Revitalization Edition - 1736 Magazine, Winter 2020
Revitalization of Downtown Augusta Edition - 1736 Magazine, Winter 2020
Revitalization of Downtown Augusta Edition - 1736 Magazine, Winter 2020
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WINTER <strong>2020</strong><br />
The<br />
REVITALIZATION<br />
of DOWNTOWN<br />
AUGUSTA<br />
PRESERVATION EDITION<br />
• High cost, low payback<br />
constrain developers from<br />
tackling big projects<br />
<strong>1736</strong><strong>Magazine</strong>.com • $6.95<br />
• Historic Broad Street<br />
bank branch returning<br />
to former glory
MAGAZINE PARTNERS
A PRODUCT OF<br />
PRESIDENT<br />
TONY BERNADOS<br />
EDITOR<br />
DAMON CLINE<br />
DESIGNER<br />
CENTER FOR NEWS & DESIGN<br />
MAILING ADDRESS:<br />
725 BROAD STREET, AUGUSTA, GA 30901<br />
TELEPHONE:<br />
706.724.0851<br />
EDITORIAL:<br />
DAMON CLINE 706.823.3352<br />
DCLINE@AUGUSTACHRONICLE.COM<br />
ADVERTISING:<br />
706.828.2991<br />
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information contained in this publication.<br />
CONTENTS<br />
4<br />
PICTURE THIS<br />
6<br />
OUR VIEW<br />
11<br />
OTHER VOICES: PAUL KING<br />
14<br />
COVER STORY:<br />
THE PRICE OF PRESERVATION<br />
32<br />
AUGUSTA’S ARCHITECT:<br />
G. LLOYD PREACHER<br />
36<br />
BACK TO BANKING<br />
40<br />
15 PROPERTIES WITH POTENTIAL<br />
44<br />
LOST TO TIME<br />
70<br />
60<br />
54<br />
ALWAYS THERE<br />
60<br />
LIVING IN HISTORY<br />
70<br />
THE GREAT FIRE OF 1916<br />
76<br />
PARKING UPDATE<br />
78<br />
ON THE STREET:<br />
MARGARET WOODARD<br />
80<br />
BRIEFING<br />
82<br />
GRADING DOWNTOWN<br />
83<br />
FINAL WORDS<br />
COVER IMAGE BY: MICHAEL HOLAHAN<br />
IN THE NEXT ISSUE OF <strong>1736</strong><br />
Augusta’s urban core has nearly every type of business<br />
found in a typical city except one: a full-service<br />
supermarket. What will it take for the city in terms of<br />
population and demographics to attract – and retain – a<br />
grocery store to an area many have labeled a “food<br />
desert?”<br />
<strong>1736</strong>magazine.com | 3
PICTURE THIS<br />
4 | <strong>1736</strong>magazine.com
The sun sets on downtown Augusta’s<br />
skyline as seen from the North<br />
Augusta Municipal Building in North<br />
Augusta, S.C. [MICHAEL HOLAHAN/<br />
THE AUGUSTA CHRONICLE]<br />
<strong>1736</strong>magazine.com | 5
OUR VIEW<br />
The home of Dr. Scipio S.<br />
Johnson, a prominent member<br />
of Augusta’s African-American<br />
community, sits at 1420<br />
Twiggs St. in the Bethlehem<br />
section of the Laney-Walker/<br />
Bethlehem neighborhood. The<br />
National Register of Historic<br />
Places-listed home is a prime<br />
candidate for certified historic<br />
rehabilitation. [DAMON CLINE/<br />
THE AUGUSTA CHRONICLE]<br />
MAKE PRESERVATION<br />
a city priority<br />
By DAMON CLINE<br />
LOSS OF BUILDINGS IN HISTORIC DISTRICTS<br />
ROBS FUTURE GENERATIONS OF CITY’S PAST<br />
Picture yourself as a tourist visiting Augusta for the first time.<br />
You and your spouse plan to stay at the James Hotel,<br />
a boutique inn fashioned from a century-old downtown<br />
building at the corner of Ninth and Telfair streets.<br />
After settling in, you meander across the scenic Barrett Plaza to<br />
have dinner at the trendy Locomotive restaurant inside Union Station,<br />
a turn-of-the-century train depot creatively re-purposed into a<br />
bustling mixed-use development.<br />
6 | <strong>1736</strong>magazine.com
A row of shotgun shacks line a street in Olde Town. Some argue such structures are not worthy of<br />
preservation; others say they are cultural treasures that would be missed if demolished. [SPECIAL/<br />
HISTORIC AUGUSTA INC.-JAMES R. LOCKHART]<br />
You cap off your evening by sampling<br />
a couple of signature cocktails at Postal,<br />
an eclectic bar with rave reviews that’s<br />
housed in the Gothic Romanesqueinspired<br />
Federal Building just a block<br />
away.<br />
It sounds like a delightful experience,<br />
doesn’t it?<br />
Unfortunately, that particular alternative-reality<br />
scenario will never materialize.<br />
Those historic buildings no longer<br />
exist.<br />
Each was unceremoniously demolished<br />
long ago during an era when community<br />
leaders saw the old buildings as impediments<br />
to progress, rather than treasured<br />
architectural assets worth preserving.<br />
The city can never bring back the James<br />
Hotel, Union Station or the old Federal<br />
Building, but it can certainly work to prevent<br />
the neglect and destruction of other<br />
historic buildings in the central business<br />
district and its surrounding residential<br />
neighborhoods.<br />
It is a worthy endeavor. The link<br />
between economic development and the<br />
preservation of character-rich buildings<br />
and neighborhoods is undeniable.<br />
There is a reason Charleston, S.C.,<br />
and Savannah, Ga., perennially occupy<br />
slots in the top five U.S. cities to visit,<br />
as judged by readers of Travel + Leisure<br />
magazine.<br />
Those city’s historic preservation<br />
efforts, which began in the 1920s and<br />
1930s, have given them an incomparable<br />
“sense of place.”<br />
Increased tourism is merely one byproduct<br />
of historic preservation. Demographers<br />
have for years written about<br />
millennials’ penchant for living, working<br />
and playing in “unique” and “authentic”<br />
spaces.<br />
In Augusta, critical mass for such space<br />
can only be found in one area: the urban<br />
core.<br />
The metro area’s outer suburbs have<br />
their own quality-of-life benefits, but<br />
they lack the character, culture and<br />
charm found in the central business<br />
district and the historic neighborhoods of<br />
Olde Town, Harrisburg, Summerville and<br />
Laney-Walker/Bethlehem.<br />
Protecting these areas is paramount.<br />
Not all city officials and staffers “get it,”<br />
but fortunately, some do.<br />
“We want to make sure the majority<br />
of our neighborhoods in and around<br />
downtown are protected to the extent<br />
that they can be,” said Erik Engle, a senior<br />
planner with the Augusta Planning Commission<br />
who serves as staff liaison to the<br />
12-member city Historic Preservation<br />
Commission.<br />
Each section of the urban core has its<br />
own set of challenges. Olde Town, for<br />
example, is a city-designated historic district<br />
with preservation-minded rules and<br />
regulations that help protect its unique<br />
character. The other two urban neighborhoods<br />
have no such standards.<br />
In the historic Harrisburg-West End<br />
area – a once-vibrant working-class<br />
community whose decline was accelerated<br />
by the loss of the city’s textile industry<br />
– revitalization efforts are primarily the<br />
domain of grassroots organizations such<br />
as Turn Back The Block.<br />
But in the war against blight, such<br />
nonprofits face an uphill battle. The sheer<br />
volume of decaying late 19th and early<br />
20th century homes is overwhelming.<br />
“Unfortunately, we’re seeing a lot of<br />
those neighborhoods fall apart, in a way,”<br />
Engle said. “Would we like to see more<br />
preservation in those areas? Absolutely.<br />
But it really has to come from the neighborhood<br />
itself.”<br />
The Laney-Walker/Bethlehem neighborhood<br />
was a city-designated district<br />
until its residents voted to shed the<br />
designation years ago. Although the<br />
historically African-American neighborhood<br />
is currently the focus of a city hotel<br />
tax-funded revitalization initiative, the<br />
program’s primary solution to dealing<br />
with abandoned or dilapidated homes has<br />
been demolition rather than restoration.<br />
Vacant lots in the neighborhood are<br />
abundant. Some newer homes and multifamily<br />
developments built during the past<br />
several years – such as those developed<br />
by the quasi-governmental Augusta<br />
Neighborhood Improvement Corp.<br />
and a host of U.S. Housing and Urban<br />
Development-funded community housing<br />
development organizations – blend<br />
in nicely with the surrounding neighborhood.<br />
Others do not.<br />
<strong>1736</strong>magazine.com | 7
RIGHT: A cluster of stately Victorian-era homes line Greene Street<br />
in the locally designated downtown historic district, which offers<br />
special protection to historic structures. BELOW: A sunrise over the<br />
Harrisburg neighborhood illuminates historic commercial buildings<br />
at the corner of Broad Street and Crawford Avenue. [SPECIAL/<br />
HISTORIC AUGUSTA INC.-JAMES R. LOCKHART]<br />
“Even though the city has put a lot of<br />
money and time into restoring Laney-<br />
Walker, they’re not restoring it in the<br />
sense of historic preservation,” said Erick<br />
Montgomery, executive director of Historic<br />
Augusta Inc.<br />
To some Baby Boomers, the urban<br />
core’s century-old shotgun shacks are<br />
symbols of hardscrabble poverty that<br />
should be eliminated. As Augusta Commissioner<br />
Marion Williams famously said<br />
in 2015, the structures “are not history to<br />
any black man” worth preserving.<br />
Perhaps. But race aside, the modest<br />
row houses throughout the inner city<br />
are an integral part of Augusta’s history.<br />
They are unique. They tell the city’s<br />
story to future generations of visitors and<br />
residents.<br />
And from a practical standpoint, such<br />
homes have potential to be affordable<br />
“retro” housing solutions for a new generation<br />
of homeowners, who have shown<br />
an affinity for urban living in smaller<br />
dwellings.<br />
Is every old home and commercial<br />
building in the urban core worth saving?<br />
No. Some are far too gone to rehabilitate.<br />
Some pose a public-safety hazard. Some<br />
are dens of illicit activity. Some decrease<br />
the value of surrounding properties. And<br />
in some rare instances, some buildings<br />
do need to be torn down in the name<br />
of progress – such as the demolition of<br />
the old Belk department store and four<br />
others on the 800 block of Broad Street to<br />
make way for the Augusta Common, the<br />
urban park that city founder Gen. James<br />
Oglethorpe planned more than 250 years<br />
earlier.<br />
As much as it may pain preservationists,<br />
some old buildings do need to be removed.<br />
Maintenance appears to be the key to<br />
successfully preserving culturally-rich<br />
buildings in Augusta’s urban core. Simply<br />
put, buildings become dilapidated when<br />
the community allows them to become<br />
dilapidated.<br />
“Ideally, the No. 1 goal is to maintain<br />
what you have – maintain what is existing,”<br />
Engle said. “At the end of the day,<br />
it does honestly look better when people<br />
just kind of maintain what’s there.”<br />
When it comes to revitalizing the urban<br />
core, preservation should be the city’s<br />
default setting, particularly in the city’s<br />
central business district, where the vast<br />
majority of buildings are commercial<br />
properties.<br />
As the heart of the city, the central<br />
business district is the one place where<br />
people from all parts of the metro area<br />
congregate. It also is the place where<br />
most first-time visitors develop their<br />
impressions of Augusta.<br />
Code-enforcement is crucial. A certain<br />
level of tolerance for the cash-strapped<br />
homeowner who can’t properly maintain<br />
a home is understandable, but should<br />
real estate investors and businesspeople<br />
owning dilapidated commercial properties<br />
in the city center receive such leniency?<br />
8 | <strong>1736</strong>magazine.com
The court of public opinion would likely say “no.”<br />
Some cities across the country have<br />
experimented with vacant-building fees and<br />
increased property tax assessments on unused<br />
or distressed properties to motivate owners to<br />
bring their buildings up to snuff or sell them.<br />
Such programs have seen mixed results, but<br />
some in Augusta would be willing to advocate<br />
for public-sector solutions to solve the problem<br />
of neglected private properties, some of<br />
which are historically, culturally and architecturally<br />
significant.<br />
“What is the city able to do and what are<br />
they willing to do to bring these do-nothing<br />
property owners to their senses – to either<br />
sell it, to let somebody else do it or to do some<br />
minimal thing to keep it from falling down from<br />
neglect?” Montgomery said.<br />
Augusta’s urban core has lost far too many<br />
architectural treasures during the past 60<br />
years, in both its residential areas and its central<br />
business district.<br />
After a decades-long period of decline, those<br />
areas are inching toward vibrancy in this new<br />
millennium. If there was ever a time for community<br />
leaders, public officials and the general<br />
public to unite behind historic preservation<br />
efforts, that time is now.<br />
It’s time to stop robbing future visitors and<br />
residents of the city’s storied past.<br />
A sign at the corner<br />
of Ninth and Hopkins<br />
streets in the Laney-<br />
Walker/Bethlehem<br />
neighborhood advertises<br />
future construction by<br />
one of several entities<br />
building new housing<br />
in the historic African-<br />
American neighborhood.<br />
[DAMON CLINE/THE<br />
AUGUSTA CHRONICLE]<br />
10 | <strong>1736</strong>magazine.com
OTHER VOICES<br />
Paul King stands outside his Rex Property & Management LLC office on<br />
Monte Sano Avenue, where he oversees more than 200 residential units<br />
throughout Augusta’s urban core. [DAMON CLINE/THE AUGUSTA CHRONICLE]<br />
PAST IS PREVIEW:<br />
Historic preservation<br />
incentives kick-start<br />
downtown revitalization<br />
By PAUL KING<br />
Guest Columnist<br />
In a shockingly hot June 1981, a young engineer moved 1,100<br />
miles from coastal New Hampshire to Augusta.<br />
What he found when looking for a home were some nice<br />
new apartment complexes along Washington Road and some<br />
very attractive historic homes in the Olde Town neighborhood that<br />
had been recently rehabbed, converted to apartments through the<br />
preservation technique called “adaptive reuse.”<br />
Yes, that engineer was me.<br />
Not knowing the area, I took the conservative route and picked<br />
the apartment complex. One year later, I couldn’t move to Olde<br />
Town fast enough.<br />
<strong>1736</strong>magazine.com | 11
King Kat and the Elders perform at downtown Augusta’s Stillwater Taproom in this file image from 2018. Historic preservationists see a direct link between<br />
today’s vibrant downtown economy and tax-assisted building renovation efforts that began more than four decades ago. [THE AUGUSTA CHRONICLE]<br />
Young, fun and interesting people<br />
were moving into the changing neighborhood,<br />
where historic-preservationfor-profit<br />
pioneer Peter Knox Jr. –<br />
“Mr. Pete,” as many knew him – and<br />
his company, Downtown Augusta Inc.<br />
were changing the face of the neighborhood<br />
using the historic preservation tax<br />
credits created through the Tax Reform<br />
Act of 1976.<br />
A few small investors joined in<br />
the use of preservation tax credits to<br />
rehab downtown buildings – the initial<br />
efforts in revitalizing Augusta’s urban<br />
core had begun.<br />
In 1986, the Tax Reform Act created<br />
restrictions limiting the use of federal<br />
historic preservation tax credits. This<br />
led to a slowdown in tax credit projects<br />
nationally and in Augusta.<br />
Georgia state historic preservation<br />
tax credits first became available<br />
in 2002 and helped renew interest<br />
in redevelopment through historic<br />
preservation in Olde Town and the<br />
central business district, where Bryan<br />
Haltermann had led many Broad Street<br />
tax credit projects, including buildings<br />
housing the Pizza Joint, Metro, and Art<br />
on Broad, promoting a generational<br />
return to the urban core.<br />
Also, in 2002 the Georgia Cities<br />
Foundation revolving loan fund was<br />
created with a preference for downtown<br />
projects with historic preservation<br />
components. A Georgia Cities<br />
Foundation loan would then be used to<br />
help fund the initial construction work<br />
converting the former J.B. White’s<br />
department store on the 900 block of<br />
Broad into residential condominiums<br />
with first floor retail tenants.<br />
HISTORIC<br />
PRESERVATION<br />
CHALLENGES IN<br />
AUGUSTA<br />
• Conflicts between historic preservation<br />
and creating density<br />
• Fickle nature of tax credit programs<br />
• Economy-of-scale difficulties in using<br />
credits on small buildings<br />
• Ongoing public education challenges<br />
in urban core<br />
• Underutilized historic buildings<br />
with market-rate residential potential<br />
(i.e., the former Bon Air and<br />
Richmond hotels)<br />
• Large historic properties facing<br />
cost-prohibitive rehabilitations under<br />
current market conditions (i.e., the<br />
Marion and Lamar buildings)<br />
• Shortage of downtown parking and<br />
lack of a parking-management plan<br />
PRESERVATION continues on 42<br />
12 | <strong>1736</strong>magazine.com
COVER STORY<br />
Price The of<br />
Preservation<br />
Saving Augusta’s old buildings comes with risks, rewards<br />
Story by DAMON CLINE<br />
Photos by MICHAEL HOLAHAN<br />
Architect Brad King, of 2KM<br />
Architects, stands outside his<br />
firm’s office, the historic Jacob<br />
Phinizy home in Augusta.<br />
14 | <strong>1736</strong>magazine.com
<strong>1736</strong>magazine.com | 15
Mark Donahue, president of Peach Contractors, stands with before-and-after photos of the Lowrey Wagon Works building at<br />
912 Ellis St. Donahue’s company completed a historic restoration of the 160-year-old building into 19 loft-style apartments in 2016.<br />
Mark Donahue parks<br />
his SUV in front of<br />
the 102-year-old<br />
building at 941 Ellis<br />
St.<br />
He grabs a key from an oversize ring and<br />
unlocks the front door that leads to a dozen<br />
brand-new loft-style apartments.<br />
He knows every nook and cranny in the<br />
two-story building, which once housed a<br />
handkerchief factory, a piano store and a<br />
warehouse before entering a long period of<br />
vacancy.<br />
But Donahue is not a building resident –<br />
he’s the owner.<br />
His company, Peach Contractors,<br />
is responsible for turning the formerly<br />
dilapidated E.M. Andrews Furniture Co.<br />
warehouse into a 12-unit complex.<br />
“This building had a hole in the roof big<br />
enough to drop a car through when we<br />
purchased it,” Donahue says while climbing<br />
stairs his carpenters built not more than a<br />
year ago.<br />
After concluding his tour, Donahue gets<br />
back in his tool-littered Tahoe and heads<br />
east toward a Victorian-era home at 448<br />
Greene St.<br />
The 19th century residence – like the Ellis<br />
Street warehouse – is a property Donahue<br />
saved from irreparable decay.<br />
“This is the gem. I got an award from the<br />
state of Georgia for this one,” he says nonchalantly<br />
as he pulls to the curb.<br />
The elegant three-story home was built in<br />
the 1870s for Reuben B. Wilson, a wealthy<br />
Augusta grocer. It is known to preservationists<br />
as the Zachariah Daniel House,<br />
named for the home’s second owner, who<br />
