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Uniquely WNC Theater and Shows to See – nine page guide inside<br />

RAPID RIVER MAGAZINE’S<br />

ARTS& CULTURE<br />

WWW.RAPIDRIVERMAGAZINE.COM<br />

<strong>March</strong> <strong>2019</strong> • Vol. 22, Number 7<br />

THE OLDEST AND MOST READ ARTS & CULTURE MAGAZINE IN WNC


2 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 22, NO. 07 — MARCH <strong>2019</strong>


VOL. 22, NO. 07 — MARCH <strong>2019</strong> | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 3


BALLET<br />

HISPÁNICO<br />

April 9th & 10th at 8pm<br />

“...an example of what<br />

makes our country<br />

beautiful.”<br />

— Broadway World<br />

YA BOOK<br />

‘New York Times’ bestselling author<br />

Brendan Reichs returns with a<br />

shocking conclusion in ‘Chrysalis’<br />

BY STAFF REPORTS • DOWNTOWN ASHEVILLE<br />

This <strong>March</strong>, Brendan Reichs<br />

concludes the gripping<br />

and cut-throat world<br />

Fire Lake with Chrysalis<br />

(on sale <strong>March</strong> 5).<br />

The 64 members of Fire<br />

Lake’s sophomore class<br />

have managed to survive the<br />

first two phases of the Program<br />

— and each other. Now, they<br />

alone have emerged into the dawn<br />

of a new era on Earth, into a Fire<br />

Lake valley that’s full of otherworldly<br />

dangers and challenges.<br />

Although staying alive in this<br />

broken world should force Min,<br />

Noah, Tack, and the others to<br />

form new alliances, old feuds die<br />

hard, and the brutality of the earlier<br />

Program phases cannot be forgotten.<br />

But being a team isn’t easy for<br />

the sophomores, and when they<br />

discover they may not be alone<br />

on the planet, after all, they’ll have<br />

to decide if they’re going to work<br />

together… or die together.<br />

Chrysalis is the high-octane<br />

conclusion readers cannot wait<br />

to have in their hands. The<br />

fast-paced writing and accessible<br />

world building make<br />

this a great book to hand<br />

to reluctant readers of<br />

any age. The hallmark<br />

of Brendan’s writing is his<br />

lightning-fast pacing, compelling<br />

action, and dynamite tension. The<br />

distinct narrative style grips readers<br />

and doesn’t let go.<br />

Brendan Reichs was born and<br />

raised in Charlotte, NC. He graduated<br />

from Wake Forest University in<br />

2000 and The George Washington<br />

University School of Law in 2006.<br />

After three long years working as<br />

a litigation attorney, he abandoned<br />

the trade to writing full time. He is<br />

the author of Nemesis, and co-author<br />

of the Virals series, written<br />

with Kathy Reichs. Brendan lives in<br />

Charlotte with his wife, son, daughter,<br />

and a herd of animals that tear<br />

up everything.<br />

With funding support from:<br />

Sponsors<br />

in downtown Asheville<br />

www.dwtheatre.com<br />

(828) 257-4530<br />

Presented in Partnership with<br />

555 Merrimon Ave • 828.424.7868<br />

www.ashevilleravenandcrone.com<br />

Herbal Apothecary • Tea & Reading Room<br />

Essential Oil Blending Bar • Bath & Body<br />

Events & Workshops • Local Artisans<br />

Books • Jewelry • Unique Gifts<br />

•<br />

Visit Us at Facebook:<br />

Asheville Raven & Crone<br />

• •<br />

4 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 22, NO. 07 — MARCH <strong>2019</strong>


CONTENTS<br />

ON OUR COVER<br />

<strong>March</strong> <strong>2019</strong> • Volume 22, NO. 7<br />

9 9<br />

ART AND MORE<br />

FEATURES<br />

6<br />

7<br />

8<br />

9<br />

12<br />

A 15-Year-Old Clarinetist in<br />

Concert of “American Favorites”<br />

Sunday, <strong>March</strong> 10<br />

Asheville Symphony Announces<br />

10-Day Lineup for <strong>2019</strong> Asheville<br />

Amadeus<br />

Ballet Hispanico arrives at Diana<br />

Wortham April 9-10<br />

Cover: Olga Dorenko’s brilliant<br />

use of color captures redolent<br />

emotions<br />

Asheville River Arts District Second<br />

Saturday, <strong>March</strong> 9<br />

Detail of the painting “Finding Your Way” by Olga Dorenko<br />

18<br />

“A Part of the Whole” by Olga Dorenko<br />

Food: WNCAP’s Dining Out For<br />

Life happens April 25 www.rapidrivermagazine.com<br />

Grovewood Gallery hosts annual<br />

22 spring ‘Sip & Shop’ <strong>March</strong> 22 & 23 Online NOW<br />

23<br />

Kate Thayer welcomes spring through<br />

new works<br />

COLUMNS /<br />

DEPARTMENTS<br />

10<br />

11<br />

14<br />

16<br />

20<br />

21<br />

24<br />

310 Art: Finding your way with<br />

color – ‘Colorful RAD’<br />

Art Classes<br />

Asheville Gallery of Art:<br />

Fresh Air with ‘en plein air’ artist Sue<br />

Dolamore<br />

Downtown Asheville:<br />

Asheville’s best-kept secret in live<br />

theater, 35below, offers “Lobby Hero”<br />

and ‘An Iliad’ this spring<br />

Health: What exactly is Macular<br />

Degeneration<br />

Bill Walz: The open vista of<br />

original mind<br />

Poetry Mary Oliver tribute<br />

Books: Malaprop’s presents<br />

‘One Size Fits None’ and Works in<br />

Translation with Justin Souther this<br />

25 <strong>March</strong><br />

26<br />

Black Mountain: New<br />

photography exhibit opens at<br />

Mountain Gateway Museum<br />

Performing Arts:<br />

AmiciMusic’s ‘Mozart in the<br />

27 Mountains’ with the debut of<br />

Breaking Winds<br />

Theater: ‘Action Movie: The<br />

28<br />

Play’ brings fun and excitement to<br />

the stage<br />

Rapid River Magazine’s<br />

30 Comics<br />

31<br />

Theater: “Red” — a play<br />

about painter Mark Rothko comes<br />

to the Feichter Studio at HART<br />

*Red # Performing Arts and Theater<br />

NEXT MONTH<br />

7<br />

Asheville Amadeus begins<br />

<strong>March</strong> 15<br />

APRIL: DINING OUT FOR<br />

LIFE, ART IN THESE<br />

MOUNTAINS AND OUR<br />

ANNUAL GUIDE TO<br />

LOCAL LIVE THEATER<br />

12<br />

Fleta Monaghan<br />

demonstrates for Second<br />

Saturdays in the RAD<br />

Publisher/<strong>Layout</strong> and Design/Editor: Dennis Ray<br />

Poetry Editor: Carol Pearce Bjorlie<br />

CONTACT US: Rapid River’s Arts and Culture<br />

Magazine is a monthly publication in WNC.<br />

Mail: 85 N. Main St. Canton NC 28716<br />

Email: Info@rapidrivermagazine.com<br />

Phone: (828) 712-4752<br />

Distribution: Dennis Ray/Rick Hills<br />

Marketing: Dennis Ray/Rick Hills<br />

ADVERTISING SALES:<br />

Downtown Asheville and other areas —<br />

Dennis Ray (828) 712-4752<br />

Dining Guide, Hendersonville, Waynesville —<br />

Rick Hills (828) 452-0228 rick@rapidrivermagazine.com<br />

All Materials contained herein are owned and copyrighted<br />

© by Rapid River’s Arts & Culture Magazine and the<br />

individual contributors unless otherwise stated. Opinions<br />

expressed in this magazine do not necessarily reflect the<br />

opinions of Rapid River’s Arts and Culture Magazine or<br />

the advertisers herein.<br />

© ‘Rapid River’s Arts & Culture Magazine’<br />

<strong>March</strong> 2018 • Vol. 22, No. 07<br />

VOL. 22, NO. 07 — MARCH <strong>2019</strong> | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 5


PERFORMING ARTS<br />

A 15-Year-Old Clarinetist in Concert of “American Favorites” Sunday, <strong>March</strong> 10<br />

BY STAFF REPORTS • DOWNTOWN ASHEVILLE<br />

The newly-founded chamber music<br />

organization, ​Clarinet & Friends,​<br />

is proud to present a concert of<br />

“American Favorites,” featuring the<br />

music of George Gershwin, Benny<br />

Goodman, Scott Joplin and Artie<br />

Shaw at ​The Cathedral of All<br />

Souls on <strong>March</strong> 10, 3 pm.​<br />

The concert will illustrate the evolution<br />

and incorporation of Klezmer<br />

music into American Jazz, showing<br />

how many of the great Jazz artists of American<br />

history have strong Eastern European roots. The<br />

concert will feature 15-year-old Aaron Lipsky on<br />

clarinet and Alex Watson on piano.<br />

Clarinetist, Aaron Lipsky, founded Clarinet and<br />

Friends in 2018. Lipsky, a sophomore at AC<br />

Reynolds High School, attended the Brevard<br />

Music Center’s (BMC) Summer Institute and<br />

The concert features 15-year-old Aaron Lipsky on clarinet<br />

(left) and Alex Watson on piano.<br />

Festival in 2017 and<br />

2018. In 2017, he<br />

was the youngest<br />

student enrolled<br />

and in 2018 was a<br />

BMC Scholar and<br />

a concerto competition<br />

semi-finalist.<br />

During his time at<br />

BMC, Lipsky played<br />

principal clarinet under<br />

Keith Lockhart,<br />

the conductor of the Boston Pops Orchestra.<br />

He is also a two-time recipient of the Ione M.<br />

Allen Scholarship for musical study and currently<br />

studies with Steve Loew, former solo clarinetist<br />

of the US Marine Band. Lipsky was a featured<br />

musician in “The Next Generation” concerts<br />

presented by Dan Weiser and AmiciMusic this<br />

past October. He is also the winner of the <strong>2019</strong><br />

Hendersonville Symphony Concerto Competition.<br />

Alex Watson is one of the premier pianists of<br />

the southeast. He graduated from UNC at Chapel<br />

Hill with a BA in music, the US Armed Forces<br />

School of Music and studied for three years ​at<br />

Corso di Musica in Tuscania, Italy and Morges,<br />

Switzerland. Watson is an instructor at the Piano<br />

Lab Studios of Asheville and has also won four​​<br />

first-place gold medals in the National Veterans<br />

Creative Arts Festival Competition of 2015 and<br />

2017 in categories for classical, jazz and sacred<br />

music.<br />

IF<br />

YOU<br />

GO<br />

​Clarinet & Friends<br />

Tickets are $15 in advance and $18 at the<br />

door. Go to ​clarinetandfriends.com or call<br />

Alex Watson at ​(252) 236-5457​tickets and more<br />

information.<br />

6 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 22, NO. 07 — MARCH <strong>2019</strong>


