

352


65<br />

353


66<br />

Glass<br />

359<br />

A set of twelve twist stem wine glasses<br />

each with a tall cane twist<br />

stem, one with the remains of<br />

an old British Antique Dealers<br />

Association sticker to the base<br />

19.5 cm high<br />

$800–1,200<br />

360<br />

A pair of glass lustre vases with lions<br />

head prunts, late 19th century<br />

enamelled with floral motif<br />

12cm high<br />

$120–150<br />

361<br />

Four Victorian cut glass silver mounted<br />

scent bottles, 19th century<br />

including an English double ended<br />

silver caps scent and salts, a ruby<br />

glass Thomas Webb (repairs) and two<br />

ruby faceted with embossed lids<br />

longest 13cm<br />

$500–800<br />

362<br />

An oak silver plate mounted<br />

tantalus, English, circa 1900<br />

with three cut crystal decanters and key<br />

31cm high, 37cm wide<br />

$300–500<br />

363<br />

A broad rimmed and incised reeded<br />

pewter charger, circa 1690<br />

partial touch mark to base and<br />

four ownership marks ‘IH’ within<br />

a heart stamped to rim<br />

42cm diameter<br />

$400–600<br />

364<br />

A collection of glass vessels,<br />

19th century and later<br />

comprising two cranberry bowled wine<br />

glasses, an oil decanter, green pulegoso<br />

bowl and an etched wine tumbler<br />

the oil decanter 18cm high<br />

$100–200<br />

359


67<br />

365<br />

Two Georgian cut crystal dishes,<br />

19th century<br />

a covered bon bon dish<br />

and a sweetmeat dish<br />

17cm x 17cm covered dish<br />

$300–500<br />

366<br />

A George III Sunderland Bridge<br />

rummer, circa 1805<br />

decorated with the bridge and<br />

a ship etched initials EJ<br />

15cm high<br />

$600–800<br />

367<br />

A large George III wine glass, circa 1820<br />

with facet cut bowl and etched<br />

with vine and leaves<br />

20cm high<br />

$600–800<br />

365<br />

366 367


68<br />

368<br />

A Bohemian engraved ruby glass<br />

scent bottle, 19th century<br />

with a rare umbrella stopper<br />

20cm high<br />

$600–800<br />

369<br />

A pair of enamelled glass vases, in<br />

the ‘Islamic’ style, attributed to Fritz<br />

Heckert of Petersdorf, 19th century<br />

each bottle form vase with a slender<br />

knopped and tapering flared neck<br />

29cm high<br />

$800–1,200<br />

370<br />

A Victorian vaseline and ruby<br />

glass shade, circa 1900<br />

22cm high<br />

$50–100<br />

371<br />

Three Victorian green glass spirit<br />

bottles with labels, 19th century<br />

grape and vine cluster decorative<br />

stoppers and labels<br />

31cm bottle<br />

$120–150<br />

372<br />

A pair of ruby small glass decanters<br />

and a large two handled glass urn,<br />

19th century urn hand painted with<br />

geometric borders and enamel<br />

floral sprays and insects<br />

23cm ruby glass decanters<br />

$100–200<br />

373<br />

A collection of Bristol blue glass,<br />

circa 19th century<br />

including a ships decanter, spitoon,<br />

beakers, rinser and bottle with<br />

wooden stopper<br />

decanter 27 x 19cm<br />

$150–250<br />

368 369


69<br />

374<br />

374<br />

A Moser enamelled glass bowl,<br />

19th century<br />

of stylised boat form with rolled<br />

edges, decorated with Chinese<br />

style lotus flowers and butterflies<br />

12cm high, 19cm wide<br />

$800–1,200<br />

375<br />

A pair of Moser glass acorn goblets,<br />

19th century<br />

each of knopped bulbous form<br />

shaded in green glass, richly<br />

enamelled and gilded all over with<br />

colourful oak leaves and branches<br />

applied with gilded acorns, a series<br />

of winged insects scattered about<br />

17.5cm high<br />

$1,200–1,500<br />

375


70<br />

376<br />

A George III glass large<br />

rummer, circa 1820<br />

ovoid bowl with facet cut stem<br />

16cm high<br />

$400–600<br />

377<br />

A George III glass rummer, circa 1800<br />

with double opaque twist stem<br />

19.5cm high<br />

$300–500<br />

378<br />

Three terracotta amphora shape pots<br />

the largest 54cm high<br />

$100–200<br />

379<br />

A pair of Georgian cut<br />

glass candlesticks<br />

24cm high<br />

$150–250<br />

380<br />

A George III glass washer<br />

9cm high, 16cm diameter<br />

$100–200<br />

381<br />

Two plain rummers, 19th century<br />

English, one glass in ovoid form<br />

tallest 13.5cm<br />

$150–250<br />

382<br />

A Victorian glass rummer, circa 1860<br />

etched with garlands and<br />

knopped stem<br />

15cm high<br />

$100–200<br />

383<br />

Two glass rummers, circa 1820<br />

one rummer with bladed knop<br />

and ovoid bowl and one plain<br />

tallest 12cm<br />

$200–300<br />

384<br />

A George III glass rummer and a<br />

toastmasters firing glass, circa 1800<br />

rummer with bladed knop<br />

and bucket bowl<br />

rummer 12cm<br />

$200–300<br />

385<br />

A George III large glass goblet,<br />

circa 1780<br />

with ovoid bowl and polished ovals and<br />

stars to top edge and facet cut stem<br />

16cm high<br />

$300–500<br />

386<br />

A George III glass rummer, circa 1800<br />

plain with large bowl<br />

15 x 10cm<br />

$400–600<br />

376 377


71<br />

387 388 389<br />

387<br />

A George III wine glass, circa 1760<br />

with a composite and multi<br />

spiral air twist stem and basal<br />

inverted knop with tears<br />

16cm high<br />

$300–500<br />

388<br />

A George III wine glass, circa 1770<br />

with a bucket bowl, polished rounds<br />

and star decoration to the top edge and<br />

single spiral opaque twist to the stem<br />

15cm high<br />

$200–300<br />

389<br />

A George III wine glass, circa 1770<br />

with a funnel bowl and<br />

double spiral air twist<br />

15.5cm high<br />

$200–300<br />

390<br />

A George III jelly glass, circa 1760<br />

twin handled jelly glass<br />

9.5cm high<br />

$60–100<br />

391<br />

A George III sweetmeat<br />

glass, circa 1760<br />

with ogee bowl and multi opaque twist<br />

to stem and a radially moulded foot<br />

8.5cm high<br />

$100–200<br />

392<br />

A George III large glass mug, circa 1780<br />

with wrythen and ribbed body<br />

and a shaped handle<br />

15.5cm high<br />

$300–500<br />

393<br />

A George III hops and barley<br />

ale glass, circa 1800<br />

with a baluster stem and<br />

etched barley decoration<br />

14.5cm high<br />

$150–250<br />

394<br />

A William IV coin tankard, circa 1835<br />

with a sixpence to base, the bowl<br />

decorated with doves and a<br />

wreath enclosing the initials RH<br />

14cm high<br />

$300–500<br />

395<br />

Two glass decanters<br />

earliest Birmingham 1885, one with<br />

moulded glass square body and cut<br />

glass stopper Tantalus type, the other<br />

a pinched sided glass decanter with a<br />

sterling silver collar Birmingham 1885<br />

the tallest 25cm<br />

$100–200<br />

396<br />

A George III ale glass, circa 1760<br />

dwarf ale with flammiform wrythen<br />

moulded body and folded foot<br />

12cm high<br />

$200–300<br />

397<br />

A George III Monteith or<br />

bonnet glass, circa 1760<br />

with cut swags and vertical flutes<br />

to bowl, square moulded base<br />

possibly Irish Rex Ebbott sticker to base<br />

12.5 cm high<br />

$200–300


72<br />

398<br />

399


73<br />

400<br />

398<br />

A pair steel engravings,<br />

English, 19th century<br />

i <strong>The</strong> Princess Amelia<br />

inscribed on margin:<br />

SIR T LAWRENCE. F.R.A.PINX<br />

24 x 18cm (image size)<br />

ii <strong>The</strong> Spanish Sisters<br />

inscribed on margin:<br />

J PHILLIP A.R.A. PINX<br />

24.5 x 19cm (image size)<br />

$50–100<br />

403<br />

A pair of Louis VX style silver plate<br />

acanthus scroll chandeliers<br />

with frosted glass shades<br />

80cm high, 55cm diameter<br />

approximately<br />

$800–1,200<br />

404<br />

A scroll arm mahogany carver,<br />

English 19th century<br />

$250–350<br />

399<br />

A large French plaster relief cupid<br />

decorated wall panel<br />

154cm high, 73cm wide, 18cm deep<br />

$600–800<br />

400<br />

A pair of unusual Regency<br />

silvered bronze and gilt boat<br />

form ink stands, circa 1820<br />

with finely cast coiling<br />

snake form handles<br />

34cm wide<br />

$1,000–1,500<br />

401<br />

A Gothic Revival carved oak armchair<br />

in the Pugin style, English 19th century<br />

the seat and back upholstered in a<br />

yellow geometric fleur-de-lis<br />

design on a green ground<br />

$400–600<br />

402<br />

A pair of Louis XVI style gilt bronze<br />

mounted marble fire-surround,<br />

French 19th century<br />

$8,000–12,000<br />

401


74<br />

405<br />

A French Empire brass mounted<br />

walnut biblioteque, 19th century<br />

237cm high, 123cm wide,<br />

40cm deep<br />

$1,800–2,500<br />

406<br />

An underglaze blue and white<br />

inkstone, late 19th century<br />

of circular form decorated<br />

with panels of figures<br />

12cm diameter<br />

$200–300<br />

405


75<br />

407<br />

A set of six tapestry embroidered<br />

walnut dining chairs, in the<br />

James II style, 19th century<br />

$800–1,200<br />

408<br />

A Veuve Perrin faience coffee<br />

cup and saucer, circa 1765<br />

inscribed marks to base: VP in gilt<br />

the coffee can 5cm high<br />

$250–350<br />

409<br />

A La Courtille porcelain pot à fard,<br />

Paris circa 1770<br />

inscribed to base: crossed arrows<br />

mark in underglaze blue<br />

8cm high<br />

$150–250<br />

410<br />

A French gilt bronze and copper<br />

mantel clock, 19th century<br />

44cm high, 25cm wide, 21cm deep<br />

$100–200<br />

411<br />

A pair of Louis XV style gilt<br />

bronze candelabra<br />

50cm high, 34cm diameter<br />

$200–300<br />

412<br />

Two cast metal fowls, a<br />

cockerel and a hen<br />

the largest 40cm<br />

$200–300<br />

413<br />

A copper Adam style samovar,<br />

early 19th century<br />

50cm x 25cm<br />

$300–500<br />

414<br />

A set of three cast iron painted<br />

ceiling roses, English 19th century<br />

the largest 95cm diameter<br />

PROVENANCE<br />

purchased Gary Kay Antiques<br />

$400–600<br />

415<br />

A George III tortoiseshell<br />

veneered tea caddy<br />

12cm high, 25cm wide, 11cm deep<br />

$400–600<br />

416<br />

A large ‘Syrupus Scillae Compositus’<br />

glass apothecary jar, 19th century<br />

39cm high<br />

$400–600<br />

407


76<br />

419<br />

A pair of Biedermeier Karelian birch<br />

burl wood veneer settees, Northern<br />

European early 19th century<br />

upholstered in stripped green silk<br />

length of back 147cm<br />

$1,600–2,400<br />

420<br />

A profusely carved side table, Indian<br />

Kashmiri region, mid 20th century<br />

37cm high, 62cm wide, 42cm deep<br />

$300–500<br />

417<br />

417<br />

A large unmounted red deer buck<br />

skull and attached antlers<br />

76cm long<br />

$300–500<br />

418<br />

An unmounted deer skull and antlers<br />

57cm long<br />

$200–300<br />

418


77<br />

421<br />

An unmounted Sambar deer buck<br />

skull and antlers<br />

68cm long<br />

$200–300<br />

422<br />

A small Paris La Courtille porcelain<br />

pot à fard, circa 1770<br />

7cm high<br />

$120–200<br />

423<br />

A small Spode porcelain basket,<br />

circa 1830<br />

7.5cm diameter<br />

$100–200<br />

424<br />

A Saint-Cloud snuff box in the form<br />

of a recumbent monk, circa 1750<br />

decorated with Kakiemon<br />

flowers, silver mounts<br />

5cm high<br />

$1,200–1,800<br />

421<br />

425<br />

A Wedgwood game pie dish,<br />

insert and cover, circa 1860<br />

impressed mark to base: WEDGWOOD<br />

15cm high, 27cm wide, 20cm deep<br />

$350–550


78<br />

426<br />

ENID PHILIP (1898-1984)<br />

Still Life with Orange Flowers<br />

watercolour<br />

signed lower right: Enid A. Philip.<br />

72.5 x 64.5cm<br />

$300–500<br />

427<br />

A Louis XV style marble top gilt bronze<br />

mounted commode, 19th century<br />

of bombe form with finely<br />

cast mask mounts<br />

89cm high, 139cm wide, 48cm deep<br />

$2,500–3,000<br />

428<br />

A pair of carved oak side chairs,<br />

English 18th century<br />

$600–800<br />

426<br />

427


79<br />

429<br />

429<br />

A pair of Louis XV style gilt<br />

bronze seven light candelabra,<br />

in the Rococo style<br />

finely cast as scrolling<br />

entwined acanthus<br />

67cm high<br />

$4,000–6,000<br />

430<br />

FRENCH SCHOOL<br />

(19TH CENTURY)<br />

Red and Green Perroquet,<br />

circa 1845<br />

watercolour<br />

12.5 x 16cm<br />

$200–300<br />

431<br />

Two framed Chinese<br />

paintings of fan leaves<br />

150 x 80cm<br />

$2,000–3,000<br />

432<br />

JEAN COTTE (BORN 1931)<br />

Untitled (Abstract) 1965<br />

signed and dated lower left: J CottE 65<br />

oil on canvas<br />

96 x 130cm<br />

$200–400<br />

433<br />

TADASHI NAKAYAMA<br />

(1927-2014)<br />

Horses, 1969<br />

wood cut<br />

dated, signed and editioned<br />

lower left and right on margin:<br />

1969 T. Nakayama 42/85<br />

12 x 48cm<br />

$100–200<br />

434<br />

JOHN SKINNER PROUT<br />

(1805–1876)<br />

<strong>The</strong> House In Newport, 1855<br />

watercolour<br />

titled and dated lower left:<br />

<strong>The</strong> house in Newport - Sept 19 1855<br />

​14 x 25cm<br />

$200–300<br />

435<br />

RUPERT BUNNY (1864-1947)<br />

i Love, Life and Death<br />

ii House<br />

a pair of drawings<br />

one lower centre: Love, Life & Death<br />

i 7 x 9.5cm, ii 10x16cm<br />

together with a small book<br />

of sketches by the artist<br />

signed frontispiece: Rupert CW Bunny<br />

$300–500


80<br />

436<br />

A George IV cross banded mahogany<br />

cylinder bureau bookcase<br />

210cm high, 110cm wide, 53cm deep<br />

$800–1,200<br />

437<br />

A buttoned black upholstered ottoman<br />

with fringe, English mid 19th century<br />

44cm high, 79cm wide, 79cm deep<br />

$500–800<br />

438<br />

A pair of Regency style painted<br />

and upholstered side chairs<br />

length of back 103cm<br />

$400–600<br />

439<br />

A pair of oak joined chairs after<br />

the original design by William<br />

Richard Lethaby, circa 1900<br />

NOTE<br />

<strong>The</strong> design based on Lethaby’s<br />

‘Masters Chairs’ design for the<br />

Art Workers Guild, 1893.<br />

REFERENCE<br />

Fischer Fine Art Limited, London,<br />

Exhibition catalogue 15 May - 27 June<br />

1986, Truth, Beauty and Design<br />

$800–1,200<br />

440<br />

A set of twelve studded velvet<br />

upholstered mahogany dining<br />

chairs, English, 19th century<br />

$1,200–1,500<br />

441<br />

A Louis XVI style walnut bergere<br />

upholstered in ecru and cream<br />

$600–800<br />

442<br />

A large French provincial style<br />

fruitwood extension dining table<br />

77cm high, 330cm wide, 129cm deep<br />

$1,500–2,500<br />

436


81<br />

443<br />

443<br />

A pair of ceramic pugs, circa 1915<br />

17cm high<br />

PROVENANCE<br />

<strong>The</strong> Estate of Joan Harris AM<br />

and Frederick Parslow AM.<br />

$500–800<br />

448<br />

A Sevres style ‘Chateaus de<br />

Longpre’ jewel box, 19th century<br />

painted and gilt with a bucolic scene<br />

of companions in a rustic landscape<br />

8cm high, 21cm wide, 13cm wide<br />

$250–350<br />

449<br />

A portrait miniature of George<br />

Washington, 19th century<br />

painted wearing a white jabot and black<br />

coat, within a gilt brass ebonised frame<br />

the image 7.5 x 6.5cm<br />

$1,000–1,500<br />

444<br />

A George III string inlaid<br />

foldover card table<br />

75cm high, 91cm wide, 45cm deep<br />

$400–600<br />

445<br />

A William IV rosewood fold-over<br />

card table, English, 19th century<br />

73cm high, 91cm wide,<br />

45cm deep (closed)<br />

$500–800<br />

446<br />

A large collection of thirty nine<br />

tortoiseshell and bakelite hair combs<br />

the largest 22cm long<br />

PROVENANCE<br />

<strong>The</strong> Estate of Joan Harris AM<br />

and Frederick Parslow AM.<br />

$300–500<br />

447<br />

A small Moorcroft Anemone<br />

Pattern ginger jar and Wedgwood<br />

blue jasper coffee can set<br />

$50–100<br />

444


82<br />

450<br />

450<br />

A pair of Chinese elm long stools<br />

54cm high, 115cm wide, 18cm deep<br />

$300–500<br />

451<br />

A Regency style two seat<br />

mahogany settee<br />

upholstered in geometric foliate fabric<br />

length of back 120cm<br />

$300–500<br />

452<br />

A George III mahogany<br />

bracket clock, circa 1790<br />

By J. Jackson, London and Bristol<br />

the gilt mounted mahogany bell top<br />

case with female caryatids and urnform<br />

finials, decorated throughout with<br />

applied scrolling foliate decoration<br />

raised on bracket feet, twin fusee,<br />

bell striking, eight-day spring driven<br />

movement with anchor escapement<br />

and maintaining power beating half<br />

seconds, calendar aperture below the<br />

centre arbour, break arch enamel dial<br />

signed J. Jackson, Bristol and London<br />

61cm high, 38cm wide, 22cm deep<br />

$3,000–5,000<br />

453<br />

A Louis XV style gilt bronze mounted<br />

porcelain mantel clock, 19th century<br />

painted with floral panels reserved<br />

on a bleu celeste ground, the case<br />

decorated with classical motifs<br />

and surmounted by two doves,<br />

enamel dial, eight day locking<br />

plate bell striking movement<br />

28cm high, 22cm wide, 13cm deep<br />

$800–1,200<br />

454<br />

A French Empire marquetry inlaid gilt<br />

bronze mounted portico clock,<br />

late 19th century<br />

the movement stamped Leroy, Paris<br />

the case stamped <strong>The</strong>venard<br />

55cm high, 29cm wide, 16cm deep<br />

$800–1,200<br />

455<br />

A Louis XV style gilt metal mounted<br />

porcelain mantel clock, 19th century<br />

painted throughout with floral<br />

cartouche panels reserved on a bleu<br />

celeste ground, the dial similarly<br />

decorated, with gilded swags and<br />

acanthus mounts and finials, eight<br />

day bell striking movement<br />

35cm high, 36cm wide, 12cm deep<br />

$1,200–2,000<br />

456<br />

A full size cello, probably German,<br />

19th century<br />

with a bow, music stand<br />

and sheet music<br />

the cello 123cm<br />

$300–500


83<br />

457<br />

A profusely carved walnut four<br />

drawer square coffee table and<br />

two side tables, Indian Kashmiri<br />

region, mid 20th century<br />

the coffee table 56cm high,<br />

90cm wide, 90cm deep<br />

$800–1,200<br />

458<br />

DUTCH SCHOOL<br />

(19TH CENTURY)<br />

Still Life of Flowers<br />

oil on canvas<br />

signed lower left: A.M<br />

104 x 78cm<br />

$4,000–6,000<br />

459<br />

A set of three monochrome etchings<br />

depicting the busts of Ercole, Vibio<br />

Volusiano and Busto Incognito<br />

40 x 29cm<br />

PROVENANCE<br />

<strong>The</strong> Contents of Dysart House,<br />

Mossgreen, Melbourne,<br />

October 2011, Lot 406<br />

$250–350<br />

460<br />

A oval Sheraton style barber pole<br />

banded mahogany mirror, English<br />

late 19th, early 20th century<br />

77 x 53cm<br />

$250–350<br />

461<br />

A Regency Mother-of-Pearl tea caddy,<br />

English circa 1830<br />

11cm high, 17cm wide, 12cm deep<br />

$500–800<br />

462<br />

A Jugendstil copper jardinière,<br />

Austrian, circa 1900<br />

with stylised rosette<br />

decoration to the rim<br />

21cm high, 28cm diameter<br />

$100–200<br />

463<br />

A fine tempered steel sword blade, after<br />

Andrea Ferrara, possibly 18th century<br />

stamped marks to blade<br />

85cm length<br />

$500–800<br />

457 (part)