also happened to be in the grocery business.<br />
16 | <strong>1736</strong>magazine.com
Buildings on the corner of Ninth and Telfair streets in downtown Augusta are being<br />
marketed for renovation into office, retail and residential space.<br />
Donahue’s company meticulously<br />
restored the condemned<br />
property’s bracketed eaves, hooded<br />
windows and decorative marble<br />
masonry joints – called quoins – to<br />
restore the home into what some<br />
consider the city’s most outstanding<br />
example of Second Empire<br />
architecture.<br />
When asked about the condition<br />
of the property when he bought it<br />
in 2016, his answer is simple: “Very<br />
bad.”<br />
Today the 6,500-square-foot<br />
estate houses 10 income-producing<br />
apartments, all of which lease as<br />
quickly as those in his half-dozen<br />
other downtown buildings.<br />
Generating revenue is the<br />
ultimate goal for any real estate<br />
investor, but this native New<br />
Yorker also has ulterior motives.<br />
“I love this stuff – I restore these<br />
buildings because I love doing it.<br />
I feel like I’m giving something<br />
back, I really do,” says Donahue, an<br />
Augusta resident for more than 30<br />
years. “I know this sounds corny,<br />
but I feel like these buildings would<br />
have been lost. I feel like I’m a caretaker<br />
for the next generation.”<br />
Donahue isn’t the only developer<br />
to find financial success by restoring<br />
vacant buildings in Augusta’s<br />
downtown historic district. Local<br />
preservationists only wish there<br />
were more Mark Donahues in the<br />
city, which has dozens of historic<br />
buildings threatened by neglect,<br />
encroachment and abandonment.<br />
PRESERVATION<br />
OPPORTUNITIES ABOUND<br />
Founded by Gen. James<br />
Oglethorpe in <strong>1736</strong>, Augusta is a<br />
target-rich environment for historic<br />
preservation.<br />
“The architectural history of<br />
Augusta is interesting,” said Erick<br />
Montgomery, executive director<br />
of Historic Augusta Inc., the city’s<br />
lead preservation organization.<br />
“We have examples of every style<br />
since the Federal period. We don’t<br />
really have anything that survived<br />
the Colonial period, but there are<br />
a lot of historically significant<br />
buildings.”<br />
The city’s urban core is home to<br />
more than a half-dozen historic<br />
districts listed on the National<br />
Park Service’s National Register of<br />
Historic Places. Overlaying those<br />
National Register Historic Districts<br />
are three city-designated historic<br />
districts: Downtown, which<br />
encompasses the bulk of the central<br />
business district; Olde Town,<br />
which covers the east Augusta<br />
area also known as “Pinched Gut”;<br />
and Summerville, which includes<br />
most areas of the tony “Hill”<br />
neighborhood.<br />
Summerville’s city designation<br />
was established in 1994; Downtown<br />
in 2002; and Olde Town in 2006.<br />
Each area – to varying degrees<br />
– has architecturally, culturally or<br />
historically significant properties<br />
in danger of being lost to inappropriate<br />
alterations, demolition or<br />
decay.<br />
Many of those buildings have<br />
18 | <strong>1736</strong>magazine.com
ABOVE: Davis Beman<br />
of Blanchard & Calhoun<br />
Commercial checks his cell<br />
phone inside one of the<br />
vacant buildings at Ninth<br />
and Telfair streets that he<br />
is marketing as mixed-use<br />
space.<br />
RIGHT: The interior of<br />
one of the 19th century<br />
buildings at Ninth and<br />
Telfair streets reveals<br />
decades of neglect.<br />
<strong>1736</strong>magazine.com | 19
Beverly Barnhart, founding principal for Davidson Fine Arts School, speaks to the crowd of alumni, faculty, and others gathered<br />
at the old school building in this November 2015 photo. The building was demolished two months later because of heavy water<br />
damage it suffered while vacant for 18 years. [FILE/THE AUGUSTA CHRONICLE]<br />
been documented since 2006<br />
by Historic Augusta’s annual<br />
“Endangered Properties” list.<br />
The Zachariah Daniel House,<br />
for example, made the list in 2015,<br />
a year before Donahue acquired<br />
it. The 160-year-old Lowrey<br />
Wagon Works building, across<br />
the street from the E.B. Andrews<br />
warehouse, had been listed since<br />
2008. Donahue turned the Lowrey<br />
building into a 19-unit apartment<br />
building in 2016.<br />
The three-story Lowrey building<br />
is particularly rich in history.<br />
Situated at the corner of Ninth and<br />
Ellis streets, it was confiscated by<br />
the Confederacy during the Civil<br />
War to be a shoe factory. After the<br />
war it served as a school for freed<br />
black children until J.H. Lowrey<br />
reestablished it as a wagon factory<br />
in 1866.<br />
It remained in the family until<br />
the death of Lowrey’s only son,<br />
Henry, in 1925, at which point it<br />
was purchased as a warehouse for<br />
the former J.B. White’s department<br />
store at 936 Broad St. It<br />
housed several other commercial<br />
operations before entering a<br />
decades-long period of neglect<br />
during downtown Augusta’s nadir.<br />
Compiling the Endangered<br />
Properties list is Historic Augusta’s<br />
primary means of trying to save<br />
properties it deems historically<br />
significant.<br />
Contrary to public perception,<br />
the nonprofit organization has no<br />
enforcement power. It also lacks<br />
the funds to acquire buildings it<br />
deems worthy of saving, though it<br />
has made rare exceptions for properties<br />
in urgent need of protection,<br />
such as the home of C.T. Walker in<br />
the historic Laney-Walker district.<br />
Unless a property is protected by<br />
one of Historic Augusta’s 42 preservation<br />
easements – something<br />
property owners grant to receive<br />
tax deductions – the organization<br />
can’t legally tell owners what to do<br />
with their buildings.<br />
“We have zero power except the<br />
power of public persuasion and<br />
public opinion,” Montgomery says.<br />
Even owners of federal National<br />
Register of Historic Places-listed<br />
properties – of which there are<br />
20 | <strong>1736</strong>magazine.com
Historic Augusta Executive Director Erick<br />
Montgomery talks about new properties that<br />
have been added to the list of endangered<br />
properties during a press conference in Augusta<br />
on Nov. 7, including the former Augusta Trunk<br />
Factory building at 840 Reynolds St.<br />
more than four dozen in Augusta – are not forbidden<br />
from making architectural changes or demolishing such<br />
buildings unless the structures are in one of the three<br />
locally designated districts, in which case alterations<br />
and city-code violations become the purview of the<br />
city’s Historic Preservation Commission.<br />
The commission has the authority to regulate the<br />
outside appearance of properties as well as delay – but<br />
not always prevent – demolition.<br />
In some cases, Historic Augusta’s PR campaign and<br />
city enforcement actions aren’t enough to save structures<br />
from the wrecking ball or being allowed to implode<br />
on their own, something preservationists call “demolition<br />
by neglect.”<br />
Inclusion on Historic Augusta’s endangered list, for<br />
example, hasn’t stopped several buildings – such as the<br />
Denning House at 905 Seventh St. and the Southern<br />
Bell Exchange Building at 937 Ellis St. – from steadily<br />
deteriorating.<br />
Other buildings that were listed as endangered – such<br />
as the old John S. Davidson School at the corner of 11th<br />
and Telfair streets and the Immaculate Conception<br />
Academy building at 1016 Laney-Walker Blvd. – were<br />
demolished despite public protestations.<br />
Occasionally, the attention results in a victory,<br />
such as the five-year stay of execution for the former<br />
Congregation Children of Israel Synagogue, a cityowned<br />
building at 525 Telfair St., and the relocation of<br />
the Trinity Christian Methodist Episcopal Church at 731<br />
Taylor St.<br />
<strong>1736</strong>magazine.com | 21
Architect Brad King, of 2KM Architects, stands inside the historic Jacob Phinizy home in Augusta.<br />
The synagogue building, which<br />
the city used as extra office space, is<br />
scheduled to be demolished unless<br />
a grassroots organization follows<br />
through on its plans to turn the<br />
property into the Augusta Jewish<br />
Museum by 2021.<br />
The Trinity CME church was<br />
scheduled for demolition by<br />
Atlanta Gas Light as part of a soil<br />
remediation project near a former<br />
coal-gas plant until an Augusta<br />
Canal Authority-secured grant<br />
funded the building’s move onto<br />
a new foundation 250 feet away in<br />
2018.<br />
The best strategy to saving<br />
endangered properties is finding<br />
preservation-minded owners with<br />
the rare combination of vision and<br />
capital.<br />
Montgomery acknowledges it is<br />
much easier, cheaper and less risky<br />
for developers to invest in new<br />
construction than rehabilitate old<br />
buildings.<br />
“Money is almost always the<br />
issue,” he said. “Either they<br />
(property owners) don’t have it or<br />
they don’t want to spend it. Then<br />
you have people that are interested<br />
and willing who just don’t have<br />
the funds or the means to raise the<br />
funds.”<br />
MAKING THE<br />
NUMBERS WORK<br />
The biggest incentive for developers<br />
to invest in preserving old<br />
buildings are state and federal historic<br />
tax credits. When combined,<br />
the credits can knock off up to 45%<br />
of the cost for certified rehabilitation<br />
projects in Georgia.<br />
The preservation credits are<br />
“sold” to third parties – who use<br />
them to offset their state and federal<br />
income tax liabilities – creating<br />
cash-back incentives for historic<br />
rehabilitation projects that would<br />
otherwise be financially unfeasible.<br />
The tax credits’ multi-step<br />
approval process, which is managed<br />
by the National Park Service,<br />
requires developers to submit<br />
detailed pre-construction rehabilitation<br />
plans to ensure historic<br />
or architecturally significant<br />
characteristics are not altered.<br />
Owners also must prove the work<br />
was performed to detailed standards<br />
through photographs and<br />
inspection.<br />
Historic property investors also<br />
are able to take advantage of federal<br />
“Opportunity Zone” tax benefits<br />
created under the Tax Cuts and Jobs<br />
Act of 2017. The provision provides<br />
tax incentives for re-investing<br />
unrealized capital gains into economically-distressed<br />
census tracts.<br />
Virtually all of Augusta’s urban core<br />
falls within federal Opportunity<br />
Zone boundaries.<br />
Donahue said the preservation<br />
tax-credit process is complicated<br />
and takes about a year, but he<br />
acknowledges he couldn’t have<br />
22 | <strong>1736</strong>magazine.com
PROFILES IN PRESERVATION<br />
The home of C.T. Walker at 1011 Laney-Walker Blvd. is being<br />
restored by Historic Augusta Inc. after years of dilapidation<br />
under private ownership. [SPECIAL PHOTOS]<br />
C.T. WALKER HOME<br />
1011 Laney-Walker Boulevard<br />
The Rev. Charles Thomas<br />
Walker (1858-1921) was an<br />
internationally acclaimed<br />
minister and a pillar of<br />
Augusta’s African-American<br />
community.<br />
One would not know that,<br />
however, by looking at the<br />
condition of the house he<br />
once called home at 1011<br />
Laney-Walker Blvd.<br />
The modest two-story<br />
house, which served as<br />
Walker’s residence from 1905<br />
until his death in 1921, spent<br />
so many years in disrepair<br />
that it was named one of<br />
10 “Places in Peril” by the<br />
Georgia Trust for Historic<br />
Preservation.<br />
But the property’s decadeslong<br />
decay came to an end in<br />
November 2016 when Historic<br />
Augusta Inc. was able to<br />
acquire the home after working<br />
for years with the heirs of<br />
The Rev. Charles T. Walker,<br />
founder of Tabernacle Baptist<br />
Church and the namesake of<br />
C.T. Walker Traditional Magnet<br />
School, was a nationally known<br />
minister in the early 20th<br />
century.<br />
its previous owner. The local preservation group is in the process of<br />
rehabilitating the 135-year-old house into a historic site, something<br />
that could be a catalyst for further preservation in the historic<br />
Laney-Walker neighborhood.<br />
The home is one of the few residences remaining on Laney-<br />
Walker Boulevard, which is named for Walker and renowned<br />
African-American educator Lucy Craft Laney.<br />
Walker also is the namesake for C.T. Walker Traditional Magnet<br />
School, and was the founder of Tabernacle Baptist Church, whose<br />
pews during the late 19th and early 20th centuries attracted everyone<br />
from freed slaves to President Taft.<br />
Walker’s widow, Violet Q. Franklin Walker, lived in the home until<br />
her death in 1928.<br />
Real estate investors find large, vacant buildings in the downtown historic<br />
district, such as the Marion Building, shown, too costly to renovate at current<br />
lease rates. [FILE/THE AUGUSTA CHRONICLE]<br />
financed most of his projects without them. Credits help foot the bill<br />
for costs that wouldn’t be encountered in new construction, such as<br />
restoring intricate millwork or bringing a century-old structure up to<br />
modern safety codes.<br />
Donahue said hundreds of thousands of dollars went toward<br />
improvements at the Lowrey, E.M. Andrews and Zachariah Daniel<br />
House buildings before he could even start building the income-producing<br />
loft apartments.<br />
“We spent $100,000 just on fire alarms and sprinklers,” Donahue<br />
said of the E.M. Andrews building. “Bringing everything up to meet<br />
all the current codes, that’s where a lot of the big money is. It’s more<br />
costly to do an old building than it is to do the identical building brand<br />
new.”<br />
Davis Beman, head of Blanchard & Calhoun Real Estate’s commercial<br />
division, is well-versed in helping investors and owners make<br />
historic redevelopment deals “work.” Beman himself is an investor in<br />
the historic Red Star Building at 531 Ninth St., a century-old building<br />
known for housing businesses catering to black train travelers during<br />
the segregation era. The property is now home to four residential<br />
units as well as the offices of attorney M. Austin Jackson and the<br />
contract-labor firm Austin Industrial.<br />
Beman said historic renovation projects are most convenient for<br />
property owners who will be the building’s end user, as they are not<br />
dependent on the ebbs and flows of the local rental market to recoup<br />
the investment.<br />
Notable end-user project examples include TaxSlayer’s purchase<br />
of the former Family Y building at 945 Broad St. to serve as its new<br />
headquarters, and Loop Recruiting’s purchase of the long-vacant Bee<br />
Hive building at 972 Broad St. to serve as its main office and that of its<br />
co-investor, Milestone Construction. Both structures far exceed the<br />
50-year-old threshold for a building to be considered historic.<br />
Investors restoring buildings strictly for rental income must weigh<br />
the redevelopment costs against Augusta’s current demand for<br />
24 | <strong>1736</strong>magazine.com
commercial and residential space, Beman said. They also must take<br />
into account the city’s current lease rates, which are rising but still<br />
comparatively low compared to peer cities.<br />
A final consideration is a property’s potential “density” – the<br />
maximum number of income-generating units it can yield. New<br />
buildings are designed with density in mind; historic buildings are<br />
often constrained by their original footprints and interior floorplans.<br />
Beman is currently marketing an amalgam of 19th century structures<br />
for redevelopment just north of the Red Star Building. The<br />
properties, which occupy the northwest corner of Ninth and Telfair<br />
streets, are individually owned by Kevin Steffes, founder of Vision<br />
Wireless, and Frank and Adele Damiano, the proprietors of the<br />
Damiano Co. dry goods store.<br />
Steffes bought his vacant buildings, which include the former<br />
Georgia State Floral Distributors warehouse, in 2017 for $175,000 to<br />
house his managed mobile-services firm. He later chose to locate in<br />
the Augusta University office tower at 699 Broad St. The Damianos,<br />
which occupy space in one of two buildings it owns on the block, are<br />
seeking to sell so they can retire.<br />
Like many owners of older buildings, Beman said Steffes and the<br />
Damianos are hopeful increased demand for downtown Augusta real<br />
estate will produce an interested tenant or buyer. Each party has the<br />
luxury of waiting, as their cost basis in the properties are relatively<br />
low.<br />
“It’s a renovation project that is going to be pretty costly, and its<br />
going to take time for the rental rates to justify the cost of building<br />
it out,“ acknowledges Beman, who is marketing the buildings as a<br />
mixed-use package deal.<br />
The property cluster’s proximity to the Augusta Judicial Center,<br />
the U.S. District Court complex and the newly built Augusta Fire<br />
Department station make it a good candidate for upper-floor apartments<br />
with ground-level office and retail tenants.<br />
The former warehouse building is a wide-open “blank slate,”<br />
Beman’s colleague Alex Griffin said.<br />
“This could be an awesome restaurant or coffee shop on the<br />
corner,” he said.<br />
One of the block’s vacant buildings already has a residential lineage;<br />
it was used as a boarding house for railroad workers during the<br />
early 20th century. The buildings are a block away from the site of the<br />
former Union Station train depot, an ornate Spanish Renaissancestyled<br />
building demolished nearly five decades ago. The property on<br />
which it sat is now occupied by the U.S. Postal Service’s downtown<br />
office, a product of 1970s-era institutional architecture.<br />
Beman said the Steffes and Damiano buildings still retain their 19th<br />
century character. The warehouse, for example, has brick arches with<br />
cast-iron supports where large windows used to be. The adjoining<br />
building also has large windows that could once again be opened up to<br />
natural light.<br />
The building was bricked over after sustaining damage during<br />
the 1970 Augusta riot. Windows broken during the unrest were left<br />
untouched, and are still visible from the inside.<br />
“They never replaced the glass,” Beman said. “They just put bricks<br />
over the front.”<br />
OLD BUILDINGS, NEW CHALLENGES<br />
Some old buildings are easier to restore than others. An architect<br />
often is needed to determine just how much work is needed to breathe<br />
new life into a long-vacant property.<br />
ENTERPRISE MILL<br />
1450 Greene St.<br />
PROFILES IN PRESERVATION<br />
The historic renovation of Enterprise Mill in the late 1990s made<br />
it cool to “live, work and play” in downtown Augusta again.<br />
The former textile mill, whose oldest section dates back to an<br />
1848 flour mill, was purchased in 1997 by Augusta businessman<br />