PERFORMING ARTS<br />

Asheville Symphony Announces 10-Day Lineup for<br />

<strong>2019</strong> Asheville Amadeus<br />

BY STAFF REPORTS • DOWNTOWN ASHEVILLE<br />

Warren Haynes, pianist Garrick Ohlsson join the<br />

Asheville Symphony for festival opening and its<br />

finale.<br />

The all-ages festival spans multiple Asheville<br />

venues, features collaborations with local favorites<br />

like Burial Beer Co. and joins forces with all-star<br />

musicians such as Gov’t Mule frontman<br />

and GRAMMY Award-winning<br />

vocalist, songwriter, producer, and<br />

guitarist Warren Haynes.<br />

First held in 2015, Asheville Amadeus<br />

has since become a much-anticipated<br />

biennial event — expanding<br />

in 2017 from a weeklong festival to a<br />

grand 10-day celebration. In <strong>2019</strong>,<br />

the Asheville Symphony continues this<br />

tradition, with a festival that includes<br />

more than 30 public and private<br />

events.<br />

“For Asheville Amadeus <strong>2019</strong>, we’re pairing<br />

rock’n’roll with Rachmaninoff,” says Asheville<br />

Symphony Executive Director David Whitehill.<br />

“And there’s no better way to celebrate than with<br />

rock guitarist Warren Haynes and Rach pianist<br />

Garrick Ohlsson.<br />

Friday, <strong>March</strong> 15, festival-goers should prepare<br />

to imbibe at Burial’s South Slope taproom<br />

for the release of The Righteous and Barbaric<br />

Souls Imperial Stout. With notes of apricot and<br />

scores of chocolate, the new Amadeus-inspired<br />

brew is an ode to all things lavish and profound<br />

— especially when paired with music, art and<br />

tasty treats from local chefs.<br />

Saturday, <strong>March</strong> 16, Asheville Amadeus jams<br />

on stage with Warren Haynes in a musical rock<br />

performance, “Warren Haynes Presents Dreams<br />

& Songs – A Symphonic Journey,” that’s sure<br />

to blow audiences away. Born and raised in<br />

Asheville, Warren Haynes is recognized as one<br />

of the most excellent guitar players in the world<br />

and part of three of the greatest rock groups<br />

in history — The Allman Brothers Band, Gov’t<br />

Mule, and The Dead. For this special Amadeus<br />

performance, Haynes is joined by Oteil Burbridge<br />

(Allman Brothers Band, Dead & Co., The<br />

Aquarium Rescue Unit), John Medeski (Medeski<br />

Martin & Wood, Phil Lesh & Friends),<br />

Jeff Sipe (Aquarium Rescue Unit, Leftover<br />

Salmon) and the Asheville Symphony<br />

Orchestra for a symphonic take<br />

on his classic, career-spanning material.<br />

Rich Daniels, the musical director of<br />

The City Lights Orchestra in Chicago,<br />

will conduct.<br />

For the next week, Amadeus kicks<br />

into high gear with performances ranging<br />

from “Ballet with Bach and Rach”<br />

with the Ballet Conservatory of Asheville<br />

to a rowdy evening of racy drinking songs at The<br />

Funkatorium with Asheville Choral Society featuring<br />

Tempus.<br />

Amadeus Mozart<br />

Tuesday, <strong>March</strong> 19 and Wednesday, <strong>March</strong><br />

20, LaZoom revs its purple bus’s engine for an<br />

Amadeus-only musical history tour of Asheville,<br />

hosted by local musician Andrew Fletcher.<br />

Other events include a fashion show with the<br />

Asheville Symphonettes, a progressive chamber<br />

concert walking tour with Pan Harmonia, a<br />

special screening of “Shine” at Grail Moviehouse,<br />

a flight night of Austrian wines at Burial Beer Co.’s<br />

new Forestry Camp Restaurant and Bar, a candid<br />

chat with music professionals and a series of<br />

interactive musical experiences for children.<br />

Saturday, <strong>March</strong> 23, all-star pianist Garrick<br />

Ohlsson joins the Asheville Symphony Youth<br />

Orchestra for the <strong>2019</strong> finale eve concert, featuring<br />

Edvard Grieg’s Piano Concerto in A Minor,<br />

Mozart’s Overture to The Magic Flute and Arturo<br />

‘Amadeus’ continued on page 29<br />

VOL. 22, NO. 07 — MARCH <strong>2019</strong> | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 7


PERFORMING ARTS<br />

Ballet Hispanico arrives at Diana Wortham<br />

April 9-10<br />

What does it mean to be caught between two<br />

cultures? Ballet Hispánico choreographer<br />

Michelle Manzanales knows the feeling.<br />

‘<br />

BY STAFF REPORTS • DOWNTOWN ASHEVILLE<br />

“My parents are Mexican,<br />

and I grew up in<br />

America — I was born in<br />

America,” she said. “I’ve<br />

always felt suspended in<br />

between those two very<br />

distinct cultures. And I’m<br />

trying, as a choreographer,<br />

to stand in that place in the<br />

middle and be confident.”<br />

In her work, “Con Brazos<br />

Abiertos,” Manzanales<br />

explores this dual-cultured<br />

existence, intertwining the iconic Mexican<br />

symbols of her childhood, folkloric details and a<br />

distinctly contemporary voice in dance — all set<br />

to music that ranges from Julio Iglesias to rock<br />

en español.<br />

And Manzanales’s “Con Brazos Abiertos”<br />

isn’t the only Ballet Hispánico piece coming to<br />

downtown Asheville’s Diana Wortham Theatre<br />

on Tuesday, April 9 and Wednesday, April 10.<br />

America’s premier Latino dance organization for<br />

more than 48 years, Ballet Hispánico’s Asheville<br />

performances will also<br />

include Annabelle Lopez<br />

Ochoa’s ode to flamenco,<br />

“Línea Recta,” and Tania<br />

Pérez-Salas’ 3. “Catorce<br />

Dieciséis,” inspired by the<br />

circular movement of life.<br />

Fusing Latin dance with<br />

classical and contemporary<br />

techniques, Ballet Hispánico<br />

brings these three highly<br />

Linea Recta acclaimed works to Asheville<br />

for a cultural residency that<br />

spans multiple traditions and generations.<br />

Lopez Ochoa is one of today’s most<br />

sought-after choreographers, and her work,<br />

“Línea Recta,” is a powerful and resonant work<br />

that explores an intriguing aspect of flamenco<br />

dance: the conspicuous absence of physical<br />

partnering. While maintaining the integrity and<br />

hallmark passion of the genre, Lopez Ochoa<br />

imagines an original and explosive language of<br />

motion through partnership, set to flamenco<br />

guitar performed by Eric Vaarzon Morel.<br />

“In flamenco,” said company dancer Melissa<br />

Fernandez, “there’s always a battle going on,<br />

and there’s always this tension. But yet there’s<br />

never any physical touch.”<br />

In “Línea Recta,” though, Lopez Ochoa introduces<br />

flamenco to the tactile sense.<br />

“I called it ‘Línea Recta’ because it’s an<br />

expression used in French — that when you<br />

go right to your goal, you say, ‘Línea recta,’”<br />

Lopez Ochoa said. “I feel that, in flamenco, it’s<br />

not right to the goal. The theme of how males<br />

and females communicate is very indirect, and<br />

8 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 22, NO. 07 — MARCH <strong>2019</strong><br />

‘Ballet’ continued on page 15


MARCH COVER<br />

Olga Dorenko’s brilliant use of color captures redolent emotions<br />

BY DENNIS RAY • RIVER ARTS DISTRICT, ASHEVILLE<br />

(Above) “Morning Breeze” by Olga Dorenko,<br />

24x18, oil on canvas<br />

(Left) “Hibiscus” by Olga Dorenko, 25x25<br />

(Right) “Respect The Natural,” by Olga Dorenko,<br />

Oil On Canvas, 60x36<br />

Born in 1966 in Uzbekistan in the former Soviet<br />

Union, Olga Dorenko spent much of her childhood<br />

moving around the Soviet Union.<br />

She lived in vastly different regions and climates,<br />

experiencing (perhaps subconsciously<br />

collecting the future color pallet she now uses)<br />

many fascinating places of beauty.<br />

Dorenko arrived in North Carolina in 1998,<br />

becoming a US citizen ten years later. In 2009<br />

she opened Olga Dorenko Fine Art Studio, and<br />

Dorenko has since become one of Asheville’s<br />

most loved and respected artists.<br />

IF<br />

YOU<br />

GO<br />

Olga Dorenko Fine Art Studio<br />

www.olgadorenko.com.Or contact the<br />

artist at Olga@OlgaDorenko.com • (828)<br />

713-8362 • Wednesday – Saturday 12-5pm, or by<br />

appointments. 170 Lyman Street, Suit 5 (WARE-<br />

HOUSE STUDIOS) Asheville<br />

“A Part of the Whole,” by Olga<br />

Dorenko, oil on canvas, 48x36<br />

“Cabin Tree” by Olga Dorenko<br />

•SOLD• oil on canvas, –<br />

Giclee Print Available<br />

See Olga<br />

Dorenko’s latest work<br />

on Second Saturdays<br />

in her studio in the<br />

RAD<br />

“A Relaxing Walk” by Olga Dorenko<br />

– Oil on Canvas,40x40<br />

VOL. 22, NO. 07 — MARCH <strong>2019</strong> | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 9


310 ART<br />

Colorful cog sculpture stands outside of 310 Art Gallery made by Foundation Woodworking<br />

Finding your way with color –<br />

‘Colorful RAD’<br />

BY FLETA MONAGHAN • RIVER ARTS DISTRICT, ASHEVILLE<br />

Everyone loves a splash of color.<br />

Artists use color as a means to<br />

communicate and move our inner<br />

spirits.<br />

What better way to lead visitors on<br />

an exploration of the colorful River<br />

Arts District (RAD) than color banners<br />

that guide as well as brighten the day.<br />

In the late 19th century, the RAD<br />

was a booming industrial scene.<br />

Today, artists studios and galleries,<br />

restaurants, breweries, a winery, and<br />

other compatible small business<br />

occupy these historic buildings. It is<br />

a major destination for those who<br />

love to visit a unique art scene. There<br />

is activity every day, year-round with<br />

over 250 working artists.<br />

Last year colorful banners<br />

decorated with art images were<br />

installed throughout the district to<br />

help visitors find their way. While the<br />

RAD is only about a mile in length,<br />

there are distinct clusters of buildings<br />

now identified by a banner color that<br />

corresponds with color coding in the<br />

Studio Guide. Be sure to get a free<br />

guide at your first stop in the district<br />

and flip over to the centerfold map<br />

to start your journey. For those who<br />

prefer to use their phones, go to<br />

riverartsdistrict.com and click on the<br />

“Plan Your Visit” tab.<br />

Be sure to bring your camera!! Not<br />

only is there art inside the buildings,<br />

but there is also colorful art outside to<br />

make for a visual feast for the eyes.<br />

When you visit the southern end<br />

(#radsouth), you can see the newly<br />

rebuilt cog sculpture conceived,<br />

designed and installed by Nadine<br />

Charlsen and painted by the 310<br />

ARTists.<br />

This piece has a history too,<br />

originating as set pieces in a<br />

production of Peter Pan in NJ<br />

performed in 2015. Charlsen spotted<br />

the cogs in storage (also the cog<br />

logo of The River Arts District Artists<br />

Association). Through contact with<br />

10 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 22, NO. 07 — MARCH <strong>2019</strong>