84<br />

464<br />

A Liliyan Rug, South<br />

West Iran circa 1930<br />

201 x 141cm<br />

$800–1,200


85<br />

465<br />

A Kashgai Rug, South<br />

Iran, circa 1900<br />

237 x 152cm<br />

$3,000–4,000


86<br />

466<br />

A Shahrebabak Rug,<br />

South Iran, circa 1950<br />

290 x 206cm<br />

$2,000–2,500


87<br />

467<br />

A Mahal Rug, South<br />

West Iran, circa 1930<br />

270 x 183cm<br />

$2,000–3,000


88<br />

468


89<br />

469<br />

468<br />

A Mahal Rug, South West Iran<br />

203 x 137cm<br />

$1,500–2,000<br />

469<br />

A Brujerd Rug, South West<br />

Iran, circa 1955<br />

205 x 148cm<br />

$800–1,200<br />

470<br />

A Mehraban runner, North Iran<br />

309 x 82cm<br />

$500–800<br />

471<br />

A Persian hand knotted rug in<br />

traditional pattern, circa 1920<br />

333 x 238cm<br />

$800–1,200<br />

472<br />

A Kashan rug, Northern Iran<br />

early 20th century<br />

334 x 238cm<br />

$400–600<br />

473<br />

A Kashan pattern rug, 20th century<br />

167 x 267cm<br />

$300–400<br />

470


90<br />

474<br />

474<br />

JOAN WILLEM BLAEU<br />

(1596-1673)<br />

Map of Holy Island (Lindisfarne)<br />

Northumberland and Farne Island,<br />

including the Stuart Coat of Arms<br />

38.5 x 47.5cm (image size)<br />

$300–500<br />

475<br />

An American historical chronological<br />

scroll, 19th century<br />

based upon the ‘Archbisop<br />

Usher’ school of mapping history<br />

and events beginning with<br />

Adam and ending in 1900<br />

6.5 metres length<br />

$400–600<br />

476<br />

An antique map of the Marianas Islands,<br />

dated 1752, after the original by<br />

Jacques-Nicolas Bellin (1703 - 1772)<br />

​23.5 x 16.5cm<br />

$200–300<br />

477<br />

A large sisal rug<br />

548 x 348cm<br />

$500–800<br />

478<br />

GEORGE MORLAND<br />

<strong>The</strong> Shepherds and<br />

<strong>The</strong> Door to the Inn<br />

Mezzotint (1806)<br />

painted by G. Morland. Engraved<br />

by W. Ward Engraver to H.R.H. the<br />

Duke of York, Publisher, London<br />

Published June 1st, 1806 by H.<br />

Morland No. 10 Dean Street, Soho.<br />

38 x 52cm<br />

PROVENANCE<br />

<strong>The</strong> Estate of Joan Harris AM<br />

and Frederick Parslow AM<br />

$200–300


91<br />

479<br />

GERARDUS MERCATOR<br />

Map of Udrone, Irlandiae in<br />

Catherlagh Baronia (modern<br />

Idrone, County Carlow Ireland)<br />

published Amsterdam, circa 1619<br />

35 x 28cm (image size)<br />

$300–500<br />

479<br />

480<br />

GERARDUS MERCATOR<br />

Map of Udrone, Irlandiae in<br />

Catherlagh Baronia (modern<br />

Idrone, County Carlow Ireland)<br />

published Amsterdam, circa 1619<br />

35 x 28cm (image size)<br />

$300–500<br />

481<br />

ABRAHAM ORTELIUS<br />

(1527-1598)<br />

Map of Poictou, France<br />

published by Antwerp<br />

36 x 55cm<br />

$300–500<br />

480


92<br />

482<br />

ROSS ALLAN (1930-2014)<br />

Tuscan Farmhouse<br />

oil on canvas board<br />

signed lower right: R. AllAN<br />

34.5 x 44.5cm<br />

$50–100<br />

483<br />

A George III mahogany carver<br />

with three side chairs<br />

$500–800<br />

482<br />

484<br />

ITALIAN SCHOOL<br />

19TH CENTURY<br />

On Lake Achensee (Untitled)<br />

oil on board<br />

signed and dated illegibly lower right<br />

$300–500<br />

483


93<br />

485<br />

A George III mahogany long case clock<br />

the face signed D. Tickle, Newcastle<br />

220cm high, 36cm wide, 23cm deep<br />

$2,500–3,500<br />

486<br />

WILLIAM LEONARD<br />

ANNOIS (1906-1966)<br />

A View of Florence, 1955<br />

lithograph<br />

editioned, titled, signed and dated lower<br />

left, centre and right on image: 10/10a<br />

a View of Florence Len Annois ‘55<br />

39.5 x 55cm<br />

$100–200<br />

487<br />

PAUL EMILE FELIX (FRENCH)<br />

Untitled (Girl with Pink Roses),<br />

circa 1926<br />

dry point etching<br />

inscribed and signed on<br />

margin: 162 P E Felix<br />

39.5 x 30cm (oval image size)<br />

$200–300<br />

488<br />

DEE BEEBE (AMERICAN<br />

1870–1946)<br />

Still life, Roses<br />

watercolour on paper<br />

30 x 35cm<br />

PROVENANCE<br />

<strong>The</strong> Estate of Joan Harris AM<br />

and Frederick Parslow AM.<br />

$100–200<br />

489<br />

ABU BAKIR IBRAHIM (1925-1971)<br />

Storm at Penang 1975<br />

watercolour<br />

26 x 36cm<br />

PROVENANCE<br />

<strong>The</strong> Estate of Joan Harris AM<br />

and Frederick Parslow AM.<br />

$200–400<br />

490<br />

A satirical Georgian print<br />

‘Ladies Wigs’, 1798<br />

printed by Isaac Cruikshank,<br />

after George Moutard Woodward<br />

inscribed to the base ‘publ. June<br />

12, 1798 by S. W. Fores, Piccadilly,<br />

corner of Sackville St., Folios of<br />

caricatures lent out for the Evening’<br />

33 x 45cm<br />

PROVENANCE<br />

<strong>The</strong> Estate of Joan Harris AM<br />

and Frederick Parslow AM.<br />

$100–200<br />

491<br />

PAUL CASEBEER<br />

(20TH CENTURY)<br />

Californian Landscape<br />

oil on board<br />

signed lower left: Paul Casebeer<br />

23.5 x 29cm<br />

$250–350<br />

485


94<br />

492<br />

492<br />

WILLIAM SCOTT MYLES<br />

(ACT. 1850–1911)<br />

Untitled (Landscapes<br />

with Haystacks)<br />

a pair oil on canvas<br />

one signed lower left and the<br />

other lower right: W. S. Myles<br />

28.5 x 44cm (each)<br />

$400–600<br />

493<br />

A George III oak refectory table<br />

75cm high, 232cm wide, 82cm deep<br />

$2,000–3,000<br />

494<br />

ELSIE MARGARET STONES<br />

(BORN 1920)<br />

Escallonia Rubra, Var<br />

Macrantha (Crimson Spire)<br />

watercolour<br />

signed lower right: E. Margaret Stones<br />

27 x 20cm<br />

$200–300


95<br />

492<br />

493


96<br />

495<br />

A pair of Louis XV style<br />

tapestry upholstered fauteil,<br />

Italian, late 18th century<br />

$2,000–3,000<br />

496<br />

A pair of large Indian carved<br />

wood Ladakh goats<br />

53cm high, 84cm long<br />

$2,000–3,000<br />

497<br />

A profusely carved walnut desk,<br />

Indian Kashmiri region, mid 20th<br />

with articulated top and<br />

cantilevered inner panels<br />

88cm high, 102cm wide, 71cm deep<br />

$2,000–3,000<br />

498<br />

<strong>The</strong> Hunt with Fox & Hounds<br />

colour lithograph<br />

inscribed lower left: E. S. & A.<br />

Robinson, Ltd., Bristol<br />

53.5 x 81cm (image size)<br />

$200–400<br />

499<br />

Two needlepoint tapestries,<br />

19th century<br />

57.5 x 49.5cm each<br />

$200–400<br />

500<br />

JOHN VARLEY (1778-1842)<br />

Near Snowdon in<br />

Caenarvonshire, 1805<br />

watercolour<br />

signed and dated lower right:<br />

J Varley 1805<br />

47.5 x 73cm<br />

NOTE<br />

Inscribed and dated verso<br />

together with further information<br />

on the works of John Varley<br />

$2,500–3,500<br />

501<br />

A portrait miniature of a<br />

gentleman, 19th century<br />

watercolour on card, within a foliate<br />

decorated sterling silver frame<br />

10 x 6.5cm<br />

PROVENANCE<br />

<strong>The</strong> Estate of Joan Harris AM<br />

and Frederick Parslow AM.<br />

$300–500<br />

502<br />

SIMON WATTS (1720–1780)<br />

stipple engraving<br />

after Peter Paul Rubens<br />

study for the portrait of Helena<br />

Fourment, Rubens second wife<br />

52 x 48cm<br />

PROVENANCE<br />

<strong>The</strong> Estate of Joan Harris AM<br />

and Frederick Parslow AM.<br />

$500–800<br />

495


97<br />

496<br />

497


98<br />

503<br />

A George III carved oak side chair<br />

$100–200<br />

504<br />

A pair of Chinese elm stools<br />

47cm high, 47cm wide, 29cm deep<br />

$200–400<br />

505<br />

A George III mahogany fold-over<br />

card table, in the Chippendale<br />

style,18th century<br />

the serpentine top above a flower<br />

and ribbon carved frieze with pierced<br />

and scrolled corner brackets, raised<br />

on square tapering linen fold legs<br />

73cm high, 91cm wide, 45cm deep<br />

PROVENANCE<br />

Christie’s Melbourne, Fine<br />

Furniture and Decorative Arts,<br />

June 19 - 20, 2000, lot 180A.<br />

NOTE<br />

Inscribed under the felt baize in<br />

pencil “My Own Work / Thomas<br />

Chippendale St. Martin’s Lane / 1752”<br />

and further inscribed with a sketch<br />

of two chairs, one with a typical<br />

Chippendale back, the other with<br />

emphasis on the claw and ball foot.<br />

$2,000–3,000<br />

503<br />

506<br />

A Louis XVI style marble top<br />

ebonised fall front secretaire<br />

commode, French, 19th century<br />

85cm high, 124cm wide, 52cm deep<br />

$2,500–3,500<br />

504


99<br />

507<br />

An unusual carved walking<br />

cane, possibly American or<br />

Scandinavian, 19th century<br />

profusely carved throughout with<br />

multiple faces and symbols, carved<br />

monogram signature possibly NB or GV<br />

91cm long<br />

$1,000–2,000<br />

508<br />

An Edward VII sterling silver sugar<br />

caster, Roberts & Belk, Sheffield, 1906<br />

of chamfered baluster form<br />

with pierced pad feet<br />

15.5cm high<br />

$100–200<br />

507 (Detail)<br />

507


100<br />

509<br />

A rare set of fourteen Regency<br />

Etruscan revival painted dining<br />

chairs, early 19th century<br />

$10,000–12,000<br />

510<br />

A small George III style red<br />

leather inset pedestal desk<br />

81cm high, 123 wide, 69cm deep<br />

$200–300<br />

511<br />

A pair of Jacobean style<br />

caned back oak armchairs<br />

$50–100<br />

512<br />

An oak wine table, English 19th century<br />

65cm high, 75cm diameter<br />

$200–300<br />

513<br />

A large William and Mary style<br />

leather top oak pedestal desk<br />

77cm high, 153cm wide, 107cm deep<br />

$500–800<br />

514<br />

Two pairs of red velvet<br />

upholstered carved oak hall<br />

chairs, English 19th century<br />

$200–400<br />

515<br />

A contemporary striped fabric<br />

upholstered three piece lounge suite<br />

length of back of settee 73cm<br />

$200–300<br />

516<br />

A set of ten Art Nouveaux<br />

carved beech caned chairs<br />

$1,000–1,500<br />

517<br />

An oak chest of drawers on stand,<br />

English, 18th century and later<br />

126cm high, 100cm wide, 54cm deep<br />

$400–600<br />

518<br />

A pair of pink silk upholstered tub chairs<br />

$200–300<br />

519<br />

A profusely carved walnut<br />

coffee table, Indian Kashmiri<br />

region, mid 20th century<br />

57cm high,124cm wide 64cm deep<br />

$400–600<br />

520<br />

A red lacquer Chinoiserie<br />

decorated tray top coffee table<br />

45cm high. 76cm wide, 61cm deep<br />

$200–300<br />

521<br />

A stencil work table,<br />

English, 19th century<br />

on bobbin turned tripod stand<br />

75cm high, 55cm wide, 55cm deep<br />

$200–300<br />

522<br />

A Louis XV cherrywood bureau plat<br />

74cm high, 174cm wide, 73cm deep<br />

$4,000–6,000


101<br />

509<br />

509


102<br />

523<br />

A profusely carved walnut red velvet<br />

upholstered settee and a pair of carver<br />

chairs, Indian Kashmiri region, mid 20th<br />

$1,500–2,500<br />

524<br />

Two silkwork needlepoint<br />

embroideries, early 19th century<br />

one depicting a boy with a ewer<br />

drawing water from a well<br />

silk and chenille thread and<br />

original gilt frame<br />

and the other depicting a<br />

shepherdess with sheep,<br />

original frame and verre eglomese<br />

36 x 30cm (oval) and 32 x 25cm (oval)<br />

$300–500<br />

523 (Detail)<br />

525<br />

A pair of Louis XV style gilt bronze<br />

wall sconces, circa 1870<br />

64 x 46cm<br />

$1,000–1,500<br />

523


103<br />

526<br />

A continental brass mounted carved<br />

ivory seal, 18th/19th century<br />

in the form of a classical nude figure,<br />

intaglio armorial cresting to the base<br />

8.5cm high<br />

$300–500 ♦<br />

527<br />

An inkwell in the form of a parrots head<br />

8cm high<br />

$300–500<br />

528<br />

A Japanese sake cup<br />

with presentation box, 7.5cm diameter<br />

together with a Japanese green glazed<br />

porcelain sake cup, 7cm diameter<br />

$120–200<br />

529<br />

A Locré & Russinger porcelain figure of<br />

a gardeners companion, circa 1775<br />

inscribed mark to the base: crossed<br />

flaming torches in underglaze blue<br />

17cm high<br />

NOTE<br />

Laurentius Russinger worked as a<br />

modeller at the Höchst porcelain<br />

factory prior to moving to Paris.<br />

A similar model of the gardeners<br />

companion exists which is<br />

attributed to Russinger on which<br />

this model would be based.<br />

$200–300<br />

530<br />

JOS LAW<br />

Untitled (Golfing Memorabilia),<br />

1997<br />

mixed media and collage<br />

signed and dated lower right:<br />

Jos Law ‘97<br />

98 x 76cm<br />

$100–200<br />

523 (Detail)


