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A<br />
SINGLE STEM OF bluebells creates an enchanting picture,<br />
embroidered in simple stem <strong>and</strong> satin stitches. It takes advantage of<br />
the fact that embroidery thread is made up of six individual str<strong>and</strong>s,<br />
loosely twisted together. This allows parts of the design to be worked<br />
with a mixture of thread colours, producing a subtle blending that is more<br />
natural. The linen used was originally part of a tray cloth. The embroidery is<br />
left in the hoop which forms a simple frame. A piece of string is attached to<br />
the screw at the top to hang it from.<br />
STITCHES USED<br />
A<br />
C<br />
B<br />
Stem stitch<br />
Bring needle up at A <strong>and</strong> down at B. Bring needle<br />
back up halfway between A <strong>and</strong> B at C, just slightly<br />
above the first stitch. Keep thread below the needle.<br />
C A<br />
Satin stitch<br />
Come up at A <strong>and</strong> take the needle down<br />
at B. Come up again at C <strong>and</strong> repeat.<br />
B<br />
MATERIALS<br />
• 1 skein each of Coats Anchor str<strong>and</strong>ed embroidery<br />
thread: light blue 7876, dark blue 7110, light green<br />
6842, dark green 6876<br />
• Embroidery needle<br />
• Heat-erasable pen<br />
• 10in (25cm) square linen (the fabric used here<br />
was salvaged from a vintage tray cloth)<br />
• 10in (25cm) square Stitch-N-Tear<br />
• Glue stick<br />
• 8in (20cm) embroidery hoop<br />
Stitch-N-Tear is a flexible paper that gives extra<br />
support to the linen, keeping stitches looking neat. It<br />
also prevents any colour showing through where the<br />
threads are carried across at the back.<br />
AZURE BELLS<br />
The seasonal beauty of bluebells is captured in<br />
this picture created with thread<br />
Creating the embroidery<br />
1. A 15½in (40cm) length of the required colour is cut <strong>and</strong><br />
three str<strong>and</strong>s drawn out. These are held together <strong>and</strong><br />
threaded through the needle.<br />
2. The outline is transferred onto the linen, using a<br />
heat-erasable pen. The linen is placed over the Stitch–N-Tear<br />
<strong>and</strong> both layers are mounted in the embroidery hoop, with<br />
the screw at the centre top.<br />
3. The stalk is embroidered with three rows of small stem<br />
stitches. For the top row, one str<strong>and</strong> of light blue <strong>and</strong> two of<br />
light green are used, <strong>and</strong> three light green for the other two<br />
rows. The leaf is also worked with three str<strong>and</strong>s of light<br />
green, in satin stitch. Each side is worked separately, so that<br />
the stitches slant in opposite directions.<br />
4. Each bluebell <strong>and</strong> the centre bud on the left-h<strong>and</strong> side<br />
are outlined in stem stitch, using three str<strong>and</strong>s of dark blue.<br />
The shapes between are filled in with three str<strong>and</strong>s of light<br />
blue, in stem stitch. The top bud is outlined <strong>and</strong> filled in with<br />
three str<strong>and</strong>s of light blue <strong>and</strong> the lower bud with one str<strong>and</strong><br />
of dark blue <strong>and</strong> two of light blue.<br />
5. Using two str<strong>and</strong>s of light green <strong>and</strong> one of dark green,<br />
the bluebell stalks are worked in stem stitch. The tendrils<br />
that grow from the stalks are embroidered in different<br />
colours, for a more natural appearance. From left to right,<br />
the first two are stitched in three str<strong>and</strong>s of dark green, the<br />
next with two str<strong>and</strong>s of dark blue <strong>and</strong> one of light blue.<br />
Three str<strong>and</strong>s of light blue are used for the next two <strong>and</strong> the<br />
final one with one str<strong>and</strong> of dark blue <strong>and</strong> two of light blue.<br />
6. Removed from the hoop, the piece is lightly pressed from<br />
the wrong side. This removes the heat-erasable pen. Once<br />
refitted in the hoop, the layer of Stitch-N-Tear is trimmed<br />
flush with the frame, then the linen is trimmed back to ½in<br />
(1cm) all round. The inside of the frame is coated with glue<br />
<strong>and</strong> the fabric folded back so it adheres to the wood.<br />
▯ Project: Lucinda G<strong>and</strong>erton ▯ Photography: Richard Faulks<br />
TEMPLATE<br />
25