Shop, Learn, Explore. . . Everyday, All Year Round<br />

Classes at 310 ART<br />

Andrea Kulish banner near The Pink Dog<br />

galleries<br />

former students, a prop house in Rahway and<br />

a 3-D printer, the first cogs were obtained. The<br />

original sculpture was made of thin wood and<br />

styrofoam, and it held up for three years! What<br />

started as a fun project became a landmark.<br />

Not only was it a signpost to help visitors find<br />

their way, but it was also a great place for photo<br />

ops. This year, with the help of Foundation<br />

Woodworking who donated time to cut new,<br />

sturdy cogs, a new and larger piece was built<br />

and installed. To find Rad South (Blue Banners),<br />

look for the cogs at Riverview Station on Lyman St.<br />

IF<br />

YOU<br />

GO<br />

Banners by The Wedge Gallery<br />

When you visit: Get a Studio guide and<br />

follow the path of color. From the Blue<br />

neighborhood in the south end (peace,<br />

confidence, and tranquility) to the next stop,<br />

Orange (creativity and energy). Other regions are<br />

marked by Red banners (motivation and love),<br />

Green banners (nature and harmony) and Purple<br />

(mystery and meditation). As you follow the color<br />

path, consider how bringing color and art into<br />

your environment will stimulate your mind and<br />

inner spirit.<br />

310 ART<br />

AT RIVERVIEW STATION<br />

Marvelous Mondays with Lorelle and Nadine<br />

Watercolor Wednesday Evenings - 5:30-8:30, all<br />

levels, please preregister<br />

Beginner and Up! Open art studios<br />

Mondays with instructor to guide you - start<br />

and continue year round in our Monday<br />

classes, 9:30-12:30pm and 1-4pm. Come the<br />

dates that work for you!<br />

See 310art.com for schedule and sign up.<br />

Beginners welcomed!<br />

Workshops: Coming Soon<br />

Beginning Oil Painting - Apr 6, 7<br />

Wire Wrapping Mini - Apr 11<br />

Dramatic Light, watercolor - Apr 27<br />

Oil Stick Paining - May 4<br />

Casts from Nature - May 11<br />

Drawing on the Right Side of the Shadow - May 18<br />

Watercolor and Wax Wonders - June 1<br />

Intro to Eco Printing - June 8<br />

Encaustic Pendants - June 13<br />

Image Transfer and Mixed Media - June 15, 16<br />

Most or all materials are provided in our<br />

workshops! <strong>2019</strong> Workshops now online at<br />

310art.com<br />

Classes for adults at 310 ART, 191 Lyman<br />

Street, #310, Asheville, NC 28801<br />

www.310art.com gallery@310art.com<br />

(828)776-2716 Adult classes, beginner and up,<br />

most materials provided. Register online or at<br />

the studio.<br />

VOL. 22, NO. 07 — MARCH <strong>2019</strong> | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 11


RAD ART WALK<br />

Second Saturdays in the River Arts District continues <strong>March</strong> 9<br />

BY STAFF REPORTS • RIVER ARTS DISTRICT, ASHEVILLE<br />

On the Second Saturday of each month, the River<br />

Arts District will be holding gallery walks<br />

with live demonstrations, live music, wine tastings,<br />

spreads of food, and more.<br />

Meander the mile-long district and discover all<br />

that the “RAD” has to offer. There are more than<br />

200 artists in the 23 buildings throughout the district.<br />

Most of them will be on hand to describe or<br />

show you their techniques as well as share with<br />

you what inspires them.<br />

Starting in <strong>March</strong> ride the free trolley around the<br />

district: 11-4:30pm. The best time to swing over<br />

to your favorite studio and see demonstrations is<br />

noon-5pm. Most studios and galleries open from<br />

10-6 pm. Special late night events too, see those<br />

listed.<br />

Riverview Station at 191 Lyman St, Asheville<br />

— In Rad South, the burgeoning neighborhood<br />

closest to Biltmore Village visit. Among the events<br />

you can see:<br />

310 ART 10-6, Featured show “ATYPICAL<br />

DIMENSIONS: voLUMINOUS WATERCOLORS<br />

by Nadine Charlsen on exhibit EVERY DAY<br />

the month of <strong>March</strong> with a closing reception/<br />

art talk <strong>March</strong> 29,<br />

1-6:30pm. Resident<br />

artists Bridget Benton,<br />

Nadine Charlsen,<br />

Katrina Chenevert<br />

and Fleta Monaghan,<br />

will be demonstrating<br />

throughout the day<br />

<strong>March</strong> 9. See “Painting<br />

with Watercolor<br />

and Beer,” alcohol ink<br />

painting, Encaustic<br />

and Nature Printing,<br />

Oil painting and<br />

Fleta Monaghan owner of<br />

more. Enjoy refreshments<br />

and see the<br />

Saturday<br />

310 Art demonstrates for Second<br />

work of 15 fine artists<br />

and three jewelry<br />

artisans. 310art.com<br />

Printmaking demonstrations in Studio #216<br />

Asheville Print Studio. See the press in action!<br />

(2pm & 4pm)<br />

Master Series “Glazing Cone 6 Workshop &<br />

Discussion” with John Britt, <strong>March</strong> 9-10, 2-Day<br />

Discussion on Glazing, with over 2000 test tiles.<br />

12 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 22, NO. 07 — MARCH <strong>2019</strong>


RAD ART WALK<br />

Asheville. NorthLight Artists: Angela Alexander,<br />

Wendy Whitson, Bill George, Bernadette St.<br />

Pierre-George, Sandy Lear, Nan Davis<br />

Studio A - Pink Dog Creative 344 Depot St.<br />

Suite 100 — Noon - 5 pm Join Andrea Kulish<br />

for Ukrainian Easter egg- pysanky- demos,<br />

wine, and cookies<br />

The beautiful and creative exterior of the<br />

Mark Bettis Studio<br />

For Beginner to Intermediate potters. $265 (9am<br />

- 5pm). Contact thevillagepotters.com for details<br />

and to register<br />

Curve Studios and Garden<br />

9 Riverside Dr. —10- 5pm<br />

Curve Studios, home to 12<br />

working artists. This month<br />

they feature long-time Rada<br />

member, Pattiy Torno. Drawing<br />

from the foto exploration<br />

she calls “Fotopieicings,”<br />

Torno will construct an installation<br />

on an exterior wall<br />

entitled “SELF.”<br />

362 Depot St. Studios<br />

362 Depot St. — 2-5pm.<br />

Cindy Chenard will be<br />

demonstrating her 3-dimensional<br />

technique - “Art Des<br />

Couches De Bois.”<br />

NorthLight Studios 357 Depot St. —11-4pm.<br />

Their six artists are inspired as they acknowledge<br />

personal transitions that have brought them to this<br />

studio space. Personal transitions include two artists<br />

who moved from home studios to join Noth-<br />

Light Studios, an artist who changed to a very<br />

successful style due to health concerns, another<br />

transitioned from photography and abstract work<br />

to build a very recognizable body of work. Two<br />

artists left NYC to find a place for their talents in<br />

Trackside Studios 375 Depot St — 2-5pm.<br />

Artist reception for Chalkley Matlack, abstract<br />

formalist. Exploring line and color theory with a<br />

twist. Sips & snacks.<br />

Mark Bettis Studios 123 Roberts St. — 10-<br />

5pm. Working Art Studio, talk with artists as<br />

they create their work. Tess Darling talks about<br />

her work while creating pieces that portray energetic,<br />

sketch-like paintings<br />

of animals observed<br />

in the wild.<br />

Check out the many murals in the RAD. Photo above is on<br />

Depot St<br />

The Wedge Studios 129<br />

Roberts St. — Encaustic<br />

demos at Sarah St<br />

Laurent Studio, 1st Floor<br />

(all day)<br />

“How Much The Heart<br />

Can Hold,” Second Floor<br />

#2A. Featuring Artists<br />

from Aurora Studio &<br />

Gallery and other works,<br />

some exploring the life<br />

of Zelda Fitzgerald and<br />

the ’20s. Dawn Eareckson<br />

from Aurora Studio will be<br />

demonstrating her “expressionistic art” style in<br />

Cindy Walton’s Studio. (11-4pm)<br />

Odyssey Ceramic Art Studio 238 Clingman<br />

Ave — Featured artists at Odyssey co-op Gallery<br />

for <strong>March</strong> are Laura Peery and Reiko Miyagi.<br />

IF<br />

YOU<br />

GO<br />

For more information, please contact: Becca<br />

Ward River Arts District Coordinator Email:<br />

info@riverartsdistrict.com<br />

Andrea Kulish marketing@riverartsdistrict.com www.<br />

riverartsdistrict.com<br />

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VOL. 22, NO. 07 — MARCH <strong>2019</strong> | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 13


Asheville’s Longest Established Fine Art Gallery with 31 Regional Artists<br />

Asheville Gallery of Art 's <strong>March</strong> Artists<br />

“As The Crows Fly” by Sue Dolamore<br />

“By the Peaceful Pond,” by Sue Dolamore<br />

“Beau Catchers View,” by Sue Dolamore<br />

Fresh Air with ‘en plein air’ artist Sue Dolamore<br />

BY STAFF REPORTS • DOWNTOWN ASHEVILLE<br />

Asheville Gallery of Art’s <strong>March</strong> show, “Fresh<br />

Air,” will feature the work of Sue Dolamore<br />

whose plein air paintings show her love both of<br />

the process and the natural environment.<br />

Dolamore’s studio is the wide-open world.<br />

Much of her work is painted en plein air within a<br />

30-mile radius of Asheville.<br />

“I find the landscape deeply affecting and am<br />

fascinated with the diversity of mountains, skies,<br />

forests, farms, and fields that are unique to the<br />

region.”<br />

The artist brings her personality onto the canvas.<br />

“I can be impulsive,” she adds, “though most<br />

know me as a generous woman with a practical<br />

mind and energetic spirit. There has always been<br />

a bit of the wild in me.”<br />

Her well-structured compositions, rendered in a<br />

harmonious color palette with playful yet deliberate<br />

brush strokes, reaffirms this combination of<br />

traits.<br />

The artist took up painting in 2014 by signing<br />

up for a class at A-B Tech.<br />

“I was willing to take risks, experiment with<br />

various media and techniques, and trust my<br />

instincts.”<br />

She heeded the advice of local masters and<br />

committed to regular practice. “It takes sincere<br />

desire to achieve this level of skill in plein air<br />

painting,” says Dolamore. “You have to love the<br />

process of painting as well as the natural environment,<br />

both of which can present many challenges.”<br />

Sue Dolamore is the director of the Asheville<br />

Urban Landscape Painters, one of the most<br />

active and largest en plein air painting groups in<br />

the Southeast. She is also a member of WNC<br />

Carolina Plein Air Painters (WNCPAP) and North<br />

Carolina Plein Air Painters (NCPAP). She lives<br />

with her husband, youngest daughter, and two<br />

cats on a ridge above the Ivy River.<br />

“My impressionistic paintings of the landscape<br />

strive to tap into our longing for a sense of place<br />

and the desire for a deeper understanding of the<br />

world around us.”<br />

IF<br />

YOU<br />

GO<br />

Dolamore’s work, as well as the paintings<br />

of the other 30 gallery members, will be on<br />

display and for sale through <strong>March</strong>. For further<br />

information about this show, you can contact<br />

Asheville Gallery of Art at (828) 251-5796, visit the<br />

gallery website at www.ashevillegallery-of-art.com<br />

or go to the gallery Facebook page.<br />

The show runs <strong>March</strong> 1-31 during gallery hours,<br />

11-6 pm Monday through Saturday and 11-4 pm<br />

Sunday. The gallery, located at 82 Patton Avenue<br />

in Asheville, across from Pritchard Park, will host a<br />

reception for the artist on Friday, <strong>March</strong> 1, 5-8 pm.<br />

Everyone is cordially invited to stop by.<br />

14 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 22, NO. 07 — MARCH <strong>2019</strong>