104<br />

Chinese & Asian Works of Art<br />

Private Collection, Queensland<br />

531<br />

An ivory Sambaso dancer netsuke,<br />

19th century<br />

carved mid-dance with one leg<br />

raised, holding crotals in one<br />

hand and a fan in the other<br />

6cm high<br />

十 九 世 紀 象 牙 雕 根 付 - 三 番 叟 舞 者<br />

$400–600 ♦<br />

532<br />

A group of three wood netsuke,<br />

19th century<br />

comprising a woman with a child<br />

on her back, a Shi-Shi with a ball<br />

and a leaf embellished gourd<br />

the largest 7.5cm high<br />

十 九 世 紀 木 彫 根 付 三 件<br />

$300–500<br />

531<br />

532


105<br />

533<br />

A boxwood netsuke of Kwanyu,<br />

19th century<br />

carved wearing long robes and<br />

armour, carrying his halberd<br />

and holding his long beard<br />

10cm high<br />

十 九 世 紀 黃 楊 木 雕 根 付 - 關 羽<br />

$600–800<br />

534<br />

A boxwood netsuke of Ashinaga and<br />

an octopus, Edo Period, 19th century<br />

the tall standing figure finely carved with<br />

a flowing beard holding and octopus<br />

11cm high<br />

江 戶 時 代 (19 世 紀 ) 黃 楊 木 雕<br />

根 付 - 神 話 妖 怪 與 章 魚<br />

$1,000–2,000<br />

533 534


106<br />

535<br />

A kagamibuta silver and ivory netsuke,<br />

19th century<br />

with a shibuichi plate relief<br />

decorated with a swordsmith<br />

4cm diameter<br />

$200–300 ♦<br />

535<br />

536<br />

Four ivory, horn and stag antler netsuke,<br />

early 19th century and later<br />

comprising a man with a monkey,<br />

a figure of Hotei with inlaid eyes, a<br />

temple guardian and a Dutchman with<br />

a beard clutching a leg of mutton<br />

the largest 7.5cm high<br />

十 九 世 紀 早 期 或 更 晚 根 付<br />

四 件 象 牙 與 鹿 角 雕 刻<br />

$400–800 ♦<br />

537<br />

A Chinese hexagonal bowl,<br />

20th century<br />

with blue glazed interior,<br />

chrysanthemum decoration and<br />

wave pattern foot on wooden stand<br />

20cm diameter<br />

二 十 世 紀 多 邊 形 菊 花 碗<br />

$100–200<br />

536


107<br />

538<br />

538<br />

A carved spinach jade figure of<br />

a recumbent dog and a mutton<br />

fat jade carving of two cats<br />

each raised on a carved wooden stand<br />

the largest 8cm wide<br />

玉 雕 - 貓 與 犬 兩 件<br />

$200–300<br />

539<br />

A stag antler pipe holder,<br />

signed Hakunsai, Asakusa<br />

school, 18th/19th century<br />

modelled as an elongated<br />

figure of Ashinaga<br />

22cm high<br />

十 八 / 十 九 世 紀 淺 草 風 格 煙<br />

斗 架 鹿 角 雕 刻 日 本 妖 怪<br />

$600–800<br />

540<br />

A pair of Chinese black<br />

ground cloisonné vases<br />

each of baluster form decorated<br />

with chrysanthemums<br />

20cm high<br />

景 泰 藍 牡 丹 花 瓶 一 對<br />

$300–500<br />

541<br />

A Chinese black ground cloisonné<br />

vase together with a covered box<br />

the vase 23cm high<br />

景 泰 藍 花 瓶 與 圓 盒 有 底 座<br />

$200–300<br />

542<br />

A celadon jade and wood gourd<br />

shaped ornament, late Qing Dynasty<br />

set with two jade panels relief<br />

decorated with peaches and bats<br />

29cm high<br />

晚 清 葫 蘆 鑲 以 白 瓷<br />

$100–200<br />

543<br />

A Chinese export blue and<br />

white dish, 19th century<br />

30cm length<br />

十 九 世 紀 藍 白 花 紋 碟 產 於 中 國<br />

$150–250<br />

539


108<br />

544<br />

Three Chinese underglaze blue<br />

and white porcelain snuff bottles,<br />

19th century and later<br />

the largest 9cm high<br />

十 九 世 紀 或 更 晚 瓷 釉 鼻 煙 壺 三 件<br />

$300–500<br />

545<br />

A group of six various mask netsuke,<br />

19th century<br />

comprising a wood mask of kitsune<br />

(fox), two wood masks of smiling<br />

demons, a smiling boy, an ivory<br />

mask of an actor and a realistically<br />

modelled horn mask of a smiling man<br />

the largest 7cm long<br />

十 九 世 紀 木 雕 根 付 - 人 面 六 件<br />

$400–600 ♦<br />

544<br />

545


109<br />

546<br />

A pair of Chinese cloisonné<br />

enamel crane censers<br />

53cm high<br />

景 泰 藍 鶴 形 香 爐 一 對<br />

$800–1,200<br />

547<br />

A group of four ivory animal netsuke,<br />

19th century<br />

comprising a puppy with inlaid eyes<br />

chewing his foot, a rat in a gourd, a dog<br />

on a drum and a snake squeezing a frog<br />

the largest 4cm high<br />

十 九 世 紀 象 牙 雕 根 付 - 動 物 四 件<br />

$400–600 ♦<br />

548<br />

Two ivory netsuke, 19th century<br />

comprising a snake on a lily pad with a<br />

boxwood ojime and a carving of a figure<br />

with a horse and gourd; together with an<br />

ivory incense box with a bakelite base<br />

the largest 6cm long<br />

十 九 世 紀 象 牙 雕 根 付 兩 件<br />

$150–250 ♦<br />

546


110<br />

549<br />

549<br />

A group of four celadon jade and jadeite<br />

carvings, 19th century and later<br />

comprising a figure of a standing robed<br />

deity, a boy on a gourd, a musician<br />

and a jadeite figure of Guanyin<br />

the largest 7cm high<br />

十 九 世 紀 或 更 晚 玉 雕 菩 薩 與 人 物 四 件<br />

$400–600<br />

550<br />

A group of four jade and<br />

hard-stone carvings<br />

comprising a seated ram, two dogs, a<br />

seated oxen and a carved stone disc<br />

the largest 5cm high<br />

動 物 玉 雕 與 石 雕 四 件<br />

$100–200<br />

551<br />

Three ivory kirin netsuke, 19th/<br />

early 20th century<br />

comprising a seated kirin with head<br />

turned, a baying Kirin with upstretched<br />

neck and a standing kirin<br />

the largest 9cm high<br />

十 九 世 紀 / 二 十 世 紀 早 期 象<br />

牙 根 付 - 麒 麟 三 件<br />

$150–250 ♦<br />

552<br />

A collection of six jade and<br />

jadeite carvings, 20th century<br />

comprising an elephant, a bear, a<br />

fish, a figure of a monk and pair of<br />

small circular discs, together with<br />

four jade mounted silver tea spoons<br />

the largest 8cm high<br />

二 十 世 紀 玉 雕 藝 品 六 件<br />

$200–300<br />

553<br />

A carved amethyst figure of<br />

a lion turtle, 20th century<br />

together with a carved bowenite<br />

oriole on a branch<br />

the turtle 10.5cm long,<br />

the bird 19cm high<br />

石 雕 兩 件 - 龜 殼 獅 紫 水 晶 雕 刻 以<br />

及 樹 枝 上 的 鶯 蛇 紋 石 雕 刻<br />

$250–350<br />

554<br />

Two Chinese russet jade carvings<br />

and a malachite figure<br />

comprising a russet jade finger citron<br />

and a hanging plaque pierced and<br />

carved with a figure of Guanyin and a<br />

malachite carved figure of Guan Yin<br />

the largest 9cm high<br />

豆 沙 紅 玉 雕 - 佛 手 柑<br />

二 十 世 紀 孔 雀 石 雕 - 觀 音<br />

$250–350<br />

555<br />

Eleven books on Chinese and<br />

Asian works of art including<br />

Japanese and Chinese porcelain<br />

中 國 與 亞 洲 藝 品 書 籍 ( 包 括<br />

中 國 與 日 本 瓷 藝 ) 共 11 冊<br />

$100–200<br />

556<br />

A group of four ivory netsuke,<br />

19th century<br />

comprising a a hen with a chick,<br />

a seated boar, a recumbent<br />

water buffalo and two frogs<br />

the water buffalo 6cm wide<br />

十 九 世 紀 象 牙 雕 根 付 - 動 物 四 件<br />

$200–300 ♦


111<br />

557<br />

558<br />

557<br />

Three celadon jade<br />

carvings and vessels<br />

comprising a celadon jade tea bowl,<br />

a canister with a pierced wooden<br />

cover and a reclining figure<br />

the largest 9cm high<br />

$100–200<br />

558<br />

A group of four jade and hard-stone<br />

carvings, 19th century and later<br />

comprising a seated water<br />

buffalo, a carving of two birds, a<br />

robed figure and a stone disc<br />

the largest 6.5cm long<br />

十 九 世 紀 或 更 晚 玉 雕 與 石 雕 四 件<br />

$200–300


112<br />

559<br />

A group of four ivory and stag antler<br />

netsuke, 19th century and later<br />

comprising a Noh actor with a<br />

rotating face, a figure of Jurojin,<br />

an old man seated and a standing<br />

heavily cloaked Dutchman<br />

the largest 5.5cm high<br />

十 九 世 紀 或 更 晚 根 付 - 人<br />

物 四 件 象 牙 / 鹿 角 雕<br />

$300–500 ♦<br />

560<br />

A group of four ivory netsuke,<br />

18th and 19th century<br />

comprising a figure of Shoki, two<br />

boys playing leap frog, two men<br />

with a giant sack and a fish and a<br />

carving of two sumo wrestlers<br />

the largest 5.5cm high<br />

十 八 或 十 九 世 紀 象 牙 雕 根 付 - 人 物 四 件<br />

$400–600 ♦<br />

561<br />

Three Chinese russet and celadon<br />

jade carvings, 20th century<br />

comprising a figure of a lady, a<br />

bi-disc relief decorated with a<br />

Qilin and stylised coiled dragon<br />

the largest 11.5cm long<br />

二 十 世 紀 豆 沙 紅 與 碧 玉 雕 四 片<br />

$200–300<br />

562<br />

A group of five reticulated<br />

celadon jade plaques<br />

each carved with auspicious symbols<br />

including bats, qilin and phoenix<br />

the largest 7cm long<br />

碧 玉 雕 牌 五 件<br />

$400–600<br />

563<br />

A collection of five Chinese<br />

cloisonné vessels and birds,<br />

19th century and later<br />

comprising a faceted baluster<br />

covered vase, a small circular<br />

covered box, a miniature vase<br />

and a pair of miniature cranes<br />

the largest 12cm high<br />

十 九 世 紀 或 更 晚 景 泰 藍 罐 子 與 鳥 五 件<br />

$150–250<br />

564<br />

A group of eleven various Chinese<br />

snuff bottles, late 19th/20th century<br />

including malachite, Peking glass,<br />

porcelain, Yi Xing, ivory and stone<br />

the largest 11cm high<br />

十 九 世 紀 晚 期 / 二 十 世 紀 鼻 煙 壺 十 一 件<br />

$200–300 ♦<br />

565<br />

A carved jade brush-washer and<br />

a jade horse, 20th century<br />

the circular brush-washer carved in<br />

high relief with two Qilin, the recumbent<br />

horse resting with head to one side<br />

the brush-washer 9cm diameter<br />

二 十 世 紀 筆 洗 飾 有 麒 麟 和 馬<br />

$200–300<br />

566<br />

A collection of ten blue and<br />

white dishes and vessels,<br />

19th century and later<br />

the largest 19cm diameter<br />

十 九 世 紀 或 更 晚 藍 白 瓷 製 餐 具 共 十 件<br />

$300–500<br />

559


113<br />

Other Properties<br />

567<br />

A rare Chinese jade<br />

embellished hardwood cornerleg<br />

table, 19th century<br />

80cm high, 130cm wide, 44cm deep<br />

PROVENANCE<br />

Private Collection, Queensland<br />

NOTE<br />

For a similar example see Christie’s,<br />

Fine Chinese Ceramics and<br />

Works of Art auction, New York,<br />

September 18 - 19, 2014, lot<br />

1120, sold for 365,000USD.<br />

$15,000–25,000<br />

567


114


115<br />

568<br />

A monumental Japanese<br />

bronze censer, Meiji Period<br />

finely cast in high relief over four<br />

interlocking sections with a writhing<br />

dragon to the base rising to a<br />

tapering stem with swallows and<br />

sparrows, the upper censer bowls<br />

decorated with flying cranes<br />

162cm high<br />

明 治 時 期 大 件 日 式 銅 製 香 爐<br />

$2,000–3,000<br />

569<br />

A Chinese covered beaker,<br />

18th century<br />

13cm high<br />

十 八 世 紀 藍 白 茶 杯 含 蓋<br />

$250–350<br />

570<br />

A Japanese Imari dish, 18th century<br />

15cm diameter<br />

十 八 世 紀 伊 萬 里 瓷 碗 一 件<br />

$40–80<br />

571<br />

A Chinese blanc de chine wine cup,<br />

18th century<br />

with moulded foliate decoration<br />

6.5cm diameter<br />

十 八 世 紀 白 磁 酒 杯 一 件<br />

$120–180<br />

572<br />

A Chinese carved and gilded hardwood<br />

table screen, early 19th century<br />

18cm high, 35cm wide, 35cm deep<br />

十 九 世 紀 初 硬 木 雕 屏 風<br />

$250–350<br />

573<br />

A Japanese folding screen, Meiji period<br />

decorated with images of hawks<br />

each panel 170cm x 63cm<br />

$200–300<br />

Left Lot 568 (Detail)<br />

568


116<br />

574<br />

574<br />

A celadon jade carving of<br />

a shi-shi and cub<br />

5.5cm<br />

石 獅 玉 雕<br />

$400–600<br />

575<br />

A Chinese pale celadon<br />

carved jade plaque<br />

decorated with boats on a lake<br />

in a mountainous landscape<br />

7cm high, 4cm wide<br />

$400–600<br />

576<br />

A Chinese silver box, Hong<br />

Kong, first half 20th century<br />

of hexagonal form decorated<br />

with dragons, prunus and<br />

bamboo, gilt wash interior<br />

5cm high<br />

$500–800<br />

579<br />

A Chinese pale celadon jade<br />

snuff bottle, 19th century<br />

