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The Breeze February 2020

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<strong>The</strong>me and Variations<br />

By: Frank Schuetz<br />

Somewhere between “I’ve never heard this before”<br />

and “I’m sick of hearing this” is a place where most<br />

people prefer to be while listening to music. When<br />

we hear a piece of popular music for the first time,<br />

we might tend to feel that we would be more<br />

comfortable listening to something more familiar,<br />

especially if our favorite songs come to mind. And<br />

yet, even our favorites can wear down our patience<br />

and attention if we hear them repeated too often.<br />

We want neither unfamiliarity nor excessive<br />

repetition, resulting in a challenge for anyone who<br />

composes music. Yet, all songs have to be heard for<br />

a ‘first time.’<br />

Composers of orchestral music have long known<br />

that attention must be captured quickly and held<br />

throughout the performance. One way a composer<br />

may try to mitigate the issue of unfamiliarity is<br />

to use an overture at the beginning of a work, to<br />

introduce listeners to what they will be hearing later<br />

in the performance. That is, they string together<br />

and present as one song pieces of compositions that<br />

subsequently will each be heard in full. Composers<br />

of music for theater, for example, attempt to<br />

capture attention by introducing the song concepts<br />

before the stage show begins. Unfamiliarity is then<br />

lessened to some extent, because the audience has<br />

heard pieces of the music in advance – sort of. <strong>The</strong><br />

overture is something that can be used to capture<br />

interest which can be built upon.<br />

Structures of popular songs usually take advantage<br />

of elaboration to capture and hold interest. Songs<br />

often start at a relatively uncomplicated level and<br />

then are elaborated by increasing levels of intensity,<br />

introducing more instruments and voices, and so<br />

on. <strong>The</strong> main structure of the song remains present<br />

as elaboration increases to hold attention.<br />

A similar tool used by composers to capture and<br />

hold attention is known as <strong>The</strong>me and Variations,<br />

and it follows the same type of logic. Stated simply,<br />

the composer first introduces the main concept of<br />

the music piece – the theme – and then presents<br />

variations of that theme while retaining concepts<br />

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