‘Ballet’ continued from page 8<br />

PERFORMING ARTS<br />

that’s how tension is created.”<br />

In the third Ballet Hispánico piece,<br />

inspired by the circular number Pi, 3<br />

“Catorce Dieciséis” is a joyful feast<br />

for the senses, reflecting on the<br />

circular movement of life with theatrically<br />

breathtaking imagery set to<br />

music by Antonio Vivaldi and other<br />

Baroque composers.<br />

“I’ve known about Tania and her work [since]<br />

the end of my dance career, and … her work<br />

stuck in my mind for many years,” said Eduardo<br />

Vilaro, artistic director and CEO of Ballet Hispánico.<br />

“She uses very quick and sharp moves.<br />

She enjoys the line. It’s not the music; it’s these<br />

bodies that are developing the environment, and<br />

I think that’s fascinating to me. With our dancers<br />

who are so eloquent in their bodies, it’s a perfect<br />

match.”<br />

From its grassroots origins as a dance school<br />

and community-based performing arts troupe,<br />

Ballet Hispánico has grown into a world-class<br />

institution. Under Vilaro’s artistic direction, the<br />

company performs a diverse repertory by the<br />

foremost choreographers of our time, as well as<br />

emerging artists. The choreographers represent<br />

a multitude of nationalities including Venezuela,<br />

Cuba, Trinidad, Puerto Rico, Mexico, Spain, Brazil,<br />

Argentina, and Colombia. The<br />

company has offered more than<br />

3,350 performances to audiences<br />

of over two million throughout 11<br />

countries.<br />

As part of Ballet Hispánico’s<br />

Con Brazos Abiertos<br />

residency in Asheville, the company<br />

will bring three days of unique<br />

discussions, workshops and events, including a<br />

Latin Social Dance class and party, a community<br />

class for families, master classes for experienced<br />

dancers and special performances and workshops<br />

for local students. And company dancers<br />

and leaders will lead a discussion ahead of each<br />

public performance.<br />

A special daytime show will also be available<br />

for students at 10am, Wednesday, April 10. This<br />

performance is open to homeschoolers, school<br />

groups, community groups, and families and is<br />

recommended for grades 2-12.<br />

To obtain more information on the Mainstage<br />

Series or to purchase tickets for the April 9<br />

and 10 performances of Ballet Hispánico<br />

(Regular $48; Student $43; Child $20; Student<br />

Rush, day-of-the-show with valid I.D. $10), call<br />

the theatre’s box office at (828) 257-4530 or visit<br />

www.dwtheatre.com.<br />

IF<br />

YOU<br />

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VOL. 22, NO. 07 — MARCH <strong>2019</strong> | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 15


More of what Makes Asheville Special: Dining • Shopping • Galleries • Music • Fun<br />

D o w n t o w n A s h e v i l l e<br />

Asheville’s best-kept secret in live theater, 35below, offers “Lobby Hero”<br />

and ‘An Iliad’ this spring<br />

BY STAFF REPORTS • DOWNTOWN ASHEVILLE<br />

At the back of the ACT building, is an entrance<br />

to 35below, another theatre venue that many<br />

people still aren’t aware exists.<br />

35below is a small black box space that has<br />

only two rows and only 40 seats. It opened in<br />

December of 2002, and its debut performance<br />

was David Sedaris’ The Santaland Diaries. Over<br />

the years, the stage has hosted World Premieres,<br />

NC Premieres, and works by local playwrights,<br />

including productions by Waylon Wood, Tom<br />

Godleski, and Monica McDaniel. In this space,<br />

improv performances, a storytelling series, The<br />

Autumn Players Readers Theatre Showcase<br />

Series, and a range of independently produced<br />

productions have found an artistic home.<br />

Two of those productions are scheduled for<br />

performances this spring. Lobby Hero, a provocative<br />

drama by Oscar Award-winning screenwriter<br />

Kenneth Lonergan will run for three weekends<br />

in <strong>March</strong>, and An Iliad, a captivating one-person<br />

show will run in April. Both shows are produced<br />

by local theatre groups who don’t have permanent<br />

theatre space of their own.<br />

“Anyone in the community is welcome to propose<br />

a show for the 35below season,” said Jenny<br />

Bunn, Marketing Director of Asheville Community<br />

Theatre. “We’re specifically interested in<br />

proposals that feature scripts that offer a diversity<br />

of voices, perspectives, and experiences; scripts<br />

by women and people of color; and scripts that<br />

illuminate contemporary issues.”<br />

But also, she adds, “35below is a tiny space.<br />

With only 40 seats, the shows that work best in<br />

that performance space have smaller casts and<br />

sets.”<br />

Lobby Hero is produced by local troupe Ellipsis<br />

Theatre Company, headed by Chelsey Gaddy<br />

Mirheli, and is directed by Devyn Villarreal. In the<br />

show, a murder investigation brings together a<br />

pair of security guards, a cop, and his rookie to<br />

the lobby of a Manhattan apartment complex<br />

where loyalties and convictions are pushed to<br />

the limit. Sometimes between truth, justice, and<br />

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16 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 22, NO. 07 — MARCH <strong>2019</strong>


• Dining • Shopping • Galleries • Music<br />

IDEAS WANTED<br />

Apps • Beauty • Electronics • Housewares • Medical<br />

Pets • Tools • Lawn and Garden • Toys and more!<br />

Call 844-207-9536 for our FREE Idea Starter Guide.<br />

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From last season’s “RED,” produced by John Hall / Mockingbird Theatre Productions.<br />

— Photo credit: Studio Misha Photography<br />

Lobby Hero will be performed in<br />

35below <strong>March</strong> 8-24, with performances<br />

Friday and Saturday<br />

evenings at 7:30 pm and Sunday<br />

afternoons at 2:30 pm.<br />

An Iliad is produced by Rarely<br />

Theatre Company, a collaboration<br />

between husband and wife team<br />

Trinity Smith Keel and Scott Keel.<br />

For An Iliad, Trinity Smith Keel will<br />

direct, and Scott Keel will star in the<br />

one-person show. Scott’s brother,<br />

the accomplished cellist, Franklin<br />

Keel, will provide live musical underscoring.<br />

In this show, a bare stage is<br />

transformed into a raging battlefield,<br />

bringing Homer’s epic tale of heroes<br />

and villains through the centuries<br />

and into the present day. An Iliad will<br />

be performed in 35below April 5-21,<br />

with performances Thursday, Friday<br />

and Saturday evenings at 7:30 pm<br />

and Sunday afternoons at 2:30 pm.<br />

In addition to these two productions,<br />

35below hosts a range<br />

of other performances. Listen to<br />

This is a monthly storytelling series<br />

with stories and songs written on a<br />

specific theme. Somewhat similar to<br />

NPR’s This American Life, Listen to<br />

This has been occurring on the last<br />

Thursday of each month for several<br />

years. Local comedian and actor<br />

Tom Chalmers plans, produces, and<br />

hosts each show.<br />

The Autumn Players also present<br />

their Readers Theatre Showcase<br />

Series in 35below. This series offers<br />

both classic and contemporary<br />

scripts as reader’s theatre, where<br />

rehearsed actors use only vocal<br />

expression to help the audience understand<br />

the story rather than visual<br />

storytelling such as sets, costumes,<br />

intricate blocking, and movement.<br />

Awake and Sing will be performed<br />

‘35below’ cont on page 29<br />

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VOL. 22, NO. 07 — MARCH <strong>2019</strong> | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 17


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FOOD<br />

WNCAP’s Dining Out For Life happens April 25<br />

BY STAFF REPORTS • WNC<br />

Dining Out For Life (DOFL) is<br />

an annual event benefiting HIV<br />

Prevention & Care that takes<br />

place in nearly 50 cities across<br />

the nation.<br />

This year, Dining Out For Life is<br />

on Thursday, April 25. In Asheville,<br />

DOFL will once again be<br />

underwritten by their longtime<br />

Presenting Sponsor, Prestige<br />

Subaru. On April 25 participating<br />

restaurants will donate 20%<br />

of their gross sales to the local<br />

HIV/AIDS Service Organization.<br />

In WNC, that organization is<br />

WNCAP. “Dining Out For Life is<br />

WNCAP’s largest fundraiser. But<br />

the most important benefit is<br />

A group of Dining Out For Life how many people are educated<br />

Ambassadors and patrons gather at a<br />

about the ongoing crisis of HIV/<br />

Participating Restaurant in Asheville.<br />

— Photo credit: Cathy Deweese AIDS,” said WNCAP Executive<br />

Director Antonio del Toro.<br />

Thousands of people in WNC<br />

are living with HIV, and many of them do not<br />

know their status. WNCAP helps your local<br />

community access HIV Prevention tools, including<br />

PrEP (pre-exposure prophylaxis) a daily pill to<br />

help prevent HIV.<br />

WNCAP also helps people living with HIV engage<br />

with medical care so that their viral load can<br />

become undetectable, creating effectively zero<br />

risks of transmitting HIV sexually. Resources generated<br />

by Dining Out For Life help people survive<br />

and thrive in a world where there remains ample<br />

stigma surrounding HIV.<br />

In 2018, thanks to the generosity of restaurants,<br />

diners, and volunteer Ambassadors, DOFL<br />

was honored with a “Best Of WNC” award by<br />

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18 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 22, NO. 07 — MARCH <strong>2019</strong>


FOOD<br />

Longtime DOFL Ambassadors Barbara Bell (right) and Betty Sharpless (left) engage diners<br />

at Avenue M on Merrimon Avenue. Ambassadors help raise resources for WNCAP and spread<br />

awareness about HIV/AIDS while entering diners into a raffle for three grand prizes.<br />

Mountain Xpress for Best Local<br />

Fundraising Event. Asheville also<br />

ranked in the top<br />

10 DOFL cities in<br />

2018 - outranking<br />

New York<br />

and Chicago.<br />

That is indeed<br />

a testament to<br />

the community<br />

spirit (and love<br />

of excellent local<br />

cuisine) that distinguishes<br />

their<br />

home.<br />

Inspired by<br />

an exciting<br />

new brand strategy from Dining<br />

Out For Life International, WNCAP<br />

will embark on a forward-thinking<br />

and comprehensive marketing<br />

campaign for DOFL this year. New<br />

colors, logos, and fonts will appear<br />

on 15,000 pieces of promotional<br />

materials and over 350,000 copies<br />

of print advertisements.<br />

WNCAP is also heavily investing<br />

in digital ads, radio, television, and<br />

billboards, and a targeted direct<br />

mail campaign.<br />

WNCAP assembles a team of<br />

over 250<br />

enthusiastic<br />

volunteers to<br />

help support<br />

Dining Out For<br />

Life.<br />

If you would<br />

like more<br />

information<br />

about becoming<br />

an<br />

Ambassador,<br />

please<br />

email Chris at<br />

wncapvolunteer@wncap.org<br />

or visit wncap.org/<br />

DOFL.<br />

WNCAP staff members Michael Harney (left)<br />

and Devin Smith (right) thank the staff at Well<br />

Bred Bakery in Biltmore Village for participating<br />

in Dining Out For Life. Last year, participating<br />

restaurants raised nearly $150,000 for HIV<br />

Prevention & Care in our community.<br />

IF<br />

YOU<br />

GO<br />

Mark your calendars for<br />

Thursday, April 25th and<br />

make your reservations today<br />

for Dining Out For Life. Just dine out<br />

for breakfast, lunch, or dinner (or all<br />

three!), and you may save a life. To<br />

find out more about the event and<br />

to see the list of <strong>2019</strong> Participating<br />

Restaurants, visit wncap.org/DOFL.<br />

VOL. 22, NO. 07 — MARCH <strong>2019</strong> | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 19