of ovoid form with a carved<br />

coral stopper<br />

8.5cm high<br />

$400–1,200<br />

580<br />

An underglaze blue and white tea<br />

bowl, Kangxi mark, late Qing Dynasty<br />

5cm high<br />

$200–300<br />

581<br />

A miniature silver inlaid bronze<br />

vase, late Qing dynasty<br />

of archaic baluster form<br />

with lug handles<br />

8cm high<br />

晚 清 雙 耳 青 銅 花 瓶<br />

$400–600<br />

575<br />

577<br />

A Chinese celadon glazed fluted bowl<br />

with panels of incised foliate<br />

decoration to the exterior<br />

10cm diameter<br />

小 件 青 瓷 釉 面 雕 花 碗<br />

$80–120<br />

578<br />

A Chinese fish bowl, late Qing Dynasty<br />

decorated with flowering<br />

lotus and bamboo<br />

32cm high, 36cm diameter<br />

$400–600<br />

576


117<br />

582<br />

A jadeite carving of a Qilin<br />

amongst scrolling lotus buds,<br />

probably 19th century<br />

9cm high, 7cm wide<br />

麒 麟 玉 雕<br />

$800–1,200<br />

583<br />

A Japanese lacquer five<br />

case inro, Meiji period<br />

decorated with roundels of<br />

flowers and foliage, carved wood<br />

ojime in the form of a walnut<br />

7cm high<br />

$200–300<br />

582<br />

584<br />

A carved jadeite figure of<br />

Guanyin, 19th century<br />

finely pierced and carved<br />

with a crane and basket of<br />

flowers, black lacquer base<br />

17.5 cm high<br />

觀 音 與 鶴 玉 雕<br />

$1,000–1,500<br />

585<br />

A Japanese bronze crescent form<br />

hanging censer, 19th/20th century<br />

28cm diameter<br />

$200–300<br />

584


118<br />

586<br />

A Chinese celadon crackle glaze<br />

bowl, probably 19th century<br />

the exterior decorated with underglaze<br />

decoration of overlapping leaves<br />

17cm diameter<br />

青 瓷 裂 紋 釉 碗 一 只<br />

$200–300<br />

587<br />

A Chinese fluted celadon bowl,<br />

possibly 18th century<br />

16cm diameter<br />

約 十 八 世 紀 青 瓷 碗 一 只<br />

$500–800<br />

586<br />

588<br />

A celadon bowl, possibly<br />

Sung/Yuan dynasty<br />

with delicate fluting to the interior<br />

15cm diameter<br />

宋 代 青 瓷 碗 一 只<br />

$800–1,200<br />

589<br />

A Chinese polychrome decorated<br />

brush pot, late 19th century<br />

13cm high<br />

十 九 世 紀 晚 期 彩 繪 筆 筒<br />

$500–800<br />

587<br />

590<br />

A Chinese underglaze blue and<br />

white beehive form brush washer<br />

8cm high<br />

窄 口 筆 洗<br />

$300–500<br />

591<br />

A Chinese pale blue glazed brush pot<br />

9.5cm high<br />

水 藍 色 筆 洗<br />

$400–600<br />

588


119<br />

592<br />

A Longquan style pale celadon bowl<br />

17cm diameter<br />

龍 泉 窯 粉 青 瓷 碗<br />

$800–1,200<br />

593<br />

A Chinese underglaze blue<br />

and white miniature vase<br />

8cm high<br />

微 型 畫 瓶<br />

$300–500<br />

594<br />

A pair of iron red gilded butterfly bowls<br />

9cm high<br />

深 紅 蝴 蝶 對 碗<br />

$200–300<br />

599<br />

A polychrome enamel bowl,<br />

Guangxu mark<br />

decorated with calligraphy<br />

roundels and scrolling flowers<br />

19cm diameter<br />

光 緒 款 搪 瓷 碗 一 件<br />

$600–800<br />

600<br />

A polychrome enamel wall vase,<br />

Republic period<br />

decorated with a courtly scene<br />

23cm high<br />

民 國 時 期 多 彩 花 瓶 一 只<br />

$500–800<br />

601<br />

A pair of iron red gilded tea<br />

bowls and covers<br />

decorated with calligraphy<br />

7cm high<br />

$200–300<br />

602<br />

A Japanese carved bamboo walking<br />

stick, first half 20th century<br />

decorated throughout with<br />

carved samurai and horses<br />

90cm high<br />

$300–500<br />

595<br />

A Doucai style miniature vase<br />

10cm high<br />

鬥 彩 微 型 畫 瓶 一 只<br />

$400–600<br />

596<br />

A small underglaze blue and<br />

gilded square covered box<br />

decorated with a river bank scene<br />

4cm high<br />

$200–300<br />

597<br />

A Chinese archaic style bronze<br />

ritual vessel and cover<br />

the compressed circular body and<br />

cover with a continuous frieze of<br />

kuilong flanked by four dragon handles,<br />

raised on a similarly decorated foot<br />

30cm high<br />

$500–800<br />

598<br />

A blue and white porcelain panel,<br />

signed Wang Bu, Republic Period<br />

decorated with a scene of man and<br />

a boy fishing by a pond in a wooded<br />

landscape, signed with artists seal<br />

25cm high, 18cm wide<br />

民 國 時 期 藍 白 瓷 版 畫<br />

$1,500–2,500<br />

592


120<br />

603<br />

A large famille vert vase, Guangxu<br />

period, late Qing dynasty<br />

decorated with a continuous frieze<br />

of travellers in a landscape setting<br />

25cm high<br />

清 光 緒 粉 彩 人 物 罈<br />

$500–800<br />

604<br />

A large Dehua ‘Lotus’ bowl,<br />

Qing Dynasty, 19th century<br />

the deep rounded sides naturalistically<br />

modelled in the form of a lotus leaf,<br />

rising to a rim with elegantly furled<br />

edges, applied to the exterior with<br />

sprigs of flowering and budding<br />

lotus, leaves and arrowheads rising<br />

above the lobed rim, covered<br />

overall in a creamy white glaze<br />

20.3cm diameter<br />

NOTE<br />

For a similar example see<br />

Sotheby’s, Important Chinese<br />

Art, London, 11 November 2015,<br />

Lot 146, sold for 5,000 GBP<br />

十 九 世 紀 清 德 化 蓮 花 瓷 碗<br />

相 似 拍 品 在 2015 年 11 月 蘇 富 比 倫 敦<br />

中 國 藝 品 拍 賣 , 成 交 價 5000 英 鎊<br />

$1,000–2,000<br />

605<br />

A Chinese celadon glaze vase<br />

15cm high<br />

$200–300<br />

606<br />

A pair of Qingbai vases,<br />

possibly Song dynasty<br />

each relief decorated with phoenix, the<br />

tapering neck with applied lug handles<br />

15cm high<br />

約 宋 代 青 白 對 瓶<br />

$600–800<br />

607<br />

A Chinese Doucai style dish,<br />

20th century<br />

decorated with peach and<br />

pomegranate medallion roundels<br />

within foliate borders<br />

26cm diameter<br />

二 十 世 紀 鬥 彩 花 紋 碟 一 件<br />

$500–800<br />

608<br />

A white carved porcelain brush pot,<br />

Qianlong mark, 20th century<br />

finely decorated with mountainous<br />

landscape scenes<br />

14cm high<br />

$800–1,200<br />

609<br />

A pair of orange reticulated porcelain<br />

barrels, mark of Qianlong, 20th century<br />

10cm high<br />

二 十 世 紀 乾 隆 款 橙 色 小 圓 盒 一 對 有 蓋<br />

$300–500<br />

610<br />

An underglaze blue and white pot,<br />

possibly late Qing dynasty<br />

decorated with a continuous frieze of<br />

figures and scholars in a landscape<br />

within cloud scroll and diaper borders<br />

21cm diameter<br />

十 九 世 紀 藍 白 筆 洗<br />

$600–800<br />

611<br />

A blue and white landscape vase,<br />

possibly late Qing dynasty<br />

of unusual split diamond form painted<br />

with a village in a landscape<br />

32.5cm high<br />

十 九 世 紀 早 期 多 角 形 藍 白 紋 花 瓶<br />

$600–800<br />

612<br />

A Chinese polychrome vase<br />

painted with panels of court figures<br />

and attendants on a red and green<br />

diaper and lappet decorated ground<br />

27cm high<br />

人 物 多 彩 棒 槌 瓶 一 只<br />

$100–200<br />

613<br />

A polychrome vase, mark of<br />

Guangxu, late Qing dynasty<br />

painted and gilt with a continuous<br />

scene of a prince and consort<br />

on horseback with attendants<br />

27cm high<br />

人 物 多 彩 棒 槌 瓶 一 只<br />

$200–300<br />

614<br />

Two russet and celadon jade<br />

carvings, 20th century<br />

one modelled as a fisherman<br />

with fish on a lotus leaf, the<br />

other as a recumbent dog<br />

the largest 10cm long<br />

二 十 世 紀 小 型 玉 雕 兩 件<br />

$200–300<br />

603


121<br />

618<br />

A Chinese polychrome bottle vase,<br />

20th century<br />

decorated with Lohan and<br />

figures in a walled garden<br />

27cm high<br />

人 物 多 彩 長 頸 瓶<br />

$400–600<br />

619<br />

A Jun ware splashed blue glaze bowl<br />

of circular form with an unglazed<br />

foot, the interior with a delicate<br />

crimson streak to one side<br />

6.5cm high, 13cm diameter<br />

鈞 窯 藍 漆 碗 一 件<br />

$400–600<br />

620<br />

An unusual lotus decorated<br />

baluster vase<br />

20.5cm high<br />

罕 見 球 狀 花 瓶 繪 有 蓮 花<br />

$250–350<br />

618<br />

615<br />

A Famille Rose bowl decorated<br />

with courtly figures,<br />

mark and period of Daoguang<br />

6.5cm high, 11cm diameter<br />

清 道 光 粉 彩 人 物 碗 有 底 座<br />

$800–1,200<br />

616<br />

A Jun ware splashed blue glaze bowl<br />

of circular form with an unglazed<br />

foot, with a flambe splash and<br />

crackle glaze to the interior<br />

6cm high, 13cm diameter<br />

鈞 窯 藍 漆 碗 一 件<br />

$400–600<br />

617<br />

A celadon crackle glaze vase,<br />

20th century<br />

10cm high<br />

二 十 世 紀 裂 紋 釉 花 瓶<br />

$250–350<br />

615


122<br />

621<br />

621<br />

A pair of blue and white dragon bowls,<br />

Qianlong mark, late 19th century<br />

each decorated with writhing<br />

dragon amongst flaming pearls<br />

14cm diameter<br />

十 九 世 紀 乾 隆 款 藍 白 龍 紋 瓷 碗 一 對<br />

$800–1,200<br />

622<br />

A Chinese under glaze blue and<br />

red porcelain bowl, 18th century<br />

decorated with a continuous<br />

frieze of a pendant grapevine,<br />

underglaze mark on base<br />

15cm diameter<br />

康 熙 款 葡 萄 藤 蔓 瓷 碗<br />

$600–800<br />

622<br />

623


123<br />

626<br />

A blue and white phoenix<br />

decorated dish, Guangxu mark<br />

16cm diameter<br />

光 緒 款 藍 白 鳳 凰 紋 飾 碟 一 件<br />

$400–600<br />

627<br />

A celadon glazed blue and white<br />

covered box, 20th Century<br />

the interior decorated with erotic<br />

scenes, the metal bound exterior with<br />

applied dragon and phoenix mounts<br />

6cm high, 10cm wide, 10cm deep<br />

二 十 世 紀 藍 白 方 形 金 屬 鑲 邊 瓷 盒 有 蓋<br />

$300–500<br />

626<br />

628<br />

A Chinese blue and white jar and<br />

two blue and white vases, Qing<br />

Dynasty, 18th century and later<br />

each decorated in under glazed<br />

blue with landscape scenes<br />

and flowers the tallest vase<br />

20cm high<br />

清 青 花 瓶 一 對 與 瓷 罐 共 三 件<br />

$500–800<br />

623<br />

A large Chinese blue and white<br />

bottle vase, Republic Period<br />

decorated with a continuous frieze<br />

of a boy on a buffalo in a landscape<br />

scene within diaper and wave borders<br />

40cm high<br />

$500–800<br />

624<br />

A large underglaze blue<br />

and white brush pot<br />

decorated with writhing dragons and<br />

flying amongst peony and flaming<br />

pearls within wave and diaper borders<br />

19cm high, 21.5cm diameter<br />

十 九 世 紀 藍 白 釉 大 筆 筒<br />

$1,000–1,500<br />

625<br />

A Chinese blue and white dish<br />

decorated with a scene of figures<br />

on a bridge, square lozenge mark<br />

in underglaze blue to the base<br />

19.5cm diameter<br />

藍 白 碟 繪 有 人 物<br />

$150–250<br />

624


124<br />

629<br />

A Balinese jewel encrusted<br />

gold mounted Kris, probably<br />

early 19th century<br />

with a court style hilt repousse<br />

decorated with the figure of Bataru<br />

Bayu, the god of wealth and well<br />

being, seated on a tumpal throne,<br />

the hilt decorated with semi<br />

precious cabochon cut stones<br />

66cm including the scabbard<br />

NOTE<br />

Keris blades made of Pamor are<br />

considered very valuable and were<br />

part of the pustaka or heirlooms of<br />

the aristocracy to be passed from<br />

generation to generation. <strong>The</strong>y are<br />

considered to have magic and to imbue<br />

magic and power on their owners.<br />

$1,000–1,500<br />

630<br />

YU LIAN<br />

Chinese album leaf,<br />

possibly 19th century<br />

Translation verso: “<strong>The</strong> April Rain falls<br />

to the south of the River / After the<br />

rain the fragrance of, orchids hangs in<br />

the air, / <strong>The</strong> tender bamboo dances,<br />

the yellow bird flies off, / A butterfly<br />

sleeps on the sill of the small window,<br />

/ <strong>The</strong> sun’s rays touch the silken petal<br />