Clayton P. Boardman III as an adaptive-reuse project to turn the<br />
19th century industrial property into a mixed-use facility with<br />
residential, office and retail units.<br />
Having been shuttered in 1983 by former owner The Graniteville<br />
Co., the $15 million project involved removing more than 5,000<br />
tons of debris, restoring the building’s original 500 windows and<br />
re-roofing the entire structure.<br />
Today, the 260,000-square-foot complex is home to dozens of<br />
residents, several large commercial tenants and the Augusta Canal<br />
National Heritage Area Interpretive Center, which gives visitors<br />
a glimpse of what mill life was like during the city’s Industrial<br />
Revolution heyday.<br />
The property is replete with vestiges of its past, including<br />
hand-painted signs on interior walls, hardwood floors embedded<br />
with metal pieces used during the spinning process and a working<br />
turbine powered by the flowing waters of the Augusta Canal.<br />
The massive project was not a high-profit venture for the developer<br />
– Boardman sold the property in 2006 for $13 million – but it<br />
did give Augusta one of its most treasured downtown assets.<br />
An aerial view of Enterprise Mil in 1994 shows it at the height of<br />
its decay. [FILE PHOTOS/THE AUGUSTA CHRONICLE]<br />
<strong>1736</strong>magazine.com | 25
PROFILES IN PRESERVATION<br />
Jack Weinstein, president of the Augusta Jewish Museum (left)<br />
stands outside the future Augusta Jewish Museum along with<br />
Studio 3 Design Group architect Ellen Pruitt and Historic Augusta<br />
Executive Director Erick Montgomery. [FILE/THE AUGUSTA<br />
CHRONICLE]<br />
CONGREGATION CHILDREN<br />
OF ISRAEL SYNAGOGUE<br />
525 Telfair St.<br />
Jewish families have been<br />
in Augusta since 1802. But<br />
a purpose-built synagogue<br />
for them to worship in didn’t<br />
come until 1869, when the<br />
cornerstone was laid for what<br />
would be the Congregation<br />
Children of Israel Synagogue<br />
on Telfair Street.<br />
The Greek Revival-style<br />
temple they completed in<br />
1872 is believed to be the<br />
oldest building in Georgia<br />
built as a synagogue.<br />
In 1950, after worshiping at<br />
the building nearly 80 years,<br />
the congregation moved to<br />
a new synagogue on Walton<br />
Way. The building was sold to<br />
engineering firm Patchen and<br />
Zimmerman, which used it<br />
as an office. It was later purchased<br />
by the city of Augusta<br />
to house various departments<br />
over the years.<br />
When the city announced<br />
plans in 2015 to demolish the<br />
building, and an even older<br />
adjacent building called the<br />
The Jewish Synagogue at 525<br />
Telfair St., depicted in this early<br />
20th century postcard, was<br />
dedicated in 1869. The building<br />
was used until the congregation<br />
moved to the Summerville<br />
neighborhood in the 1950s.<br />
[SPECIAL]<br />
Court of the Ordinary, area Jewish families and historic preservationists<br />
rallied to protest the destruction.<br />
The Augusta Jewish Museum board was organized to protect<br />
the buildings by creating an educational center for residents and<br />
visitors to learn about the Jewish community’s history and contributions<br />
to the metro area. <br />
The city agreed to give the newly formed group five years – until<br />
July 2021 – to raise the money, do the restoration and open the<br />
museum before the buildings revert back to city ownership and<br />
eventual demolition.<br />
Brad King, a project architect at Augusta’s 2KM Architects, has<br />
served as an adviser on several preservation projects, including his own<br />
employer’s move to 529 Greene St., the former home of Jacob Phinizy,<br />
a former Augusta mayor and Georgia Railroad Bank president.<br />
The property, built in 1882, also housed the Poteet Funeral Home<br />
during the latter half of the 20th century. The Second Empire-styled<br />
structure spent nearly a decade in decay before 2KM moved in during<br />
2012. The work, which included discovering previously hidden wall<br />
paintings, was completed in 2014.<br />
King, who received his historic preservation certificate while earning<br />
a master’s degree at the University of Cincinnati, said several<br />
“test fit” plans he has conducted for clients in downtown Augusta<br />
never came to fruition because they uncovered costs the investor<br />
hadn’t anticipated.<br />
“I don’t think owners always know, going into it, what they’re getting<br />
themselves into,” King said. “It’s our job as architects to educate<br />
them on what it’s going to take, especially if they’re trying to get tax<br />
credits.”<br />
The obstacles to bonafide historic renovations can be plentiful.<br />
Tax credit rules might require, for example, a developer spend more<br />
repairing old wood-frame windows instead of buying newer, more<br />
energy-efficient ones. Sometimes there is costly asbestos and lead<br />
abatement. And there are almost always compliance issues with<br />
modern safety codes and the Americans with Disabilities Act.<br />
“A lot of these buildings were not made ADA-accessible,” King<br />
said. “If it wasn’t built with an elevator shaft and your tenant space is<br />
on the second floor, you’ve got to put in an elevator.”<br />
Modern safety codes also require two forms of egress – unobstructed<br />
exit paths. That makes large, multi-story structures with<br />
only one stairwell extremely expensive to rehabilitate, King said.<br />
In the case of the Lamar and Marion buildings – two of downtown<br />
Augusta’s tallest vacant historic buildings – constructing a second<br />
stairwell in either building that would simultaneously meet code and<br />
satisfy tax-credit standards could easily top $1 million, a sum that<br />
equals the last recorded sales price of both buildings combined.<br />
Increasing construction costs, coupled with downtown Augusta’s<br />
current rental rates – which are roughly 30% below the national average,<br />
according to the federal Bureau of Economic Analysis – are the<br />
primary reason many of the city’s largest vacant buildings remain<br />
idle.<br />
Beman notes that Georgia’s tax-credit law creates a catch-22. The<br />
time and expense of obtaining state and federal credits is the same<br />
whether a developer rehabilitates a 1,000-square-foot building or<br />
a 100,000-square-foot building, creating a disincentive to obtain<br />
credits on small projects.<br />
Compounding the problem in Georgia is the large gaps in the<br />
maximum credits allowed under the state’s three-tier system for<br />
commercial buildings: $300,000, $5 million and $10 million.<br />
Many projects don’t easily fit into the boxes, making owners choose<br />
between a less-desirable piecemeal investment over time or potentially<br />
biting off more than they can chew.<br />
“So there’s this kind of dichotomy of being too small to be worth<br />
the trouble for tax credits, and being too big and having to stay under<br />
a threshold,” Beman said.<br />
Low-end credit caps are more generous in nearby states: South<br />
Carolina’s is $1 million; Alabama’s is $5 million; and North Carolina’s<br />
is $15 million.<br />
Augusta businessman and philanthropist Clay Boardman, best<br />
26 | <strong>1736</strong>magazine.com
PROFILES IN PRESERVATION<br />
MILLER THEATER<br />
708 Broad St.<br />
Mark Donahue, president of Peach Contractors, stands at 448 Greene St., a<br />
historic Victorian-era estate his company renovated into 10 apartment units.<br />
known for rehabilitating the long-vacant Enterprise Mill into a successful<br />
mixed-use property and purchasing the historic Houghton<br />
School building for Heritage Academy, is a partner in the company<br />
that owns the Marion Building.<br />
Boardman said the building has been under contract to sell at least<br />
four times during the past five years. Each time the deal fell though<br />
after the prospective developer ran a pro forma to rehabilitate the<br />
10-story mid-rise into an income-producing property.<br />
Even contributing the building at cost for an equity stake in the<br />
proposed developments wasn’t enough to sway investors.<br />
“I have many friends in (South Carolina) and elsewhere that want<br />
to invest in Augusta and they have visited many times,“ Boardman<br />
said. ”They simply can’t make the numbers work.”<br />
Augusta’s low-cost real estate market is a double-edged sword:<br />
Residents benefit from affordable prices, but investors have less<br />
incentive to take on the costly challenges of turning older buildings<br />
into livable residences.<br />
“If you want hip, cool, innovative developments in Augusta, the<br />
risks often don’t justify the potential reward. It’s just a fact,” he said.<br />
“I hate it because I love Augusta and stand ready to invest further, but<br />
given a choice, and a limited pool of investment funds, it can prove far<br />
smarter to invest elsewhere.”<br />
Donahue makes his projects work financially by seeking out rightsized<br />
properties and by acting as his own general contractor and<br />
The Miller Theater was one of the biggest victims of urban<br />
decay in Augusta during the 1980s – but few seemed to realize it<br />
until the historic theater reopened in grand style on Jan. 6, 2018.<br />
It was only then that people realized what they had been missing<br />
all those years; the Italian marble terrazzo, the black walnut<br />
millwork and the stellar acoustics that made the Miller one of the<br />
finest theaters in the Southeast.<br />
The Art Moderne-style venue Frank J. Miller opened in 1940 was<br />
the second-largest in the state, behind only Atlanta’s Fox Theatre.<br />
The Broad Street theater played host to scores of performances<br />
and hundreds of films from Hollywood’s golden era, including the<br />
world premiere of “The Three Faces of Eve” in 1957.<br />
Suburban multiplexes led to the Miller’s downfall and the venue<br />
closed for good in 1984, starting a two-decade period of dilapidation<br />
that went unabated until 2005 when Augusta philanthropist<br />
Peter Knox IV purchased and mothballed the building to stave off<br />
further damage.<br />
Three years later the theater and an adjoining building – the former<br />
Cullum’s department store – were offered as a permanent home to<br />
the Augusta Symphony through a $23 million community campaign<br />
that culminated with the theater’s historic reopening in 2018.<br />
With the exception of state and federal historic tax credits and<br />
$5.1 million from a special purpose local option sales tax package,<br />
the money was contributed from individuals, corporations and<br />
foundations.<br />
It remains Augusta’s largest historic preservation project to date.<br />
A 2009 photo of the Miller Theater’s lobby shows its dilapidation<br />
from more than three decades of neglect.<br />
[FILE PHOTOS/THE AUGUSTA CHRONICLE]<br />
<strong>1736</strong>magazine.com | 27
PROFILES IN PRESERVATION<br />
A photo from 2018 shows the Trinity CME Church building sitting in<br />
the middle of Taylor Street on its way to a new site. [FILE PHOTOS/<br />
THE AUGUSTA CHRONICLE]<br />
TRINITY CHRISTIAN METHODIST<br />
EPISCOPAL CHURCH<br />
731 Taylor St.<br />
Moving a 400-ton church building from the 19th century 250<br />
feet onto a new foundation is not an ordinary undertaking. But the<br />
Trinity CME church on Taylor Street is not your ordinary building.<br />
The 130-year-old church, known as “Mother Trinity,” is the birthplace<br />
of the CME denomination. And before it was hoisted on steel girders<br />
and rolled on special dollies to its new location near the Augusta<br />
Canal’s third level in June 2018, it was destined for the wrecking ball.<br />
The historic church where a young James Brown learned to play<br />
the piano was targeted for demolition for nearly 20 years under a<br />
plan to remediate the soil underneath that was contaminated by<br />
the century-long operation of a nearby Atlanta Gas Light plant.<br />
An Augusta Canal Authority-negotiated plan enabled the church<br />
built by former slaves in the 1890s to move to its new location,<br />
enabling the cleanup of coal tar to resume while giving the old<br />
building new life as a community center, arts venue or trail head.<br />
Earlier remediation phases leveled all buildings in the area<br />
except the church, whose congregation relocated to a new building<br />
on Glenn Hills Drive.<br />
“What a glorious day it is,” said the Rev. Herman “Skip” Mason,<br />
pastor of Augusta’s new Trinity CME, as he watched the old church<br />
slowly roll across Taylor Street to its new site on June 13, 2018. “We<br />
give glory to God, but we also must give thanks to the Augusta<br />
Canal Authority.”<br />
Broken glass and other debris litter the floor near the banister at<br />
Trinity CME Church in this photo from 2014.<br />
property manager. Master carpenter Mitch Kirkendohl manages<br />
Donahue’s construction crews while office manager Michele<br />
Meehan oversees the leasing.<br />
“I wouldn’t be able to do these things without them,” Donahue<br />
said.<br />
Until Augusta reaches a point where demand for downtown<br />
real estate creates greater yields for investors, King said the city’s<br />
best chance for redeveloping vacant historic properties lies with<br />
end-user occupants and long-term investors with a soft spot for<br />
preservation.<br />
“I think the whole thing behind it is people have so much instant<br />
gratification these days – that people aren’t willing to wait until<br />
things are profitable,” he said. “You could do a (large project) and<br />
it might be a 15-year payback instead of a five-year payback. So<br />
there has to be an intention behind the economics of it; there has<br />
to be a passion as well.”<br />
WHEN PRESERVATION AND PROGRESS COLLIDE<br />
Few locals seemed to notice the unassuming brick building<br />
that’s been crumbling for decades at the northwest corner of the<br />
Augusta Common.<br />
That is, until the building’s current owner – Augusta-based<br />
Azalea Investments – discovered it was in danger of collapsing<br />
and petitioned for demolition last fall.<br />
Suddenly, many people became highly interested in the<br />
building.<br />
The long-vacant property quickly appeared on Historic<br />
Augusta’s <strong>2020</strong> Endangered Properties list.<br />
Research determined the building at 840 Reynolds St. had a<br />
peculiar origin: It was constructed at the turn-of-the-century as<br />
the Augusta Trunk Factory for Mary Cleckley, making the twostory<br />
structure the site of one of the city’s earliest woman-owned<br />
enterprises.<br />
“She had a very successful business at a time when very few<br />
women had businesses and very few women built buildings of<br />
their own,” Montgomery said of Cleckley during a November<br />
press conference highlighting the list.<br />
Azalea soon found itself in a place no real estate developer wants<br />
to be: owning a building whose cultural value exceeds its financial<br />
worth.<br />
The Augusta Historic Preservation Commission generally<br />
frowns on the demolition of historic buildings in the three citydesignated<br />
districts, except in extreme cases.<br />
“We know what the commission will say, in a way,” said Erik<br />
Engle, a senior planner with the Augusta Planning Commission<br />
who serves as staff liaison to the 12-member preservation board.<br />
“We really do try to work with (owners) so if there is an absolute<br />
need for demolition, we know why.”<br />
The preservation commission has historically encouraged<br />
owners to explore ways to save at least parts of structurally compromised<br />
buildings, as it has in the case of 840 Reynolds.<br />
“We’re always trying to figure out how to work with whatever<br />
their pro forma says to find out how to incorporate (the historic)<br />
elements into the site,” Engle said. “Like, why not try to stabilize<br />
two of the facades and incorporate that into the design somehow.”<br />
When demolition is the only option, city ordinances require<br />
owners submit a redevelopment plan to ensure properties<br />
do not become vacant lots in perpetuity. The “certificate of<br />
28 | <strong>1736</strong>magazine.com
Mark Donahue, from right, president of Peach<br />
Contractors, stands with office manager<br />
Michele Meehan and his master carpenter<br />
Mitch Kirkendohl at 448 Greene St., a historic<br />
Victorian-era estate his company renovated<br />
into 10 apartment units.<br />
appropriateness” process also strives<br />
to verify replacement structures<br />
will aesthetically conform to its<br />
surroundings.<br />
Azalea President Derek May said<br />
the firm is currently studying how it<br />
can redevelop the site while preserving<br />
elements of the 4,600-square-foot<br />
building, which was cordoned off and<br />
put under 24-hour security after it was<br />
condemned in September.<br />
The two-story, 120-year-old<br />
building fronts Reynolds Street and<br />
is book-ended by the Common and<br />
the former parking lot of the old Belk<br />
department store. Its south end abuts<br />
841 Broad St., a Sprint Food Storesowned<br />
building that housed its Metro<br />
Market convenience store until it closed<br />
in early 2018.<br />
Azalea’s initial plan was to renovate<br />
840 Reynolds as a pub for Riverwatch<br />
Brewery. The plan fell through after<br />
Azalea’s contractors discovered renovation<br />
work could trigger a collapse.<br />
“When we determined it was just in<br />
much worse shape than we thought,<br />
the first thing we did was go to the city<br />
and tell them we thought the building<br />
was a public-safety hazard, and they<br />
agreed,” said May, whose firm acquired<br />
the property from the estate of Augusta<br />
businessman Julian Osbon in 2016.<br />
May said it’s possible parts of the<br />
rectangular-shaped structure could<br />
be incorporated into a multi-family<br />
project Azalea is pursuing on adjacent<br />
lots at the corner of Ninth and Reynolds<br />
streets, the former site of the Augusta<br />
Police Department.<br />
The Great Depression-era police<br />
building – which was severely damaged<br />
and had no roof when an Azaleaaffiliated<br />
entity purchased it in 2016<br />
– was demolished in early 2017.<br />
Azalea, which is owned by the<br />
children of former Augusta Chronicle<br />
owner William S. Morris III, previously<br />
had plans to build a Marriott-branded<br />
hotel on the old police station site. May<br />
said the firm has since pivoted to a<br />
multi-family concept because demand<br />
for downtown apartments is greater<br />
than hotel rooms.<br />
He said the company’s owners – all<br />
native Augustans – are committed to<br />
historic preservation and are evaluating<br />
their options for 840 Reynolds and the<br />
adjacent vacant lots.<br />
“We don’t have a firm plan yet,” May<br />
said. “It could be something completely<br />
different than what we originally had in<br />
mind.”<br />
He said making the old Trunk<br />
Factory building a component of a<br />
new development – similar to the way<br />
city officials incorporated the former<br />
Harrison family warehouse into the<br />
Augusta Convention Center five years<br />
ago – could make partial restoration<br />
financially feasible.<br />
But rehabilitating the condemned<br />
