Write Away Magazine - Issue No:13
The Lyric Writers Magazine
The Lyric Writers Magazine
- No tags were found...
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Paul Sykes<br />
I’ve always been fascinated with singing drummers. I don’t really know why. Maybe it’s because<br />
all four of their limbs are busy and now they add yet another complexity into the mix.<br />
One of the common questions I get is how someone can play an instrument and sing simultaneously.<br />
For this, we defer to someone expert in the field of learning, Martin Broadwell.<br />
Back in 1969, he developed the four stages of learning - These days, commonly known as the<br />
four stages of competence.<br />
They are, unconscious incompetence, conscious incompetence, conscious competence and<br />
unconscious competence.<br />
Let’s break them down..<br />
Unconscious Incompetence: You’re completely unaware of the skill or the training required.<br />
Conscious Incompetence: You have an awareness of something you’d like to achieve but you<br />
have no idea how to do it.<br />
Conscious Competence: You can do the task but only with much concentration and mental<br />
effort.<br />
Unconscious Competence: You have achieved true mastery of the craft and can do it without<br />
thought.<br />
From driving a car to playing an instrument, you may notice that you have gone through<br />
these phases to achieve mastery.<br />
Unconscious Competence is what every aspiring singer and player must get to. To be so automatic<br />
that your attention can be on the emotion of the performance and be with the audience.<br />
There’s no time for a race driver to be concerned with the movement of their clutch foot in<br />
the middle of a race. That stuff is taken care of in practice so that their attention can be out<br />
there with the track and the other drivers.<br />
How do we get to Unconscious Competence? Repetition of a correct<br />
technique that you’d like to develop. That’s why most coaches advocate 30 disciplined minutes<br />
a day is waaaaay better than three hours on a Sunday afternoon.<br />
Why not go ahead and make 2020 the year of daily repetition? 365 opportunities to add a<br />
hundred new unconsciously competent actions into your musicianship.<br />
Pauls Online Vocal Course<br />
www.writeawaymagazine.co.uk 11