tips” / Painted as a gift for Mr Bai<br />

Kekai, / with respect from Yu Lian, /<br />

Zhekiang Province, Youngning County<br />

29.5 x 32cm<br />

$100–200<br />

629


125<br />

631<br />

A Chinese bronze censer,<br />

probably 18th/19th century<br />

of circular form with loop<br />

handles on a tripod base<br />

15.5cm across the handles, 12cm high<br />

約 十 八 世 紀 中 式 銅 製 香 爐<br />

$1,200–1,500<br />

632<br />

A large Chinese fish bowl, Republic<br />

period, first half 20th century<br />

decorated with a scene of<br />

$300–500<br />

633<br />

A Japanese export ware jardinière,<br />

first half 20th century<br />

28cm high, 43cm deep, 25cm wide<br />

$200–300<br />

634<br />

A white jade carving of two<br />

boys playing on a gourd<br />

6.5cm wide<br />

$400–600<br />

635<br />

A pair of Imari platters, late 19th century<br />

together with two Royal Crown<br />

Derby imari pattern plates<br />

the largest 37cm diameter<br />

一 對 伊 萬 里 燒 碟 與 小 盤 兩 件<br />

$200–400<br />

636<br />

Two Chinese Sung style bowls<br />

one with incised decoration<br />

to the interior<br />

the largest 17cm diameter<br />

$400–600<br />

637<br />

A carved russet and celadon<br />

jade brush rest<br />

in the form of a rocky outcrop<br />

4cm high, 11cm wide<br />

$400–600<br />

638<br />

A pair of Japanese wood block prints<br />

$200–300<br />

639<br />

A jade carving of a boy and a puppy,<br />

possibly Ming<br />

3.5cm high<br />

約 明 代 小 型 男 孩 與 犬 玉 雕 一 件<br />

$600–800<br />

640<br />

A large celadon jade carving of a vase<br />

decorated with entwined foliage and<br />

lotus flowers, raised on a wooden stand<br />

22cm high<br />

翠 玉 雕 刻 一 件<br />

$1,000–1,500<br />

641<br />

A small blue and white beehive<br />

form brush washer<br />

painted with landscape scenes<br />

6cm high<br />

小 件 藍 白 瓷 筆 洗<br />

$200–300<br />

631


126<br />

542<br />

642<br />

A russett and celadon jade<br />

carving, 20th century<br />

carved as a crouching qilin on a rock<br />

6.5cm wide, 5.5cm deep<br />

$400–600<br />

643<br />

A Chinese carved boxwood<br />

Ruyi Sceptre, 19th century<br />

finely pierced and carved with<br />

dragons, phoenix and deer<br />

32cm high<br />

十 九 世 紀 黃 楊 木 雕 刻 如 意 杖<br />

$300–500<br />

644<br />

An 18 carat gold mounted<br />

spinach jade pendant<br />

6cm high<br />

18K 金 碧 玉 吊 墜<br />

$300–500<br />

645<br />

A Japanese Imari charger<br />

46cm diameter<br />

伊 萬 里 燒 大 碟<br />

$150–250<br />

646<br />

A Chinese bone mounted bamboo<br />

opium pipe, late 19th century<br />

47cm long<br />

$300–500<br />

648<br />

A Chinese fish bowl on stand<br />

43cm high, 39cm diameter<br />

$200–300<br />

649<br />

A Chinese carved ivory cribbage<br />

board, late 19th century<br />

the board mount decorated<br />

with a writhing dragon<br />

19cm long, 4cm wide<br />

$150–250 ♦<br />

650<br />

A Japanese four fold screen,<br />

late Meiji Period<br />

each panel 164 x 62cm<br />

明 治 時 期 山 水 屏 風<br />

$800–1,200<br />

651<br />

A Japanese carved bamboo walking<br />

stick, first half 20th century<br />

87cm high<br />

$200–300<br />

652<br />

A Spode Imari trio, 19th century<br />

inscribed to base: spode and<br />

number 2213 in red<br />

PROVENANCE<br />

<strong>The</strong> Howard collection, Leonard<br />

Joel, Sydney Arnold and Co.<br />

$120–150<br />

647<br />

An Anglo-Indian horn mounted<br />

Amboyna covered urn, 19th century<br />

27.5cm high<br />

$300–500<br />

643


127<br />

653<br />

653<br />

A Chinese jade handle magnifying<br />

glass, 19th century<br />

the handle formed from<br />

a white jade belt hook<br />

19.5cm long<br />

十 九 世 紀 玉 製 手 把 放 大 鏡<br />

$600–800<br />

654<br />

A Japanese carved wood and<br />

horsehair Noh mask of Tengu<br />

on a wooden stand<br />

30cm high<br />

日 本 能 面 - 天 狗 含 底 座<br />

$200–300<br />

655<br />

A Chinese cafe au lait tea bowl<br />

5cm high<br />

$100–200<br />

656<br />

A Chinese archaic style<br />

hardstone bi-disc<br />

12cm diameter<br />

玉 璧<br />

$200–400<br />

657<br />

A Chinese blue and white covered<br />

bowl, late 19th century<br />

10cm high<br />

$800–1,200<br />

654


128<br />

662<br />

A pair of Chinese crackle glaze<br />

lobe form bowls, 20th century<br />

7.5cm high, 12cm diameter (each)<br />

二 十 世 紀 裂 紋 釉 碗 一 對<br />

$500–800<br />

658<br />

A polychrome enamel bowl,<br />

Qianlong mark, Republic period<br />

the exterior decorated with floral<br />

roundels on a honeycomb pink ground<br />

with Chinese vase decoration<br />

15cm diameter<br />

民 國 時 期 乾 隆 款 粉 彩 花 紋 碗 一 只<br />

$400–600<br />

659<br />

A small Chinese famille rose mille<br />

fleurs porcelain box, Republic period<br />

7.5cm diameter<br />

民 國 小 件 粉 彩 玫 瑰 瓷 盒<br />

$600–800<br />

658<br />

660<br />

A Longquan celadon glazed<br />

dish, late Ming Dynasty<br />

with central foliate incised decoration<br />

and deep ribs to the cavetto<br />

32.5cm diameter<br />

晚 明 龍 泉 瓷 碟 一 件<br />

$1,600–2,400<br />

661<br />

A large famille rose bowl, 20th century<br />

14cm high, 42cm diameter<br />

20 世 紀 人 物 繪 粉 彩 碗 一 只<br />

$250–350<br />

663<br />

A pair of covered bowls, Republic period<br />

each decorated with a female<br />

figure collecting flowers<br />

11cm diameter, 8.5cm high<br />

民 國 時 期 採 花 姑 娘 茶 碗 一 對 ( 有 蓋 )<br />

$300–500<br />

664<br />

A pair of pale celadon glazed bowls,<br />

probably Sung/Yuan Period<br />

each of lobed circular form<br />

with an unglazed rim<br />

6.5cm high<br />

約 宋 / 元 代 白 瓷 碗 一 對<br />

$500–800<br />

665<br />

A Chinese red painted covered pail<br />

43cm high<br />

紅 漆 提 籃 一 件 有 蓋<br />

$160–240<br />

666<br />

A celadon crackle glaze<br />

footed bowl, 19th century<br />

of shallow circular form, the fluted<br />

body raised on three squat feet<br />

19cm diameter<br />

十 九 世 紀 低 足 裂 紋 釉 碗<br />

$300–500<br />

667<br />

A pair of Ding-style incised<br />

earthenware bowls<br />

of circular form with an unglazed rim,<br />

the interior decorated with floral scrolls<br />

6cm high, 18.5cm diameter (each)<br />

陶 碗 一 對<br />

$900–1,200<br />

659


129<br />

668<br />

A pair of Chinese polychrome<br />

enamelled pierced vases<br />

28cm high<br />

搪 瓷 簍 雕 花 瓶 一 對<br />

$1,000–1,500<br />

669<br />

An unusual sea green crackle glaze<br />

bowl, possibly Sung/Yuan Dynasty<br />

of lobed circular form with a slightly<br />

flared rim, darkened crackling<br />

to the glaze throughout<br />

6cm high, 18.5cm diameter<br />

宋 / 元 代 罕 見 淡 綠 色 裂 紋 釉 碗<br />

$400–600<br />

670<br />

A pale green twin fish bowl,<br />

possibly Sung/Yuan Dynasty<br />

of circular form with an unglazed rim,<br />

the base with two fish swimming<br />

in opposite directions<br />

6cm high, 17.5cm diameter<br />

宋 / 元 時 期 淡 綠 雙 魚 碗 一 件<br />

$500–800<br />

673<br />

An under glazed blue and<br />

red porcelain stem cup<br />

of circular form with flared rim and<br />

foot, the exterior decorated with<br />

fish swimming through lotus, the<br />

interior painted with two goldfish,<br />

the base with an apocryphal under<br />

glazed blue Qianlong mark<br />

10cm high, 12cm diameter<br />

乾 隆 款 游 魚 與 蓮 花 酒 杯 一 只<br />

$80–160<br />

674<br />

A collection of five Chinese<br />

and Annamese blue and white<br />

porcelain bowls and vessels,<br />

Ming Dynasty and later<br />

the largest bowl 16.5cm diameter,<br />

the wine pot 14cm high<br />

明 代 或 更 晚 來 自 中 國 與 安<br />

南 碗 碟 與 小 壺 五 件<br />

$250–350<br />

675<br />

A small Japanese porcelain fan<br />

form box, late Meiji Period<br />

the interior decorated with butterflies<br />

12cm wide<br />

明 治 時 代 晚 期 瓷 製 扇 型 盒 子 一 件<br />

$40–80<br />

676<br />

A Chinese glazed pottery figure of a<br />

female Courtier and a white glazed<br />

earthenware ox, Tang Dynasty<br />

figure of lady 13cm high,<br />

the ox 10.5cm high<br />

PROVENANCE<br />

<strong>The</strong> collection of<br />

Dr John Kenny, Melbourne<br />

唐 代 陶 女 官 與 水 牛 一 對<br />

墨 爾 本 Dr John Kenny 私 人 藏 品<br />

$300–500<br />

671<br />

A pale celadon glazed vase,<br />

20th century<br />

the baluster form with a flared<br />

rim decorated with phoenix flying<br />

amongst clouds, ruyi borders<br />

23.5cm high<br />

二 十 世 紀 淺 色 青 瓷 花 瓶 一 件<br />

$150–250<br />

672<br />

A blue and white porcelain inkstone,<br />

late 19th century<br />

the inkstone of circular form<br />

decorated with panels of figures<br />

the inkstone 12cm diameter<br />

十 九 世 紀 晚 期 藍 白 瓷 硯 一 件<br />

$300–500<br />

668


130<br />

677<br />

A small Chinese polychrome<br />

celadon glaze pumpkin form vase<br />

decorated with insects and flowers<br />

9cm high<br />

小 件 南 瓜 瓷 瓶 飾 有 蝴 蝶 與 花 朵<br />

$300–500<br />

678<br />

A pair of large Japanese blue and<br />

white chargers, late 19th century<br />

each decorated with a central panel of<br />

birds and prunus within a fretted border<br />

together with a Japanese blue and<br />

white blossom decorated charger<br />

the pair 43cm diameter<br />

十 九 世 紀 晚 期 日 式 藍 白 主 盤 一 對<br />

$250–350<br />

679<br />

A Japanese bronze vase, Meiji Period<br />

with a slender fluted neck and<br />

applied grasshopper, engraved<br />

signature to the base<br />

25cm high<br />

明 治 時 期 長 頸 銅 花 瓶 飾 有 蚱 蜢<br />

$300–500 680<br />

A Chinese scroll painting<br />

Bird on a flowering branch<br />

watercolour<br />

signed and inscribed upper left:<br />

Loo Ming Jan<br />

77 x 33cm<br />

茗 真 水 彩 捲 軸 秋 水 為 神 玉 為 骨<br />

$300–500<br />

685<br />

681<br />

Two Chinese blue and white saucer<br />

dishes, 18th century and later<br />

the largest dish 15.5cm diameter<br />

十 八 世 紀 晚 期 藍 白 小 碟 一 對<br />

$300–500<br />

682<br />

A pair of Chinese export glazed pottery<br />

figures of storks, 19th century<br />

each in tones of green,<br />

yellow, white and brown<br />

28cm high<br />

十 九 世 紀 出 口 自 中 國 的 陶 製 鸛 鳥 一 對<br />

$1,500–2,500<br />

683<br />

A pair of Chinese sang de bouef vases<br />

the tallest 40cm high<br />

血 紅 色 中 式 花 瓶 一 對<br />

$300–500<br />

684<br />

A matched pair of Chinese<br />

sang de beouf lidded urns<br />

24cm high<br />

血 紅 瓮 一 對<br />

$300–500<br />

677


131<br />

695<br />

685<br />

685<br />

A Chinese export ‘pseudo tobacco leaf’<br />

porcelain tureen and cover<br />

with platter, circa 1775<br />

of chamfered octagonal form with a<br />

tobacco leaf variant pattern in colourful<br />

enamels showing cut fruit against<br />

curling, leafy tendrils and blossoms<br />

the platter 33.5cm<br />

$600–800<br />

686<br />

An unusual coral glazed dragon<br />

plate, bearing signature for Wang<br />

Bingrong, late Qing Dynasty<br />

the heavily potted plate relief moulded<br />

with two dragons chasing a flaming<br />

pearl, impressed seal mark to base,<br />

raised on a well carved wooden stand<br />

27cm diameter<br />

晚 清 王 炳 榮 罕 見 珊 瑚 飾 龍 紋 盤 有 底 座<br />

$250–350<br />

687<br />

A matched pair of Chinese<br />

sang de beouf lidded urns<br />

the tallest 25cm high<br />

血 紅 瓮 一 對<br />

$300–500<br />

688<br />

A Japanese elm Kyodai vanity<br />

130cm high<br />

$150–250<br />

689<br />

Two Chinese enamelled ‘fu shou’<br />

bowls, Guangxu six-character iron-red<br />

mark, and probably of the period<br />

each painted around the body with<br />

five medallions with a stylised ‘shou’<br />

character, the medallions each outlined<br />

by a pair of green enamel bats, all<br />

between two decorative borders<br />

15cm diameter (each)<br />

PROVENANCE<br />

Bonhams, Fine Furniture, Decorative<br />

Arts and Asian Art, Sydney, 25-<br />

27 November 2013, Lot 132<br />

清 光 緒 福 壽 對 碗 含 底 座<br />

源 流 : 2013 悉 尼 Bonhams<br />

Fine Furniture, Decorative Arts<br />

