18.11.2019 Views

cc-tapis Press Clipping - Jan to Sep - AUSTRALIA

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

CC-TAPIS / REAL LIVING / <strong>AUSTRALIA</strong><br />

APRILE 2019<br />

PRESS CLIPPING P. 357


CC-TAPIS / REAL LIVING / <strong>AUSTRALIA</strong><br />

APRILE 2019<br />

PRESS CLIPPINGS P. 358


CC-TAPIS / S MAGAZINE / <strong>AUSTRALIA</strong><br />

MARZO 2019<br />

THE LIST<br />

The ideas, personalities, and trends <strong>to</strong> know now.<br />

ART:<br />

TAKING SHAPE<br />

The Montreal Museum of Fine Arts (MMFA) is honouring French fashion designer Manfred Thierry Mugler in a retrospective exhibition.<br />

“Thierry Mugler: Couturissime” was entirely conceived and produced by the MMFA and marks the first exhibition on the<br />

iconic couturier, showcasing nearly 150 ensembles created between 1973 and 2001. Much of the exhibit has never been displayed<br />

before, including stage costumes, a<strong>cc</strong>essories, sketches, and videos that demonstrate Mugler’s innovative use of materials and<br />

sculptural design aesthetic. The showcase also features an extensive fashion pho<strong>to</strong>graphy collection with 100 works by revolutionaries<br />

such as Richard Avedon and David LaChapelle.<br />

“Thierry Mugler: Couturissime” is on display at the Montreal Museum of Fine Arts until <strong>Sep</strong>tember 8, 2019.<br />

Gutter Credit<br />

Gutter Credit<br />

11 • SMAGAZINEOFFICIAL.COM<br />

PRESS CLIPPINGS P. 359


CC-TAPIS / S MAGAZINE / <strong>AUSTRALIA</strong><br />

MARZO 2019<br />

FASHION<br />

WHITEOUT<br />

BOSS captures the essence of spring in their exclusive capsule<br />

titled BOSS White Edition. Exploring the theme of the<br />

Californian breeze—which is also prevalent in the German brand’s<br />

main collection—each piece is designed <strong>to</strong> be worn <strong>to</strong>gether or<br />

styled separately for a fresh look. Featuring dresses, suiting, and<br />

skirts in a <strong>to</strong>nal colour palette, airy fabrics and modern cuts,<br />

intricate details are also found throughout with rubberized trims<br />

and paper <strong>to</strong>uch finishes.<br />

BOSS White Edition is available at BOSS.<br />

[Pho<strong>to</strong> credit] BOSS White Edition: pho<strong>to</strong> courtesy of BOSS.<br />

DESIGN:<br />

CONTEMPORARY CARPET<br />

Born in France, designed in Milan, and produced in Nepal, is<br />

the s<strong>to</strong>ry and mission behind Italian rug designer CC-Tapis.<br />

Founders Nelcya Chamszadeh and Fabrizio Can<strong>to</strong>ni have<br />

been producing hand-knotted rugs for nearly 20 years. From<br />

their signature collection comes the Slinke line designed by<br />

Patricia Urquiola, in which base materials of hand-spun Himalayan<br />

wool make the ultimate canvas for a s<strong>to</strong>ry revolving<br />

around colour. Each rug style shows a digital drawing with<br />

a striking chromatic evolution that plays with visual experience.<br />

CC-Tapis signature collection is available at <strong>cc</strong>-<strong>tapis</strong>.com<br />

[Pho<strong>to</strong> credit] CC-Tapis signature collection: pho<strong>to</strong> courtesy<br />

of CC-Tapis.<br />

Gutter Credit<br />

Gutter Credit<br />

14 • SMAGAZINEOFFICIAL.COM<br />

PRESS CLIPPINGS P. 360


CC-TAPIS / YELLOWTRACE.COM / <strong>AUSTRALIA</strong><br />

29 GENNAIO 2019<br />

CC-TAPIS RUG COLLECTION PHOTOGRAPHED<br />

INSIDE VILLA PANZA IN VARESE.<br />

Super Fake Collection by Bethan Laura Wood<br />

Artisanal rug producer <strong>cc</strong>-<strong>tapis</strong> <strong>to</strong>ok up residence at the his<strong>to</strong>ric Villa Panza, for an experimental<br />

concept shoot <strong>to</strong> display their latest collections. Situated in the hills outside of Varese in Northern Italy,<br />