building in its current condition as a<br />
stand-alone development would be a<br />
long-term money loser based on current<br />
Augusta lease rates, May said.<br />
Historic preservationists and developers<br />
often clash, but May describes<br />
discussions regarding the Trunk<br />
Factory building as a “cordial process.”<br />
“All of these groups have been great<br />
to work with,” May said. “I compliment<br />
the folks we’ve worked with on<br />
this. They have been very open and<br />
accommodating.”<br />
Two decades into its resurgence,<br />
downtown Augusta finds itself at an<br />
odd juncture.<br />
Public officials, developers and<br />
the general public universally agree<br />
increasing the number of people living<br />
downtown is the linchpin to boosting<br />
commerce and revitalization in the<br />
urban core.<br />
But the supply of downtown residential<br />
units is still below the demand, as<br />
evidenced by the Augusta Downtown<br />
Development Authority’s estimated<br />
98% occupancy rate for apartments in<br />
the central business district.<br />
Property owners, developers<br />
and commercial real estate brokers<br />
overwhelmingly agree many young<br />
professionals being drawn to Augusta’s<br />
military-fueled cybersecurity industry<br />
yearn for urban living.<br />
But they are wary of gambling on<br />
future employment projections, given<br />
the time and expense of rehabilitating<br />
historic buildings into office, business<br />
and apartment spaces – especially in a<br />
low-rate atmosphere.<br />
Economic development officials<br />
and business leaders acknowledge the<br />
buying and selling of downtown real<br />
estate is on a steep upward trajectory.<br />
But only a handful of transactions<br />
have yielded new developments. And<br />
the central business district’s inventory<br />
of vacant space, which ranges from<br />
move-in ready to the severely dilapidated,<br />
exceeds 1 million square feet – a<br />
space roughly the size of Augusta Mall.<br />
THE ILLUSIVE TIPPING POINT<br />
Is the wait for downtown Augusta’s<br />
boom getting in the way of the boom?<br />
Many of downtown’s long-vacant<br />
historic properties sit idle, even as<br />
plans are being drawn up for newlyconstructed<br />
office, retail and residential<br />
buildings, such as Ivey Development’s<br />
30 | <strong>1736</strong>magazine.com
An artist rendering depicts fully renovated buildings at the<br />
northwest corner of Ninth and Telfair streets. All properties<br />
depicted are for sale and 90 percent vacant. [SPECIAL/<br />
BLANCHARD & CALHOUN COMMERCIAL CORP.]<br />
155-unit Millhouse Station, Azalea<br />
Investments’ proposed multi-family<br />
midrise and the on-again off-again<br />
Riverfront at the Depot mixed-use<br />
complex.<br />
There appears to be no firm date on<br />
the economic tipping point that will<br />
coax property owners and developers<br />
into rehabilitating historic buildings.<br />
But the floodgates of preservation<br />
activity likely won’t open until demand<br />
for space – particularly residential –<br />
starts pushing Augusta’s rental rates<br />
toward parity with other Southeastern<br />
markets.<br />
“I am happy that housing costs are<br />
very low in Augusta – it helps many<br />
people,” Boardman says. “But, it comes<br />
at a price – fewer new developments,<br />
fewer higher risk developments, fewer<br />
housing choices.”<br />
King, the architect, said he understands<br />
the conundrum owners and<br />
investors face on historic renovation<br />
projects. Until the stars align, he<br />
believes the slow-but-steady growth<br />
that has typified redevelopment activity<br />
in the city’s urban core during the<br />
past several years will persist.<br />
Unless someone is willing to take a<br />
The orange glow of the setting sun is reflected off the Lamar Building, right, and the Marion<br />
building, left, in downtown Augusta. Bringing the old buildings up to modern codes is too costly<br />
for many investors at current lease rates. [FILE/THE AUGUSTA CHRONICLE]<br />
major leap of faith.<br />
“I think a few people own a lot of<br />
the buildings downtown and they’re<br />
waiting for the right tenant with big<br />
enough pockets to say, ’I’ll pay for XYZ<br />
renovation to occur,’ ” he said. “And<br />
maybe those tenants are waiting for<br />
the population density of downtown<br />
to grow up, which is waiting on the<br />
apartments to get more people living<br />
downtown.<br />
“You get to a certain number, and<br />
that sparks the need for a grocery<br />
store,” King says. “In my opinion, you<br />
hit that number and the new growth<br />
will begin to get exponential.”<br />
<strong>1736</strong>magazine.com | 31
G. Lloyd Preacher’s architectural<br />
career was launched in 1911<br />
after winning a competition<br />
to design the Augusta Fire<br />
Department headquarters,<br />
a building that now holds<br />
apartments and The Marbury<br />
Center meeting hall.<br />
[FILE/THE AUGUSTA CHRONICLE]<br />
32 | <strong>1736</strong>magazine.com
By DAMON CLINE<br />
Augusta’s<br />
ARCHITECT<br />
Augusta was very much an architectural<br />
blank slate in the early 20th<br />
century.<br />
Much of the city center had been<br />
destroyed by the Great Fire of 1916. Wide<br />
swaths of the countryside were opening up<br />
for development. And economic prosperity<br />
was ushering in the decade that would come<br />
to be known as the Roaring Twenties.<br />
It was during this era that one of the most<br />
famous architects to ever work in Augusta –<br />
G. Lloyd Preacher – would make a mark that<br />
can still be seen today.<br />
The creative force behind hundreds of<br />
buildings throughout the Southeast cut his<br />
teeth in Augusta by working on such structures<br />
as the Imperial Theatre, the Marion<br />
Building and the Houghton School.<br />
Noted local historian Ed Cashin wrote<br />
in his book, “The Story of Augusta,” that<br />
Preacher “more than anyone else left his<br />
mark on modern Augusta.”<br />
Preacher was born 60 miles southeast<br />
of Augusta in the Allendale County town<br />
of Fairfax, S.C. He moved to Augusta to<br />
work as a draftsman at Lombard Iron Works<br />
shortly after graduating with an engineering<br />
degree from Clemson College in 1904.<br />
Marrying a local girl, Fannie McDaniel, in<br />
1905 would help keep Preacher in Augusta<br />
for the next 15 years, resulting in the creation<br />
of some of the city’s most recognizable<br />
buildings.<br />
He was working as a civil engineer in 1909<br />
when he won the contest to design the city’s<br />
fire department headquarters on the 1200<br />
block of Broad Street. The three-story building<br />
now houses apartment units on the upper<br />
floors and the Marbury Center event space at<br />
the ground level.<br />
Preacher followed up the success by designing<br />
Harlem, Ga.’s Masonic Lodge building in<br />
1911 and by collaborating with W.L. Stoddart<br />
on downtown Augusta’s Marion Building (constructed<br />
as the Chronicle Building in 1912) and<br />
GEOFFREY LLOYD PREACHER<br />
Born: May 11, 1882; Fairfax, S.C.<br />
Died: June 17, 1972; Atlanta<br />
Alma mater: Clemson University (then Clemson College),<br />
engineering and architecture<br />
Family: Wife, Fannie; sons, Geoffrey Jr. and Jack<br />
Years active: 1904-1954<br />
Notable Augusta buildings:<br />
• Partridge Inn (first expansion), 1907<br />
• Marbury Center (originally Augusta Fire Department headquarters), 1909<br />
• Marion Building (originally the Chronicle Building), 1912*<br />
• Lamar Building (originally the Empire Life Insurance Building), 1913*<br />
• James Hotel (originally the Plaza Hotel), 1914**<br />
• University Hospital, 1915**<br />
• Modjeska Theater, 1916<br />
• Heritage Academy (originally the Houghton School), 1916<br />
• Cobb House (originally the Shirley Hotel), 1916<br />
• News Building (originally the Augusta Herald building), 1917<br />
• Imperial Theatre, 1917<br />
• Tubman Education Center (originally Tubman High School), 1918<br />
• Rialto Theater, 1918**<br />
• Lenox Theater, 1921**<br />
• Richmond Summit (originally the Richmond Hotel), 1923<br />
* Co-designed<br />
** Demolished<br />
Source: Staff research<br />
<strong>1736</strong>magazine.com | 33
The G. Lloyd Preacher-designed Houghton School opened in 1916 when the previous school named for Augusta businessman John W.<br />
Houghton was destroyed by Augusta’s great fire. The building now houses the Heritage Academy private school. [FILE/THE AUGUSTA<br />
CHRONICLE]<br />
the Lamar Building (built as the Empire<br />
Life Insurance Building in 1913). The<br />
latter would hold the title of the city’s<br />
tallest structure for more than a halfcentury.<br />
After being commissioned to<br />
design University Hospital and the<br />
Lincoln County Courthouse, both in<br />
1915, Preacher embarked on a string<br />
of theater projects in downtown<br />
Augusta, including the Modjeska in<br />
1916, the Imperial in 1917 (originally<br />
the Wells Theater) and the Lenox in<br />
1921. The Lenox – condemned and<br />
demolished in 1978 – was regarded as<br />
one of the finest black movie theaters<br />
in the segregation-era South.<br />
Other notable projects from this<br />
period include the Cobb House (originally<br />
the Shirley Hotel), the Richmond<br />
Summit (built as the Richmond<br />
Hotel) and numerous private homes<br />
in the Summerville neighborhood.<br />
Influenced by the Chicago school<br />
of architecture, Preacher’s commercial<br />
buildings often relied on<br />
elaborate ornamentation and lightcolored<br />
brick to soften sharp edges.<br />
By the early 1920s, Atlanta had<br />
The Chronicle Building was constructed<br />
in 1914 and was gutted by the Great<br />
Fire of 1916. It was renamed the Marion<br />
Building when it reopened in 1922.<br />
[SPECIAL]<br />
become such a steady source of<br />
work that Preacher decided to live<br />
there full time. His notable downtown<br />
Atlanta buildings include the<br />
Standard Building (1923), the Henry<br />
Grady Hotel (1924) and the building<br />
considered his magnum opus, the<br />
Atlanta City Hall (1930), which is<br />
notable for its blend of Art Deco and<br />
Gothic Revival styles.<br />
Preacher was at the height of his fame<br />
when he decided to close his architecture<br />
firm in 1934 to take a government<br />
job. He wouldn’t resume his practice for<br />
more than a decade and never designed<br />
another building in Augusta.<br />
Speaking to a local civic group<br />
during his later years, The Chronicle<br />
reported that Preacher said: “Augusta’s<br />
future, from both business and<br />
a resort standpoint, appears to me<br />
as brighter than probably any city in<br />
the South if the citizens will awake to<br />
their opportunities.”<br />
Many of the more than 400 buildings<br />
in seven states that Preacher<br />
designed during his career are still<br />
standing, and most are listed on the<br />
National Register of Historic Places,<br />
including Augusta’s Lamar Building<br />
and Tubman High School. But some<br />
structures, sadly, have been lost to<br />
time, including Augusta’s Plaza Hotel<br />
(demolished in 1991), Atlanta’s Henry<br />
Grady Hotel (1972) and the Soreno<br />
Hotel in St. Petersburg, Fla. (1992).<br />
Preacher died in Atlanta in 1972 at<br />
age 90.<br />
34 | <strong>1736</strong>magazine.com
BACK TO<br />
BANKING<br />
Historic renovation will return old bank to former glory<br />
ABOVE: Philip Wahl, president of Security Federal Bank, stands in the 1920s-era building that will become the bank’s new Augusta office.<br />
[MICHAEL HOLAHAN/THE AUGUSTA CHRONICLE]<br />
36 | <strong>1736</strong>magazine.com
By DAMON CLINE<br />
TOP: Security Federal Bank is turning 1109 Broad St. into its new<br />
downtown Augusta office.<br />
MIDDLE: Built by Georgia Railroad Bank as its “Uptown Branch” in 1924,<br />
the building spent nearly three decades as the offices for the Augusta<br />
Genealogical Society.<br />
BOTTOM: The interior of 1109 Broad St. does not look much different<br />
than it did in the early 1990s when it was last used as a bank branch.<br />
[PHOTOS BY MICHAEL HOLAHAN/THE AUGUSTA CHRONICLE]<br />
Security Federal Bank is renovating<br />
1109 Broad St. into its new downtown<br />
Augusta office.<br />
Of all the things the Aiken-based<br />
company must do before moving into the<br />
property this year, the one thing it doesn’t<br />
have to worry about is making the 96-yearold<br />
building “look” like a bank.<br />
It already does.<br />
The 4,000-square-foot building was<br />
constructed in 1924 as the “Uptown Branch”<br />
of the former Georgia Railroad Bank. It was<br />
considered Augusta’s first bank “branch,”<br />
and was designed as an architectural miniature<br />
of the main Georgia Railroad headquarters<br />
building that once sat at 701 Broad St.<br />
First Union, which acquired Georgia Railroad<br />
in the 1980s, sold the branch office to<br />
the Augusta Genealogical Society in 1993.<br />
Nearly three decades of occupation by the<br />
building’s previous owner has done nothing<br />
to change the bank-like appearance; the<br />
society simply stored its library of documents<br />
around the building’s furniture and<br />
fixtures.<br />
The cashier cages became individual study<br />
centers. The glass stand where customers<br />
once filled out deposit slips was used as<br />
a visitor sign-in station. The massive safe<br />
became a repository for rare documents.<br />
Security Federal President Phil Wahl,<br />
whose current downtown office is in the<br />
Augusta Riverfront Center building, set the<br />
ball in motion one day while walking by the<br />
property.<br />
“I stopped in and said, ‘Hey, can I take a<br />
look at the building?’ ” he recalled, noticing<br />
the ground-floor lobby still had its teller line,<br />
glass partitions and a working vault. “I went<br />
back to my board and said, ‘Wouldn’t it be<br />
great to have an office on Broad Street?’ ”<br />
A few negotiations and $900,000 later,<br />
Security Federal had its building on Broad.<br />
When it came time to plan the renovation,<br />
the bank chose to take the more “historic<br />
preservation” route. Though more complicated<br />
from a regulatory standpoint, the process<br />
would ensure the building was restored<br />
to its former glory and get the bank valuable<br />
tax credits to offset its investment, which<br />
likely will exceed $1 million. The restoration/<br />
renovation is being overseen by Augusta-<br />
<strong>1736</strong>magazine.com | 37
ased architecture firm Cheatham<br />
Fletcher Scott.<br />
Making the building look like it<br />
did in the 1920s will require workers<br />
to remove the drop ceiling that<br />
was installed during the late 1940s.<br />
Like nearly all buildings of the era,<br />
the Georgia Railroad branch was built<br />
without air conditioning, so a false<br />
ceiling had to be created to hide ductwork<br />
and mechanical components.<br />
Wahl said the vent covers on the<br />
drop ceiling are the same style as those<br />
used in the Miller Theater, which was<br />
built around the same time that the<br />
bank was getting air-conditioning.<br />
Removing the false ceiling will not<br />
only add 10 feet of vertical space to the<br />
interior, it will expose the top arches<br />
of the building’s original windows,<br />
which are visible only to the outside.<br />
The bank’s vault will be restored and<br />
will have safe-deposit boxes added.<br />
The drive-through teller lane (a feature<br />
that was added on long after the<br />
bank first opened) will be configured<br />
into two lanes with tellers handling<br />
transactions through video screens<br />
and pneumatic tubes. The upstairs<br />
space will be converted into offices<br />
and a large conference room.<br />
“It’s going to be really neat once it’s<br />
all done,” Wahl said. “Our employees<br />
are excited about it. I’m excited about<br />
it.”<br />
By today’s standards, there isn’t<br />
much difference between Broad<br />
Street’s upper and lower ends. But in<br />
the early 20th century, the “uptown”<br />
section of the city needed some polish.<br />
According to a story in the Jan. 5,<br />
1925, edition of The Augusta Chronicle<br />
about the branch office’s opening:<br />
“The new building is one of the most<br />
beautiful in the entire city and replaces<br />
a number of old dilapidated wooden<br />
buildings or shacks which were an<br />
eyesore to that section...Just a few<br />
years ago practically the entire north<br />
side of this block was composed of<br />
wooden structures, and now almost all<br />
of these are gone.”<br />
The story said the branch would<br />
be filling “a long felt want from the<br />
standpoint of giving banking facilities<br />
to the business section of Broad which<br />
The interior of 1109 Broad St. does not look much different than it did in the early<br />
1990s when it was last used as a bank branch. [MICHAEL HOLAHAN/THE AUGUSTA<br />
CHRONICLE]<br />
A drop ceiling hangs from the original roof of the Georgia Railroad Bank’s Uptown<br />
Branch building. It will be removed by Security Federal Bank as part of a historic<br />
restoration project to turn the building into its new downtown office. [MICHAEL<br />
HOLAHAN/THE AUGUSTA CHRONICLE]<br />
The old safe from the original bank will be reused when Security Federal Bank<br />
completes its historic renovation of the 1924 building. [MICHAEL HOLAHAN/THE<br />
AUGUSTA CHRONICLE]<br />
38 | <strong>1736</strong>magazine.com
A decades-old security camera is one of several old bank<br />
remnants that was left in the building after 1109 Broad St. was<br />
sold to the Augusta Genealogical Society in the early 1990s.<br />
[MICHAEL HOLAHAN/THE AUGUSTA CHRONICLE]<br />
is growing with marvelous rapidity.”<br />
The branch was designed by Augusta architecture firm<br />
Scroggs and Ewing, and was built by C.H. Van Ormer,<br />
a contractor whose other notable projects included J.B.<br />
White’s Broad Street department store, Curtis Baptist<br />
Church, a Paine College dormitory and a warehouse for<br />
Atlantic Milling Co.<br />
The future branch will be one of two for Security<br />
Federal in Augusta’s urban core. In late 2019 it opened a<br />
branch near Augusta’s medical district at 1607 Walton<br />
Way, in office space previously occupied by Georgia<br />
Power.<br />
Like the Walton Way branch, the downtown office is<br />
designed to strengthen the bank’s presence in Augusta’s<br />
urban region; Security Federal’s first foray into the Georgia<br />
side of the market was in suburban Columbia County.<br />
Wahl, whose 30-year banking career has been spent<br />
almost entirely in Augusta, doesn’t deny the gravitas that<br />
a Broad Street address brings the institution.<br />
“We really feel it will demonstrate our commitment to<br />
the community,” he said. “And we think we can be a very<br />
significant contributor to the revitalization of downtown.”<br />
As for the importance of planting a flag downtown,<br />
Wahl said Security Federal Chairman Tim Simmons may<br />
have summed it up best during a recent top-to-bottom<br />
tour of the building.<br />
“We’re standing there on the roof, looking out over<br />
the street, and he turns to me and says, ‘You know, I<br />
wouldn’t do business with a bank in Augusta that didn’t<br />
have a branch on Broad Street.”