and Asian Art 拍 品 132<br />

$1,200–2,000<br />

690<br />

A small Korean elm scholar’s<br />

chest, 19th century<br />

36cm high, 90cm wide, 31cm deep<br />

$200–300<br />

691<br />

A marbled ground porcelain wall<br />

vase, by Liu Yu Cheng (1904-1969)<br />

of compressed circular form with<br />

three slender cylindrical necks,<br />

decorated to each side with a<br />

central panel of flowers, birds<br />

and insects, signed in image<br />

15.5cm high<br />

仿 大 理 石 彩 繪 花 瓶 民 初 瓷 版 畫 名 家<br />

劉 雨 岑 (1904 -1069) 雙 面 彩 繪<br />

$400–600<br />

692<br />

A large gilded mazarin blue lobed vase<br />

of lobed baluster form with a flared<br />

rim painted with a scene of shi-shi<br />

playing with a ball, turquoise glazed<br />

interior and foot, the base inscribed<br />

in iron-red with an apocryphal sixcharacter<br />

Qianlong seal mark<br />

33cm high<br />

乾 隆 款 寶 藍 球 形 瓶 一 只<br />

$800–1,200<br />

693<br />

A Chinese cloisonné snuff bottle<br />

6.5cm high<br />

景 泰 藍 鼻 煙 壺 一 只<br />

$60–100


132<br />

694<br />

694<br />

A Chinese rug fragment, reputedly<br />

from the Imperial Palace, Beijing<br />

woven with roundels enclosing qilin<br />

on a yellow ground with flaming<br />

pearls and a lotus decorated border<br />

162 x 78cm<br />

$500–800<br />

695<br />

A large Chinese export<br />

‘pseudo tobacco leaf’ porcelain<br />

serving dish, circa 1775<br />

of deep chamfered octagonal<br />

form with a tobacco leaf variant<br />

pattern in colourful enamels<br />

showing cut fruit against curling,<br />

leafy tendrils and blossoms<br />

the platter 38cm wide<br />

$1,000–1,500<br />

696<br />

A finely carved Indian ivory statue,<br />

19th century<br />

possibly Vishnu holding a sickle<br />

and flames in two of his four arms<br />

mounted on wooden pedestal<br />

22cm high not including pedestal<br />

$400–600 ♦<br />

697<br />

Two carved Chinese soapstone figures<br />

on carved bases, 19th century<br />

one depicting sanxing deities<br />

fu, lu and shou the other a<br />

figure of a man and child<br />

tallest 21 high 17cm wide<br />

十 九 世 紀 福 祿 壽 皂 石 雕<br />

$200–300<br />

698<br />

A pair of European style Chinese<br />

lotus shoes, 19th century<br />

brown leather with heel<br />

14cm long<br />

$200–300<br />

699<br />

A Chinese export saucer dish,<br />

18th century<br />

decorated with figures in a landscape<br />

12cm diameter<br />

PROVENANCE<br />

Mary Wise, Grosvenor<br />

Antiques Ltd, London<br />

$100–200


133<br />

702<br />

A large Chinese yellow ground<br />

porcelain ginger jar and cover<br />

decorated throughout with<br />

mythical creatures among<br />

clouds and flaming pearls<br />

44.5cm high<br />

PROVENANCE<br />

<strong>The</strong> Collection of the late Ross<br />

Gordon (2002) with an earlier<br />

collection number to the base.<br />

神 獸 薑 黃 瓷 罐<br />

源 流 : Ross Gordon 私 人 藏 品<br />

$1,200–1,800<br />

703<br />

A Chinese export porcelain cup<br />

and saucer, 19th century<br />

hand painted with flora and<br />

fauna with gilt rim<br />

saucer 14.5cm diameter<br />

$50–100<br />

704<br />

A Chinese blue and purple<br />

splashed Jun ware bowl<br />

12cm diameter<br />

鈞 窯 窯 變 丁 香 紫 廣 口 碗 一 件<br />

$600–800<br />

700<br />

A small Japanese carved ivory<br />

okimono and a wood netsuke,<br />

Meiji period and later<br />

carved as a figure od ashinga standing<br />

on a circular carved box decorated<br />

with dragons: the wood netsuke<br />

carved as a mouse, dated 1993<br />

the figure 10cm high<br />

$200–300 ♦<br />

701<br />

Three small cloisonne salts and a<br />

lidded shaker<br />

decorated with dragons, blooming<br />

peonies to base of three salts<br />

the salts 2.5cm high, 4cm diameter<br />

明 治 時 期 景 泰 藍 小 型 椒 鹽 碟 和 罐 三 件<br />

$150–250<br />

702


134<br />

705<br />

DING YANYONG (1902-1978)<br />

T’ING Yin-Yung - 丁 衍 庸 -<br />

TING Yin-Yung<br />

Crane and Flower<br />

ink/colour on paper (framed)<br />

signed and inscribed<br />

69 x 45cm<br />

PROVENANCE<br />

East West Art, Melbourne<br />

Private collection, Melbourne<br />

傳 丁 衍 庸 白 鶴 高 飛 正 待 時<br />

白 鶴 高 飛 正 待 時 , 一 飛 沖 天 未 嫌 遲 ;<br />

他 年 相 許 雲 中 見 , 悟 到 禪 時 便 是 詩<br />

源 流 : 墨 爾 本 東 西 畫 廊<br />

墨 爾 本 私 人 藏 品<br />

$3,000–5,000<br />

706<br />

A gilt bronze figure of buddha<br />

the figure with serene expression<br />

and seated in dhayanasana<br />

raised on lotus throne<br />

34.5cm high<br />

銅 鍍 菩 薩 一 尊<br />

$600–800<br />

707<br />

A large Chinese bronze censer,<br />

circa 1930<br />

of circular form with a relief moulded<br />

frieze decoration of mythical animals<br />

amongst foliage raised on three<br />

boldly cast Tao-Tieh mask feet<br />

37cm high, 32cm diameter<br />

大 型 銅 製 香 爐 1930 年<br />

$1,200–2,000<br />

705<br />

708<br />

A pale celadon oval dish carved<br />

with a Qilin, late Qing dynasty<br />

10cm long<br />

晚 清 麒 麟 瓷 碗 一 件<br />

$600–800<br />

709<br />

A pair of Chinese black<br />

ground cloisonné vases<br />

each decorated with a writhing dragon<br />

18cm high<br />

龍 紋 景 泰 藍 花 瓶 一 對<br />

$600–800


135<br />

710<br />

A crackled celadon glaze bottle vase<br />

17cm high<br />

裂 紋 釉 象 牙 白 花 瓶 一 件<br />

$500–800<br />

711<br />

A Chinese celadon vase<br />

the tapering neck with<br />

applied lug handles<br />

29cm high<br />

青 瓷 雙 耳 花 瓶<br />

$200–300<br />

712<br />

A framed Chinese embroidery panel,<br />

circa 1920<br />

within an ornate carved giltwood frame<br />

the panel 45 x 32cm,<br />

the frame 85 x 68cm<br />

1920 年 鴛 鴦 刺 繡<br />

$250–350<br />

713<br />

A collection of twenty one Sotheby’s<br />

International Asian Works of Art<br />

and Paintings catalogues<br />

蘇 富 比 亞 洲 藝 品 拍 賣 目 錄 21 件<br />

$150–250<br />

716<br />

Two Sotheby’s Asian works<br />

of art catalogues<br />

<strong>The</strong> Maiyintang Collection, Part II,<br />

An Important Selection of<br />

Imperial Chinese Porcelains,<br />

Hong Kong, 5 October 2011<br />

and Chinese Art Through the<br />

Eye of Sakamoto Goro, Lacquer,<br />

Hong Kong, 8 October 2013<br />

$100–200<br />

717<br />

Three ivory figure netsuke, 19th century<br />

comprising one of Sarumawashi lying<br />

down with smiling expression and<br />

monkey on his back, signed Yoshimasa;<br />

another of a sennin standing holding<br />

the ribbobs of a large hat on his back;<br />

and another of Ebisu on a Fugu fish<br />

the largest 5.5cm<br />

PROVENANCE<br />

Sotheby’s Australia, Melbourne,<br />

5 April 2011, lot 258<br />

十 九 世 紀 象 牙 雕 根 付 - 人 像 三 件<br />

$600–800 ♦<br />

718<br />

A Chinese lavender jade bangle<br />

7cm diameter<br />

淡 紫 色 玉 環<br />

$100–200<br />

719<br />

A Chinese archaic jade axe head<br />

12.5cm high, 18cm wide<br />

玉 斧 頭<br />

$100–200<br />

720<br />

No lot<br />

714<br />

A large Chinese blue and white<br />

decorated vase, 20th century<br />

decorated with a deer in a<br />

wooded landscape<br />

58cm high<br />

二 十 世 紀 青 花 長 瓶<br />

$500–800<br />

715<br />

A Chinese pale celadon<br />

carved jade pendant<br />

of oval form decorated with<br />

figures and calligraphy<br />

5.5cm high, 4cm wide<br />

玉 雕 牌<br />

$500–800<br />

710<br />

711


136<br />

721<br />

A group of four Sung style bowls<br />

each with a cream glaze relief<br />

decorated with twin fish to the interior<br />

the largest 17cm diameter<br />

宋 代 風 格 魚 飾 淺 碟 四 件<br />

$600–800<br />

722<br />

A Chinese carved Hongmu brush pot<br />

15cm high, 13.5cm diameter<br />

紅 木 筆 洗<br />

$500–800<br />

723<br />

A Chinese tea caddy<br />

18cm high, 12cm wide, 7cm deep<br />

茶 葉 罐<br />

$250–350<br />

724<br />

A Japanese bronze figure of a<br />

scholar and a duck, 19th century<br />

37cm high, 19cm wide, 18cm diameter<br />

十 九 世 紀 日 式 書 生 與 鵝 銅 像<br />

$300–500<br />

725<br />

A Japanese bronze vase, Meiji period<br />

52cm high<br />

明 治 時 期 日 本 銅 瓶<br />

$150–250<br />

726<br />

A Ming bronze figure of an official,<br />

probably early 17th century<br />

the seated figure with clasped hands,<br />

traces of lacquer and gilding<br />

15cm high<br />

約 十 七 世 紀 早 期 明 代 官 員 銅 像<br />

$1,500–2,500<br />

727<br />

A Chinese underglaze blue<br />

and enamel vase, in the Kangxi<br />

style, possibly 19th century<br />

decorated with a continuous<br />

scene of figure and a phoenix<br />

in a trellised garden setting<br />

21cm high<br />

約 十 九 世 紀 康 熙 款 珐 琅 藍 釉 瓶<br />

$500–700<br />

728<br />

A Ming bronze figure of a seated<br />

deity, possibly 17th century<br />

the figure seated in the lotus<br />

position with hands in abhaya mudra,<br />

traces of lacquer and gilding<br />

23cm high<br />

約 十 七 世 紀 銅 製 神 座<br />

$1,200–1,500<br />

729<br />

A pair of Chinese export porcelain<br />

vases, Hsien Feng mark, 20th century<br />

of tapering fluted form decorated<br />

with peony and leafy foliage<br />

28cm high (each)<br />

二 十 世 紀 咸 豐 款 瓷 瓶 一 對<br />

$300–500<br />

730<br />

A Longquan celadon peony vase,<br />

possibly 14th century<br />

of baluster form with a stepped<br />

foot, the body decorated with<br />

shaped cartouches enclosing<br />

scrolling peony within lappet<br />

borders, rising to a scalloped<br />

everted rim, soft grey green glaze<br />

23cm high<br />

約 十 四 世 紀 龍 泉 牡 丹 花 瓶<br />

$1,000–1,500<br />

731<br />

A pair of Chinese Han style<br />

green glazed ceremonial<br />

miniature tomb ornaments<br />

19cm high, 14cm wide, 6.5cm<br />

漢 代 風 格 小 型 綠 釉 飾 品 一 對<br />

$300–500<br />

732<br />

A black glazed earthenware<br />

Oribe sake jug and bowl<br />

in wood packing case<br />

the jug 11cm high<br />

陶 燒 清 酒 壺 與 碗 一 組<br />

$200–300<br />

733<br />

A Chinese blue glazed bottle vase and<br />

a large celadon glaze covered jar<br />

the vase 32cm high, the<br />

covered jar 25cm high<br />

湖 水 綠 欄 杆 花 瓶 與 有 蓋 瓷 罐 一 組<br />

$150–250<br />

721


137<br />

734<br />

A Chinese scroll painting of a quail<br />

signed 33 x 25cm,<br />

156.5 x 40cm (overall)<br />

勞 勞 鷓 鴣 聲 , 誰 能 無 遠 道 . 遠<br />

道 弗 能 無 , 請 君 聽 鷓 鴣<br />

$150–250<br />

735<br />

A Chinese carved horn ornament,<br />

probably late 19th / early 20th century<br />

6cm high, 12cm wide, 9cm deep<br />

十 九 世 紀 晚 期 / 二 十 世 紀 早 期 犄 角 雕 刻<br />

$400–600 ♦<br />

736<br />

A carved russet and celadon<br />

jade finger citron<br />

7cm long<br />

小 型 玉 雕 佛 手 柑<br />

$400–600<br />

737<br />

A russet jade carving<br />

in the form of a reclining deity<br />

with a fish<br />

7.5cm long<br />

小 型 玉 雕 彌 勒 佛 與 魚<br />

$400–600<br />

738<br />

A carved celadon jade snuff bottle<br />

of compressed ovoid form<br />

decorated to one side with<br />

calligraphy, red stone stopper<br />

7.5cm high<br />

玉 製 雲 紋 鼻 煙 壺 一 只<br />

$200–300<br />

739<br />

A carved celadon jade snuff bottle<br />

of tapering form decorated to one<br />

side with a dragon and a lotus<br />

7.5cm high<br />

玉 製 雲 紋 鼻 煙 壺 一 只<br />

$200–300<br />

740<br />

A large carved celadon jade bi disc,<br />

in the archaic style<br />

centred by a pierced and carved dragon<br />

16cm diameter<br />

大 型 麒 麟 玉 雕 牌<br />

$800–1,200<br />

741<br />

A pair of Chinese rosewood and<br />

elm scholars chairs, 20th century<br />

二 十 世 紀 花 梨 木 扶 手 椅 一 對<br />

$500–800<br />

742<br />

A Chinese red lacquer cabinet<br />

with substantial brass lock<br />

plates and handles<br />

110cm high, 62cm wide, 177cm deep<br />

大 型 紅 漆 櫃<br />

$250–350<br />

743<br />

A pair of Chinese red glazed<br />

tea bowls, dated 1962<br />

4cm high<br />

紅 漆 茶 碗 一 對 1962 年 款<br />

$100–200<br />

End of Sale


espoke<br />

MoVes<br />

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Contact Sasha Voss Tiltins:<br />

