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Gone-Girl-by-Gillian-Flynn

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with creases from being folded too long, a pretty blouse that smells of dust.<br />

Boney and I drive from the hospital to the police station in near silence. I ask<br />

weakly after my parents.<br />

‘They’re waiting for you at the station,’ Boney says. ‘They wept when I<br />

told them. With joy. Absolute joy and relief. We’ll let them get some good<br />

hugs in with you before we do our questions, don’t worry.’<br />

The cameras are already at the station. The parking lot has that hopeful,<br />

overlit look of a sports stadium. There is no underground parking, so we have<br />

to pull right up front as the madding crowd closes in: I see wet lips and spittle<br />

as everyone screams questions, the pops of flashbulbs and camera lights. The<br />

crowd pushes and pulls en masse, jerking a few inches to the right, then the<br />

left as everyone tries to reach me.<br />

‘I can’t do this,’ I say to Boney. A man’s meaty palm smacks against the<br />

car window as a photographer tries to keep his balance. I grab her cold hand.<br />

‘It’s too much.’<br />

She pats me and says, wait. The station doors open, and every officer in<br />

the building files down the stairs and forms a line on either side of me,<br />

holding the press back, creating an honor guard for me, and Rhonda and I run<br />

in holding hands like reverse newlyweds, rushing straight up to my parents<br />

who are waiting just inside the doorway, and everyone gets the photos of us<br />

clutching each other with my mom whispering sweetgirlsweetgirlsweetgirl<br />

and my dad sobbing so loudly he almost chokes.<br />

There is more whisking away of me, as if I haven’t been whisked away quite<br />

enough already. I am deposited in a closet of a room with comfortable but<br />

cheap office chairs, the kind that always seem to have bits of old food woven<br />

into the fabric. A camera blinking up in the corner and no windows. It is not<br />

what I pictured. It is not designed to make me feel safe.<br />

I am surrounded <strong>by</strong> Boney, her partner, Gilpin, and two FBI agents up<br />

from St. Louis who remain nearly silent. They give me water, and then Boney<br />

starts.<br />

B: Okay, Amy, first we have to thank you sincerely for talking with us after what<br />

you’ve been through. In a case like this, it’s very important to get everything<br />

down while the memory is fresh. You can’t imagine how important that is. So<br />

it’s good to talk now. If we can get all these details down, we can close the<br />

case, and you and Nick can go back to your lives.<br />

A: I’d definitely like that.

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