15 Properties<br />
Potential<br />
with<br />
1<br />
Mt. Auburn St.<br />
3<br />
Gardner St.<br />
Greene St.<br />
AUGUSTA<br />
5<br />
28<br />
Broad St.<br />
1. Weed School<br />
2403 Mount Auburn St.<br />
• Built in 1936 as an<br />
elementary school for<br />
African-American children;<br />
closed in mid-2000s; named<br />
after the Rev. Edwin Weed<br />
• Under contract for purchase;<br />
has redevelopment<br />
potential as multi-family<br />
housing<br />
Johns Rd.<br />
Central Ave.<br />
Kissingbower Rd.<br />
2<br />
Heard Ave.<br />
Walton Way<br />
4<br />
Baker Ave.<br />
Central Ave.<br />
Wrightsboro Rd.<br />
15th St.<br />
R.A. De<br />
2. Old Fire Station No. 7<br />
2163 Central Ave.<br />
• Spanish colonial revival-style<br />
fire station operated<br />
from 1915 to 2003; a historic<br />
landmark in Summerville<br />
neighborhood<br />
• City-owned but unoccupied;<br />
has redevelopment potential<br />
as a restaurant, office or<br />
community center<br />
3. Cumming Grove Baptist Church<br />
2289 Gardner St.<br />
• Founded by African-Americans<br />
in the 1840s in the Sand<br />
Hills neighborhood; considered<br />
the oldest church in the city’s<br />
Hill section<br />
• Property is owned by the<br />
congregation but faces<br />
pressure from encroaching<br />
development<br />
5. Martha Lester School<br />
1688 Broad St.<br />
• Completed in 1934 along the<br />
historic Augusta Canal, the<br />
building was one of several<br />
properties the school board<br />
sold during a 2008 auction<br />
• Was saved from further<br />
deterioration with the addition<br />
of a new roof in 2012; is vacant<br />
and currently listed for sale<br />
6. John Strother Old Folks Home<br />
1243 Laney-Walker Boulevard<br />
• Built as a dwelling in 1916, the<br />
American Foursquare-style<br />
property operated as an<br />
elderly home in the late 1970s<br />
and early 1980s; now privately<br />
owned and in dilapidated<br />
condition<br />
• Has potential to complement<br />
Laney-Walker neighborhood<br />
revitalization as new residential, commercial or retail<br />
8. Gre<br />
1235 G<br />
• Rom<br />
buildi<br />
1906<br />
tion’s<br />
close<br />
declin<br />
• The<br />
the no<br />
has li<br />
renov<br />
9. 110<br />
1154-<br />
• Two<br />
store<br />
multi<br />
owne<br />
hotel<br />
• The<br />
demo<br />
comp<br />
plans<br />
advoc<br />
4. Lamar Elementary School<br />
970 Baker Ave.<br />
• Constructed in 1933 in<br />
the Art Moderne style, the<br />
school operated until the<br />
2012 opening of the merged<br />
Lamar-Milledge Elementary;<br />
considered surplus school<br />
board property<br />
• Building is threatened<br />
by plans for new stadium<br />
at adjacent Academy of<br />
Richmond County<br />
7. St. Benedict Orphanage and Boarding School<br />
1220 12th St.<br />
• The dilapidated building was<br />
constructed as a boarding<br />
school for African-American<br />
children by the Franciscan<br />
sisters of St. Benedict Convent<br />
in 1901; is the progenitor of<br />
Immaculate Conception School<br />
• Privately owned property has<br />
potential for renovation into<br />
market-rate housing for seniors<br />
or students<br />
10. So<br />
937 El<br />
• Built<br />
in the<br />
phone<br />
dilapi<br />
struc<br />
leaky<br />
• With<br />
White<br />
two-s<br />
redev<br />
Sources: Historic Augusta Inc.; Augusta Chronicle research maps4news.com/©HERE<br />
40 | <strong>1736</strong>magazine.com
15th St.<br />
5<br />
R.A. Dent Blvd<br />
Broad St.<br />
Wrightsboro Rd.<br />
Savannah River<br />
6<br />
7<br />
13th St.<br />
12th St.<br />
8<br />
Georgia Ave.<br />
9<br />
River<br />
Golf Club<br />
Greene St.<br />
11<br />
10<br />
James Brown Blvd.<br />
12<br />
Laney Walker Blvd.<br />
SOUTH CAROLINA<br />
GEORGIA<br />
7th St.<br />
Walton Way<br />
13<br />
14<br />
15<br />
¼ mile<br />
78<br />
11. Old Fire Station No. 2<br />
902 James Brown Blvd.<br />
• One of the first two city-built<br />
fire stations in the early 1890s;<br />
now an unused building in<br />
Dyess Park<br />
• A recent inspection showed<br />
the building is in worse shape<br />
than previously thought; park<br />
users have for years wanted<br />
city officials to replace the<br />
structure with a modern community center<br />
12. Ninth Street Commercial Block<br />
500 block of James Brown<br />
Boulevard<br />
• Row of late 19th and early<br />
20th century buildings on the<br />
block’s northwest side are<br />
vacant and in varying degrees<br />
of deterioration<br />
• The multi-story structures<br />
north of the Damiano building<br />
are being marketed for<br />
redevelopment as apartments with ground-floor commercial space<br />
8. Greene Street Presbyterian<br />
1235 Greene St.<br />
• Romanesque Revival-style<br />
building was constructed in<br />
1906 to replace the congregation’s<br />
original 1879 building;<br />
closed in 2008 after years of<br />
declining church membership<br />
• The building’s current owner,<br />
the nonprofit GAP Ministries,<br />
has limited maintenance and<br />
renovation funds<br />
9. 1100 Broad Commercial Block<br />
1154-60 Broad St.<br />
• Two turn-of-the-century<br />
storefronts are part of a<br />
multi-parcel tract property<br />
owned by a South Carolina<br />
hotel developer<br />
• The buildings could be<br />
demolished as part of the<br />
company’s redevelopment<br />
plans; preservationists<br />
advocate incorporating the structures into any future construction<br />
13. Denning House<br />
905 7th St.<br />
• As part of a block of historic<br />
homes along the Augusta<br />
Canal’s “third level” zone,<br />
the dilapidated and privately<br />
owned property at the corner<br />
of Seventh and Taylor streets<br />
dates back to the 1860s<br />
• Renovation could serve as an<br />
anchor for revitalization in the<br />
surrounding neighborhood<br />
14. Old First Baptist Church<br />
802 Greene St.<br />
• Built in 1902 in the Beaux<br />
Arts-style on the site of the<br />
first Southern Baptist Convention,<br />
the iconic building has<br />
seen increasingly infrequent<br />
use since the church relocated<br />
to west Augusta in 1975<br />
• Property’s immense size<br />
makes routine maintenance<br />
costly; mixed-use potential exists for a well-capitalized owner<br />
10. Southern Bell Exchange Building<br />
937 Ellis St.<br />
• Built in 1902 and last occupied<br />
in the 1980s, the former<br />
phone company office is in<br />
dilapidated condition and is<br />
structurally threatened by a<br />
leaky roof<br />
• With its proximity to the J.B.<br />
White’s mixed-use building, the<br />
two-story structure could be<br />
redeveloped into office or residential space<br />
15. Woolworth Building<br />
802 Broad St.<br />
• Built in 1915, the former dime<br />
store expanded over the years<br />
to its present footprint in 1949;<br />
the Art Deco-style building -<br />
vacant since 1991 - was the<br />
site of a 1960 sit-in demonstration<br />
by Paine College students<br />
• Deferred maintenance has<br />
resulted in interior and exterior<br />
damage; its current owner, a<br />
South Carolina restaurateur, intends to renovate the building<br />
GANNETT<br />
<strong>1736</strong>magazine.com | 41
PRESERVATION continued from 12<br />
Historic preservation was now directly,<br />
positively, impacting the very center of<br />
downtown.<br />
The state tax credits were substantially<br />
expanded in 2015, helping to enable such<br />
large projects such as the Miller Theater<br />
rehabilitation further revitalizing downtown<br />
Augusta.<br />
The expanded state credits also were<br />
now available, for the first time, for use on<br />
private residences. Locally, the impact of<br />
this change has been seen in the certified<br />
historic rehabilitation of a limited number<br />
of homes in the Summerville Historic<br />
District.<br />
Currently, most historic preservation<br />
activity appears to be occurring in Augusta’s<br />
National Register Historic Districts<br />
that are also overlaid by local historic districts<br />
with preservation design guidelines:<br />
Olde Town, Downtown, and Summerville.<br />
The design guidelines give assurance to a<br />
developer or homeowner making a substantial<br />
investment in a tax credit project<br />
that the surrounding properties will retain<br />
their historic character and continue to<br />
support the value of the property receiving<br />
the investment.<br />
Tax reforms of 2017 again reduced the<br />
attraction of the federal tax credits by<br />
extending the period over which they can<br />
be captured, diluting their value. Additionally,<br />
tax court rulings have made it<br />
more difficult to distribute the benefits<br />
of the tax credits to indirect investors in<br />
tax credit projects, dissuading investor<br />
participation.<br />
Somewhat offsetting the changes in<br />
the value of the federal credit has been the<br />
establishment of federally tax-advantaged<br />
Opportunity Zones. In Augusta, the Opportunity<br />
Zones overlap most downtown historic<br />
districts. Some downtown tax credit projects<br />
also are attracting Opportunity Zone funding.<br />
The full impact of these Opportunity<br />
Zone funds in Augusta’s historic preservation<br />
districts is just now materializing.<br />
Still, significant tax credit projects are<br />
occurring in Augusta, such as TaxSlayer’s<br />
rehab of the former YMCA building at<br />
945 Broad St., across from the previously<br />
rehabbed J.B. White’s Building. This<br />
is a classic example of how one historic<br />
preservation-assisted development can<br />
lead to neighboring investments – in this<br />
case, a very substantial one.<br />
Indeed, the 900 block of Broad has<br />
seen heavy investment since the White’s<br />
project was completed, including the<br />
expansion of the Wier-Stewart firm into<br />
the redeveloped 980 Broad St. building,<br />
the new Loop Recruiting building at 972<br />
Broad and the American Journeyman store<br />
project at 970 Broad.<br />
Some of these investments, and many<br />
others in Augusta, wouldn’t have been<br />
possible without the incentives afforded by<br />
federal and state historic tax credits. Both<br />
programs are worthy of our preservation.<br />
The author is president and general<br />
manager of Rex Property & Land LLC , a<br />
local redevelopment company focusing on<br />
Augusta's historic properties. He was the<br />
2018 recipient of the Georgia Cities Foundation<br />
Renaissance Award.<br />
A crowd passes through security screening at Diana Ross’ 2018 concert the Bell Auditorium in downtown Augusta. Historic preservationists see a direct link<br />
between today’s vibrant downtown economy and tax-assisted building renovation efforts that began more than four decades ago. [FILE/THE AUGUSTA CHRONICLE]<br />
42 | <strong>1736</strong>magazine.com
Lost to<br />
Time By<br />
Augusta said<br />
goodbye to many<br />
historic structures<br />
over the years<br />
DAMON CLINE<br />
Not every building deemed<br />
historically or architecturally<br />
significant in Augusta gets<br />
saved.<br />
History has shown many<br />
examples where cultural treasures have met<br />
their ends at the hands of neglect, natural<br />
disaster, lack of appreciation and the pursuit of<br />
“progress.”<br />
A historic building’s significance is often<br />
not recognized until it is too late, said Erick<br />
Montgomery, executive director of Historic<br />
Augusta Inc.<br />
Without intervention from professional<br />
preservationists and community volunteers,<br />
historic structures can disappear forever.<br />
Montgomery cites Historic Augusta’s<br />
restoration of the C.T. Walker home at 1011<br />
Laney-Walker Blvd. as an example of saving<br />
a property that the community had forgotten.<br />
The home, which belonged to the Rev. Charles<br />
T. Walker, was in horrific shape when the nonprofit<br />
acquired it in 2016.<br />
The vacant two-story structure was cluttered<br />
with years of trash and debris from the<br />
homeless, vandals and criminals using it for<br />
illicit activities. The home had been stripped of<br />
its fixtures, including its electrical wiring.<br />
44 | <strong>1736</strong>magazine.com
For a property once home to one of<br />
Augusta’s most famous African-American<br />
figures – the founder of Tabernacle Baptist<br />
Church – it was amazing how close the home<br />
came to being damaged beyond repair.<br />
“Most people would look at the C.T. Walker<br />
house and say, ‘Oh, it’s just an ordinary little<br />
house,’” Montgomery said. “But you have to<br />
marry up the history.”<br />
The house served as Walker’s residence in<br />
Augusta from about 1905 until his death in<br />
1921 when the street was known as Gwinnett<br />
Street. Walker’s widow, Violet Q. Franklin<br />
Walker, remained there until her death in<br />
1928, at which time the home began to pass<br />
through a series of heirs.<br />
Walker gained worldwide recognition as<br />
the “Black Spurgeon,” a reference to British<br />
evangelist Charles Haddon Spurgeon, whose<br />
fame at the time was equal to Billy Graham’s<br />
in the second half of the 20th century.<br />
Although Historic Augusta today raises<br />
awareness for all types of historically significant<br />
structures in the city, the organization<br />
primarily focused on antebellum structures<br />
following its founding in 1965. The narrow<br />
focus resulted in many late 19th and early 20th<br />
century buildings getting demolished during<br />
the city’s “urban renewal” efforts between the<br />
1960s and 1980s.<br />
Some of the greatest losses were in the area<br />
once known as Barrett Plaza, a public square<br />
that greeted visitors arriving by train at Union<br />
Station, a Spanish Renaissance-styled building<br />
erected in 1902. The station was closed in<br />
1968 and demolished in 1972. The site is now<br />
occupied by the U.S. Postal Service’s downtown<br />
Augusta office.<br />
While many today would consider the<br />
building’s demolition a travesty, leaders of the<br />
era considered the outdated buildings anachronistic<br />
symbols not befitting a modern city<br />
ABOVE: Built in the 1880s<br />
in the Romanesque and<br />
Gothic styles, the old<br />
Federal Building at Greene<br />
and Ninth streets was<br />
demolished to make way<br />
for the Augusta Public<br />
Library branch in the late<br />
1970s. The library has<br />
since been converted<br />
to the Augusta Judicial<br />
Circuit’s public defender<br />
office. [SPECIAL]<br />
OPPOSITE: Built in 1902,<br />
Augusta’s Union Station<br />
welcomed countless<br />
numbers of locals and<br />
visiting guests arriving<br />
by train. The station,<br />
near the corner of Eighth<br />
and Walker streets, was<br />
demolished in 1972 [FILE/<br />
THE AUGUSTA CHRONICLE]<br />
<strong>1736</strong>magazine.com | 45
The James Hotel, which<br />
opened in 1917 as the<br />
Plaza Hotel, was popular<br />
with train travelers<br />
arriving and departing<br />
through the nearby<br />
Union Station at Walker<br />
Street. The building<br />
fell into disrepair in<br />
the 1960s as passenger<br />
train traffic declined.<br />
It was demolished in<br />
1991. [FILE/THE AUGUSTA<br />
CHRONICLE]<br />
on the move. Even The Augusta Chronicle<br />
noted in 1970 that “the deteriorating railroad<br />
station stands as an unsightly reminder of the<br />
past.”<br />
Another focal point of the once-grand<br />
Barrett Plaza was The Plaza Hotel, which<br />
was built in 1917 and renamed the James<br />
Hotel in the 1960s. It was demolished in<br />
1991. The land on which it sat is now the U.S.<br />
Bankruptcy Court.<br />
The only original building still standing<br />
at the plaza is the U.S. Post Office and<br />
Courthouse Building, a Renaissance Revivalstyled<br />
building now used exclusively by<br />
the U.S. District Court Southern District of<br />
Georgia. The plaza’s landscaping, fountain<br />
and its statue honoring Patrick Walsh – an<br />
Augusta Chronicle editor and early civil<br />
rights advocate – are still there, but a security<br />
fence around the federal buildings shields<br />
the space from the public.<br />
Other failures in preservation during the<br />
renewal era include the demolition of the old<br />
Federal Building at the corner of Ninth and<br />
Greene streets. The intricate 19th century<br />
building, designed in Romanesque and Gothic<br />
styles, once housed the city post office and,<br />
for a time, its municipal offices.<br />
The old Federal Building was razed to make<br />
way for the institutionally drab Augusta<br />
Public Library branch in the late 1970s. The<br />
marble-clad former library building now<br />
houses the Augusta Judicial Circuit’s public<br />
defender’s office.<br />
46 | <strong>1736</strong>magazine.com
This January 2016 photo shows the demolition in progress at the<br />
old John S. Davidson School building at the corner of 11th and<br />
Telfair streets. The building was allowed to fall into disrepair after<br />
the John S. Davidson Fine Arts Magnet School moved to a new<br />
complex on 12th Street. [FILE/THE AUGUSTA CHRONICLE]<br />
Many historic buildings were burned in the Great Fire of<br />
1916, but several others were destroyed by other fires over<br />
the years, including North Augusta’s Hampton Terrace<br />
Resort, which was one of the largest hotels during the<br />
region’s heyday as a turn-of-the-century winter haven. A<br />
New Year’s Eve fire in 1916 destroyed the elegant hotel just<br />
13 years after it opened.<br />
A 2008 fire at the Southern Milling Co. brought down<br />
the historic building along the Augusta Canal’s third level.<br />
The mill, built in 1854 as the Crescent Flour Mill, was one<br />
of the first industries to make use of the canal.<br />
More recently, a fire at Pullman Hall on May 14 gutted<br />
the structure that was built in the early 1850s as a railroad<br />
depot for an Augusta-Waynesboro route.<br />
Some owners who don’t want the expense of rehabilitating<br />
a historic building according to city guidelines and<br />
standards will simply allow their buildings to fall down so<br />
they can start from scratch, something that preservationists<br />
call “demolition by neglect.”<br />
One high profile example occurred in 2003 when the roof<br />
of 602 Broad St. collapsed, causing the rest of the threestory<br />
building to be demolished. The building, formerly<br />
the Augusta Hotel, was owned by Augusta businessman<br />
<strong>1736</strong>magazine.com | 47
The Forrest Hills-Ricker Hotel was built on one of the<br />
highest points of the Summerville neighborhood in 1927<br />
as a resort for winter visitors. The decline in tourism in<br />
the 1930s saw the building become an Army hospital. It<br />
operated as Oliver General Hospital from 1950 to 1986.<br />
The building was demolished in 1988. [SPECIAL]<br />
Tim Shelnut, who blamed the collapse on the city Historic<br />
Preservation Commission’s continual rejection of his plans to<br />
renovate the property into an upscale restaurant.<br />
Some old buildings are torn down simply because they are<br />
no longer usable and take up valuable space. Prime examples of<br />
that can be found on Augusta University’s downtown Health<br />
Sciences Campus, where buildings such as the old University<br />
Hospital and the Wilhenford Hospital for Children were razed<br />
to make room for modern structures.<br />
48 | <strong>1736</strong>magazine.com
Trying to bring old buildings up to modern standards<br />
makes saving some buildings cost-prohibitive. Paine<br />
College quietly razed the childhood home of noted author<br />
and alumni Frank G. Yerby in 2005 after learning the building<br />
had numerous structural problems as well as asbestos<br />
and lead paint.<br />
After public outcry, the college re-constructed an exact<br />
replica of the home to honor the acclaimed writer whose works<br />
included “The Foxes of Harrow” and “Dahomean.”<br />
A building doesn’t necessarily have to be a century old<br />
for it to have cultural significance. A good example is the<br />
1950s-era Pontiac Master Auto Service Building at 1027<br />
Telfair St. The building, with its curved facade and windows,<br />
was a prime example of mid-century automotive<br />
industry architecture before it was torn down in June 2019<br />
despite opposition from preservationists.<br />
For an old structure to survive, it must have an owner<br />
with vision and the capital to preserve it. Unfortunately,<br />
such a combination is difficult to find, which is why historic<br />
structures such as the old John S. Davidson School building<br />
on Telfair Street and the Forrest Hills-Ricker Hotel in<br />
Summerville were reduced to rubble.<br />
<strong>1736</strong>magazine.com | 49
50 | <strong>1736</strong>magazine.com
An undated photo shows the former Lam Brother’s Food Store at 1026 D’Antignac St. The mid-19th century structure, which<br />
had residential units upstairs, sat vacant for years and was demolished in 2008 after the body of a homicide victim was found<br />
inside a year earlier. [SPECIAL]<br />
ABOVE: The former<br />
Hampton Terrace Resort<br />
in North Augusta, one of<br />
the most elegant of the<br />
region’s winter resorts,<br />
was destroyed by fire<br />
just 13 years after its<br />
1903 grand opening. The<br />
former site of the hotel<br />
on Carolina Avenue is<br />
now occupied by homes.<br />
[SPECIAL]<br />
LEFT: The Wilhenford<br />
Hospital for Children, a<br />
facility considered the<br />
South’s first children’s<br />
hospital when it opened<br />
in 1910 on the presentday<br />