WHAT EXACTLY IS MACULAR DEGENERATION<br />

Your Health<br />

By Max Hammonds, MD<br />

The back of the eye – the retina – receives light<br />

coming into the front of the eye.<br />

The retina is made up of numerous layers of<br />

cells. The very bottom layer is the cells that actually<br />

react to light, enabling us to see. These are<br />

the rod cells – which see black-and-white and<br />

motion vision – and the cone cells – which see<br />

color and sharply focused vision. Directly under<br />

the retina is a layer of darkly pigmented “nurse”<br />

cells which feed and maintain the visual cells.<br />

They sit on top of a membrane which separates<br />

the retina from the blood vessels which feed the<br />

covering of the eyeball and the retina.<br />

On the retina is a small circular place –<br />

the macula – where the inner most layers of the<br />

retina become quite thin, exposing the visual<br />

cells more clearly to light coming into the eye.<br />

The cone cells – which see color and sharply<br />

focused vision – are more numerous here. The<br />

macula is the place of sharpest vision, the place<br />

where we see clearly to read and to do close,<br />

detailed work.<br />

If we have certain genetic abnormalities<br />

(almost 60% of patients) and as we age, we<br />

develop small areas where the “trash” (normal<br />

metabolic waste – called drusen) accumulates<br />

in the membrane immediately below the retina<br />

— Photo by Patrick Brinksma<br />

and is not carried away. These yellowish plaques<br />

cause an inflammatory reaction which leads to<br />

destruction of the pigmented “nurse” cells with<br />

spillage of the dark pigment into the membrane,<br />

scarring, and eventual destruction of the visual<br />

cells – age-related macular degeneration (AMD)<br />

– the leading cause of blindness in people over<br />

age 60. Although this process may occur in other<br />

parts of the retina, the effects are most noticeable<br />

in the macula.<br />

Smoking, hypertension, obesity, high cholesterol,<br />

high intake of saturated fat, trans-fat, and<br />

omega-6 fat (animal fat), and exposure to UVlight<br />

all increase (by 3-6x) the risk of developing<br />

AMD, even in those who are not genetically predisposed.<br />

Being female, having light skin color,<br />

and light-colored eyes also increase the risk.<br />

In the early stages of the disease, the<br />

drusen and the dark pigment are visible but<br />

usually there is little visual loss. Slowly larger<br />

areas are darkened in around the macula and the<br />

drusen are larger causing some “blurry or blank<br />

spots” in the middle of your vision. Gradually, in<br />

still later stages, the areas of visual loss become<br />

still larger and more noticeable (dry AMD). Visual<br />

loss is usually not complete, but sharp vision is<br />

severely decreased or lost all together.<br />

Sometimes the inflammation weakens the underlying<br />

membrane allowing “new” blood vessels<br />

to directly invade the retina through the weakened<br />

membrane from behind (wet AMD). These<br />

vessels are fragile and break easily, causing fluid<br />

to leak out and bleeding which creates more<br />

swelling and scarring, leading to rapid visual loss<br />

– sometimes to complete blindness.<br />

The early stages of AMD can only be found by<br />

having regular eye exams by an eye care specialist.<br />

Treatment of the early stages – usually<br />

before any obvious visual loss is noticed – can<br />

be modified by changes in lifestyle – control of<br />

blood pressure, stop smoking, weight loss, avoid<br />

‘Health’ continued on page 29<br />

20 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 22, NO. 07 — MARCH <strong>2019</strong>


THE OPEN VISTA OF ORIGINAL MIND<br />

ZEN PHILOSOPHY WITH BILL WALZ<br />

Look, and it can’t be seen. Listen, and it can’t<br />

be heard. Reach, and it can’t be grasped.<br />

Above, it isn’t bright. Below, it isn’t dark.<br />

Seamless, unnamable, it returns to the realm<br />

of nothing. Form that includes all forms,<br />

image without an image, subtle, beyond<br />

all conception. Approach it and there is no<br />

beginning; follow it and there is no end. You<br />

can’t know it, but you can be it, at ease in your<br />

own life. Just realize where you come from:<br />

this is the essence of wisdom.<br />

— #14 – The Tao Te Ching (Mitchell)<br />

We are a society and culture mesmerized by<br />

the objects of the world. We find value in and<br />

through objects like our possessions, and one of<br />

our strongest myths tells us that material wealth<br />

will lead to happiness and well-being when evidence<br />

proves this is not so. Likewise, we look to<br />

belonging to identity groups like our nationality, religion,<br />

race, political and interest group affiliations<br />

as well as our social status to give placement<br />

and meaning to our life. We accumulate things<br />

and affiliations, seeking to allay a haunting feeling<br />

of not being enough, and ultimately no matter<br />

how many things and affiliations we acquire, this<br />

feeling continues. We need to fill our lives in order<br />

to feel OK, and there just doesn’t ever seem to be<br />

enough, and we are seldom unequivocally OK.<br />

On a much subtler level, this is true with our<br />

relationship to mind itself. In Buddhism, thoughts,<br />

emotions and sensations are referred to as<br />

“mental forms” and we tend to define mind and<br />

our subjective sense of self through our thoughts<br />

and emotions. We seek pleasurable sensory<br />

experiences to enhance desirable emotions, as if<br />

this gives life special meaning. We look for ideas<br />

in the world that conform to, confirm and expand<br />

the ideas we already have so as to buttress our<br />

sense of self. Unfortunately all this seeking and<br />

accumulating of ideas and emotions can also entangle<br />

us in the contradictions of the contents of<br />

our mind and this can make life most uncomfortable,<br />

if not at times crazy. The mind can become<br />

like a rat’s nest of entangled ideas and emotions<br />

that plagues us. When all is done, we find that<br />

none of the forms, material or mental, can give us<br />

lasting happiness, peace and well-being.<br />

So, as “mental forms,” sensations, thoughts<br />

and emotions, are the stuff, the objects of the<br />

mind, just as material objects are the stuff of our<br />

lives, we tend to fixate on these mental objects<br />

and confuse them for the totality of mind when<br />

they are no more the totality of the mind then<br />

material objects are the totality of the world. In<br />

both cases, the space in which the objects occur<br />

is quite neglected, and this neglect causes us to<br />

miss the true value and meaning of existence. A<br />

world made only of objects is impossible, there<br />

must be space in which they occur, and too<br />

many objects in a limited space is rightly called<br />

cramped. A compulsive hoarder’s home is an<br />

assault on the senses and we usually feel uncomfortable<br />

in cramped and cluttered places. In the<br />

opposite direction, we are drawn to the experience<br />

of open space, and it is why we climb to<br />

mountain tops and seek out places of vista, and<br />

why deserts have a mystical quality to them. So<br />

too, our cramped and cluttered minds are quite<br />

uncomfortable, particularly when it feels like the<br />

runaway contents of our minds are closing in on<br />

us and there is no escaping their suffocation.<br />

We have no cultural tradition for recognizing<br />

the spacious mind as the real source of comfort,<br />

peace, and well-being, and despite all evidence<br />

of how crazy and dangerous so many of our<br />

thoughts and emotions are, we invest the realm<br />

of thought with intelligence and our emotions with<br />

much of our sense of self. We neglect all our<br />

experience that shows us that it is the spacious<br />

silent mind that is the true source of intelligence<br />

and wisdom. We fail to give proper notice to how<br />

it is that when we are caught in swirling circles<br />

of thought and emotion, we might take a walk or<br />

a shower or bath, or play with the dog, or wash<br />

the dishes, and out of the silence the insight that<br />

had been eluding us emerges. But nothing in<br />

our culture validates this, so few give this insight<br />

the affirmation deserved. Even our psychologies,<br />

philosophies, and religions are filled with complicated<br />

ideas that seem to bring us no closer to<br />

peace and wisdom.<br />

That real happiness and well-being most often<br />

occur when NOTHING is happening, as during<br />

the quiet space of the moment in an experience<br />

in nature, with a treasured person, or when just<br />

sitting alone, gets completely overlooked. An<br />

equally valuable insight is that just as we seek<br />

open physical vistas for comfort and inspiration,<br />

so too it is wise to look to a spacious and quiet<br />

mind for happiness, insight, and well-being.<br />

Yet, since this is not an object in the mind - you<br />

cannot seek it, as many a frustrated seeker<br />

experiences - you can only allow it. As many an<br />

intellectual or spiritual seeker experiences, they<br />

may fill their mind with many esoteric ideas and<br />

engage in many elaborate spiritual practices, but<br />

it brings them no closer to peace.<br />

Just as space is the natural environment of a<br />

room before it is filled with objects, space is the<br />

natural quality of mind before it is filled with the<br />

objects of thoughts, emotions and sensations.<br />

This you can only relax into, breathe into, allow its<br />

natural presence. It is always there, for it is truly<br />

who we are, not the clutter with which that we<br />

compulsively fill it. This space of pure consciousness<br />

is what Buddhism refers to as “original<br />

mind” - mind before the clutter - and it is what all<br />

of Buddhism and its practices of meditation and<br />

mindfulness are meant to awaken.<br />

Mystic traditions of all cultures, including Judaism<br />

and Christianity, recognize the contemplative<br />

and meditative mind, the quiet mind that is not<br />

seeking, but rather sitting in receptive reflection,<br />

as essential for higher levels of inspiration,<br />

understanding and spiritual realization. Even<br />

higher levels of scientific inquiry as well as artistic<br />

inspiration depend on quiet, intuitive receptivity<br />

for breakthroughs. Instead of focusing on<br />

the contracted mental energy of thoughts, this<br />

receptivity requires expanded openness of the<br />

energy of consciousness. “It returns to the realm<br />

of nothing.”<br />

An open outdoor vista is a good place to encourage<br />

and support this allowing, yet it is important<br />

to realize that your own true nature already IS<br />

the infinitely vast open vista of pure uncluttered<br />

consciousness. As this spacious consciousness<br />

is what makes experiences in the world meaningful,<br />

when space is experienced as a connecting<br />

energetic force rather than a source of separation,<br />

so too, it is this spacious consciousness energy<br />

prior to thoughts, sensations and emotions that<br />

is what creates the sense of connection within<br />

us. When we train ourselves to abide in this quiet<br />

stillness, this openness, even amidst the clutter<br />

and noise of the world, this intuitive connection<br />

and sense of well-being remain. In the mystical<br />

language of Taoism and Zen, rather than striving<br />

to be somebody looking for something, we<br />

become nobody abiding in the realm of nothing<br />

while everything swirls around us. The open vista<br />

of original mind is felt as our source and stability.<br />

I encourage you into this allowing and finding of<br />

that which is not objects in the mind, but rather<br />

the vastness of Being, the space of consciousness<br />

prior to its energy contracting into objects<br />

of sensation, thought and emotion. Just relax,<br />

breathe, allow, and expand into the space that is<br />

within and all around - and then - the objects that<br />

arise within and out of the space will be imbued<br />

with the beauty and wisdom of Reality. You will no<br />

longer experience yourself as a separate object<br />

looking to the accumulation of objects, whether<br />

material or mental, to validate you. You will know<br />

yourself as the consciousness energy that is the<br />

space, which can value what is natural and true<br />

without needing anything, and this is happiness,<br />

peace and well-being. There is no need to seek it,<br />

for you already are it. Just learn to relax into it.<br />

Bill Walz has taught meditation and<br />

mindfulness in university and public forums<br />

and is a private-practice meditation teacher<br />

and guide for individuals in mindfulness,<br />

personal growth and consciousness.<br />

Information on classes, talks, personal<br />

growth and healing instruction, or phone consultations at<br />

(828)258-3241, e-mail at healing@billwalz.com Learn<br />

more, see past columns, video and audio programs at www.<br />

billwalz.com<br />

VOL. 22, NO. 07 — MARCH <strong>2019</strong> | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 21