Villa Panza is home <strong>to</strong> the Collection of 20th Century modern art, including works by artists such as<br />

Dan Flavin, Robert Wilson, and James Turrell. Built in the 17th Century Barochet<strong>to</strong> architectural style,<br />

the villa’s unique décor was the perfect match <strong>to</strong> showcase <strong>cc</strong>-<strong>tapis</strong>’ collection; combining culture, art,<br />

and design from different centuries.<br />

PRESS CLIPPINGS P. 53


CC-TAPIS / YELLOWTRACE.COM / <strong>AUSTRALIA</strong><br />

29 GENNAIO 2019<br />

CC-TAPIS RUG COLLECTION PHOTOGRAPHED<br />

INSIDE VILLA PANZA IN VARESE.<br />

Slinkie Collection by Patricia Urquiola<br />

PRESS CLIPPINGS P. 5 4


CC-TAPIS / YELLOWTRACE.COM / <strong>AUSTRALIA</strong><br />

29 GENNAIO 2019<br />

CC-TAPIS RUG COLLECTION PHOTOGRAPHED<br />

INSIDE VILLA PANZA IN VARESE.<br />

Cinquecen<strong>to</strong> Collection by Studio Klass<br />

Envolee Collection by Cristina Celestino<br />

PRESS CLIPPINGS P. 55


CC-TAPIS / YELLOWTRACE.COM / <strong>AUSTRALIA</strong><br />

29 GENNAIO 2019<br />

CC-TAPIS RUG COLLECTION PHOTOGRAPHED<br />

INSIDE VILLA PANZA IN VARESE.<br />

<strong>cc</strong>-<strong>tapis</strong> produces hand-made rugs in Nepal, combining traditional techniques with a contemporary<br />

aesthetic. To best display the distinct designs by various <strong>cc</strong>-<strong>tapis</strong> artists, vignettes were created in and<br />

around the villa. It was an exercise in aspirational architecture meets residential settings, conceived<br />

with carefully chosen items of furniture. We’ve showcased many of these rugs and designers on Yellowtrace<br />

before, but the context of Villa Panza adds a whole other dimension.<br />

Hello Sonia Reloaded by Studiopepe<br />

Bliss Big by Mae Engelgeer<br />

Flatlandia Collection by Elena Salmistraro<br />

PRESS CLIPPINGS P. 56


CC-TAPIS / YELLOWTRACE.COM / <strong>AUSTRALIA</strong><br />

29 GENNAIO 2019<br />

CC-TAPIS RUG COLLECTION PHOTOGRAPHED<br />

INSIDE VILLA PANZA IN VARESE.<br />

Patricia Urquiola‘s chromatic, curving Slinkie and Triple Slinkie rugs were the perfect contemporary<br />

contrast <strong>to</strong> Villa Panza’s pink marble floors. One even made an appearance hanging from a courtyard<br />

balcony, overlooking Meg Webster‘s Cone of Water fountain. Milan-based set designer Greta Cevenini<br />

nailed the styling of each space, pairing rugs with rooms that enhanced one another while maintaining<br />

a playful edge. The addition of clear perspex heels and a white fur jacket slung over a chair bring<br />