Augusta University<br />
medical campus,<br />
operated until 1941. The<br />
building was used for<br />
other purposes before<br />
its 1959 demolition.<br />
[SPECIAL]<br />
The Immaculate Conception Academy building at 1016 Laney-Walker Blvd., built in 1913 by the African American Missionary<br />
Fathers of the Catholic Church, was demolished by the Catholic Diocese of Savannah in 2012 despite objection from<br />
preservationists. The property is now a vacant lot. [SPECIAL]<br />
<strong>1736</strong>magazine.com | 51
TOP: Firefighters work to<br />
extinguish the May 14, 2019, fire<br />
that destroyed most of Pullman<br />
Hall, a building constructed in<br />
the early 1850s as a railroad<br />
depot for the Augusta-<br />
Waynesboro route. The building<br />
had served as a banquet hall in<br />
recent years.<br />
MIDDLE: The defunct Southern<br />
Milling Co., shown here in this<br />
2006 file photo, was destroyed<br />
by fire in 2008. The mill was built<br />
in 1854 along the Augusta Canal<br />
and was known as the Crescent<br />
Flour Mill. [FILE PHOTOS/THE<br />
AUGUSTA CHRONICLE]<br />
BOTTOM: The former Pontiac<br />
Master Auto Service Building<br />
at 1027 Telfair St. was a prime<br />
example of mid-century<br />
architecture in downtown<br />
Augusta. Recognized by its<br />
curved facade and windows,<br />
the former car dealership<br />
was leased to an auto repair<br />
business until the building’s<br />
demolition in June 2019.<br />
[SPECIAL]<br />
Each year Historic Augusta publishes<br />
its “Endangered Properties”<br />
list to highlight buildings that are<br />
threatened by vacancy, neglect,<br />
encroachment or inappropriate<br />
alterations. However, a property’s<br />
inclusion on the list does not always<br />
save it from demise.<br />
Several listed properties, such as<br />
the Immaculate Conception Academy<br />
building at 1016 Laney-Walker Blvd.,<br />
have been demolished despite the<br />
preservation group’s efforts to save<br />
them.<br />
Montgomery said the list at least<br />
makes city officials and the general<br />
public aware of historically significant<br />
structures that are in danger, in<br />
the hope that somebody can step in<br />
and save a building, as it did with the<br />
C.T. Walker home.<br />
“It takes an organization like<br />
Historic Augusta to make things<br />
happen,” Montgomery said. “We’re<br />
not always successful, but we try to<br />
do the right thing.”<br />
52 | <strong>1736</strong>magazine.com
The difference between<br />
saving and razing old<br />
structures almost<br />
always comes down to<br />
the building’s owner.<br />
Owners who value the properties and<br />
take care of them tend to have buildings<br />
that hold up over time. Those<br />
who neglect the buildings consign the<br />
structures to the damaging forces of<br />
nature and – the worst case scenario – a<br />
demolition crew.<br />
Fortunately, Augusta’s urban core<br />
retains many culturally significant<br />
buildings from throughout the city’s<br />
history. Some of these buildings stood<br />
the test of time because they never<br />
stopped serving a purpose. Others were<br />
simply fortunate to have preservationminded<br />
owners. And some<br />
were just so endearing that<br />
locals stepped forward to fight<br />
for them.<br />
Here are a handful of historic<br />
structures that have hardly<br />
changed since the day they<br />
were built.<br />
ALWAYS<br />
there<br />
Many historic buildings<br />
in Augusta have stood<br />
the test of time<br />
By DAMON CLINE<br />
54 | <strong>1736</strong>magazine.com
GERTRUDE HERBERT<br />
INSTITUTE OF ART<br />
Address: 506 Telfair St.<br />
Constructed: 1818<br />
▲<br />
History: The Federal-style home for<br />
Augusta Mayor and U.S. Senator Nicolas<br />
Ware was completed for the then-exorbitant<br />
sum of $40,000, which led to it earning<br />
the nickname “Ware’s Folly.” The home<br />
was a residence for three other prominent<br />
Augusta families until 1909.<br />
Olivia Herbert, a wealthy New Yorker who<br />
wintered in Augusta, purchased and renovated<br />
the mansion to provide a permanent<br />
home for the Augusta Art Club as well as a<br />
living memorial to her daughter, Gertrude<br />
Herbert Dunn, soon after her death. The<br />
building has been the Gertrude Herbert<br />
Institute of Art ever since.<br />
Ware’s Folly, home to the Gertrude Herbert<br />
Institute of Art. [SPECIAL/HISTORIC AUGUSTA<br />
INC.-JAMES R. LOCKHART]<br />
[FILE/THE AUGUSTA CHRONICLE]<br />
BUTT MEMORIAL BRIDGE<br />
Address: 15th Street and the<br />
Augusta Canal<br />
Constructed: 1914<br />
History: Dedicated to Augusta<br />
native Major Archibald<br />
Willingham Butt, a victim of the<br />
1912 Titanic disaster, the bridge<br />
features four pillars topped with<br />
bronze-banded globes placed<br />
over electric lights and four lions<br />
with plaques at each end.<br />
The bridge has been threatened<br />
twice: once during the 1970s when<br />
officials pondered draining the<br />
Augusta Canal and turning it into<br />
an expressway; and once during<br />
the early 1990s when state transportation<br />
officials proposed a new<br />
canal and railroad crossing using<br />
$15 million in federal funding. A<br />
well organized campaign featuring<br />
the unofficial slogan, “Save<br />
Our Butt,” successfully thwarted<br />
plans to remove the structure.<br />
▲<br />
FIRST PRESBYTERIAN CHURCH<br />
Address: 642 Telfair St.<br />
Constructed: 1812<br />
History: Designed in 1807 by Robert Mills, the nationally known architect whose other works include the Washington<br />
Monument, Augusta’s First Presbyterian Church was built in the Classical style between 1809 and 1812.<br />
The church was significantly changed in the 1840s to incorporate Romanesque arched windows and doors and parapet<br />
walls. The building has remained in continuous use since its dedication and the church’s property has continued to<br />
expand. First Presbyterian’s most famous pastor was the Rev. Joseph R. Wilson, father of President Woodrow Wilson.<br />
▲<br />
[FILE/THE AUGUSTA CHRONICLE]<br />
<strong>1736</strong>magazine.com | 55
OLD GOVERNMENT HOUSE<br />
Address: 432 Telfair St.<br />
Constructed: 1801<br />
▲<br />
History: One of the oldest standing buildings in Augusta, the<br />
Old Government House was the seat of local government<br />
until the city offices and courthouse were moved to Greene<br />
Street in 1821. The Federal-style building then became a<br />
private residence for several prominent families, including<br />
James Gregg, son of the founder of Graniteville Mills.<br />
The Junior League of Augusta purchased the home for use as<br />
a reception center from 1954 until the 1970s, when the property<br />
was given to Historic Augusta Inc. The city of Augusta<br />
purchased the building in 1987. The home is depicted on the<br />
city seal and flag.<br />
[SPECIAL]<br />
OLD MEDICAL COLLEGE<br />
Address: 598 Telfair St.<br />
Constructed: 1835<br />
History: Built for the Medical College of Georgia,<br />
the two-story structure was designed in the Greek<br />
Revival style with six massive fluted Doric columns.<br />
The site was deemed a National Historic Landmark<br />
for the role the school played in establishing the<br />
American Medical Association.<br />
The building served the medical school until it<br />
moved to a new campus in 1913. The property was<br />
taken over by the adjacent Academy of Richmond<br />
County and used as a vocational training center<br />
until 1926. A variety of organizations used the<br />
building as an event venue until it was acquired in<br />
1987 by the Medical College of Georgia Foundation,<br />
which restored it to its 19th century appearance.<br />
▲<br />
[FILE/THE AUGUSTA CHRONICLE]<br />
AUGUSTA COTTON EXCHANGE<br />
Address: 32 8th St.<br />
Constructed: 1886<br />
History: Local cotton traders in the late<br />
▲<br />
19th century decided to build an exchange<br />
building befitting the nation’ second-largest<br />
inland cotton market. The result was<br />
the three-story, Victorian-styled Augusta<br />
Cotton Exchange.<br />
More than 200 merchants used the building<br />
until the cotton industry declined in<br />
the early 20th century because of the boll<br />
weevil infestation and the introduction<br />
of synthetic fibers. The building closed in<br />
1964 and fell into disrepair. A 1988 restoration<br />
by an Aiken couple discovered the<br />
original blackboard with chalk markings<br />
intact. The property is now a branch office<br />
for South State Bank.<br />
[FILE/THE AUGUSTA CHRONICLE]<br />
56 | <strong>1736</strong>magazine.com
[FILE/THE AUGUSTA CHRONICLE]<br />
▲ SACRED HEART CULTURAL CENTER<br />
Address: 1301 Greene St.<br />
Constructed: 1900<br />
History: One of the finest examples of Victorian brickwork<br />
in Georgia can be seen at the former Catholic<br />
church whose twin spires tower over downtown’s west<br />
end. Construction on the Romanesque- and Byzantinestyled<br />
church, with 15 distinctive styles of brickwork,<br />
began in 1897 and its first service was held in 1900.<br />
The National Register of Historic Places-listed building<br />
closed in 1971 due to declining membership and other factors.<br />
After 16 years of vacancy and vandalism, the building<br />
was reopened in 1987 as Sacred Heart Cultural Center with<br />
donations from the Peter S. Knox family.<br />
[FILE/THE AUGUSTA CHRONICLE]<br />
▲ SPRINGFIELD VILLAGE CHURCH<br />
Address: 114 12th St.<br />
Constructed: 1801 (original building); 1897 (new building)<br />
History: Augusta’s first Methodist Society built the wooden building in 1801. It is<br />
the oldest standing church building in Augusta and one of the oldest in Georgia.<br />
Springfield Baptist Church moved into the property in 1844 and constructed the<br />
new church building out of brick in 1897 in the late Victorian Gothic style.<br />
The church, a National Register of Historic Places-listed structure, is known for<br />
being one of the earliest independent black congregations in the United States as<br />
well as serving as the organizer of Morehouse College.<br />
[SPECIAL/HISTORIC AUGUSTA INC.-JAMES R. LOCKHART]<br />
[FILE/THE AUGUSTA CHRONICLE]<br />
▲ TABERNACLE BAPTIST CHURCH<br />
Address: 1223 Laney-Walker Blvd.<br />
Constructed: 1915<br />
History: A landmark structure in the historically black<br />
Laney-Walker neighborhood, Tabernacle Baptist Church<br />
settled on its present location after being organized 30<br />
years earlier by the renowned Rev. Charles T. Walker.<br />
The Italian Renaissance-inspired building with twin belfries<br />
boasts a first floor auditorium that can seat 2,000.<br />
The building underwent a $550,000 renovation in 2001.<br />
In a neighborhood of one- and two-story buildings, the<br />
massive church has a monumental presence.<br />
▲ BOYHOOD HOME OF WOODROW WILSON<br />
Address: 419 Seventh St.<br />
Constructed: 1859<br />
History: Built by First Presbyterian Church for its pastor, Joseph Ruggles Wilson,<br />
the home was occupied by the Wilson family until 1872, when Woodrow Wilson was<br />
14. The Classical Revival 2½-story home boasted modern conveniences such as running<br />
water and gas lighting.<br />
The property continued housing the church’s ministers until 1929. It passed through<br />
a number of owners before it was purchased in a 1991 auction by Historic Augusta,<br />
which spent a decade restoring the home to its 1860s appearance. The property<br />
was designated a National Historic Landmark in 2008. Tours are offered Thursdays<br />
through Saturdays.<br />
<strong>1736</strong>magazine.com | 57
THE IMPERIAL THEATRE<br />
Address: 749 Broad St.<br />
Constructed: 1917<br />
History: Built as the Wells Theater in the Sullivanesque-style, the vaudeville venue<br />
changed its name to the Imperial following a change in ownership in 1918. A renovation<br />
in the 1930s added Art Deco styling to the building.<br />
Unlike Augusta’s other downtown theaters, such as the Rialto, the Grand, the Modjeska<br />
and the Miller, the 845-seat Imperial never had a prolonged period of closure and decay<br />
after suburban multiplex theaters siphoned business away. The century-old theater is in<br />
the midst of a $4 million renovation project that will create new bathrooms, new balcony<br />
seating, interior paint and plaster improvements and an elevator.<br />
[FILE/THE AUGUSTA CHRONICLE]<br />
OLD ACADEMY OF<br />
RICHMOND COUNTY<br />
Address: 540 Telfair St.<br />
Constructed: 1801<br />
History: Chartered in 1783, the<br />
Academy of Richmond County moved<br />
from its previous location on Bay<br />
Street to its new campus on what was<br />
then the city’s southern edge. Tudor<br />
Gothic details, including the building’s<br />
fortress-like battlements, were added<br />
in the 1850s.<br />
The academy moved to its presentday<br />
campus on Walton Way in 1929.<br />
The original building is still owned<br />
by the school’s board of trustees and<br />
has been used as a library, the city’s<br />
history museum and most recently as<br />
a tech incubator.<br />
[FILE/THE AUGUSTA CHRONICLE]<br />
58 | <strong>1736</strong>magazine.com
▲<br />
MEADOW GARDEN (GEORGE WALTON HOME)<br />
Address: 1320 Independence Drive<br />
Constructed: 1791<br />
History: The oldest documented house in Augusta and one of the oldest<br />
house museums in the state of Georgia, Meadow Garden was the residence<br />
of George Walton (1749–1804), one of Georgia’s three signers of the<br />
Declaration of Independence and later a governor of Georgia and a United<br />
States senator.<br />
Walton made Meadow Garden his home from 1791 until his death. He is<br />
buried at the Signers Monument on Greene Street. His heirs lived in the<br />
2½-story Sand Hills Cottage until the mid-1800s. The home, a registered<br />
National Historic Landmark, has been owned by Daughters of the American<br />
Revolution since 1900. Tours are available Tuesdays through Saturdays.<br />
[SPECIAL/ AUGUSTA CONVENTION & VISITORS BUREAU]<br />
▲ EZEKIEL HARRIS HOUSE<br />
Address: 1822 Broad St.<br />
Constructed: 1797<br />
History: Considered the finest 18th century house surviving in<br />
Georgia, the Ezekiel Harris House is a time portal into Federalist Eralife<br />
in Augusta. Built in 1797 for the tobacco magnate for which it is<br />
named, the two-story home sits on what used to be a 320-plus-acre<br />
tract in the former town of Harrisburg.<br />
The home, a rare example of the transition between the Georgian<br />
and Federal architecture styles, was fully restored in 1964 and listed<br />
on the National Register of Historic Places. The property is managed<br />
by the Augusta Museum of History and is open to the public on<br />
Saturdays and by appointment only on weekdays.<br />
[SPECIAL/ AUGUSTA CONVENTION & VISITORS BUREAU]]<br />
<strong>1736</strong>magazine.com | 59
Nathan and Mackenzie Vick stand with their children, from left, Everett, 2, Grayson, 4,<br />
and Finley, 6 months, outside the Joseph Darling House in west Augusta.<br />
60 | <strong>1736</strong>magazine.com
Living<br />
History<br />
in<br />
Local architect buys, preserves<br />
historic homestead in west Augusta<br />
Nathan and Mackenzie Vick stand in the kitchen of the Joseph Darling<br />
House, a home believed to have been built in the mid-1830s.<br />
Story by DAMON CLINE | Photos by MICHAEL HOLAHAN<br />
Nathan Vick was in the market for an older<br />
home, a fixer-upper the young architect<br />
could put “his stamp” on.<br />
“He’s always wanted to find a house to<br />
do work on,” says his wife, Mackenzie.<br />
What the couple never expected to find was a more<br />
than 170-year-old farmhouse hidden on a five-acre<br />
tract in the fringes of suburban west Augusta.<br />
“I was born and raised in Augusta,” said Vick, 38.<br />
“My wife has lived here since she was three years old.<br />
Neither one of us knew this place existed.”<br />
<strong>1736</strong>magazine.com | 61
That place is officially known as the<br />
Joseph Darling House, a simple two-story<br />
cottage historians believe was constructed as<br />
early as 1834.<br />
According to a report prepared by Georgia<br />
Department of Natural Resources for the<br />
home’s listing on the National Register of<br />
Historic Places in 1991: “It can be fairly well<br />
assumed that Joseph Darling built this house<br />
on his newly acquired property in 1834-35...<br />
the features remaining within the home<br />
reflect workmanship from the 1830s.”<br />
Vick, a principal architect with the Christopher<br />
Booker & Associates architecture<br />
firm in downtown Augusta, has a passion for<br />
preservation – he’s worked on several historic<br />
rehabilitation projects and is a trustee<br />
for Historic Augusta Inc.<br />
He used his résumé to his advantage when<br />
he saw the home the first day it was listed for<br />
sale on Realtor.com. Within two days, the<br />
Vicks put in an offer.<br />
“There were talks about a developer trying<br />
to buy the property,” Vick said. “I made it<br />
a point to tell my Realtor, ‘Tell them I’m an<br />
architect. Tell them I’m into historic designs.<br />
Tell them we’re going to save the house.’ We<br />
think that kind of helped us out.”<br />
The property sits near the Columbia County<br />
line off Dennis Road – a street named for the<br />
Darling House’s previous owner. The bulk of<br />
Darling’s original 335-acre homestead is now<br />
covered by the West Hills and Sterling Heights<br />
subdivisions to the south, east and west, and<br />
the Hunters Ridge neighborhood and Mayo<br />
Townhomes complex to the north.<br />
Fences and rooftops are barely visible<br />
through the trees surrounding the<br />
2,400-square-foot home, where the oldest<br />
of Vicks’ three sons, four-year-old Grayson,<br />
can often be found romping around the yard.<br />
In time, he’ll be joined by his younger<br />
brothers – 2-year-old Everett and 6-monthold<br />
Finley.<br />
“They need the land,” Vick said. “It will be<br />
good for them.”<br />
Their playground – and the home itself –<br />
likely would be just another subdivision had<br />
the couple not moved as quickly as they did.<br />
The home’s National Register listing<br />
A plaque at the front door of<br />
the Joseph Darling House in<br />
west Augusta was installed<br />
after the home was listed<br />
on the National Register of<br />
Historic Places in 1991.<br />
62 | <strong>1736</strong>magazine.com
wouldn’t have prohibited real estate developers<br />
from tearing it down to build new housing.<br />
“Someone could have fit a lot of apartments<br />
on this site,” Vick said. “We are the<br />
protectors of this house.”<br />
Joseph Darling (1785-1844) and his wife,<br />
Mary “Polly” Dunivent Darling (1783-1847),<br />
were in their sunset years when the home<br />
was built.<br />
Historical records indicate Darling served<br />
as a deacon of Aberdeen Baptist Church<br />
in Columbia County for 30 years. Both he<br />
and his wife are buried on the property – a<br />
common practice in the plantation era – in a<br />
family cemetery on the tract’s west side.<br />
It is unknown how many people were<br />
involved in the home’s construction –<br />
records show Darling owned 11 slaves at the<br />
time of his death – but the structure’s mortise<br />
and tenon framing, horse-hair plastered<br />
walls and hand-cut lumber speaks to their<br />
19th century handiwork.<br />
“This was all cut with a pit saw,” Vick<br />
says, pointing out how the planks lack the<br />
circular markings of a sawmill blade. “Just<br />
two guys; one guy up, one guy down.”<br />
Nails were used only for interior trim pieces<br />
and shingles, the latter of which are visible<br />
under the metal roof installed in later decades.<br />
Joseph Darling Jr. inherited the property<br />
from his parents. He unsuccessfully tried to<br />
sell the farm, placing an advertisement in<br />
The Augusta Chronicle on Jan. 22, 1849, that<br />
listed everything included in the deal: horses,<br />
mules, hogs, cows, “a superior buggy” and<br />
“a good one horse wagon.”<br />
The younger Darling eventually moved to<br />
South Carolina and served with its Confederate<br />
regiment during the Civil War. He is<br />
buried in Augusta’s Magnolia Cemetery.<br />
Historians presume the home was then<br />
occupied by family heirs as a seasonal residence<br />
or by overseers charged with managing<br />
the land.<br />
The country farm was sold in the late 19th<br />
century to a string of well-to-do city dwellers,<br />
including Benjamin H. Warren, a judge<br />
and head of the National Bank of Augusta;<br />
William H. Goodrich, a well-known antebellum-era<br />
Augusta architect; and James. H.<br />
Alexander, an Augusta mayor.<br />
The property had been whittled down to<br />
101 acres by 1919 when Alexander’s sons,<br />
Irvin and Hugh, sold the home to Wilbert<br />
J. Dennis, a dairy farmer whose family had<br />
Grayson Vick, 4, has a snack in the kitchen at the Joseph Darling House, named<br />
for the mid-18th century farmer who built the home in west Augusta.<br />
<strong>1736</strong>magazine.com | 63
worked the land as early 1893.<br />
The legacy Darling tract was further subdivided<br />
among members of the clan during the 97<br />
years it remained in the Dennis family, the last<br />
of whom was James M. Dennis.<br />
“Most of the older people I meet know the<br />
house as the Dennis Home,” Vick said.<br />
The house was James Dennis’ boyhood<br />
home, and he returned there in the late 1970s<br />
following a military career that took him and<br />
his wife, Gulia, across the country.<br />
