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BlacKkKlansmanAsh is Purest WhiteFilm ’20Dexter Lee’s cinema round-upRIP Michael Voigt, who did so much to teachso many Lewesians the nuances of film making.For many years Michael, who passed away aftera long illness, on January 28th, ran a popularafter-school film club for Lewes Priory students.Latterly, aided by his wife Ann, he has held amonthly screening and talk at Depot Cinema,shedding light on what set the great directorsapart. The last in his latest Film Club screeningstakes place on March 18th, with an introductionusing Michael’s screen notes. The chosen film isthe 1941 movie The Little Foxes, by meticulousdirector William Wyler. It stars Bette Davis asa ruthless Southern cotton mill owner. CarmenSlijpen tells me that Depot Cinema are lookinginto ways to honour Michael’s association withthe cinema. He will be greatly missed.Robert Senior’s Western season comes to a conclusionin March: on the 1st there’s a screening ofClint Eastwood’s multiple Oscar-winning 1992revisionist western Unforgiven; on the 8th we havethe Coen brothers’ 2007 adaptation of CormacMcCarthy’s novel No Country for Old Men, set in80s Texas. This film is followed by a discussion bythe Cinema of the Mind group.The Depot’s Japanese film season concludesin March. On the 3rd there’s the languid 2018coming-of-age love-triangle movie And Your BirdCan Sing, by up-and-coming talent Shô Miyake;on the 5th it’s the documentary debut of NaokoNobutumo, I Go Ga-Ga, My Dear, chroniclingthe travails of her nonagenarian parents, battlingwith Alzheimer’s and ill health.On the 5th there’s the latest in the book-to-filmseason, Frank Darabont’s adaptation of a 1982Stephen King novella, The Shawshank Redemption,starring Tim Robbins. Later that day wehave the latest offering from the Kino Club,the 2019 American satire Greener Grass, alreadya cult classic.There are a couple of movies from the GoldenAge of Hollywood: on the 7th, The Lewes Lit areshowing the 1933 horror classic Frankenstein, withBoris Karloff setting the cinematic mould for themuch portrayed monster; this is a prelude to thetalk on the 10th at the All Saints of Mary Shelleybiographer Fiona Sampson (see page 41). Andon the 8th, to mark International Women’s Day,screenwriter and author Helen Jacey introducesMichael Curtiz’ 1945 seminal noir classic MildredPierce, starring Joan Crawford.In a month that’s chock-full of interestingone-offs it’s worth mentioning the documentaryEverybody Flies (12th), about the toxic air webreathe in aeroplanes; Talking About Trees (precededby a Supper Club meal), a documentaryexamining the demise of the Sudanese cinemaindustry, and a red gala premiere of the locallyshot horror Carmilla, directed by Emily Harris,who will be attending the screening, along withcast members and crew.Finally, Lewes Film Club continues to take usaround the world in 90 minutes at the All Saints,with the Chinese thriller Ash is Purest White(6th), Spike Lee’s Colorado-set Cannes Grand-Prix-winning return to form BlacKkKlansman(13th) and Lance Daley’s 2018 period drama, setduring the Irish Famine, Black ’47 (20th).49