Cristina Celestino‘s shaggy pink Envolée rug <strong>to</strong> life; suddenly transforming the room in<strong>to</strong> that of an<br />

on-trend Italian girl.<br />

Talisman by Studiopepe<br />

New Japan by Chiara Andreatti<br />

PRESS CLIPPINGS P. 57


CC-TAPIS / YELLOWTRACE.COM / <strong>AUSTRALIA</strong><br />

29 GENNAIO 2019<br />

CC-TAPIS RUG COLLECTION PHOTOGRAPHED<br />

INSIDE VILLA PANZA IN VARESE.<br />

Nastaligio by the ultra-contemporary Studio Klass was styled <strong>to</strong> lean in<strong>to</strong> the opulence of Villa Panza,<br />

its soft green and blush pink colour scheme enhancing the room’s ornamental cornices. Touches of<br />

gold in furniture chosen by campaign stylist Greta Cevenini (plus another pair of kicked-off heels) tie<br />

the set <strong>to</strong>gether. Standouts for us include Bethan Laura Wood‘s Super Fake collection, inspired by the<br />

collision of the man-made with nature, expressed through her signature passion for colour and detail.<br />

Each hand-knotted rug is based on a different rock form, with surface patterns created through the<br />

organic build-up of sediment over time. Wood selected different rug-making techniques <strong>to</strong> represent<br />

each facet of her ‘rocks’, drawing a parallel between their compositional change over time, and the<br />

skills honed over centuries by Tibetan artisans. Combinations of cot<strong>to</strong>n weave, Himalayan wool, linen,<br />

and pure silk were used <strong>to</strong> create each rug.<br />

New Foret by <strong>cc</strong>-<strong>tapis</strong> rugs<br />

PRESS CLIPPINGS P. 58


CC-TAPIS / THEDESIGNFILES.NET / <strong>AUSTRALIA</strong><br />

31 GENNAIO 2019<br />

OOH LA LA! OUR ART DIRECTOR’S PICKS<br />

FROM PARISIAN DESIGN FAIR MAISON & OBJET<br />

For the most part, the reality of working at a media organisation like The Design Files is pretty unglamorous.<br />

It generally involves a lot of emailing, multiple deadlines a day, and never really having an ‘off’<br />

switch. But sometimes, PARIS CALLS! (Okay, just this one time so far).<br />

Such was the case a few weeks ago when our art direc<strong>to</strong>r Annie Portelli was invited <strong>to</strong><br />

MAISON&OBJET – a major home decor, interior design, architecture, and lifestyle event, where all the<br />

upcoming trends are seen for the very first time. And when Paris calls, you say BONJOUR!<br />

After a whirlwind five days in Paris, Annie shares with us the brands she can’t s<strong>to</strong>p thinking about<br />

from MAISON&OBJET 2019.<br />

PRESS CLIPPINGS P. 103


CC-TAPIS / THEDESIGNFILES.NET / <strong>AUSTRALIA</strong><br />

31 GENNAIO 2019<br />

OOH LA LA! OUR ART DIRECTOR’S PICKS<br />

FROM PARISIAN DESIGN FAIR MAISON & OBJET<br />

PRESS CLIPPINGS P. 10 4


CC-TAPIS / YELLOWTRACE.COM.AU / <strong>AUSTRALIA</strong><br />

30 GENNAIO 2019<br />

BEST IN SHOW: IMM COLOGNE 2019.<br />

A complementary trio, Nelcya Chamszadeh, Fabrizio Can<strong>to</strong>ni and Daniele Lora have rejuvenated<br />

carpentry by bringing <strong>to</strong>gether the best of traditional Nepalese know-how and<br />

innovative graphics by <strong>to</strong>p designers.<br />

Asmara by Federico Pepe.<br />

Ultimate Bliss by Mae Engelgeer.<br />

Most Australians may very much still be in summer holiday mode, but over in Europe the <strong>Jan</strong>uary<br />

design fairs are already in full swing. The first major show on the ticket, IMM Cologne 2019, has<br />

been and gone, closing out its 70th edition on <strong>Jan</strong>uary 20th. We have <strong>to</strong> give a proud shout-out <strong>to</strong><br />

Rotterdam-based Aussie duo Truly Truly, who were appointed <strong>to</strong> create the “Das Haus – Interiors on<br />