MARCH ART<br />

Andrea Kulish demonstrates the ancient Ukranian art of pysanky, a wax-resistant method<br />

of decorating Easter eggs<br />

Grovewood Gallery hosts annual spring ‘Sip & Shop’ <strong>March</strong> 22 & 23<br />

BY STAFF REPORTS • NORTH ASHEVILLE<br />

The Grovewood Gallery is located in historic Grovewood<br />

Village adjacent to The Omni Grove Park Inn.<br />

Grovewood Gallery celebrates spring with their<br />

annual Sip & Shop event, which will take place<br />

from 10-5:30 pm on Friday, <strong>March</strong> 22 and Saturday,<br />

<strong>March</strong> 23.<br />

Enjoy complimentary wine and treats, craft<br />

demonstrations by local artisans, and a 10%<br />

discount on gallery merchandise. Visitors can shop<br />

two expansive floors of finely crafted furniture, ceramics,<br />

jewelry and much more, contributed by over<br />

400 artists and craftspeople from across the US.<br />

“Our Spring Sip & Shop presents a rare opportunity<br />

to get deals on our new offerings for<br />

<strong>2019</strong>, and it’s also a chance to support our local<br />

economy and connect with a couple of our talented<br />

Asheville makers,” says Ashley Van Matre,<br />

Marketing Manager at Grovewood Gallery.<br />

During the event, Andrea Kulish will demonstrate<br />

the ancient Ukranian art of pysanky, a<br />

wax-resistant method of decorating Easter eggs.<br />

Each egg is designed as a wish, with symbols<br />

and colors intended to bring the person who<br />

receives it love, health, success, or whatever<br />

attribute the artist selects.<br />

A first-generation Ukrainian-American, Kulish<br />

learned the intricate art of pysanky, which translates<br />

to “written eggs,” as a young girl. Now, she<br />

not only creates them, using unique folk-inspired<br />

designs, but she also teaches classes in the art.<br />

Also demonstrating on <strong>March</strong> 22 and 23 is fiber<br />

artist Karen Kennedy, a graduate of Haywood<br />

Community College’s Professional Craft Program.<br />

Kennedy will be needle felting decorative bird<br />

nests using locally dyed wool.<br />

Both demonstrating artists will have original<br />

works for sale. The 10% discount does not apply<br />

to demonstrators’ artwork, custom/special orders,<br />

or Lyman Whitaker Wind Sculptures.<br />

About Grovewood Gallery<br />

Established in 1992, Grovewood Gallery is nationally<br />

recognized for its dedication to fine American<br />

art and craft. Located in historic Grovewood<br />

Village adjacent to The Omni Grove Park Inn, the<br />

gallery is noted for its charming, old-world setting<br />

and rich craft heritage. This site once housed the<br />

weaving and woodworking operations of Biltmore<br />

Industries, an Arts and Crafts enterprise - originally<br />

backed by Edith Vanderbilt - that played a<br />

significant role in the Appalachian Craft Revival<br />

during the early 20th century.<br />

IF<br />

YOU<br />

GO<br />

Hours are Monday through Saturday from<br />

10-5:30 pm, and Sunday, 11-5 pm. Free<br />

parking is available on-site.<br />

For more information on Grovewood Gallery, visit<br />

www.grovewood.com or call (828) 253-7651.<br />

22 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 22, NO. 07 — MARCH <strong>2019</strong>


IN ARTIST'S WORDS<br />

“Softly Greening” by Kate Thayer<br />

“Thinking Green” by Kate Thayer<br />

Kate Thayer welcomes spring through new works<br />

BY KATE THAYER • RIVER ARTS DISTRICT, ASHEVILLE, BLACK MOUNTAIN<br />

“Water Flowin’, Trees Growin’” by Kate Thayer<br />

Spring is beginning, presenting the leaves, buds,<br />

and flowers awakening to celebrate the new<br />

season.<br />

My oil and pastel paintings reflect the colors<br />

Seasons of Art<br />

and textures of Spring that reveal themselves to<br />

me.<br />

Each day and time of Spring are exciting to<br />

see the many changes in our mountains.<br />

WHEN<br />

YOU<br />

GO<br />

Kate Thayer<br />

katethayer.com<br />

Asheville Gallery Of Art, Downtown<br />

Seven Sisters Gallery, Black Mountain<br />

“When we have positive<br />

energy we create light<br />

and color in our art.”<br />

— Olga<br />

Olga Dorenko Fine Art Studio • Asheville River Art District • Warehouse Studios • 2nd Floor, 170 Lyman Street •<br />

Wed-Sat 12-5pm or by appt • (828) 713-8362<br />

VOL. 22, NO. 07 — MARCH <strong>2019</strong> | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 23


THE POET'S VOICE<br />

<strong>March</strong> poetry and Mary Oliver<br />

We received a poem from a “local” poet. Read<br />

on! And Mary Oliver died in late January. This<br />

poem is for her. I’m certain of it.<br />

“The Shuttle”<br />

Back of a pickup<br />

Crushed bodies down low<br />

Catching a ride to the top, sometimes below<br />

Why I love the shuttle?<br />

Wind in your hair, a river coming into view<br />

Sometimes an old one, sometimes new<br />

Laughter; nerves for some if bigger water than<br />

before<br />

Butterflies fluttering in their core<br />

Companionship of kindred spirits, encouragement<br />

from your crew<br />

Anticipation builds and excitement brews<br />

By the time the shuttle is complete, reassurances to<br />

the nervous ones replete<br />

Why I love the shuttle?<br />

I get to know the driver too<br />

Like being invited into someone’s home<br />

You can learn a lot about who transports you<br />

What music plays on their radio, how crazy they<br />

drive, fast or slow<br />

The route and way they prefer to go<br />

What tools or odds and ends are lying on their floor<br />

All the little clues that helps me get to know them<br />

more<br />

So much more than just a shuttle~<br />

A time to bond and learn names and faces<br />

For when we finally get on that river<br />

We are no longer strangers but forever river friends<br />

from all over places<br />

©️JoAndra P. Proia<br />

1/21/18<br />

I must include Mary Oliver’s poem, . It is<br />

from her final book, Thirst.<br />

“Praying”<br />

It doesn’t have to be<br />

the blue iris, it could be<br />

weeds in a vacant lot, or a few<br />

small stones; just<br />

pay attention, then patch<br />

a few words together and don’t try to<br />

make them elaborate, this isn’t<br />

a contest but the doorway<br />

into thanks, and a silence in which<br />

another voice may speak.<br />

This poem could also be titltled “Writing.” Writing<br />

is a lot like praying. You need to pay attention,<br />

and listen.<br />

Another poem by Mary Oliver is “Today,” from<br />

By Carol Bjorlie — “THE POET BEHIND THE CELLO”<br />

The Swan.<br />

“Today”<br />

today is a day of<br />

dark clouds and slow rain.<br />

The little blades of corn<br />

are so happy.<br />

You know I can’t get enough of Mary Oliver.<br />

Here’s another from Why I Wake Early<br />

“Look and See”<br />

This moring, at waterside, a sparrow flew<br />

to a water rock and landed, by error, on the back<br />

of an eider duck; lightly it fluttered off, amused.<br />

The duck, too, was not provoked, but, you might<br />

say, was<br />

laughing.<br />

This afternoon a gull sailing over<br />

our house was casually scratching<br />

its stomach of white feathers with one<br />

pink foot as it flew.<br />

Works In<br />

Translation<br />

Book Club<br />

Oh Lord, how shining and festive is your gift to us,<br />

if we only look, and see.<br />

To me, Mary was the Saint of Observing, and<br />

capable of letting us in on the view.<br />

‘Til April. You will hear from me then. SEND<br />

POEMS!!<br />

— Carol Bjorlie<br />

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24 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 22, NO. 07 — MARCH <strong>2019</strong>


