Gone-Girl-by-Gillian-Flynn

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Amy put in where she’s hidden something that will … I don’t know, exonerate you?’ ‘I think that’s it. Yes, Amy is using a Madness song to give me a clue to my own freedom, if only I can decipher their wily, ska-infused codes.’ Go laughed then too. ‘Jesus, maybe we’re the ones who are bat-shit crazy. I mean, are we? Is this totally insane?’ ‘It’s not insane. She set me up. There is no other way to explain the warehouse of stuff in your backyard. And it’s very Amy to drag you into it, smudge you a little bit with my filth. No, this is Amy. The gift, the fucking giddy, sly note I’m supposed to understand. No, and it has to come back to the puppets. Try the quote with the word marionettes.’ I collapsed on the couch, my body a dull throb. Go played secretary. ‘Oh my God. Duh! They’re Punch and Judy dolls. Nick! We’re idiots. That line, that’s Punch’s trademark. That’s the way to do it!’ ‘Okay. The old puppet show – it’s really violent, right?’ I asked. ‘This is so fucked up.’ ‘Go, it’s violent, right?’ ‘Yeah. Violent. God, she’s fucking crazy.’ ‘He beats her, right?’ ‘I’m reading … okay. Punch kills their ba<strong>by</strong>.’ She looked up at me. ‘And then when Judy confronts him, he beats her. To death.’ My throat got wet with saliva. ‘And each time he does something awful and gets away with it, he says, “That’s the way to do it!”’ She grabbed Punch and placed him in her lap, her fingers grasping the wooden hands as if she were holding an infant. ‘He’s glib, even as he murders his wife and child.’ I looked at the puppets. ‘So she’s giving me the narrative of my frameup.’ ‘I can’t even wrap my brain around this. Fucking psycho.’ ‘Go?’ ‘Yeah, right: You didn’t want her to be pregnant, you got angry and killed her and the unborn ba<strong>by</strong>.’ ‘Feels anticlimactic somehow,’ I said.
‘The climax is when you are taught the lesson that Punch never learns, and you are caught and charged with murder.’ ‘And Missouri has the death penalty,’ I said. ‘Fun game.’
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To Brett: light of my life, senior
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CONTENTS Cover Dedication Title Pag
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Amy Elliott Dunne: Twenty-Six Days
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PART ONE BOY LOSES GIRL
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little Missouri hometown, in her fi
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some buttons for bartering, trying
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Yes, we thought we were being cleve
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Answer: C, totally C Anyway, the pa
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the one who will end up with a pie
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Without asking, she poured me a dra
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‘Treasure hunt,’ I said. My wif
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‘Paper is first year,’ I said.
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‘Don’t worry,’ I said. ‘It
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‘Amy!’ She wasn’t on the wate
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let me grow up, unencumbered by my
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Andys? No, just kidding, don’t wr
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NICK DUNNE THE DAY OF I waited for
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I was telling Riordan about the str
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need me to translate my English, Co
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‘What anniversary today?’ she a
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Delaware, a state of many rich iden
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NICK DUNNE THE NIGHT OF Boney and G
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was so completely true and I’d ne
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some good friends here? We’d like
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eing monitored, her photo circulate
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glasses, fussy with the table lamp.