Stage” installation this year. Founders Kate and Joel Booy brought their experimental vision of contemporary<br />

living <strong>to</strong> life. Communal living spaces were left ambiguous, encouraging visi<strong>to</strong>rs <strong>to</strong> question the<br />

nature of the traditional, delineated functions of a home. Allow us <strong>to</strong> take you through the rest of the<br />

highlights from the German fair, spanning the best new furniture, lighting, and home a<strong>cc</strong>essories you<br />

need <strong>to</strong> know about.<br />

PRESS CLIPPINGS P. 106


CC-TAPIS / YELLOWTRACE.COM.AU / <strong>AUSTRALIA</strong><br />

30 GENNAIO 2019<br />

BEST IN SHOW: IMM COLOGNE 2019.<br />

New rugs by <strong>cc</strong>-<strong>tapis</strong> // <strong>cc</strong>-<strong>tapis</strong> exhibited a selection of diverse designs by Patricia Urquiola, Bethan<br />

Laura Wood, and Mae Engelgeer.<br />

The latest addition <strong>to</strong> the catalogue, Asmara by Federico Pepe, was also on display. Its namesake, the<br />

Eritrean capital, inspired the simple shapes and bold, graphic design.<br />

[...]<br />

Ultimate Bliss by Mae Engelgeer.<br />

PRESS CLIPPINGS P. 107


CC-TAPIS / YELLOWTRACE.COM.AU / <strong>AUSTRALIA</strong><br />

5 APRILE 2019<br />

MILAN DESIGN WEEK & SALONE DEL MOBILE 2019 PREVIEW<br />

[...] TEXTILES + ACCESSORIES.<br />

<strong>cc</strong>-<strong>tapis</strong> presents Spectrum // Designs by Martino Gamper, Patricia Urquiola, David/Nicolas, Marten De<br />

Ceulaer, German Ermics, Studiopepe and the <strong>cc</strong>-<strong>tapis</strong> lab will be displayed in a retro-eclectic labora<strong>to</strong>ry.<br />

New collections include Xequer by Martino Gamper, with bright, piercing checkerboard patterns overlapping<br />

and intertwining <strong>to</strong> form psychedelic patterns.<br />

Piazza San<strong>to</strong> Stefano, 10<br />

[...]<br />

Left: Fordite by Patricia Urquiola<br />

Right: Xequer A by Martino Gamper.<br />

PRESS CLIPPINGS P. 189


CC-TAPIS / VOGUE.COM / <strong>AUSTRALIA</strong><br />

10 APRILE 2019<br />

MILAN DESIGN WEEK DAY 3: HIGHLIGHTS<br />

FROM THE VOGUE LIVING TEAM<br />

Here’s everything the team loved from day three. Pho<strong>to</strong>graphed by Paul Barbera.<br />

This year’s Salone del Mobile is off <strong>to</strong> a strong start, with the annual design fair in Milan in full swing.<br />

Earlier this week, we previewed some of the standout lighting <strong>to</strong> watch out for this year (2019’s theme<br />

is Euroluce, after all), s<strong>to</strong>le a glimpse at Six Gallery’s new project The Sister Hotel, viewed the reimagined<br />

Vogue Italia offices and admired Studiopepe’s standout installation Les Arcanistes, but there’s<br />

plenty more <strong>to</strong> marvel at from day three.<br />

Here’s everything we loved from <strong>to</strong>day, below.<br />

[...]<br />

CC Tapis x Patricia Urquiola rugs.<br />

PRESS CLIPPINGS P. 200


CC-TAPIS / DESIGNDAILY.COM.AU / <strong>AUSTRALIA</strong><br />

3 APRILE 2019<br />

MILAN DESIGN WEEK 2019 - PREVIEWS<br />

[...] It’s no secret that Design daily is a fan of Milan based rug company, <strong>cc</strong>-<strong>tapis</strong>. They have injected copious<br />

amounts of fun, colour and character in<strong>to</strong> the contemporary rug scene in recent years. This year<br />

regular collabora<strong>to</strong>r Patricia Urquiola presents ‘Fordite’ a geologically inspired rug, while Martino Gamper<br />

delves in<strong>to</strong> car<strong>to</strong>on-like graphics <strong>to</strong> create an extensive collection of rugs called ‘Xequer’ that play with<br />