BOOKS<br />

Malaprop’s presents ‘One Size Fits None’ and Works in Translation with<br />

Justin Souther this <strong>March</strong><br />

BY STAFF REPORTS • DOWNTOWN ASHEVILLE<br />

STEPHANIE ANDERSON PRES-<br />

ENTS ONE SIZE FITS NONE: A<br />

FARM GIRL’S SEARCH FOR THE<br />

PROMISE OF REGENERATIVE<br />

AGRICULTURE IN CONVERSA-<br />

TION WITH MARY SAUNDERS<br />

BULAN, PH.D.<br />

Thomas Jefferson thought of<br />

farmers as the nation’s MVPs. He<br />

called them “the most vigorous,<br />

the most independent, the most<br />

virtuous” of our citizens. But Jefferson<br />

didn’t live in this time, when<br />

95% of the food and commodities<br />

grown in the US come from hightech<br />

growers who plant, tend, and<br />

harvest their massive fields without<br />

ever touching soil, and Jefferson<br />

could never have anticipated that<br />

the use of insecticides and fertilizers<br />

would deplete that soil to near<br />

infertility.<br />

Let’s play fair and acknowledge<br />

that modern farms produce far more<br />

food per acre than their predecessors,<br />

and global levels of poverty and<br />

starvation are at the lowest levels<br />

ever. But the methods they use aren’t<br />

sustainable. For reasons of public<br />

health and in the interest of a healthy<br />

planet, our corporate food system<br />

badly needs to be repaired.<br />

In One Size Fits None, Anderson<br />

crisscrosses the country, visiting<br />

the intrepid farmers who practice<br />

precisely the sort of farming techniques<br />

that will serve as models for<br />

that needed reform. Raised on a<br />

ranch in South Dakota, she knows<br />

all the arguments that conventional<br />

farmers use to convince themselves<br />

that a switch to more enlightened<br />

techniques would be too difficult, too<br />

expensive, and too little too late.<br />

At first, Anderson was skeptical<br />

herself. But then she discovered<br />

farms with soil that regenerates<br />

each season and<br />

farmers revitalized by<br />

newfound success. In<br />

the Dakotas, Anderson<br />

met Phil and Jill<br />

Jerde and learned<br />

how their Great<br />

Plains Buffalo<br />

Company<br />

succeeds without the<br />

brutal practices of an industrial<br />

feedlot. With a herd<br />

of one thousand bison<br />

and 10 children under<br />

their keep, the Jerdes are<br />

prime examples of farmers actively<br />

pursuing a regenerative agricultural<br />

ideal.<br />

— Previously published in<br />

Forward Magazine.<br />

Stephanie Anderson is an instructor<br />

of English at Florida Atlantic University.<br />

She grew up on a ranch, has<br />

worked as a writer and photographer<br />

for the humanitarian aid organization<br />

Cross International, and served as an<br />

editor for the agricultural newspaper<br />

Tri-State Neighbor in South Dakota.<br />

Anderson’s work has appeared in<br />

Grist Journal, Sweet, The Chronicle<br />

Review, The Rumpus, and Kudzu<br />

House Quarterly.<br />

Stephanie Anderson will be in conversation<br />

with Mary Saunders Bulan,<br />

Ph.D., Professor of Environmental<br />

Studies and Sustainable Agriculture<br />

Programs Director at Warren Wilson<br />

College.<br />

Works In Translation Book Club<br />

Join host and Malaprop’s Bookstore<br />

Manager Justin Souther to<br />

discuss writers—and their<br />

literature—in translation,<br />

and the cultural, political<br />

and artistic influences that<br />

shape them.<br />

This month’s pick is False<br />

Calm: A Journey Through the<br />

Ghost Towns of Patagonia by Maria<br />

Sonia Cristoff, translated by Katherine<br />

Silver.<br />

IF<br />

YOU<br />

GO<br />

One Size Fits None by<br />

Stephanie Anderson<br />

Book signing and reading<br />

Wednesday, <strong>March</strong> 6, 6pm<br />

Works In Translation Book Club<br />

False Calm: A Journey Through the<br />

Ghost Towns of Patagonia<br />

Thursday, <strong>March</strong> 28, 7pm<br />

Malaprop’s Bookstore/Café<br />

55 Haywood St.<br />

Downtown Asheville<br />

(828) 254-6734<br />

www.malaprops.com<br />

MARCH <strong>2019</strong><br />

PARTIAL LISTING<br />

We host numerous Readings &<br />

Book clubs, as well as Salons!<br />

Visit www.malaprops.com<br />

READINGS & BOOK SIGNINGS<br />

“How Much The Heart Can<br />

Hold” - Zelda Fitzgerald<br />

Readings and Trivia<br />

3/10 - 3pm<br />

Omari Scott Simmons<br />

presents Potential on the<br />

Periphery: College Access<br />

from the Ground Up<br />

3/12 - 6pm<br />

Jessica Wilkerson presents<br />

To Live Here, You Have to<br />

Fight, in conversation with<br />

Ronni Lundy and Erica<br />

Locklear 3/13 - 7pm<br />

Jessica Salfia and Emily<br />

Hilliard present 55 Strong:<br />

Inside the West Virginia<br />

Teachers’ Strike 3/15 - 7pm<br />

Allan Wolf presents The Day<br />

the Universe Exploded My<br />

Head: Poems to Take You into<br />

Space and Back Again<br />

03/16 - 4pm<br />

Frances Mayes presents See<br />

You in the Piazza 3/20 - 6pm<br />

HAPPY ST. PATRICK’S DAY<br />

55 Haywood St.<br />

(828) 254-6734 • 800-441-9829<br />

Monday-Saturday 9AM to 9PM<br />

Sunday 9AM to 7PM<br />

VOL. 22, NO. 07 — MARCH <strong>2019</strong> | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 25


New photography exhibit opens at Mountain Gateway Museum<br />

BY ROANN BISHOP • OLD FORT<br />

Two friends—both clad in Civil<br />

War uniforms—pose together<br />

for the camera. One wears Confederate<br />

gray; the other, Union<br />

blue.<br />

In a 1928 snapshot, a dead<br />

sperm whale that washed ashore<br />

at Wrightsville beach lies surrounded<br />

by spectators.<br />

A larger, more professional<br />

photograph of about the same<br />

vintage shows a snowy view of<br />

Morganton’s Broughton Hospital,<br />

part of it still under construction.<br />

These images and more than<br />

30 others are part of “Look Again:<br />

Discovering Historical Photos,”<br />

a traveling photography exhibit from the NC<br />

Museum of History in Raleigh that is now open<br />

at the Mountain Gateway Museum in Old Fort.<br />

The free exhibition<br />

runs through Sunday,<br />

May 5.<br />

The introduction of<br />

photography in the<br />

mid-1800s forever<br />

changed the way we<br />

record and remember<br />

our personal lives, as<br />

well as our community’s,<br />

state’s<br />

and nation’s history.<br />

Some images in<br />

“Look Again” show<br />

changes over<br />

time—in fashion,<br />

architecture, landscapes,<br />

technology, and society. Other photos<br />

show faces, some well-known, others not known<br />

at all.<br />

Eric Blevins, chief photographer at the North Carolina<br />

Museum of History in Raleigh, will present a free<br />

program at Mountain Gateway Museum (MGM) in<br />

Old Fort on Sunday, <strong>March</strong> 17. Blevins will discuss<br />

images in the state history museum’s collection, some of<br />

which are featured in its traveling exhibit, Look Again:<br />

Discovering Historical Photos, now open at MGM.<br />

Registration is required for the program.<br />

The large-scale reprints in the exhibit represent<br />

a variety of photographic processes, dating from<br />

the mid-1800s through the 1970s. Some of the<br />

original images were 19th-century daguerreotypes,<br />

ambrotypes, and tintypes. Others were<br />

first printed from turn-of-the-twentieth-century<br />

glass-plate negatives. Many were taken on blackand-white<br />

roll film of the early 1900s while still<br />

others were captured on the new color film of the<br />

1950s and later.<br />

The photographs in “Look Again” are divided<br />

into four thematic sections: Telling Stories, Taking<br />

a Closer Look, Remembering Faces, and Capturing<br />

Moments. Each section focuses on stories<br />

and interesting details associated with each<br />

photo.<br />

On Sunday, <strong>March</strong> 17, 2 pm, Eric Blevins, chief<br />

photographer at the NC Museum of History, will<br />

present a program at Mountain Gateway Muse-<br />

‘Photos’ continued on page 29<br />

26 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 22, NO. 07 — MARCH <strong>2019</strong>


*Add to AT&T Unlimited &More Premium plan. Video may be ltd to SD. Must add TV benefits & Premium Add-on option at attwatchtv.com/verifywatchtv. Streaming limits apply.<br />

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elig. wireless account. May not be stackable. AT&T employees, retirees & IMO consumers are not eligible for the autopay & paperless bill discount, adding WatchTV at no extra charge or the &More Premium add-on. Offer, programming, pricing, channels, terms & restrictions subject to change and may be<br />

discontinued at any time without notice. GEN. WIRELESS: Subj. to Wireless Customer Agmt at att.com/wca. Svc not for resale. Credit approval, deposit, active and other fees, monthly & other charges per line apply. See plan details & att.com/additionalcharges for more. Coverage & svc not avail. everywhere.<br />

International & domestic off-net data may be at 2G speeds. Other restr’s apply & may result in svc termination. AT&T svc is subj. to AT&T network management policies, see att.com/broadbandinfo for details. HBO,® Cinemax® and related channels and service marks are the property of Home Box Office, Inc.<br />

SHOWTIME® is a registered trademark of Showtime Networks Inc., a CBS company. You must be a SHOWTIME subscriber to get SHOWTIME ANYTIME® and watch programs online. STARZ® and related channels and service marks are the property of Starz Entertainment, LLC. Visit starz.com for airdates/times.<br />

Amazon, Amazon Music, and all related logos and motion marks are trademarks of Amazon.com, Inc. or its affiliates. The Walking Dead: ©2018 AMC Network Entertainment LLC. All Rights Reserved. ©2018 Viacom International Inc. All Rights Reserved. ©2018 AT&T Intellectual Property. All Rights Reserved.<br />

AT&T, Globe logo, DIRECTV and all other DIRECTV marks contained herein are trademarks of AT&T Intellectual Property and/or AT&T affiliated companies. All other marks are the property of their respective owners.<br />

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PERFORMING ARTS<br />

AmiciMusic’s ‘Mozart in the Mountains’ with the debut of Breaking Winds<br />

BY STAFF REPORTS • DOWNTOWN ASHEVILLE<br />

AmiciMusic presents their first annual<br />

“MOZART in the MOUNTAINS” Festival<br />

featuring the debut of BREAKING<br />

WINDS, an exciting new Wind Ensemble<br />

in the region, as well as a “NIGHT<br />

in VIENNA” with two great singers<br />

performing scenes from Mozart operas<br />

and more.<br />

Artistic Director Daniel Weiser<br />

AmiciMusic will present a fantastic<br />

weekend of music by Mozart and<br />

more with two different programs in five<br />

venues. The first program, “BREAK-<br />

ING WINDS” will feature the debut of<br />

Breaking Winds, a new and exciting<br />

Asheville-based Wind Ensemble directed<br />

by clarinetist Steve Loew. Breaking Winds is<br />

comprised of top musicians from the Asheville<br />

Symphony, Brevard Philharmonic, Hendersonville<br />

“A NIGHT IN VIENNA,” an excellent program of operatic scenes and arias by<br />

Mozart, Lehar, and Strauss, featuring soprano Amanda Horton, baritone Jonathan Ross<br />

Symphony, Greenville Symphony, and the Knoxville<br />

Symphony orchestras.<br />

Wind Music was a favorite genre in the 18th<br />

and 19th centuries and was performed at many<br />

social occasions and in the streets of cities<br />

throughout Europe. Unfortunately, the expense<br />

of financing these groups became prohibitive,<br />

and this music is rarely heard in concert today.<br />

Breaking Winds plans to bring back this cherished<br />

music and have it performed by the most<br />

accomplished musicians in Asheville. This program<br />

will feature Mozart’s Octet in E Flat Major<br />

as well as his wonderful woodwind Piano Quintet<br />

with AmiciMusic Artistic Director Daniel Weiser<br />

joining the group. Also on the program will be the<br />

Asheville Clarinet Choir, comprised of 12 to<br />

20 clarinetists of all shapes and sizes.<br />

The “BREAKING WINDS” program can<br />

be heard on Friday, <strong>March</strong> 15, 7:30 pm at<br />

the Unitarian Universalist Congregation of<br />

Asheville. It will be repeated on Saturday,<br />

<strong>March</strong> 16, 7:30 pm at a fantastic private<br />

home in Hendersonville and then again<br />

on Sunday, <strong>March</strong> 17, 2 pm at St. Philip’s<br />

Episcopal Church in Brevard.<br />

AmiciMusic will also bring back “A<br />

NIGHT IN VIENNA,” a wonderful program<br />

of operatic scenes and arias by Mozart,<br />

Lehar, and Strauss, featuring soprano<br />

Amanda Horton, baritone Jonathan Ross,<br />

and pianist Daniel Weiser. These Asheville<br />

favorites will present great scenes from Mozart’s<br />

“Marriage of Figaro,” “Don Giovanni,” and<br />

“The Magic Flute” as well as Lehar’s “The Merry<br />

Widow” and Strauss’ “Die Fledermaus. They will<br />

perform on Saturday, <strong>March</strong> 16, 3 pm at the First<br />

Presbyterian Church in Asheville and then again<br />

on Sunday, <strong>March</strong> 17, 4:30 at St. Philip’s Episcopal<br />

Church in Brevard.<br />

IF<br />

YOU<br />

GO<br />

For more information about AmiciMusic’s<br />

Mozart in the Mountains Festival and to<br />

buy tickets for all the in advance, visit www.<br />

amicimusic.org and click on the link to “Asheville<br />

Concerts.”<br />

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Content, programming and channels subj. to change. Add’l charges, usage, speed & other restr’s apply. See below for details.<br />

AT&T UNLIMITED &MORE PREMIUM PLAN: Avail. to elig. customers only. Plan starts at $80/mo. after autopay & paperless bill discount w/in 2 bills. Enroll in both to get discount. Multiple Phone Line Discount: Monthly $15 (3 lines) or $30 (4 or more lines) discount applied to plan charge w/in 2<br />

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Saver which limits wireless streaming to max of 1.5 Mbps (to stream in HD (up to 1080p) when avail., turn Stream Saver off). Details at att.com/streamsaver. Streaming ability & resolution vary and are affected by other factors. Tethering/Mobile Hotspot: Includes up to 15GB per line/mo. After 15GB,<br />

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via text msg. Req’s compatible device (sold separately). WatchTV subject to its own terms & conditions, see attwatchtv.com/terms-and-conditions for details. Included channels, programming & content subj. to change & benefit may be terminated. Lost Eligibility: If you cancel elig. wireless svc, you lose<br />