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Moving, logistics &<br />

project ManageMent


140<br />

Terms & Conditions of Sale<br />

<strong>The</strong> terms and conditions of sale listed here contain<br />

the policies of Gibson’s <strong>Auction</strong>eers & Valuers<br />

Pty Ltd. <strong>The</strong>y are the terms on which Gibson’s<br />

<strong>Auction</strong>eers & Valuers Pty Ltd and the Seller contract<br />

with the Buyer. <strong>The</strong>y may be amended by printed<br />

Saleroom Notices or oral announcements made<br />

before and during the sale. By bidding at auction you<br />

agree to be bound by these terms.<br />

1. Background to the Terms used in<br />

these Conditions<br />

<strong>The</strong> conditions that are listed below contain terms<br />

that are used regularly and may need explanation.<br />

<strong>The</strong>y are as follows:<br />

“the Buyer” means the person with the highest bid<br />

accepted by the <strong>Auction</strong>eer<br />

“the Lot” means any item depicted within the sale for<br />

auction and in particular the item or items described<br />

against any lot number in the catalogue.<br />

“the Hammer price” means the amount of the highest<br />

bid accepted by the auctioneer in relation to a lot<br />

“the Buyers Premium” means the charge payable by<br />

the Buyer to the auction house as a percentage of<br />

the hammer price.<br />

“the Reserve” means the lowest amount at which<br />

Gibson’s <strong>Auction</strong>eers & Valuers has agreed with the<br />

Seller that the lot can be sold.<br />

“Forgery” means an item constituting an imitation<br />

originally conceived and executed as a whole, with<br />

a fraudulent intention to deceive as to authorship,<br />

origin, age, period, culture or source, where the<br />

correct description as to such matters is not<br />

reflected by the description in the catalogue.<br />

Accordingly no lot shall be capable of being a forgery<br />

by reason of any damage or restoration work of any<br />

kind (Including re-painting).<br />

“the insured value” means the amount that Gibson’s<br />

<strong>Auction</strong>eers & Valuers in its absolute discretion<br />

from time to time shall consider the value for which<br />

a lot should be covered for insurance (whether or<br />

not insurance is arranged by Gibson’s <strong>Auction</strong>eers<br />

& Valuers.)<br />

All values expressed in Gibson’s <strong>Auction</strong>eers &<br />

Valuers Pty Ltd catalogues (in any format) are in<br />

Australian Dollars (AU$). All bids, “hammer price”,<br />

“reserves”, “Buyers Premium” and other expressions<br />

of value are understood by all parties to be in<br />

Australian Dollars (AU$) unless otherwise specified.<br />

2. Gibson’s <strong>Auction</strong>eers & Valuers<br />

<strong>Auction</strong>s as Agent<br />

Except as otherwise stated Gibson’s <strong>Auction</strong>eers &<br />

Valuers Pty Ltd acts as agent for the Seller.<br />

<strong>The</strong> contract for the sale of the property is therefore<br />

made between the Seller and the Buyer.<br />

3. Before the Sale<br />

A) EXAMINATION OF PROPERTY<br />

Prospective Buyers are strongly advised to examine<br />

in person any property in which they are interested<br />

before the <strong>Auction</strong> takes place. Neither Gibson’s<br />

<strong>Auction</strong>eers & Valuers nor the Seller provides any<br />

guarantee in relation to the nature of the property<br />

apart from the Limited warranty in the paragraph<br />

below.<br />

<strong>The</strong> property is otherwise sold “AS IS”<br />

B) CATALOGUE AND OTHER DESCRIPTIONS<br />

All statements by Gibson’s <strong>Auction</strong>eers & Valuers<br />

in the catalogue entry for the property or in the<br />

condition report, or made orally or in writing<br />

elsewhere, are statements of opinion and are not<br />

to be relied upon as statements of fact. Such<br />

statements do not constitute a representation,<br />

warranty or assumption of liability by Gibson’s<br />

<strong>Auction</strong>eers & Valuers of any kind. References in the<br />

catalogue entry to the condition report to damage<br />

or restoration are for guidance only and should be<br />

evaluated by personal inspection by the bidder or<br />

a knowledgeable representative. <strong>The</strong> absence of<br />

such a reference does not imply that an item is free<br />

from defects or restoration, nor does a reference to<br />

particular defects imply the absence of any others.<br />

Estimates of the selling price should not be relied<br />

on as a statement that this is the price at which<br />

the item will sell or it’s value for any other purpose.<br />

Neither Gibson’s <strong>Auction</strong>eers & Valuers nor <strong>The</strong><br />

Seller is responsible for any errors or omissions in the<br />

catalogue or any supplemental material.<br />

Images are measured height by width (sight size).<br />

Illustrations are provided only as a guide and should<br />

not be relied upon as a true representation of colour<br />

or condition. Images are not shown at a standard<br />

scale. Mention is rarely made of frames (which may be<br />

provided as supplementary images on the website)<br />

which do not form part of the lot as described in the<br />

printed catalogue.<br />

Foreign buyers should note that all transactions<br />

are in Australian dollars (AU$)so there may be a<br />

small exchange rate risk. <strong>The</strong> costs associated<br />

with acquiring a good certificate will be carried by<br />

the purchaser. If the item turns out to be forged or<br />

otherwise incorrectly described, all reasonable costs<br />

will be borne by the vendor.<br />

C) BUYERS RESPONSIBILITY<br />

All property is sold “as is” without representation<br />

or warranty of any kind by Gibson’s <strong>Auction</strong>eers<br />

& Valuers or the Seller. Buyers are responsible for<br />

satisfying themselves concerning the condition<br />

of the property and the matters referred to in the<br />

catalogue by requesting a condition report<br />

4. At the Sale<br />

A) REFUSAL OF ADMISSION<br />

Gibson’s <strong>Auction</strong>eers & Valuers reserves the right at<br />

our complete discretion to refuse admission to the<br />

auction premises or participation in any auction and<br />

to reject any bid.<br />

B) REGISTRATION BEFORE BIDDING<br />

Any prospective new buyer must complete and sign<br />

a registration form and provide photo-identification<br />

before bidding. Gibson’s <strong>Auction</strong>eers & Valuers may<br />

request bank, trade or other financial references to<br />

substantiate this registration.<br />

C) BIDDING AS A PRINCIPAL<br />

When making a bid, a bidder is accepting personal<br />

liability to pay the purchase price including the<br />

buyers premium and all applicable taxes, plus all<br />

other applicable charges, unless it has been explicitly<br />

agreed in writing with Gibson’s <strong>Auction</strong>eers & Valuers<br />

before the commencement of the sale that the<br />

bidder is acting as agent on behalf of an identified<br />

third party acceptable to Gibson’s <strong>Auction</strong>eers &<br />

Valuers and that Gibson’s <strong>Auction</strong>eers & Valuers will<br />

only look to the principal for payment.<br />

D) INTERNATIONAL REGISTRATIONS<br />

All International clients not known to Gibson’s<br />

<strong>Auction</strong>eers & Valuers will be required to scan or fax<br />

through an accredited form of photo identification<br />

and pay a deposit at our discretion in cleared funds<br />

into Gibson’s <strong>Auction</strong>eers & Valuers’ account at least<br />

48 hours before the commencement of the auction.<br />

Bids will not be accepted without this deposit.<br />

Gibson’s <strong>Auction</strong>eers & Valuers also reserves the<br />

right to request any additional forms of identification<br />

prior to registering an overseas bid.<br />

This deposit can be made using a credit card,<br />

however the balance of any purchase price in excess<br />

of $5,000 can not be charged to this card without<br />

prior arrangement. This deposit is redeemable<br />

against any auction purchase.<br />

E) ABSENTEE BIDS<br />

Gibson’s <strong>Auction</strong>eers & Valuers will use reasonable<br />

efforts to execute written bids delivered to us AT<br />

LEAST 24 Hours before the sale for the convenience<br />

of those clients who are unable to attend the auction<br />

in person. If we receive identical written bids on a<br />

particular lot, and at the auction these are the highest<br />

bids on that lot, then the lot will be sold to the person<br />

whose written bid was received and accepted first.<br />

Execution of written bids is a free service undertaken<br />

subject to other commitments at the time of the sale<br />

and we do not accept liability for failing to execute<br />

a written bid or for errors or omissions which may<br />

arise. It is the bidder’s responsibility to check with<br />

Gibson’s <strong>Auction</strong>eers & Valuers after the auction if<br />

they were successful. Unlimited or “Buy” bids will not<br />

be accepted. Please refer to our indicative bidding<br />

increments below for appropriate absentee bid<br />

amounts (Section K).<br />

F) TELEPHONE BIDS<br />

Priority will be given to overseas and interstate<br />

bidders. Arrangements for this service must be<br />

confirmed AT LEAST 24 HOURS PRIOR to the auction<br />

commencing. Gibson’s <strong>Auction</strong>eers & Valuers<br />

accepts no responsibility whatsoever for any errors<br />

or failure to execute bids. In telephone bidding the<br />

buyer agrees to be bound by all terms and conditions<br />

listed here and accepts that Gibson’s <strong>Auction</strong>eers<br />

& Valuers cannot be held responsible for any<br />

mis-communications in the process. <strong>The</strong> success<br />

of telephone bidding cannot be guaranteed due to<br />

circumstances that are unforeseen. Buyers should<br />

be aware of the risk and accept the consequences<br />

should contact be unsuccessful at the time of<br />

<strong>Auction</strong>. You must advise Gibson’s <strong>Auction</strong>eers &<br />

Valuers of the lots in question and recommend a<br />

‘Cover Bid’ amount should there be any issues with<br />

technology or communication via the telephone<br />

number provided. Gibson’s <strong>Auction</strong>eers & Valuers<br />

will advise Telephone Bidders who have registered<br />

at least 24 hours before the auction of any relevant<br />

changes to descriptions, withdrawals or any other<br />

sale room notices.<br />

G) ONLINE BIDDING<br />

Gibson’s <strong>Auction</strong>eers & Valuers accepts no<br />

responsibility for any errors, failure to execute bids or<br />

any other miscommunications regarding this process.<br />

It is the online bidder’s responsibility to ensure the<br />

accuracy of the relevant information regarding bids,<br />

lot numbers and contact details.<br />

H) RESERVES<br />

Unless otherwise indicated, all lots are offered subject<br />

to a reserve, which is the confidential minimum price<br />

below which the Lot will not be sold. <strong>The</strong> reserve will<br />

not exceed the low estimate printed in the catalogue.<br />

<strong>The</strong> auctioneer may open the bidding on any Lot<br />

below the reserve by placing a bid on behalf of the<br />

Seller. <strong>The</strong> auctioneer may continue to bid on behalf<br />

of seller up to the amount of the reserve, either<br />

by placing consecutive bids or by placing bids in<br />

response to other bidders.<br />

I) AUCTIONEERS DISCRETION<br />

<strong>The</strong> <strong>Auction</strong>eer has the right at his absolute and sole<br />

