GA012 | The Spring Auction Series
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93<br />
485<br />
A George III mahogany long case clock<br />
the face signed D. Tickle, Newcastle<br />
220cm high, 36cm wide, 23cm deep<br />
$2,500–3,500<br />
486<br />
WILLIAM LEONARD<br />
ANNOIS (1906-1966)<br />
A View of Florence, 1955<br />
lithograph<br />
editioned, titled, signed and dated lower<br />
left, centre and right on image: 10/10a<br />
a View of Florence Len Annois ‘55<br />
39.5 x 55cm<br />
$100–200<br />
487<br />
PAUL EMILE FELIX (FRENCH)<br />
Untitled (Girl with Pink Roses),<br />
circa 1926<br />
dry point etching<br />
inscribed and signed on<br />
margin: 162 P E Felix<br />
39.5 x 30cm (oval image size)<br />
$200–300<br />
488<br />
DEE BEEBE (AMERICAN<br />
1870–1946)<br />
Still life, Roses<br />
watercolour on paper<br />
30 x 35cm<br />
PROVENANCE<br />
<strong>The</strong> Estate of Joan Harris AM<br />
and Frederick Parslow AM.<br />
$100–200<br />
489<br />
ABU BAKIR IBRAHIM (1925-1971)<br />
Storm at Penang 1975<br />
watercolour<br />
26 x 36cm<br />
PROVENANCE<br />
<strong>The</strong> Estate of Joan Harris AM<br />
and Frederick Parslow AM.<br />
$200–400<br />
490<br />
A satirical Georgian print<br />
‘Ladies Wigs’, 1798<br />
printed by Isaac Cruikshank,<br />
after George Moutard Woodward<br />
inscribed to the base ‘publ. June<br />
12, 1798 by S. W. Fores, Piccadilly,<br />
corner of Sackville St., Folios of<br />
caricatures lent out for the Evening’<br />
33 x 45cm<br />
PROVENANCE<br />
<strong>The</strong> Estate of Joan Harris AM<br />
and Frederick Parslow AM.<br />
$100–200<br />
491<br />
PAUL CASEBEER<br />
(20TH CENTURY)<br />
Californian Landscape<br />
oil on board<br />
signed lower left: Paul Casebeer<br />
23.5 x 29cm<br />
$250–350<br />
485
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