chequerboards, colour and perspective. Beirut based designers David/Nicolas are designing their first<br />

collection for <strong>cc</strong>-<strong>tapis</strong> this year. If their other work is anything <strong>to</strong> go by ‘Plasterworks’ should be a knock<br />

out. Shown below is the <strong>cc</strong>-<strong>tapis</strong> invitation image along with one of the five Martino Gamper ‘Xequer’<br />

rugs. [...]<br />

PRESS CLIPPINGS P. 218


CC-TAPIS / PRODEEZ.COM / <strong>AUSTRALIA</strong><br />

24 MAGGIO 2019<br />

PLASTERWORKS BY DAVID/NICOLAS FOR CC-TAPIS<br />

The friendship between CC-Tapis and David/Nicolas stretches back <strong>to</strong> their university days, so it’s no<br />

surprise that the seeds for the Plasterworks Collection were planted over a long, friendly lunch. The<br />

restaurant in question was Kaléo, a Beirut spot designed by the duo. Inspired by the triangle patterns<br />

that decorate the restaurant’s walls, the motif was spun out in<strong>to</strong> multiple variations that feature soft lines,<br />

inventive color combinations and contrasting textures. Each hand sketched design was then translated<br />

in<strong>to</strong> an ultra-fine hand-knotted rug in Himalayan wool and silk.<br />

PRESS CLIPPINGS P. 230


CC-TAPIS / PRODEEZ.COM / <strong>AUSTRALIA</strong><br />

24 MAGGIO 2019<br />

PLASTERWORKS BY DAVID/NICOLAS FOR CC-TAPIS<br />

PRESS CLIPPINGS P. 231


CC-TAPIS / CONCEPTDCF.COM / <strong>AUSTRALIA</strong><br />

30 APRILE 2019<br />

MAY FEELS STRAIGHT FROM MILAN DESIGN WEEK<br />

[...] Fordite carpet by Patricia Urquiola for Cc-<strong>tapis</strong><br />

Sot<strong>to</strong>ti<strong>to</strong>lo articolo<br />

Inspired by a by-product of the car manufacturing industry, these stunning carpets are aptly named.<br />

Like the multicoloured stratum of enamel au<strong>to</strong>motive paint that is then baked and polished until it resembles<br />

a jewel, these rugs utilise Himalayan wool, pure silk and aloe left over from <strong>cc</strong>-<strong>tapis</strong>’s regular<br />

production process. The rugs maintain the same layered appearance as Fordite, recreated with recycled<br />

wool and a<strong>cc</strong>ented with lurex threads. [...]<br />

PRESS CLIPPINGS P. 232


<strong>cc</strong>–<strong>tapis</strong> / vogue living / australia<br />

agos<strong>to</strong> 2019<br />

RASSEGNA STAMPA p. 4 3


<strong>cc</strong>–<strong>tapis</strong> / vogue living / australia<br />

agos<strong>to</strong> 2019<br />

RASSEGNA STAMPA p. 4 4


<strong>cc</strong>–<strong>tapis</strong> / vogue living / australia<br />

agos<strong>to</strong> 2019<br />

RASSEGNA STAMPA p. 45


<strong>cc</strong>–<strong>tapis</strong> / vogue living / australia<br />

agos<strong>to</strong> 2019<br />

RASSEGNA STAMPA p. 4 6


<strong>cc</strong>–<strong>tapis</strong> / REAL LIVING AT HOME / <strong>AUSTRALIA</strong><br />

AGOSTO 2019<br />

RASSEGNA STAMPA p. 101


<strong>cc</strong>–<strong>tapis</strong> / REAL LIVING AT HOME / <strong>AUSTRALIA</strong><br />