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The police finished with their ques
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AMY ELLIOTT DUNNE APRIL 21, 2009 -
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of his own taxi, and he stands in t
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‘Man, my wife, she’s been hyste
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technicality he never saw himself a
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It was silly but incredibly sweet,
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longtime response, the need to remi
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crook of the V of the Robert Indian
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your money.’ ‘Not according to
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I stay where I am for a few minutes
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hit, washed away the Riverway store
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I’m an adjunct professor there. H
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the clue say?’ I let him read ove
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have, more than once.) The quizzes
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touch me again. ‘Oh, okay. Good,
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Desi left school shortly after. But
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great! c) Until a new job comes alo
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grooves beneath his eyes. My mother
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NICK DUNNE TWO DAYS GONE I woke up
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‘Oh, come on—’ ‘You’d be
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‘Hear the police are botching thi
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missing person notice for Amy, my w
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mantra of all attractive women. ‘
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four, and it’s spread to the live
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shuffling, like my bones hurt, a fe
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NICK DUNNE THREE DAYS GONE The poli
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around, as if he worried they’d o
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played Huck, we were out to dinner,
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celebrate us, not a test about whet
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hopped in the back, planted himself
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was what we had in mind. When we re
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signs that read Jewelry and Beauty
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I pulled out her photo. The Hillsam
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your housewarming? Have you thought
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Go grim-faced, her hair in barrette
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off and starts moving toward me aga
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‘No, he just said she was afraid,
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in town. There are plenty of other
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up. I entered the headquarters a fe
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‘Okay.’ She lingered, so I bega
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I should add, in Amy’s defense, t
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moment. I punished you for being a
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genuinely annoying and then swung b
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know he loves me.’ I admire Mo’
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NICK DUNNE FOUR DAYS GONE She was s
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her hair? Also: What were Amy’s f
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who left the bar early if a woman w
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sweater. Don’t be that guy, I tho
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the miserable situation, assuming t
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shoulder. ‘Maybe—’ I could fe
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AMY ELLIOTT DUNNE JULY 21, 2011 I a
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Instead, we wait. It takes two hour
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NICK DUNNE FIVE DAYS GONE I leaned
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‘Nick, this is a little drastic.
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I phoned Go and she said, ‘Well,
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‘You had a very intense relations
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didn’t know - you’d think they
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‘It was interesting to meet you,
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me full on the lips, and he touched
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NICK DUNNE FIVE DAYS GONE I sat in
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‘It’s kind of a woodwork situat
Page 176 and 177: ‘I don’t know what you want me
Page 178 and 179: ‘Not Wednesday night?’ Boney as
Page 180 and 181: south. Amy’s parents had to borro
Page 182 and 183: wife in those photos?’ They gave
Page 184 and 185: AMY ELLIOTT DUNNE OCTOBER 21, 2011
Page 186 and 187: from a night out drinking, and I’
Page 188 and 189: NICK DUNNE SIX DAYS GONE The first
Page 190 and 191: wasn’t sure if it was Andie or Am
Page 192 and 193: town, this town that Amy loved, tha
Page 194 and 195: We both gasped. He held his fist in
Page 196 and 197: NICK DUNNE SIX DAYS GONE Go pushed
Page 198 and 199: ‘It’s a lot different. But you
Page 200 and 201: ‘You walked all the way here?’
Page 202 and 203: letters, a beautiful antique wooden
Page 204 and 205: NICK DUNNE SEVEN DAYS GONE It was t
Page 206 and 207: ‘She was definitely pregnant.’
Page 208 and 209: pregnant.’ ‘Is pregnant.’ Tan
Page 210 and 211: Tanner tightened his tie, twisted a
Page 212 and 213: ‘We’ll prep you for the convers
Page 214 and 215: PART TWO BOY MEETS GIRL
Page 216 and 217: no blood has dripped where it shoul
Page 218 and 219: persona because they’re too lazy
Page 220 and 221: else - than I ever have been before
Page 222 and 223: a word to the woodshed. ‘Look,’
Page 224 and 225: The beginning of a wonderful new st
Page 228 and 229: AMY ELLIOTT DUNNE THE DAY OF You kn
Page 230 and 231: I’ve always thought I could commi
Page 232 and 233: event? It was fun, mostly. I’d wa
Page 234 and 235: NICK DUNNE SEVEN DAYS GONE I had to
Page 236 and 237: near the door. ‘You are such a sp
Page 238 and 239: ‘Let me go, Nick, or I swear.’
Page 240 and 241: picked up my story. She has to, I c
Page 242 and 243: fish. A couple of times now, he bri
Page 244 and 245: know that. Not for sure. For now it
Page 246 and 247: cop line, but it’s the truth.’