Because of their frequent moves, the<br />
couple’s adult sons never lived in Augusta<br />
nor developed an affinity for the home. Both<br />
parents had passed by 2016 and the children<br />
decided to put the home up for sale in early<br />
2017.<br />
Which was right around the time the Vicks<br />
were looking to leave Columbia County.<br />
The Vicks former three-bedroom home in<br />
the Riverwood section of Evans had everything<br />
a young family would want: energy-efficient<br />
construction, modern fixtures and appliances<br />
and good neighborhood-zoned schools.<br />
What was missing was something the architect<br />
tries to create in his designs: character.<br />
“We weren’t necessarily looking for something<br />
historic,” Vick said. “But we wanted<br />
something with character.”<br />
Character is something the Darling House<br />
has in spades, from the old-growth heart pine<br />
flooring to the single-pane windows whose<br />
upper sashes were, inexplicably, installed<br />
upside down.<br />
“It is what it is,” Vick said.<br />
It’s a phrase he utters quite often when<br />
pointing out the home’s eccentricities, such<br />
as the 2- to 3-inch height variation in the stair<br />
risers, the less-than-square door frames and<br />
numerous hairline cracks in the plaster.<br />
“Coming into the house, we were like, ‘Do<br />
we repair all the cracks?’” Vick said. “But then<br />
I thought, they’re just going to show right back<br />
up. When plaster cracks, it cracks. You just let<br />
it ride. It is what it is.”<br />
But that’s not to say the family hasn’t put in<br />
any sweat-equity into the home.<br />
Bringing the home’s non-historic elements<br />
into contemporary standards was a<br />
nine-month project whose cost exceeded the<br />
couple’s combo mortgage-construction loan<br />
by “several, several, several tens of thousands<br />
of dollars,” Vick says with a smile.<br />
“We did pull quite a bit out of our savings<br />
account,” he said.<br />
The central foyer of the Joseph Darling House showcases the original heart<br />
pine floors and pit-cut wallboards.<br />
The Vicks installed central air in<br />
their children’s two upstairs rooms.<br />
64 | <strong>1736</strong>magazine.com
After moving in, the couple realized the home had no overhead lighting, then<br />
had the entire home rewired.<br />
Varying textures can be seen in the horse-hair plaster work in one of the<br />
the children’s upstairs bedrooms at the Joseph Darling House.<br />
<strong>1736</strong>magazine.com | 65
With help from Vick’s mother and<br />
stepfather, the couple did much of the<br />
labor themselves while Mackenzie was<br />
pregnant with Everett.<br />
One of the first orders of business was<br />
a top-to-bottom update of the kitchen,<br />
a claustrophobia-inducing space that<br />
was actually the home’s “newer” rooms,<br />
having been connected to the main<br />
structure sometime after the turn of<br />
the century. As with most early American<br />
homes, kitchens were detached to<br />
prevent fire from spreading to the entire<br />
residence.<br />
The Vicks eliminated a three-inch<br />
stepdown by leveling the kitchen floors.<br />
They gave the room a more airy feel by<br />
ripping out the ceiling to expose vaulted<br />
roof joists. And they built an additional<br />
300 square feet over a portion of the back<br />
porch to create a laundry room and halfbathroom.<br />
During the process Vick discovered a<br />
Great Depression-era aspirin tin filled<br />
with flints used to light old ovens. And<br />
while sweeping up debris, he found a<br />
hand-carved child’s toy that resembled<br />
a dreidel.<br />
The home wasn’t hooked to the power<br />
grid until 1927. It had only one electrical<br />
outlet per room and no overhead lighting,<br />
a detail the couple didn’t notice until<br />
their first night in the home.<br />
“We were wondering why it was so<br />
dark in the house,” Vick said. “The previous<br />
owner just used lamps.”<br />
The Vicks had the entire home<br />
rewired and added an HVAC system to<br />
the second floor, whose previous of air<br />
conditioning had been a single windowmounted<br />
unit.<br />
The home’s previous owner was<br />
paralyzed while undergoing a surgical<br />
procedure in the 1980s. The oversized,<br />
handicap-accessible bathroom built for<br />
him became part of the master bedroom<br />
suite. Vick used wood reclaimed from an<br />
old mill in LaGrange, Ga., for the closet<br />
flooring.<br />
Vick himself has reclaimed all lumber<br />
removed during the renovation for future<br />
projects. A piece of plank siding has become<br />
a growth-chart board for his children.<br />
Other pieces are being used to build an<br />
Grayson Vick, 4, takes a picture from the staircase in the Joseph Darling House.<br />
The master bedroom is off the central foyer on the first floor.<br />
The master bathroom at the Joseph Darling House was built onto the home in<br />
the 1980s and updated by the Vick family after they purchased the home in<br />
2017.<br />
66 | <strong>1736</strong>magazine.com
Mackenzie Vick and her son, Grayson, 4, watch TV in the living room of the Joseph Darling House in west Augusta.<br />
8-foot by 4-foot farmhouse-style<br />
dining room table. He’s still unsure<br />
what to do with the well-worn door<br />
sill.<br />
“You can just imagine how many<br />
people stepped on that sill to get in<br />
that door,” he said. “It’s just totally<br />
worn out. It’s awesome.”<br />
With the exception of removing a<br />
precariously leaning chimney from<br />
the kitchen wall, the home’s exterior<br />
has largely been untouched. And<br />
even with the interior upgrades, the<br />
historic home is more period-correct<br />
in appearance than it was when<br />
they bought it, thanks in no part to<br />
the removal of copious amounts of<br />
1970s-era grass wallpaper.<br />
“It was awful,” said Mackenzie,<br />
whose attempts to remove the<br />
dust-impregnated wall coverings<br />
nearly triggered her asthma.<br />
As for what posed the biggest<br />
challenge: “The hardest part of the<br />
project was having a pregnant wife<br />
breathing down your neck,” Vick<br />
says with a smile.<br />
“I was just in a nesting phase,”<br />
Mackenzie quickly retorts. “And I<br />
didn’t have anything to nest.”<br />
Everett, their second son, was<br />
born 10 days after moving in.<br />
The Darling Home could someday<br />
belong to him or one of his<br />
siblings. Time will tell whether the<br />
home remains in the Vick family<br />
as long as it did with the previous<br />
owners.<br />
For now, the couple is simply<br />
enjoying their days living in a dwelling<br />
older than 26 U.S. states. The little<br />
enclave they never knew existed<br />
until three years ago is 15 minutes for<br />
practically anywhere in Augusta, but<br />
it might as well be in the middle of the<br />
countryside.<br />
“Mackenzie said she actually<br />
feels safer here than in the middle<br />
of that neighborhood in Columbia<br />
County,” Vick said. “It’s really<br />
quiet here, really quiet. It’s nice.”<br />
68 | <strong>1736</strong>magazine.com
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BEAUTIFICATION<br />
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ISSUE 5 | FALL 2019<br />
EDUCATION EDITION<br />
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ISSUE 6 | WINTER <strong>2020</strong><br />
PRESERVATION<br />
Join us as we document the success, challenges,<br />
growth and transformation of downtown Augusta.<br />
4/30/19 1:10 PM<br />
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From the<br />
ASHES<br />
Downtown Augusta rebounded quickly from the Great Fire of 1916<br />
By DAMON CLINE<br />
The Great Fire of 1916 was the<br />
biggest calamity to hit Augusta<br />
–but it could have been much<br />
worse than it actually was.<br />
Remarkably, nobody died<br />
during the blaze. Many of the commercial<br />
buildings gutted by the fire were back in business<br />
within a couple of years. The width of<br />
Greene Street acted as a firebreak to keep the<br />
inferno from spreading southward.<br />
And the disaster resulted in several<br />
improvements to fire safety in the city,<br />
including stricter fire codes for buildings and<br />
standardized couplings for firehoses. Many<br />
of the older wooden buildings were replaced<br />
with less flammable materials. Structures that<br />
were gutted, including the Lamar and Marion<br />
buildings, the Houghton School and St. Paul’s<br />
Episcopal Church, were rebuilt better than<br />
before.<br />
The flames on the 700 block of Broad Street illuminate the Confederate Monument on the night of March 22, 1916.<br />
Downtown’s tallest buildings were gutted by the fire. [FILE/THE AUGUSTA CHRONICLE]<br />
70 | <strong>1736</strong>magazine.com
The fire, which caused the equivalent of $235<br />
million damage in today’s dollars, started in<br />
the early evening hours in the Dyer Building<br />
at the northwest corner of Eighth and Broad<br />
streets on March 22 – a tailor at the Kelly Dry<br />
Goods store left an electric iron-press machine<br />
on.<br />
The blaze would end up consuming three<br />
dozen city blocks, from Eighth Street to East<br />
Boundary and from the riverfront to Greene<br />
Street.<br />
The inferno illuminated the Confederate<br />
Monument as it roared through the 700 block<br />
of Broad, gutting The Augusta Chronicle building<br />
(now known as the Marion Building) and<br />
the Empire Building (now known as the Lamar<br />
Building). The office of Augusta’s other newspaper,<br />
the Augusta Herald, also was destroyed.<br />
Cotton warehouses along the riverfront<br />
ignited like dry tinder. But many considered<br />
the loss of St. Paul’s Episcopal Church to be<br />
the fire’s most tragic casualty. The church,<br />
founded in 1750, lost its 1820 building and its<br />
parish hall that was built in 1912. Parishioners<br />
were able to save several furnishings before<br />
the fire consumed the buildings, including the<br />
original baptismal font brought from England<br />
in 1751.<br />
In all, 600 homes, commercial buildings and<br />
public structures – including Tubman High<br />
School and Houghton Grammar School – were<br />
destroyed. An estimated 3,000 people were<br />
homeless and 1,000 were jobless.<br />
Other major commercial businesses<br />
destroyed by the fire include: Union Savings<br />
Bank, The Postal Telegraph, Western Union,<br />
The Schneider Building, The Commercial Club,<br />
the Irish-American Bank, the YWCA and the<br />
John Evans hardware store.<br />
Looting was non-existent thanks to a militia<br />
that patrolled the streets where thousands of<br />
dollars worth of personal property were put in<br />
piles by families able to empty their homes of<br />
valuables before the fire reached them.<br />
Wealthy Olde Town residents chose not to<br />
rebuild in the city center and moved uphill<br />
to the Summerville neighborhood, creating a<br />
socioeconomic disparity still visible today.<br />
An unidentified man stands among<br />
the ruins of a residential area<br />
following the Great Fire of 1916.<br />
[FILE/THE AUGUSTA CHRONICLE]<br />
<strong>1736</strong>magazine.com | 71
“They went to the Hill. And in some cases, they<br />
took those large lots the big houses were on and built<br />
two, or sometimes three, smaller houses,” Historic<br />
Augusta Executive Director Erick Montgomery said<br />
during a 2006 interview.<br />
Montgomery said many people mistakenly believe<br />
the fire destroyed all of downtown.<br />
“People think that everything in Augusta burned in<br />
1916, and it’s just not true,” Montgomery said.<br />
“A lot of buildings that predate the fire are still here.”<br />
The extra-wide Greene Street helped contain<br />
the fire. The two largest structures, the Empire<br />
and Augusta Chronicle buildings, were rebuilt and<br />
opened as the Lamar and Marion buildings, respectively,<br />
within a couple of years.<br />
RIGHT: The ruins of The<br />
Commercial Club are brought<br />
down with explosives in this<br />
photo after the Great Fire<br />
of 1916. [FILE/THE AUGUSTA<br />
CHRONICLE]<br />
BELOW: Children pose in front<br />
of the ruins of the Houghton<br />
Grammar School after the<br />
Great Fire of 1916. The school<br />
was rebuilt later that year on<br />
Greene Street. [SPECIAL]<br />
ABOVE: A forest<br />
of chimneys is<br />
all that remains<br />
of houses at the<br />
corner of Bay and<br />
Fourth streets in<br />
the Olde Town<br />
neighborhood,<br />
which was heavily<br />
damaged by the<br />
Great Fire of 1916.<br />
[FILE/THE AUGUSTA<br />
CHRONICLE]<br />
72 | <strong>1736</strong>magazine.com
COMMERCIAL<br />
JOINING TOGETHER TO<br />
CREATE A NEW LEGACY<br />
• SALES & LEASING<br />
• PROPERTY MANAGEMENT<br />
• SITE SELECTION<br />
• DEVELOPMENT & CONSTRUCTION<br />
• PROJECT MANAGEMENT<br />
• CONSULTING
A wave of new construction projects began,<br />
with noted architect G. Lloyd Preacher designing<br />
many of the city’s post-fire buildings.<br />
One of the last surviving witnesses to the fire,<br />
Isabelle North Goodwin, described the tragedy in<br />
a 1999 Chronicle interview. She and her brother<br />
had to flee the family’s Greene Street home.<br />
“It was terrible,” recalled Goodwin, who was<br />
eight years old at the time. “It was one awful<br />
mass of flames, and we watched it go down the<br />
streets...I remember my father had called earlier<br />
and said the Dyer Building was on fire. Then<br />
Mother sent me and my cousin up to the Hill to<br />
spend the night.”<br />
When Goodwin returned a day later, she was<br />
shocked.<br />
“The next day, there was nothing but chimneys,”<br />
she said. “Chimneys, chimneys, chimneys.<br />
All those fine homes were totally gone. It was a<br />
night to remember.”<br />
TOP: The ruins of St. Paul’s Episcopal Church are shown<br />
in this photo of the aftermath of the Great Fire of 1916.<br />
The building was nearly a century old when it burned.<br />
[FILE/THE AUGUSTA CHRONICLE]<br />
LEFT: A postcard image shows the ruins of the Union<br />
Savings Bank and the Dyer Building, the origin of the<br />
1916 fire. [SPECIAL]<br />
BELOW: Homeless families lived in tent cities after<br />
the Great Fire of 1916. Approximately 600 homes were<br />
destroyed, leaving more than 3,000 people homeless.<br />
[FILE/THE AUGUSTA CHRONICLE]<br />
74 | <strong>1736</strong>magazine.com
Same address. Just new digs.<br />
Innovating · Renovating · Restoring<br />
725 Broad Street, Augusta Georgia 30901 706.724.0851 | augustachronicle.com
Stuck in the Past?<br />
City struggles with path to ‘smart meter’ program<br />
By DAMON CLINE<br />
A woman feeds coins to a<br />
Broad Street parking meter<br />
in this 1977 file photo. The<br />
meters were removed within<br />
three years amid declining<br />
downtown commerce. Some<br />
officials and property owners<br />
are pushing for new “smart<br />
meters” now that parking is<br />
once again at a premium.<br />
[FILE/THE AUGUSTA<br />
CHRONICLE]<br />
The push for paid parking<br />
on Broad Street may have<br />
run out of steam – again.<br />
Augusta commissioners<br />
in December and mid-<br />
January rejected a new<br />
parking ordinance that would have charged<br />
motorists $1.50 an hour from 8 a.m. to 8<br />
p.m. Monday through Saturday in the 756<br />
spaces on Broad Street between Fifth and<br />
13th.<br />
Residents could buy an annual permit<br />
for $50, while downtown employees would<br />
pay $25 per month to park on certain<br />
streets.<br />
As of press time, commissioners were<br />
expected to address the issue again Jan. 27.<br />
In December, the proposal failed by a<br />
6-2-2 vote. On Jan. 14 it failed to advance<br />
from a committee charged with making<br />
revisions. In both instances, proposal<br />
opponents said they had not had a chance<br />
to thoroughly review the ordinance.<br />
Commissioner Ben Hasan said during the<br />
76 | <strong>1736</strong>magazine.com
Jan. 14 meeting that commissioners were<br />
being asked “to make a decision right<br />
there” after being handed documents.<br />
Concerns have included charging<br />
for parking on Saturdays when many<br />
businesses are closed, where downtown<br />
employees would park and how parking<br />
revenue would be distributed.<br />
Mayor Pro Tem Sean Frantom questioned<br />
several aspects of the plan at<br />
the Jan. 14 meeting, including why it<br />
does not designate proceeds be used for<br />
downtown improvements. The ordinance<br />
says only that they will be “used<br />
for economic revitalization in Augusta”<br />
at the commission’s direction.<br />
If approved, the parking meters would<br />
be modern “smart” meters that allow<br />
people to pay with currency, credit and<br />
debit cards or through smartphone apps.<br />
They would be “kiosks” serving multiple<br />
spaces, instead of the pole-mounted<br />
machines the city removed from downtown<br />
following the retail exodus that<br />
occurred with the opening of two suburban<br />
shopping malls in 1978.<br />
Commissioner Mary Davis said in<br />
December she would not approve a plan<br />
without specifying where revenue goes<br />
and how it is used.<br />
“People that want to support this want<br />
to know it will be designated to a specific<br />
improvement fund,” Commissioner<br />
Mary Davis said at the commission’s<br />
Dec. 17 meeting. “Until we really focus<br />
on that, I wouldn’t be able to move<br />
forward.”<br />
Augusta Mayor Hardie Davis, who<br />
created a parking task force in early<br />
2019, has pushed for the commission to<br />
approve a contract with parking consultants<br />
SP Plus, a Chicago-based firm that<br />
also oversees the parking management<br />
plan for the city of Atlanta and numerous<br />
other municipalities and public venues<br />
nationwide.<br />
The task force was a response to<br />
growing concern from some downtown<br />
residents about parking availability<br />
during peak hours. The goal of the<br />
parking-management plan’s meter<br />
system is to promote the “turnover” of<br />
spaces in the central business district<br />
to discourage all-day parking in prime<br />
customer spots by residents, employees<br />
and commuters who use downtown as a<br />
Computerized parking kiosks, such as this one in Stockton, Calif., could be a common site in<br />
downtown Augusta as part of a parking management plan under consideration by the Augusta<br />
Commission. [CLIFFORD OTO/THE STOCKTON ( CALIF.) RECORD]<br />
carpool meeting spot.<br />
In addition to the $1.50-an-hour, twohour<br />
maximum Broad Street spaces,<br />
additional spaces would be available at<br />
the same rate for up to four hours in 283<br />
spaces on Fifth through 12th streets one<br />
block north and south of Broad. Along<br />
Ellis Street, downtown residents can pay<br />
$50 a year to park and downtown workers,<br />
$25 a month.<br />
A third set of approximately 104<br />
spaces will be created along Ellis Street<br />
for residential and employee permit<br />
parking.<br />
City Engineering Director Hameed<br />
Malik has said the program is expected<br />
to generate an estimated $1.2 million its<br />
first year and would cost $900,000 to<br />
operate, including start-up costs to fund<br />
50 kiosks where motorists enter their<br />
license plate numbers and pay. A team of<br />
an estimated 11 people hired to enforce<br />
parking downtown will be paid out of<br />
that revenue and won’t be city employees,<br />
Malik said.<br />
SP Plus has requested a $65,000 a year<br />
annual fee, but Malik said the fee may<br />
change to a revenue-based fee to “make<br />
sure that we’re collecting the money.”<br />
Commissioner Bill Fennoy, who<br />
represents the downtown area, said<br />
during the December meeting he was<br />
frustrated by the amount of time it has<br />
taken to adopt a parking management<br />
plan. He said the city has “been talking<br />
about parking for two, three, four years<br />
now” and that he is ready to approve<br />
it, to free up spaces used by downtown<br />
workers for visitors to downtown.<br />
“The bottom line is that 75 (percent of)<br />
people that park on Broad Street either<br />
work on Broad Street or live on Broad<br />
Street. It’s only 25% that want to shop on<br />
Broad Street,” Fennoy said.<br />
Savannah has charged for downtown<br />
parking since the 1950s and has around<br />
2,400 paid on-street spaces plus 3,000<br />
in parking garages that will generate<br />
$17.5 million in gross revenue this year,<br />
said Sean Brandon, the city’s director of<br />
Mobility and Parking Services.<br />
Macon-Bibb County last year instituted<br />
a paid parking program, where<br />
motorists pay $1.25-per-hour for<br />
up to three hours at 1,000 metered<br />
spaces. Unlike Augusta’s proposal<br />
and Savannah’ program, Macon does<br />
not use kiosks serving multiple spaces<br />
but instead 600 traditional single- or<br />
double-space meters.<br />
<strong>1736</strong>magazine.com | 77
ON THE STREET<br />
Margaret Woodard<br />
[FILE/THE AUGUSTA CHRONICLE]<br />
DOWNTOWN PROSPERS<br />
THROUGH PUBLIC-PRIVATE PARTNERSHIPS<br />
Entire city benefits from downtown corporate philanthropy<br />
By MARGARET WOODARD | Executive Director, Augusta Downtown Development Authority<br />
T<br />
he Downtown Development<br />
Authority received a check from<br />
Georgia Power in the amount of<br />
$50,000 last month to continue its<br />
Facade Improvement Program.<br />
The program began in 2018 when Georgia Power<br />
pledged $15,000 toward storefront-improvement<br />