AGOSTO 2019<br />

loving<br />

stitch<br />

in time<br />

Born in France. Designed in Milan.<br />

Produced in Nepal. CC-Tapis rugs<br />

are masterpieces of the modern<br />

world, entwined with old traditions<br />

Weave a s<strong>to</strong>ry CC-Tapis rugs are sought after for their graphic<br />

style, but founder Fabrizio Can<strong>to</strong>ni says any cus<strong>to</strong>m design<br />

can be brought <strong>to</strong> life. “Our vision is <strong>to</strong> take someone’s vision<br />

and make it our own. We interpret worlds through our rugs.”<br />

text lindyl crabb | pho<strong>to</strong>graphy courtesy of <strong>cc</strong>-<strong>tapis</strong>; lorenzo gironi (left); federica simoni (fabrizio and<br />

nelcya); andrea bar<strong>to</strong>lu<strong>cc</strong>io (salone del mobile); marco craig (patricia); <strong>to</strong>m johnson (faye)<br />

style tip Make your CC-Tapis rug the focal<br />

point of a room by pairing it with simple<br />

furniture and a<strong>cc</strong>essories in similar <strong>to</strong>nes<br />

IN AN AGE where time is the ultimate luxury, it turns out the<br />

best things in life can’t be hurried. It can take months <strong>to</strong> get<br />

a table at Michelin-star restaurants; a year for a new season<br />

of your favourite TV show <strong>to</strong> air. And if you want a CC-Tapis<br />

rug, there’s a tantalising three-month wait for them, <strong>to</strong>o.<br />

Each design is produced at the CC-Tapis company atelier<br />

in Nepal by Tibetan artisans using the ancient craft of handknotting.<br />

Himalayan wool from Tibet, silk sourced “directly<br />

from the silk worm” and aloe plant fibres are spun, washed<br />

and dyed without any machinery. Once the rug has been<br />

knotted, it may be sheared, embossed or cut <strong>to</strong> create the<br />

final design. Every rug is washed using recycled rainwater<br />

and laid in the sun <strong>to</strong> dry. Sustainable techniques are used<br />

throughout the process, and it all happens at the atelier,<br />

which means any bespoke creation is possible. You can<br />

even match the dye <strong>to</strong> Pan<strong>to</strong>ne and RAL colours.<br />

At the helm of this inspiring brand is Nelcya Chamszadeh<br />

and her husband Fabrizio Can<strong>to</strong>ni, who met at hotel school.<br />

After leaving the hospitality industry, they moved <strong>to</strong> France<br />

<strong>to</strong> work at Nelcya’s family-run rug s<strong>to</strong>re. They soon opened<br />

their own, but it wasn’t until Fabrizio studied interior design<br />

in Milan that they turned CC-Tapis in<strong>to</strong> what it is <strong>to</strong>day. The<br />

team, led by art direc<strong>to</strong>r Daniele Lora, dream up fantastical,<br />

colourful designs that weave innovation with tradition. A rug<br />

by CC-Tapis is art you walk on, a masterpiece for your floor<br />

– and proof that good things come <strong>to</strong> those who wait. R<br />

MODERN HISTORY<br />

2018<br />

CC-Tapis won the prestigious<br />

Salone del Mobile award in 2018<br />

for its stand at the fair. The rugs were<br />

hung like artworks in a museum.<br />

100<br />

In 2015, Fabrizio and Nelcya started<br />

40<br />

CC-Tapis often collaborates with creatives,<br />

who contribute new aesthetics and interpretations.<br />

Among the 40 designers are (from <strong>to</strong>p) Patricia<br />

Urquiola, Faye Toogood and Mae Engelgeer.<br />

2011<br />

Fabrizio and Nelcya (pictured)<br />

moved <strong>to</strong> Milan in 2011 with their<br />

son Noam, and <strong>to</strong>day the company is<br />

based there. The two Cs represent<br />

the initials of their surnames.<br />

CC-For Education, an organisation that<br />

provides schooling for Nepalese children.<br />

It now supports over 100 students.<br />

@reallivingmag<br />

30<br />

RASSEGNA STAMPA p. 102


<strong>cc</strong>-<strong>tapis</strong> / yellowtrace.com.au / australia 14 agos<strong>to</strong> 2019<br />