discretion to refuse any bid, to advance the bidding<br />

in such a manner as he may decide, to withdraw or<br />

divide any lot, to combine any two or more lots and,<br />

in the case or error or dispute and whether during or


141<br />

after the sale, to determine the successful bidder, to<br />

continue the bidding, to cancel the sale or to reoffer<br />

and resell the item in dispute. If any dispute arises<br />

after the sale, then Gibson’s <strong>Auction</strong>eers & Valuers’s<br />

sale record is conclusive.<br />

J) SUCCESSFUL BID AND PASSING OF RISK<br />

Subject to the auctioneer’s discretion, the highest<br />

bidder accepted by the auctioneer will be the buyer<br />

and the striking of his hammer marks the acceptance<br />

of the highest bid and the conclusion of a contract<br />

for sale between the Seller and the Buyer. Risk and<br />

responsibility for the lot (including frames or glass<br />

where relevant) passes immediately to the Buyer.<br />

K) INDICATIVE BIDDING STEPS, ETC.<br />

Gibson’s <strong>Auction</strong>eers & Valuers reserves the right to<br />

refuse any bid, withdraw any lot from sale, to place<br />

a reserve on any lot and to advance the bidding<br />

according to the following:<br />

Increment Amount<br />

Dollar Range<br />

$20 $0–$500<br />

$50 $500–$1,000<br />

$100 $1,000–$2,000<br />

$200 $2,000–$5,000<br />

$500 $5,000–$10,000<br />

$1,000 $10,000–$20,000<br />

$2,000 $20,000–$50,000<br />

$5,000 $50,000–$100,000<br />

$10,000 $100,000–$200,000<br />

$20,000 $200,000–$500,000<br />

$50,000 $500,000–$1,000,000<br />

Absentee bids must follow these increments and any<br />

bids that don’t follow the steps will be rounded up to<br />

the nearest acceptable bid.<br />

5. After the Sale<br />

A) BUYERS PREMIUM<br />

In addition to the hammer price, the buyer agrees to<br />

pay to Gibson’s <strong>Auction</strong>eers & Valuers the buyers<br />

premium. <strong>The</strong> buyer’s premium is 22% of the<br />

hammer price plus GST. (Goods and Services Tax)<br />

where applicable.<br />

B) PAYMENT AND PASSING OF TITLE<br />

<strong>The</strong> buyer must pay the full amount due (comprising<br />

the hammer price, buyers premium and any<br />

applicable taxes and GST) not later than three (3)<br />

days after the auction date.<br />

<strong>The</strong> buyer will not acquire title for the lot until<br />

Gibson’s <strong>Auction</strong>eers & Valuers receives full<br />

payment in cleared funds, and no goods under any<br />

circumstances will be released without confirmation<br />

of cleared funds received. This applies even if the<br />

buyer wishes to send items interstate or overseas.<br />

Payment can be made by the following means:<br />

• Bank Transfer/Direct Deposit is our preferred<br />

method of payment<br />

Account Name: Gibsons <strong>Auction</strong>s<br />

Bank:<br />

Bank of Melbourne<br />

(A division of St George)<br />

BSB: 193879<br />

Account No: 441701443<br />

Swift Code: SGBLAU2S<br />

Routing Code: 021000021<br />

Bank Address: 197-201 Glenferrie Road,<br />

Malvern, Vic, 3144<br />

<strong>The</strong> buyer is responsible for any bank fees and<br />

charges applicable for the transfer of funds into<br />

Gibson’s <strong>Auction</strong>eers & Valuers’s account<br />

• Personal, Company and Bank Cheques are not<br />

accepted without prior approval.<br />

• Eftpos (no charge)<br />

• Credit cards: Visa and Mastercard (1.2% incl GST<br />

merchant fee) and American Express (3% incl<br />

GST merchant fee)<br />

Please note that credit card transactions over<br />

$5,000 will not be accepted over the telephone<br />

unless by prior arrangement.<br />

• Cash up to AU$10,000 can accepted in<br />

cash. For any amount over this, cash is to be<br />

deposited directly into our account at a Bank of<br />

Melbourne/St George branch<br />

C) COLLECTION OF PURCHASES & INSURANCE<br />

Gibson’s <strong>Auction</strong>eers & Valuers is entitled to retain<br />

items sold until all amounts due to us have been<br />

received in full in good cleared funds. Subject to this,<br />

the Buyer shall collect purchased lots within three<br />

(3) days from the date of the sale unless otherwise<br />

agreed in writing between Gibson’s <strong>Auction</strong>eers &<br />

Valuers and the Buyer.<br />

At the fall of the hammer, insurance is the<br />

responsibility of the purchaser.<br />

D) PACKING, HANDLING AND SHIPPING<br />

At the request of the buyer, Gibson’s <strong>Auction</strong>eers &<br />

Valuers may assist with packing of goods but takes<br />

no responsibility for loss, damage or breakage that<br />

may occur.<br />

Gibson’s <strong>Auction</strong>eers & Valuers at the request of the<br />

buyer may arrange for a carrier, packer or shipper to<br />

have the property packed, insured and shipped at<br />

the buyer’s expense. All packing, shipping, insurance,<br />

postage & associated charges will be borne by the<br />

purchaser.<br />

Gibson’s <strong>Auction</strong>eers & Valuers can assist with<br />

removal companies that the buyer can use but takes<br />

no responsibility whatsoever for the actions of any<br />

recommended third party.<br />

E) CULTURAL HERITAGE EXPORT LICENCES<br />

Unless otherwise agreed by us in writing, the fact<br />

that the buyer wishes to apply for an export licence<br />

does not affect his or her obligation to make full<br />

payment immediately, nor our right to charge<br />

interest or storage charges on late payment. It<br />

is the Buyer’s responsibility to check Australia’s<br />

Protection of Moveable Cultural Heritage Act 1986<br />

before purchase. If the Buyer requests Gibson’s<br />

<strong>Auction</strong>eers & Valuers to apply for an export licence<br />

then we shall be entitled to charge a fee for this<br />

service. We shall not be obliged to rescind a sale nor<br />

to refund any interest or other expenses incurred<br />

by the Buyer where payment is made by the Buyer<br />

in circumstances where an export licence is not<br />

granted.<br />

F) REMEDIES FOR NON-PAYMENT<br />

If the Buyer fails to make full payment immediately,<br />

Gibson’s <strong>Auction</strong>eers & Valuers is entitled to exercise<br />

one or more of the following rights or remedies (in<br />

addition to asserting any other rights or remedies<br />

available under the law)<br />

i) to charge interest at the ANZ visa credit card<br />

rate as published weekly in the Australian<br />

Financial Review<br />

ii)<br />

iii)<br />

iv)<br />

to hold the defaulting Buyer liable for the<br />

total amount due and to commence legal<br />

proceedings for it’s recovery along with interest,<br />

legal fees and costs to the fullest extent<br />

permitted under applicable law<br />

to cancel the sale<br />

to resell the property publicly or privately on<br />

such terms as we see fit<br />

v) to pay the Seller an amount up to the net<br />

proceeds payable in respect of the amount bid<br />

by the defaulting Buyer. In these circumstances<br />

the defaulting Buyer can have no claim upon<br />

Gibson’s <strong>Auction</strong>eers & Valuers in the event that<br />

the item(s) are sold for an amount greater than<br />

the original invoiced amount.<br />

vi)<br />

vii)<br />

to set off against any amounts which Gibson’s<br />

<strong>Auction</strong>eers & Valuers may owe the Buyer in<br />

any other transactions, the outstanding amount<br />

remaining unpaid by the Buyer.<br />

where several amounts are owed by the Buyer to<br />

us, in respect of different transactions, to apply<br />

any amount paid to discharge any amount owed<br />

in respect of any particular transaction, whether<br />

or not the Buyer so directs.<br />

viii) to reject at any future auction any bids made by<br />

or on behalf of the Buyer or to obtain a deposit<br />

from the Buyer prior to accepting any bids.<br />

ix)<br />

to exercise all the rights and remedies of a<br />

person holding security over any property in<br />

our possession owned by the Buyer whether by<br />

way of pledge, security interest or in any other<br />

way, to the fullest extent permitted by the law of<br />

the place where such property is located. <strong>The</strong><br />

Buyer will be deemed to have been granted such<br />

security to us and we may retain such property<br />

as collateral security for such Buyer’s obligations<br />

to us.<br />

x) to take such other action as Gibson’s<br />

<strong>Auction</strong>eers & Valuers deem necessary or<br />

appropriate<br />

If we do sell the property under paragraph<br />

(iv), then the defaulting Buyer shall be liable<br />

for payment of any deficiency between the<br />

total amount originally due to us and the<br />

price obtained upon reselling as well as for<br />

all costs, expenses, damages, legal fees and<br />

commissions and premiums of whatever kinds<br />

associated with both sales or otherwise arising<br />

from the default.<br />

If we pay any amount to the Seller under<br />

paragraph (v) the Buyer acknowledges that<br />

Gibson’s <strong>Auction</strong>eers & Valuers shall have all<br />

of the rights of the Seller, however arising, to<br />

pursue the Buyer for such amount.<br />

G) FAILURE TO COLLECT PURCHASES<br />

Where purchases are not collected within three (3)<br />

days from the sale date, whether or not payment<br />

has been made, we shall be permitted to remove the<br />

property to a warehouse at the buyer’s expense, and<br />

only release the items after payment in full has been<br />

made of removal, storage handling, insurance and<br />

any other costs incurred, together with payment of all<br />

other amounts due to us.<br />

6. Extent of Gibson’s <strong>Auction</strong>eers &<br />

Valuers Liability<br />

Gibson’s <strong>Auction</strong>eers & Valuers agrees to refund<br />

the purchase price in the circumstances of the<br />

Limited Warranty set out in paragraph 7 below.<br />

Apart from that, neither the Seller nor we, nor any<br />

of our employees or agents are responsible for<br />

the correctness of any statement of whatever kind<br />

concerning any lot, whether written or oral, nor<br />

for any other errors or omissions in description<br />

or for any faults or defects in any lots. Except as<br />

stated in paragraph 7 below, neither the Seller<br />

ourselves, our officers, agents or employees give any<br />

representation warranty or guarantee or assume any<br />

liability of any kind in respect of any lot with regard<br />

to merchantability, fitness for a particular purpose,<br />

description, size, quality, condition, attribution,<br />

authenticity, rarity, importance, medium, provenance,<br />

exhibition history, literature or historical relevance.<br />

Except as required by local law any warranty of any<br />

kind is excluded by this paragraph.<br />

7. Limited Warranty<br />

Subject to the terms and conditions of this<br />

paragraph, the Seller warrants for the period of<br />

fourteen (14) days from the date of the sale that<br />

any property described in this catalogue (noting<br />

such description may be amended by any saleroom<br />

notice or announcement) which is stated without<br />

qualification to be the work of a named author or


142<br />

authorship is authentic and not a forgery. <strong>The</strong> term<br />

“Author” or “authorship” refers to the creator of the<br />

property or to the period, culture, source, or origin<br />

as the case may be, with which the creation of such<br />

property is identified in the catalogue.<br />

<strong>The</strong> warranty is subject to the following:<br />

i) it does not apply where a) the catalogue<br />

description or saleroom notice corresponded<br />

to the generally accepted opinion of scholars<br />

and experts at the date of the sale or fairly<br />

indicated that there was a conflict of opinions,<br />

or b) correct identification of a lot can be<br />

demonstrated only by means of a scientific<br />

process not generally accepted for use until<br />

after publication of the catalogue or a process<br />

which at the date of the publication of the<br />

catalogue was unreasonably expensive or<br />

impractical or likely to have caused damage to<br />

the property.<br />

ii)<br />

iii)<br />

iv)<br />

the benefits of the warranty are not assignable<br />

and shall apply only to the original buyer of the<br />

lot as shown on the invoice originally issued by<br />

Gibson’s <strong>Auction</strong>eers & Valuers when the lot was<br />

sold at <strong>Auction</strong>.<br />

the Original Buyer must have remained the<br />

owner of the lot without disposing of any interest<br />

in it to any third party<br />

<strong>The</strong> Buyer’s sole and exclusive remedy against<br />

the Seller in place of any other remedy which<br />

might be available, is the cancellation of the sale<br />

and the refund of the original purchase price<br />

paid for the lot less the buyers premium which is<br />

non refundable. Neither the Seller nor Gibson’s<br />

<strong>Auction</strong>eers & Valuers will be liable for any<br />

special, incidental nor consequential damages<br />

including, without limitation, loss of profits not for<br />

interest.<br />

v) <strong>The</strong> Buyer must give written notice of claim<br />

to us within fourteen (14) days of the date of<br />

the <strong>Auction</strong>. <strong>The</strong> Seller shall have the right,<br />

to require the Buyer to obtain two written<br />

opinions by recognised experts in the field,<br />

mutually acceptable to the Buyer and Gibson’s<br />

<strong>Auction</strong>eers & Valuers to decide whether or not<br />

to cancel the sale under warranty.<br />

vi)<br />

the Buyer must return the lot to Seller in the<br />

same condition that it was purchased.<br />

8. Severability<br />

If any part of these Conditions of Sale is found by any<br />

court to be invalid, illegal or unenforceable, that part<br />

shall be discounted and the rest of the Conditions<br />

shall continue to be valid to the fullest extent<br />

permitted by law.<br />

9. Copyright<br />

<strong>The</strong> copyright of all images, illustrations and written<br />

material produced by Gibson’s <strong>Auction</strong>eers &<br />

Valuers relating to a lot including the contents of this<br />

catalogue, is and shall remain the property at all times<br />

of Gibson’s <strong>Auction</strong>eers & Valuers and shall not be<br />

used by the Buyer, nor by anyone else without our<br />

prior written consent. Gibson’s <strong>Auction</strong>eers & Valuers<br />

and the Seller make no representation or warranty<br />

that the Buyer of a property will acquire any copyright<br />

or other reproduction rights in it.<br />

10. Law and Jurisdiction<br />

<strong>The</strong>se terms and conditions and any matters<br />

concerned with the foregoing fall within the exclusive<br />

jurisdiction of the courts of the state in which the<br />

auction is held.<br />

11. Pre-Sale Estimates<br />

Gibson’s <strong>Auction</strong>eers & Valuers publishes with each<br />

catalogue our opinion as to the estimated price range<br />

for each lot. <strong>The</strong>se estimates are approximate prices<br />

only and are not intended to be definitive. <strong>The</strong>y are<br />

prepared well in advance of the sale and may be<br />

subject to revision. Interested parties should contact<br />

Gibson’s <strong>Auction</strong>eers & Valuers prior to auction for<br />

updated pre-sale estimates and starting prices.<br />

12. Sale results<br />

Gibson’s <strong>Auction</strong>eers & Valuers will provide auction<br />

results, which will be available as soon as possible<br />

after the sale. Results will include buyer’s premium<br />

(22% plus GST). <strong>The</strong>se results will be posted at<br />

www.gibsonsauctions.com.au.<br />

13. Goods and Service Tax<br />

In accordance with A New Tax System (Goods<br />

and Services Tax) Act 1999 Gibson’s <strong>Auction</strong>eers<br />

& Valuers <strong>Auction</strong>s will collect on behalf of the<br />

Australian tax office (ATO) a Goods and Service Tax<br />

(GST) of 10% on all applicable transactions.<br />

ABN: 26 440 767 899<br />

GST is applicable on the hammer price in the case<br />

where the seller is selling property that is owned by<br />

an entity registered for GST. GST is also applicable<br />

on the hammer price in the case where the seller is<br />

not an Australian resident. <strong>The</strong>se lots are denoted by<br />

a dagger symbol † placed next to the estimate.<br />

GST is also applicable on the buyer’s premium.<br />

Overseas buyers and buyers non-resident in Australia<br />

will not be charged GST on both hammer price and<br />

premiums under the following conditions:<br />

1. <strong>The</strong> items are exported through a Gibson’s<br />

<strong>Auction</strong>eers & Valuers approved freight<br />

company including Australia Post<br />

2. <strong>The</strong> items are exported within 60 days of the<br />

date of the sale<br />

<strong>The</strong> invoice supplied by Gibson’s <strong>Auction</strong>eers &<br />

Valuers for purchases will be regarded as a Tax<br />

invoice for GST purposes.<br />

14. Resale Royalty Scheme<br />

Under the legal obligations of the Resale Royalty<br />

Scheme for Visual Artists Act 2009, sellers must<br />

provide the following information to comply with<br />

the act:<br />

• was the artwork acquired after 8 June 2010?<br />

• is the sale/reserve price (including GST) $1,000<br />

or more?<br />

• is the artist from Australia or a country listed in<br />

the Regulations to the Act?<br />

• is the artist alive, or deceased less than 70<br />

years?<br />

<strong>The</strong> seller:<br />

i) acknowledges that he or she understands his or<br />

her legal obligations under the Resale Royalty for<br />

Visual Artists Act 2009 (the Act);<br />

ii)<br />

iii)<br />

iv)<br />

undertakes to comply with all requirements of<br />

the Act, including by providing its agent, the<br />

company, with accurate information sufficient for<br />

compliance with sections 28 and 29 of the Act;<br />

undertakes to indemnify the company for any<br />

loss incurred by the company as a result of<br />

the vendor’s failure to comply with any of the<br />

vendor’s legal obligations under the Act; and<br />

acknowledges that if he or she fails to comply<br />

with any of his or her legal obligations under<br />

the Act, the company may provide the vendor’s<br />

name and contact details to Copyright Agency<br />

Limited (CAL).<br />

Lots subject to payment of the Resale Royalty<br />

Scheme will be denoted by the §. <strong>The</strong> Australian<br />

Resale Royalty is a flat rate of 5% on the hammer<br />

price (including GST). <strong>The</strong> Australian Resale Royalty<br />

is payable by the seller in addition to the buyers<br />

premium plus any applicable GST.<br />

15. Jewels & Watches<br />

GEMSTONES<br />

Gemstones have historically been subjected to a<br />

variety of treatments to enhance their appearance.<br />

Sapphire and rubies are routinely heat treated to<br />

improve their colour and clarity, similarly emeralds<br />

are frequently treated with oils or resin for the same<br />

purpose. Other treatments such as staining or dyeing,<br />

irradiation, filling or coating may have been used<br />

on other precious and semi-precious gemstones<br />

and organic material. <strong>The</strong>se treatments may be<br />

permanent, whilst others may need special care to<br />

preserve their appearance. Buyers should assume<br />

that each lot has been subject to some form of<br />

treatment and that the estimates reflect this.<br />

A number of laboratories issue certificates that<br />

give detailed descriptions of gemstones, and in<br />

the event that Gibson’s <strong>Auction</strong>eers & Valuers has<br />

been supplied with or obtained certificates for any<br />

lot, this shall be noted in the catalogue. However,<br />

as there may not be consensus between different<br />

laboratories on the degree, or types of treatment<br />

of the gemstones, Gibson’s <strong>Auction</strong>eers & Valuers<br />

supplies these without warranty.<br />

Buyers should assume that all gemstones sold by<br />

Gibson’s <strong>Auction</strong>eers & Valuers may have been<br />

subjected to such treatments, and that the catalogue<br />

estimates reflect this.<br />

PEARLS<br />

Pearls, like gemstones, are also subject to various<br />

treatments. Buyers should assume that any pearls<br />

sold by Gibson’s <strong>Auction</strong>eers & Valuers may have<br />

been subjected to such treatments, and that the<br />

catalogue estimates reflect this.<br />

WATCHES<br />

Please note: All watches sold by Gibson’s<br />

<strong>Auction</strong>eers & Valuers are sold on an “as is”<br />

basis. Gibson’s <strong>Auction</strong>eers & Valuers makes no<br />

representation or warranty that any watch is in<br />

working order. Many watches have been repaired<br />

over their lifetime and may contain non-original parts.<br />

<strong>The</strong> absence of any reference to the condition of a<br />

watch does not imply that the lot is in good condition<br />

and without defects, repairs or restorations. Buyers<br />

should be aware that a general service, change of<br />

battery or further repair work, for which the Buyer is<br />

solely responsible for, may be necessary.<br />

ESTIMATED WEIGHTS<br />

If a stone has a known weight, it has been weighed<br />

out of the mount. If a stone has an estimated weight,<br />

it is an approximate weight only and has been<br />

measured by us in the mount and is a statement of<br />

opinion only. <strong>The</strong> information is given as a guide only<br />

and Buyers should satisfy themselves with regard to<br />

this information as to its accuracy.


ALFRED GREGORY (1913–2010)<br />

Noyce and porters in Western Cwm, 1953/2003<br />

exhibition size silver gelatin photograph on Alubond<br />

100 x 100cm<br />

World record for the artist at auction<br />

Sold for $14,640<br />

Final call<br />

for entries<br />

Australian & Exploration<br />

<strong>Auction</strong>: Monday 2 December 2019<br />

ENQUIRIES 03 9500 2607 | mail@gibsonsauctions.com.au

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