assistance in the DDA footprint.<br />
The money was put to good use quickly, and<br />
resulted in three matching grants in the amount of<br />
$5,000.<br />
The process is simple: Fill out an application,<br />
provide $5,000 in receipts for money spent on<br />
facade improvements, submit before-and-after<br />
photos and a city Certificate of Occupancy and the<br />
DDA will match your investment. The project must<br />
be completed and is subject to approval by the DDA<br />
Board of Directors.<br />
The program allows the DDA to say thank you for<br />
investing your own skin in the game in downtown<br />
projects, creating jobs and increasing the downtown<br />
tax base – which all of Augusta benefits from.<br />
78 | <strong>1736</strong>magazine.com
Southern Salad, left, and the Augusta Convention & Visitors Bureau’s Augusta & Co. store are among several<br />
downtown businesses to benefit from public-private initiatives such as the Georgia Power-Downtown Development<br />
Authority Facade Improvement Program. [DAMON CLINE/THE AUGUSTA CHRONICLE]<br />
Previous year’s recipients include:<br />
• Augusta & Co., the Augusta<br />
Convention & Visitors Bureau’s retail<br />
store/visitor experience center at 1010<br />
Broad St.; a $3.8 million capital investment<br />
and 17 relocated jobs.<br />
• Southern Salad restaurant at 1006<br />
Broad St.; 14 new jobs and a $725,000<br />
capital investment.<br />
• Beulah’s Antiques store at 316 8th<br />
St.; four jobs and an $80,325 capital<br />
investment.<br />
This is a beautiful example of the<br />
importance of a public-private partnerships,<br />
which some have defined as “the<br />
collaboration between a government<br />
agency and a private-sector company<br />
that can be used to finance, build and<br />
operate projects.”<br />
Such partnerships often provide new<br />
sources of capital and faster completion<br />
of projects with less red tape. In<br />
downtown Augusta, they help send the<br />
message that we are open for business<br />
and here to facilitate new and expanding<br />
businesses.<br />
Downtowns that are thriving across<br />
the state are doing so because of good<br />
corporate stewards such as Georgia<br />
Power. The utility is no stranger to<br />
public-private partnerships in the central<br />
business district, and it has been a<br />
strong partner with the DDA in so many<br />
ways over the years.<br />
The company has financed a muchneeded<br />
housing feasibility report,<br />
produced a digital-animation video<br />
rendering of the Riverfront at the<br />
Depot project at the historic train depot<br />
property, provided site assistance to<br />
potential developers and have now<br />
invested a total of $80,000 in the facade<br />
program during the past three years.<br />
They exemplify their credo of “A<br />
Citizen Wherever We Serve.”<br />
The DDA has over the past decade<br />
entered into successful partnerships<br />
with the private sector. More than six<br />
figures in funds, for example, have been<br />
raised by the private sector for new<br />
Christmas decorations in recent years.<br />
The business community also has<br />
stepped up to help fund our retail-development<br />
strategy, with Auben Realty<br />
serving in 2019 as the lead sponsor of<br />
crucial demographic and marketing<br />
reports for retail prospects.<br />
We believe the private sector is more<br />
than willing to invest in good programs<br />
that facilitate the revitalization of our<br />
city center, as evidenced by the majority<br />
vote to create – and later extend<br />
– a five-year Business Improvement<br />
District, which funded the city’s successful<br />
Clean Augusta Downtown<br />
Initiative (CADI) beautification and<br />
public-safety team.<br />
City leaders declined to take action<br />
on authorizing the second CADI “yes”<br />
vote, but that shouldn’t stop the business<br />
community from exploring other<br />
partnership opportunities.<br />
Downtown Augusta’s future successes<br />
will rely on these continued<br />
partnerships and we thank Georgia<br />
Power and other corporate entities for<br />
their continued investment in the heart<br />
and soul of their city.<br />
<strong>1736</strong>magazine.com | 79
BRIEFINGBy DAMON CLINE<br />
HITS & MISSES<br />
BROWN IS THE BRAND: What’s in a name? Everything, if that name involves the city’s arena<br />
and its most famous son. Locals were rightfully displeased during the fall when a new digital<br />
marquee in front of James Brown Arena didn’t have the words “James,” “Brown,” or “Arena” in<br />
the sign. The error was thankfully fixed with minimal cost. Yes, we understand the company<br />
hired to run the arena and the adjacent Bell Auditorium has for years marketed the co-joined<br />
venue as the “Augusta Entertainment Complex,” but almost nobody refers to that terminology<br />
in casual usages. Market the arena and the auditorium, if you must, as the Augusta<br />
Entertainment Complex to the entertainment industry. But when it comes to the sign out front,<br />
the marquee should call the buildings by their locally designated names.<br />
TOO MUCH TOLERANCE FOR TOPLESS: Do some city officials actually enjoy having seedy<br />
strip joints in the central business district? One has to wonder when they go along with letting<br />
the clubs stay in business while a federal lawsuit over the constitutionality of city zoning<br />
ordinances winds its way through the courts. Instead of just enforcing the law when the clubs’<br />
grandfather clause expired Jan. 1 – which at least would have forced their new owner to file an<br />
injunction – the city simply rolled over and allowed the bars to keep operating. Why? It’s not<br />
as if playing nice makes the nude-club lawsuit go away. If the city is confident its adult-entertainment<br />
and liquor-sales codes are constitutional, it should have barred the new owner from<br />
opening, rather than give a months-long free pass. The lawsuit is so flimsy one federal judge<br />
asked in January to see “specific, concrete facts” showing how the law harms the business.<br />
HAPPY TRAILS: The signs of construction you see near the intersection of Reynolds and 15th<br />
streets is one of the most anticipated trail developments in the metro area – the connection<br />
of the Augusta Canal levee trail to Riverwalk Augusta. The more than $1 million project, which<br />
includes the now-familiar wooden boardwalk leading from the Hawk’s Gully gate structure,<br />
will run along the base of the levee to the 13th Street terminus of the Riverwalk trail near the<br />
Georgia Cyber Center. Not only does the project complete the levee trail that was started in<br />
1999 near the canal’s headgates at Savannah Rapids Park, it will be the only trail linking downtown<br />
and Columbia County. A final amenity of the expanded trail: Access to North Augusta’s<br />
Greeneway via the 13th Street bridge.<br />
RIGHT HAND, MEET LEFT HAND: If a time bomb is ticking, you either disarm it or warn<br />
everyone in the vicinity. Augusta city leaders chose to do neither when it comes to the bomb<br />
that is the Unisys parking agreement. For years the city knew it was under obligation to provide<br />
the tech company with some 500 parking spaces as one of the conditions of locating in the<br />
riverfront Port Royal complex. Why on earth would they sit on their hands until a developer is in<br />
the final stages of agreeing to acquire a nearby city-owned tract that has been serving as a de<br />
facto parking lot? Now, the tech company is unhappy, the developer has lost faith in its ability<br />
to secure the property for a massive mixed-use project, and city leaders are pointing fingers at<br />
each other. What we’ve got here is failure to communicate.<br />
80 | <strong>1736</strong>magazine.com
HITS & MISSES<br />
THE METER IS RUNNING: Here’s how parking-management is handled in the city of North<br />
Augusta: 1) officials decide they need parking meters at the busy Riverside Village development;<br />
2) they vote yes to install them and; 3) they install them. The entire process took six<br />
months. Contrast that to the city of Augusta, where officials – as of press time – are still wringing<br />
their hands over a proposal from a Chicago company that manages paid-parking programs<br />
in hundreds of cities. Parking management, apparently, isn’t rocket science outside the Augusta<br />
city limits. Are North Augusta officials considering tweaking their program? Yes, and that city’s<br />
quarterbacks are changing up the plays as the game is in progress. Augusta commissioners, on<br />
the other hand, can’t seem to find their way out of the locker room.<br />
HARD TIME TO SHOW TIME: Although it’s ordinarily a negative outcome when city officials<br />
drag their feet making a decision (parking, the Riverfront at the Depot project, etc.), the<br />
Augusta Commission’s vote to postpone the demolition of Augusta’s former city jail at 401<br />
Walton Way is a good call. The vacant Law Enforcement Center appears to be a prized asset in<br />
Georgia’s growing film industry – the six-story jail has been used in at least three film productions,<br />
including the sequel to 2016’s “Suicide Squad.” Although an audit suggests the film<br />
industry’s contribution to the state economy is overblown, there are few financial downsides to<br />
leaving the jail as-is. Until the city has a better use for the property, the old jail is best left alone.<br />
GETTING EXTRA CREDIT: If you want to picture what benefits from the new federal<br />
Opportunity Zone tax benefits will look like, you’ll be able to see them soon enough sprouting<br />
from the ground on a 4-acre tract at 636 11th St. That’s where Evans-based Ivey Development<br />
is planning to build an upscale apartment community called Millhouse Station – the first allprivate,<br />
large-scale apartment complex in Augusta’s urban core since Canalside more than nine<br />
years ago. Although Ivey has not disclosed its investment, the company has said the expense<br />
wouldn’t have been justified without incentives from Opportunity Zone benefits pushing the<br />
project across the line. The credits were designed to spur investment in economically-distressed<br />
census tracts. And in this case, they are doing just that.<br />
COCKTAILS WITH A CAUSE: The rooftop bar that Goodwill Industries’ Edgar’s Hospitality<br />
Group is developing at the downtown Augusta University tower at 699 Broad St. promises to<br />
be a great hangout when it opens by April. But it also will give promising hospitality industry<br />
students the experience they need to build a productive career in the food and beverage<br />
industry. That’s because the bar, to be called Edgar’s Above Broad, will be part of the hands-on<br />
curriculum of Culinary Operations in Resorts and Clubs associate’s degree program created by<br />
Goodwill’s Helms College. Not only will the bar and restaurant give great views of downtown’s<br />
burgeoning entertainment district, it will give future culinary workers valuable experience while<br />
providing the nonprofit Goodwill revenue to fund its educational and job-service programs.<br />
<strong>1736</strong>magazine.com | 81
GRADING DOWNTOWN<br />
6.5 5.5<br />
7.0 1.0<br />
By DAMON CLINE<br />
PUBLIC SAFETY<br />
Previous Score: 6.5<br />
GOVERNMENT HOUSING PARKING<br />
Previous Score: 5.5<br />
Previous Score: 6.5<br />
Previous Score: 2.0<br />
For being home to one of the<br />
nation’s brainiest military installations,<br />
Augusta is awfully slow to<br />
adopt a technology to help solve<br />
– and more important, deter – crime<br />
in its central business district: police<br />
surveillance cameras. Downtown’s<br />
most pedestrian-dense areas have<br />
relatively few police-monitored cameras.<br />
With costs in the low six-figure<br />
range, the systems aren’t cheap, but<br />
neither are property crimes, aggravated<br />
assaults or worse. Downtown<br />
is statistically one of the city’s safer<br />
urban core neighborhoods, and<br />
the presence of highly conspicuous<br />
public safety cameras would<br />
go a long way toward changing the<br />
decades-old stigma.<br />
The Augusta Commission is always a<br />
mixed bag, and the past few months<br />
have been no exception. City leaders<br />
have done the right thing by joining<br />
a South Carolina lawsuit against the<br />
U.S. Army Corps of Engineers over<br />
the Corps’ flawed plans to demolish<br />
the New Savannah Bluff Lock and<br />
Dam. But then city officials inexplicably<br />
drag their feet to seal the deal<br />
with an Alabama-based developer<br />
interested in building a $94 million<br />
mixed-use project along the exact<br />
same riverfront they are fighting to<br />
protect. It’s not an either-or proposition;<br />
officials can – and should – be<br />
seeking success on both fronts.<br />
The first large-scale, fully privatesector<br />
apartment development in<br />
the downtown area in nine years<br />
– Ivey Development’s 155-unit<br />
Millhouse Station – was announced<br />
in December. For a company better<br />
known for developing single- and<br />
multi-family developments in<br />
suburban areas, Ivey’s “class A”<br />
apartment community is reaffirmation<br />
that Augusta’s urban core is<br />
increasingly becoming a destination<br />
for young professionals and emptynesters<br />
seeking proximity to cultural<br />
amenities and the city’s growing<br />
tech and health care sectors. As a<br />
bonus: The development will help<br />
fill in vacant dots between the city’s<br />
downtown and medical districts<br />
when it opens in 2021.<br />
We’re not sure how long it should<br />
take a city government to adopt a<br />
downtown parking-management<br />
plan, but we’re confident 10 years<br />
is not a “best practices” example.<br />
That’s how long city leaders have<br />
hemmed, hawed, ignored, tabled<br />
and resuscitated (and tabled again)<br />
a decision to create a much-needed<br />
paid-parking program. The latest<br />
holdup came in January when<br />
Augusta commissioners declined<br />
to take action on a contract with<br />
Chicago-based SP Plus after a<br />
months-long procurement process<br />
with input from a special city task<br />
force. So, leaders won’t enforce existing<br />
parking laws or build new decks,<br />
but will micromanage an experienced<br />
vendor overseeing parking programs<br />
in hundreds of other cities?<br />
8.5 5.5<br />
7 8<br />
DEVELOPMENT<br />
Previous Score: 8.5<br />
INFRASTRUCTURE ARTS & CULTURE COMMERCE<br />
Previous Score: 5.5<br />
Previous Score: 7<br />
Previous Score: 8<br />
It’s not that downtown hasn’t<br />
had new-development activity<br />
during the past quarter, it’s just<br />
there hasn’t been enough to move<br />
the needle – yet. Several renovation<br />
projects in various stages of<br />
completion are sure to be popular<br />
additions to the central business<br />
district, including Haltermann<br />
Partners’ 901 Broad St., Goodwill<br />
Industries’ rooftop bar concept at<br />
the 699 Broad St. building and Frog<br />
Hollow Hospitality Group’s remake<br />
of the southeast corner of 10th<br />
and Broad streets. Security Federal<br />
Bank’s new Walton Way branch<br />
office is generating traction and<br />
its future branch at 1109 Broad St.<br />
promises to be a showpiece.<br />
82 | <strong>1736</strong>magazine.com<br />
The public space in Augusta’s urban<br />
core is in something of a holding<br />
pattern as two major ballot initiatives<br />
await citizen vote. One of<br />
those issues, the 10-year-extension<br />
of the regional Transportation<br />
Investment Act sales tax, will<br />
appear on the March 24 Presidential<br />
Preference Primary ballot. The<br />
other, Richmond County’s special<br />
purpose local options sales tax, will<br />
be on the Nov. 3 ballot. Approval of<br />
each would set aside big funds to<br />
improve downtown infrastructure,<br />
particularly the TIA sales tax. Keep<br />
in mind the current tax, which<br />
sunsets in 2022, is funding seven<br />
downtown-area street improvements<br />
and giving Broad Street its<br />
first major makeover in more than<br />
40 years.<br />
Deciding to get serious about public<br />
art in Augusta was an easy decision,<br />
as the city is woefully behind peer<br />
cities in creating appealing public<br />
spaces and creating a “sense of<br />
place.” However, getting people to<br />
agree on what constitutes “good”<br />
public art is not so easy, as has<br />
been illustrated by the Greater<br />
Augusta Arts Council’s recent<br />
unveiling of two models that would<br />
grace the city’ gateways. City<br />
taxpayers deserve to have input<br />
on the art – they are, after all, the<br />
ones paying for it – but the overly<br />
negative reaction to proposals<br />
makes one question whether only<br />
naysayers are making their voices<br />
heard. Hopefully, discord over gateway<br />
proposals won’t have a chilling<br />
effect on future public art installations<br />
in the urban core.<br />
Business appears to remain steady<br />
in the central business district<br />
despite a handful of closings, which<br />
may have been precipitated by forces<br />
other than their lack of customers.<br />
Spaces for former downtown businesses,<br />
such as the restaurants Füse<br />
and The Cotton Patch, already are<br />
occupied by new tenants. If downtown<br />
property owners are bearish on<br />
business in the central business district,<br />
they’ve given little indication to<br />
show it. In fact, groundwork already<br />
is being laid to turn the southeast<br />
corner of 10th and Ellis streets – a<br />
vacant 1950s-era commercial center<br />
– into a modern mixed-use development<br />
with more than four dozen<br />
apartments.<br />
OVERALL SCORE:<br />
6.12<br />
Previous score: 6.19
FINAL WORDS<br />
History abounds in<br />
Augusta – for those<br />
who take time to learn<br />
DAMON CLINE, EDITOR<br />
Working in the media business<br />
gives me a little deeper<br />
knowledge of Augusta’s<br />
history than the average<br />
resident.<br />
Writing about buildings and tracts of land in<br />
Augusta-Richmond County’s 329-square-mile<br />
area forces me into research exercises that few have<br />
reason to partake.<br />
Every development, redevelopment, renovation,<br />
demolition, sale or lease triggers a string of questions<br />
that must be answered to craft an informative story.<br />
Who owns this property? Who were its previous<br />
owners? When did they sell it, and for how much?<br />
What kind of building is this? How big is it? When<br />
was it built? What is its current use? What was its<br />
previous use? What happened there over the years?<br />
The list goes on.<br />
Despite this better-than-average understanding<br />
of local history, gaps in my knowledge are constantly<br />
being revealed and brought into focus, as they were<br />
during the production of this edition of <strong>1736</strong>.<br />
Case in point: The home of the Rev. Charles T.<br />
Walker.<br />
I was a tabula rasa on local history when I moved<br />
here 23 years ago, but it quickly became apparent<br />
Walker was a notable figure in African-American<br />
history. There are, after all, a public school – the<br />
high-performing C.T. Walker Traditional Magnet<br />
School – and a major urban corridor, Laney-Walker<br />
Boulevard, that bear his name.<br />
Over time, I would learn how this late-19th century<br />
figure – founder of one of Augusta’s most influential<br />
houses of worship, Tabernacle Baptist Church<br />
– worked for the betterment of his community and<br />
became a nationally known evangelist.<br />
What I had never thought about was the place<br />
Walker called home. Not “home” in any metaphorical<br />
sense; home as in his actual residence – the very<br />
house in which he ate, slept and prayed.<br />
I simply assumed the home was either long gone,<br />
occupied by its current owner or a dot on a local map<br />
of African-American heritage sites. What I never fathomed<br />
is that Walker’s more than century-old home<br />
– which sits on the very street co-named in his honor –<br />
could have been left to slowly rot. But that is precisely<br />
what transpired during the past several decades.<br />
How?<br />
As with many things, those in the most logical<br />
position to be stewards – the Laney-Walker neighborhood,<br />
Walker’s former church and the city of<br />
Augusta – appeared to abdicate any responsibility.<br />
Had the nonprofit Historic Augusta not stepped in<br />
to acquire and stabilize the modest two-story home<br />
four years ago, the property likely would be a vacant<br />
lot today.<br />
“Whenever someone says, ‘They need to do<br />
something’ – we are the proverbial ‘they,’ “ Historic<br />
Augusta Director Erick Montgomery said.<br />
The organization has neither the power of government<br />
nor the cash of a developer to “save”<br />
endangered historic buildings. But with the C.T.<br />
Walker home, it had to act before the damage was<br />
irreparable.<br />
“Charles T. Walker was the black Billy Graham in<br />
his day for the whole country – if not the whole world<br />
– and this is where he lived,” Montgomery said.<br />
“We’re just going to let it fall down? We just couldn’t<br />
do that. It’s a miracle it’s not already gone.”<br />
If this edition of <strong>1736</strong> compels you to do anything,<br />
it is to learn more about the city in which you live.<br />
Fascinating stories are everywhere.<br />
Including at the former home of a preacher at 1011<br />
Laney-Walker Blvd.<br />
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