CC-TAPIS PRESENTS THE NEW 2020 CAMPAIGN ‘SPECTRUM’.<br />

Tidal by German Ermics.<br />

Pho<strong>to</strong> by Alessandro Oliva.<br />

Xequer by Martino Gamper.<br />

Pho<strong>to</strong> by Alessandro Oliva.<br />

Loved and lauded rug company <strong>cc</strong>-<strong>tapis</strong> presents their new 2020 campaign Spectrum. Born out of<br />

reflecting on the relationship between colour, furniture and space, the campaign uses light as an architectural<br />

and decorative element and a catalyst <strong>to</strong> illuminate and exemplify colour. Spectrum unites<br />

designs from Martino Gamper, Patricia Urquiola, david/nicolas, Germans Ermicš, Maarten de Ceulaer,<br />

Studiopepe.<br />

RASSEGNA STAMPA p. 136


<strong>cc</strong>-<strong>tapis</strong> / yellowtrace.com.au / australia 14 agos<strong>to</strong> 2019<br />

For the set design, Studio MILO built a sequence of ‘rooms’, with creative direction by Motel 409<br />

matching a colour for each room and for each room, a rug. By its very nature, a rug is an ideal surface<br />

for an interaction of colours <strong>to</strong> land on. Each room is monochrome, with hazy <strong>to</strong>nes of pink, green,<br />

peach, and blue ranging from pastel <strong>to</strong> vibrant across each set, with the depth of hues dictated by<br />

light.<br />

Rug Invaders by <strong>cc</strong>-<strong>tapis</strong>.<br />

Pho<strong>to</strong> by Alessandro Oliva.<br />

Fordite by Patricia Urquiola.<br />

Pho<strong>to</strong> by Alessandro Oliva.<br />

A particular favourite is the rug invaders collection by the <strong>cc</strong>-<strong>tapis</strong> design lab, a galactic series that<br />

takes nuances from retro space-themed video games and applies them <strong>to</strong> traditional rug motifs. Each<br />

of the five ‘Invaders’ rugs has a unique shape and size, and are intended <strong>to</strong> be layered across one<br />

another within a single interior.<br />

RASSEGNA STAMPA p. 137


<strong>cc</strong>-<strong>tapis</strong> / yellowtrace.com.au / australia 14 agos<strong>to</strong> 2019<br />

Super Fake by Bethan Laura Wood.<br />

Pho<strong>to</strong> by Alessandro Oliva.<br />

A diversion for product-focused shoots, <strong>cc</strong>-<strong>tapis</strong> included a human element in the Spectrum campaign.<br />

“Within these rooms are people: people who give life <strong>to</strong> these spaces, who shape their character<br />

through the ritual of taste, which is human habitation,” says the rug brand.<br />

Super Fake by Bethan Laura Wood.<br />

Pho<strong>to</strong> by Alessandro Oliva.<br />

RASSEGNA STAMPA p. 138


<strong>cc</strong>-<strong>tapis</strong> / yellowtrace.com.au / australia 14 agos<strong>to</strong> 2019<br />

Inerior with Table by Faye Toogood.<br />

Pho<strong>to</strong> by Alessandro Oliva.<br />

Inerior with Table by Faye Toogood.<br />

Pho<strong>to</strong> by Alessandro Oliva.<br />

Plasterworks by david/nicolas.<br />

Pho<strong>to</strong> by Jeremias Morandell..<br />

RASSEGNA STAMPA p. 139


<strong>cc</strong>-<strong>tapis</strong> / yellowtrace.com.au / australia 14 agos<strong>to</strong> 2019<br />

Lunar Addiction by Studiopepe.<br />

Pho<strong>to</strong> by Jeremias Morandell..<br />

In including models in the campaign, <strong>cc</strong>-<strong>tapis</strong> references the people who take their product home,<br />

continuing the creative process in styling and appreciating the rugs within their own space. The rituals<br />

associated with decorating a home are repeated throughout the ages, albeit with changes in taste and<br />

style, further reflected by the different colours of each room.<br />

After Party by Garth Roberts.<br />

Pho<strong>to</strong> by Jeremias Morandell..<br />

RASSEGNA STAMPA p. 14 0


<strong>cc</strong>-<strong>tapis</strong> / yellowtrace.com.au / australia 14 agos<strong>to</strong> 2019<br />