Page 248 and 249: flipped Amy off - she wouldn’t le
Page 250 and 251: ead it, but it’s also another pla
Page 252 and 253: AMY ELLIOTT DUNNE SEVEN DAYS GONE I
Page 254 and 255: machine, showing a toddler asleep o
Page 256 and 257: Needs Me’ is basically a lilting
Page 258 and 259: watch TV.’ I bring a fresh tomato
Page 260 and 261: She is looking right at me, and I w
Page 262 and 263: NICK DUNNE EIGHT DAYS GONE We searc
Page 264 and 265: ‘Lets see if we can reach out to
Page 266 and 267: ‘Hives. Stress.’ I turned away
Page 268 and 269: smiling. A tear dribbled on his chi
Page 270 and 271: ‘Well.’ Tommy called again for
Page 272 and 273: anonymous, typed, says: Maybe next
Page 274 and 275: ‘You’re up,’ Greta says to me
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nuances, the structure. Just good o
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finding the angle, exploiting the w
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fish-smuggling ring? ‘I’ am gam
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NICK DUNNE EIGHT DAYS GONE As soon
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as an idea and not really for who s
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oardwalk psychic. ‘No. I have no
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‘Because I realized I’d be stuc
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presence known, and then she was ba
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‘I’ll give it context,’ she s
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just happens to be the coolest girl
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gives me pause. My husband has fini
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goodbye.’ He steps toward me, and
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He pats me on the arm as they leave
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The doorbell rang, and I opened the
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I’m not fucking around here: This
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alternate theory. She has a good re
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She turned the camera on, sat down
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ejuvenative picture?’ Betsy asked
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NICK DUNNE TEN DAYS GONE We spent t
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AMY ELLIOTT DUNNE TEN DAYS GONE I h
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my eyes bigger, my cheeks flushed.
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singers.’ He says the word dubiou
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house. If you feel cramped by me, i
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privacy to heal during this very pa
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make any excuses for it. I let myse
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said. ‘Not gonna bite you.’ The
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She looked startled and held up a f
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AMY ELLIOTT DUNNE TEN DAYS GONE We
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year. ‘My goodness, Desi,’ I sa
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handwriting. ‘You know what else
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‘Is she crazy, Nick?’ Boney sai
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‘The visor hat, that’s an old i
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the bag. He doesn’t like the smel
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to be Amy’s hero, and when I lost
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NICK DUNNE FOURTEEN DAYS GONE I wok
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that—’ ‘Yeah, that would be g
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senses. Those fucking bitches. I’
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AMY ELLIOTT DUNNE TWENTY-SIX DAYS G
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I look at Desi with outright disgus
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AMY ELLIOTT DUNNE FORTY DAYS GONE I
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‘Oh, darling, not silly at all. I
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NICK DUNNE FORTY DAYS GONE Out on b
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I wanted to kill her. Had we been a
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a good man. But … I guess it does
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with creases from being folded too
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B: So he stabbed you? The angle is
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like I was nosing around in somethi
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NICK DUNNE THE NIGHT OF THE RETURN
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to have Amy back? How wonderful do
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hated her. I was afraid of her. ‘
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‘Ha! Never thought I’d hear you
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I paused. ‘That was my original p
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the words she suctioned to me: aver
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possible way. You don’t really lo
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‘Shut up, Amy. I mean it.’ ‘J
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Amy was exactly right. So maybe the
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know, would love to arrest me. But
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NICK DUNNE THIRTY DAYS AFTER THE RE
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more of her lies …’ ‘We shoul
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me, like, actually sleep. It will b
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NICK DUNNE NINE WEEKS AFTER THE RET
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AMY ELLIOTT DUNNE TEN WEEKS AFTER T
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I felt a giant bubble of joy - I co
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Yes, I am finally a match for Amy.
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ACKNOWLEDGMENTS I’ve got to start
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laugh till I fall down. The guy who
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ALSO BY GILLIAN FLYNN SHARP OBJECTS
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Copyright A Weidenfeld & Nicolson e
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