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February 2020 Issue

Works of art defining the contemporary age in WNC. Cover: ‘Downtown,’ 24x24, by Mark Bettis

Works of art defining the contemporary age in WNC.
Cover: ‘Downtown,’ 24x24, by Mark Bettis

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<strong>February</strong>'s Cover artist Mark Bettis<br />

Clockwise:<br />

Mark Bettis, (photo by Matt Rose);<br />

Victoria Pinney;<br />

Cason Rankin;<br />

“Rolling Sunset,” by Mark Bettis;<br />

“Leave a Light In,” 40 x 40, by Victoria Pinney;<br />

Inside the Mark Bettis Studio and Gallery<br />

Two new artists are now at Mark Bettis Studio & Gallery<br />

BY STAFF REPORTS • RIVER ARTS DISTRICT, ASHEVILLE<br />

Mark Bettis Studio & Gallery, located in the<br />

heart of the River Arts District, at 123 Roberts<br />

Street, offers contemporary art from emerging<br />

and mid-career artists.<br />

The gallery is easily accessible on the street-level.<br />

His mission is to provide thought-provoking,<br />

museum-quality, beautiful art to the public.<br />

Featuring exceptional paintings, original prints,<br />

and innovative glass and metal sculptures, Mark’s<br />

gallery also has art openings throughout the year,<br />

check out his website at www.markbettisgallery.<br />

com for more information.<br />

This year Mark is welcoming two new artists<br />

to his studio/gallery at 123 Roberts Street in the<br />

WEDGE Building. Joining painter Mark Bettis,<br />

glass artist Deb Williams, sculptor, and painter<br />

David Sheldon and collage artist Grant Penny are<br />

Victoria Pinney and Cason Rankin.<br />

Victoria Pinney’s brightly colored abstractions<br />

have been shown in galleries from coast to coast<br />

and are in private collections across the country.<br />

Art Galleries and Artists of the South recently<br />

identified Victoria as an “emerging artist”.<br />

Pinney says, “I’ve always been moved by<br />

color and texture. With the elements I use in my<br />

painting - oils, wax, and sand - I build up layers<br />

and layers of ‘history’ which I scratch through<br />

and then build up again until the image reveals<br />

itself. To me, my paintings feel ancient, as though<br />

they contain all of history. They allow peeks at the<br />

past through erosion of the present - each layer<br />

partially visible through the next. The textured<br />

surface is as essential in appreciating the painting<br />

as color or shape.”<br />

Cason Rankin creates paintings of figures and<br />

faces. This can be either people or wildlife. The<br />

emotional impact of a portrait is just as essential<br />

as the image. The painting is exactly right when<br />

it’s as if the essence of that person or animal has<br />

entered the room. She conveys the intensity of<br />

what the person or animal is feeling in a single<br />

moment in time.<br />

Rankin has participated in numerous national<br />

and international shows, including the National<br />

Watercolor Society, Transparent Watercolor<br />

Society of America, Florida Watercolor Society<br />

Exhibition, the International Miniature Art Society,<br />

and the World Federation of Miniature Art. She<br />

was also included in the National Watercolor Society<br />

traveling exhibition and have been fortunate<br />

to have received awards in numerous national<br />

and state shows.<br />

IF<br />

YOU<br />

GO<br />

Mark Bettis Studio & Gallery<br />

123 Roberts St., Asheville<br />

(941) 587-9502<br />

www.markbettisgallery.com<br />

VOL. 23, NO. 6 — FEBRUARY <strong>2020</strong> | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 15

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