Rotazioni by Patricia Urquiola.<br />

Pho<strong>to</strong> by Alessandro Oliva.<br />

Visioni by Patricia Urquiola.<br />

Pho<strong>to</strong> by Alessandro Oliva.<br />

Parvata by Jean-Marie Massaud.<br />

Pho<strong>to</strong> by Jeremias Morandell..<br />

RASSEGNA STAMPA p. 141


<strong>cc</strong>-<strong>tapis</strong> / yellowtrace.com.au / australia 14 agos<strong>to</strong> 2019<br />

Parvata by Jean-Marie Massaud.<br />

Pho<strong>to</strong> by Jeremias Morandell..<br />

CC-<strong>tapis</strong> regards rugs as organic artefacts, made of living and evolving matter, and the experimental<br />

Spectrum campaign evokes this; a spectrum of ideas, designers with personal s<strong>to</strong>ries, diverse skills<br />

and crafts, a series of rooms and a rainbow of materials.<br />

Tidal by German Ermics.<br />

Pho<strong>to</strong> by Jeremias Morandell..<br />

RASSEGNA STAMPA p. 142


<strong>cc</strong>-<strong>tapis</strong> / yellowtrace.com.au / australia 14 agos<strong>to</strong> 2019<br />

Feathers by Marteen de Ceulaer.<br />

Pho<strong>to</strong> by Jeremias Morandell.<br />

Envolée by Cristina Celestino.<br />

Pho<strong>to</strong> by Jeremias Morandell.<br />

Asmara by Federico Pepe.<br />

Pho<strong>to</strong> by Jeremias Morandell..<br />

RASSEGNA STAMPA p. 14 3


<strong>cc</strong>-<strong>tapis</strong> / estliving.com/ / australia 9 settembre 2019<br />

The Edit: Living Room Rugs<br />

Attracting international design collaborations across disciplines from fashion <strong>to</strong> product design and<br />

architecture; these nine living room rugs are testimony that floor textiles are akin <strong>to</strong> art.[...]<br />

Double Slinkie Rug<br />

The electrically-coloured Double Slinkie Rug is made by hand in Nepal, designed by Patricia Urquiola<br />

for <strong>cc</strong>-<strong>tapis</strong>. The Slinkie collection aims <strong>to</strong> transform the intangible idea of shade and hue in<strong>to</strong> a finely<br />

produced, sophisticated textile, through a cot<strong>to</strong>n weave and himalayan wool knot.<br />

RASSEGNA STAMPA p. 171


<strong>cc</strong>-<strong>tapis</strong> / estliving.com/ / australia 9 settembre 2019<br />

Visoni B Soie Rug – Sunset Orange<br />

Another visually arresting rug for the living room by Patricia Urquiola, the Visoni B Soie Rug demonstrates<br />

the designer’s contemporary creativity and age-old Nepalese hand-knotting techniques. Like<br />

the Double Slinkie Rug, the Visoni B Soie Rug was designed for Milan-based rug manufacturers <strong>cc</strong><strong>tapis</strong><br />

and made through cot<strong>to</strong>n weave and Himalayan wool that provides a silk-like quality.<br />

RASSEGNA STAMPA p. 172


<strong>cc</strong>-<strong>tapis</strong> / estliving.com/ / australia 9 settembre 2019<br />

Mata Rug<br />

The Mata Rug was designed by Ludovica+Rober<strong>to</strong> Palomba for <strong>cc</strong>-<strong>tapis</strong> as a compilation of travel<br />

memories and tangible emotions. Characterised by a cot<strong>to</strong>n weave, Himalayan wool, silk and metallic<br />

fibre knot, the Mata Rug is reminiscent of a 19th century traveller’s diary that recorded scenery through<br />

sketches and watercolour drawings. [...]<br />

RASSEGNA STAMPA p. 173

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!