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attwatchtv.com/verifywatchtv, verify your wireless acct & then select your one add-on. Music apps not avail. to Puerto Rico or U.S. Virgin Islands customers. May require verification via text msg. Req’s compatible device (sold separately). May require acct creation and acceptance of third-party terms &<br />

conditions for certain add-on choices. Access to add-on is for 12 months; then may select new add-on option for next 12 months. Customers w/ elig. AT&T TV svc also get Premium movie channel selection on that platform, which is billed & credited w/in 2 bills. Premium movie channel access ltd to WatchTV<br />

app only for customers in Puerto Rico and U.S. Virgin Islands, and for certain MDU customers. Included channels, programming and/or content subject to change and benefit may be terminated. Lost Eligibility: Upon cancellation of elig. wireless plan you may lose access. Limits: Access to one add-on per<br />

elig. wireless account. May not be stackable. AT&T employees, retirees & IMO consumers are not eligible for the autopay & paperless bill discount, adding WatchTV at no extra charge or the &More Premium add-on. Offer, programming, pricing, channels, terms & restrictions subject to change and may be<br />

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SHOWTIME® is a registered trademark of Showtime Networks Inc., a CBS company. You must be a SHOWTIME subscriber to get SHOWTIME ANYTIME® and watch programs online. STARZ® and related channels and service marks are the property of Starz Entertainment, LLC. Visit starz.com for airdates/times.<br />

Amazon, Amazon Music, and all related logos and motion marks are trademarks of Amazon.com, Inc. or its affiliates. The Walking Dead: ©2018 AMC Network Entertainment LLC. All Rights Reserved. ©2018 Viacom International Inc. All Rights Reserved. ©2018 AT&T Intellectual Property. All Rights Reserved.<br />

AT&T, Globe logo, DIRECTV and all other DIRECTV marks contained herein are trademarks of AT&T Intellectual Property and/or AT&T affiliated companies. All other marks are the property of their respective owners.<br />

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LIVE THEATER<br />

‘Action Movie: The Play’ brings fun and excitement to the stage<br />

BY STAFF REPORTS • RIVER ARTS DISTRICT, ASHEVILLE<br />

Everybody loves a good action movie – the<br />

fantastic stunts, the over-the-top acting,<br />

the cheesy dialogue and, of course, the<br />

obligatory high-speed car chase.<br />

The Magnetic Theatre is delighted to produce<br />

ACTION MOVIE: THE PLAY: a loving<br />

satire of ‘80s action movies, written by Joe<br />

Faust and Richard Ragsdale.<br />

ACTION MOVIE: THE PLAY was initially<br />

produced by The Defiant Theatre in<br />

Chicago, Illinois in 1998, a company that<br />

included Faust and Ragsdale. The play<br />

quickly gained notoriety for its inventive<br />

staging, skillful combat, and subtle nods to<br />

the audience in this sophisticated parody<br />

of the beloved trope.<br />

The Magnetic Theatre could not be more<br />

The cast of ‘‘Action Movie: The Play’ in what looks to be one of the most<br />

original and fun plays of the spring with epic fight scenes and gratuitous dance<br />

sequences.<br />

excited to undertake this<br />

deliciously fun, action-packed event that will put<br />

other summer blockbusters to the test!<br />

Synopsis: A diabolical villain threatens to take<br />

over the world, and this motley crew of misfit heroes<br />

is the only ones who can stop him. Will they<br />

be able to save the world from his evil clutches?<br />

Only time, some epic fight scenes and gratuitous<br />

dance sequences will tell.<br />

Featuring: Jered Shults, Mike Yow, Michael<br />

Lilly, Samantha LeBrocq, Alexa Edelman, Brooks<br />

Wallace, Tippin, Daniel Moore, Chris Young, and<br />

Zoey Laird<br />

Direction: Andrew Gall. Lighting Design: Abby<br />

Auman. Sound Design: Rodney Smith. Costume<br />

Design: Samantha LeBrocq. Fight Choreography:<br />

Jered Shults and Andrew Gall. Puppets and<br />

Props Design: Jim Julien and Katie Jones. Stage<br />

Management: Jessica Johnson<br />

‘Action’ continued next page<br />

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28 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 22, NO. 07 — MARCH <strong>2019</strong>


‘Health’ continued from page 20<br />

animal fat, wear sun glasses. Recent studies<br />

confirmed that a combination of vitamin C and E,<br />

beta-carotene, zinc, copper, lutein, and zeaxanthin<br />

was helpful in slowing the progression of<br />

the disease in the intermediate stages. The late<br />

stages of dry AMD have no know treatment.<br />

Wet AMD (new, but malformed, blood vessels)<br />

can be treated with medicines injected directly<br />

into the eye or with medicine that is given intravenously<br />

and activated by laser in the eye. Again,<br />

‘35below’ continued from page 17<br />

<strong>March</strong> 28-29, <strong>2019</strong> and The Constant Wife will<br />

follow April 26-27, in 35below.<br />

“Though people are very aware of what ACT<br />

offers on our Mainstage, 35below is still the bestkept<br />

secret in the WNC theatre world,” said Bunn.<br />

“It’s such an intimate space that the audience<br />

becomes very connected to the energy of the performers.<br />

It is a terrific space to see a show.”<br />

IF<br />

YOU<br />

GO<br />

For more information about 35below, the<br />

Readers Theatre Showcase Series, or Listen<br />

to This, visit www.ashevilletheatre.org.<br />

‘Photos’ continued from page 26<br />

these and several other more experimental therapies<br />

can slow but not stop wet AMD.<br />

Considering that this is a disastrous disease<br />

with serious, irreversible consequences, have<br />

your eyes examined regularly and make effective<br />

lifestyle changes to decrease your risk. Many who<br />

have the genetic abnormalities, but excellent lifestyle<br />

habits are avoiding this problem. Join them.<br />

‘Amadeus’ continued from page 7<br />

Márquez’s Danzón No. 2. This concert features all<br />

five orchestras of the ASYO: the Youth Orchestra,<br />

Philharmonia, Prelude Orchestra, Chamber<br />

Orchestra, and the Percussion Ensemble.<br />

For the big finale, Rach the night away with<br />

Mozart’s Symphony No. 25 and a powerhouse<br />

performance of two masterful Rachmaninoff compositions:<br />

Rhapsody on a Theme of Paganini and<br />

Piano Concerto No. 2 — with expert Rachmaninoff<br />

interpreter Ohlsson on the piano. Asheville<br />

Symphony Music Director Darko Butorac will<br />

join the orchestra on the Thomas Wolfe Auditorium’s<br />

giant stage, complete with a 32-foot stage<br />

‘Action’ continued from pg 28<br />

IF<br />

YOU<br />

GO<br />

CONTINUED<br />

ACTION MOVIE: THE PLAY opens Friday,<br />

<strong>March</strong> 8 and runs through Sunday, <strong>March</strong><br />

31 at The Magnetic Theatre, located at 375<br />

Depot Street in the River Arts District. Performances<br />

are Fridays and Saturdays at 7:30pm<br />

and Sundays at 3pm. Tickets are $18 for General<br />

Admission and $10 for students. For tickets and<br />

information, visit www.themagnetictheatre.org.<br />

extension that thrusts the Symphony into the<br />

audience.<br />

“Doing two Rachmaninoff pieces is almost<br />

unheard of,” Whitehill says. “It’s absolute gluttony.<br />

It’s an embarrassment of musical riches — and a<br />

rare opportunity to see two of the most beloved,<br />

virtuosic, difficult concertos in one evening.”<br />

IF<br />

YOU<br />

GO<br />

Asheville Symphony<br />

Tickets are on sale now, with event prices<br />

ranging from free to $93. www.ashevilleamadeus.org.<br />

Monday-Friday, 10-4 pm (828) 254-<br />

7046, 27 College Pl., Suite 100.<br />

um about images in the state history museum’s<br />

collection that didn’t make the “cut” for the Look<br />

Again exhibition.<br />

Having worked at the state history museum for<br />

30 years, Blevins is very familiar with its photographic<br />

collection and well prepared to discuss<br />

its contents and examine why photographs are<br />

not only pieces of history but some of our most<br />

priceless possessions.<br />

While the program is free, registration is<br />

required, as the number of seats is limited. For<br />

more information about the Look Again exhibit or<br />

to register for the program, contact RoAnn Bishop<br />

at the Mountain Gateway Museum at (828)<br />

668-9259 or roann.bishop@ncdcr.gov.<br />

IF<br />

YOU<br />

GO<br />

Mountain Gateway Museum & Heritage<br />

Center<br />

24 Water Street, Old Fort, NC 28762 Phone: 828- 668-9259 Fax: 828-668-0041 • www.mgmnc.<br />

org<br />

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VOL. 22, NO. 07 — MARCH <strong>2019</strong> | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 29


<strong>March</strong> Comics<br />

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By Jess and Russ Woods<br />

Ratchet and Spin © <strong>2019</strong><br />

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30 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 22, NO. 07 — MARCH <strong>2019</strong>


LIVE THEATER<br />

“Art doesn’t give rise to anything in us that isn’t<br />

already there. It simply stirs our curious consciousness<br />

and sparks a fire that illuminates who we have always<br />

wanted to be.” — Kamand Kojouri<br />

Asheville<br />

Raven & Crone<br />

helps you renew<br />

your life<br />

“Red” — a play about painter<br />

Mark Rothko comes to the<br />

Feichter Studio at HART<br />

BY STAFF REPORTS • WAYNESVILLE<br />

Mark Rothko<br />

ELIMINATE GUTTER CLEANING FOR LIFE!<br />

Coming next to the Feichter<br />

Studio at HART, the drama<br />

“Red” about painter Mark Rothko<br />

with performances <strong>March</strong><br />

1 & 2 at 7:30 and Sunday,<br />

<strong>March</strong> 3 at 2 pm.<br />

Patrons can also make reservations<br />

for opening night to dine<br />

on the stage before the show.<br />

HART’s chef, Christy Bishop is<br />

serving up soups and panini on<br />

the HART Main Stage.<br />

The play concerns Rothko in<br />

his New York studio in 1958/59,<br />

having been commissioned to<br />

paint a group of murals for the<br />

expensive and exclusive Four<br />

Seasons Restaurant. He gives<br />

orders to his assistant, Ken, as<br />

he mixes the paints, makes the<br />

frames, and paints the canvases.<br />

Ken, however, brashly<br />

questions Rothko’s theories of<br />

art and his acceding to work on<br />

such a commercial project. The<br />

resulting decision by Rothko<br />

became one of the art worlds<br />

significant events of the time.<br />

HART’s production is directed<br />

by Jeff Messer and features<br />

Dakota Mann and Marc Cameron.<br />

The play does contain adult<br />

language<br />

Though seating for the Studio<br />

is general admission reservations<br />

are strongly recommended<br />

as productions regularly<br />

sell out. There is also no late<br />

seating as the intimate nature<br />

of the Studio makes it impossible<br />

to seat latecomers without<br />

disrupting the performance.<br />

IF<br />

YOU<br />

GO<br />

To make a reservation for<br />

the show and café call the<br />

HART Box Office at (828)<br />

456 6322 or go online to<br />

harttheatre.org. HART is located<br />

at 250 Pigeon St. in Waynesville.<br />

Get ready for the warm, fragrant<br />

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Spring is in the air. Do you feel it?<br />

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Asheville Raven & Crone has what you<br />

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We look forward to seeing you.<br />

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VOL. 22, NO. 07 — MARCH <strong>2019</strong> | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 31


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32 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 22, NO. 07 — MARCH <strong>2019</strong>

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