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LandScape Craft and Cookery Special

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A<br />

SINGLE STEM OF bluebells creates an enchanting picture,<br />

embroidered in simple stem <strong>and</strong> satin stitches. It takes advantage of<br />

the fact that embroidery thread is made up of six individual str<strong>and</strong>s,<br />

loosely twisted together. This allows parts of the design to be worked<br />

with a mixture of thread colours, producing a subtle blending that is more<br />

natural. The linen used was originally part of a tray cloth. The embroidery is<br />

left in the hoop which forms a simple frame. A piece of string is attached to<br />

the screw at the top to hang it from.<br />

STITCHES USED<br />

A<br />

C<br />

B<br />

Stem stitch<br />

Bring needle up at A <strong>and</strong> down at B. Bring needle<br />

back up halfway between A <strong>and</strong> B at C, just slightly<br />

above the first stitch. Keep thread below the needle.<br />

C A<br />

Satin stitch<br />

Come up at A <strong>and</strong> take the needle down<br />

at B. Come up again at C <strong>and</strong> repeat.<br />

B<br />

MATERIALS<br />

• 1 skein each of Coats Anchor str<strong>and</strong>ed embroidery<br />

thread: light blue 7876, dark blue 7110, light green<br />

6842, dark green 6876<br />

• Embroidery needle<br />

• Heat-erasable pen<br />

• 10in (25cm) square linen (the fabric used here<br />

was salvaged from a vintage tray cloth)<br />

• 10in (25cm) square Stitch-N-Tear<br />

• Glue stick<br />

• 8in (20cm) embroidery hoop<br />

Stitch-N-Tear is a flexible paper that gives extra<br />

support to the linen, keeping stitches looking neat. It<br />

also prevents any colour showing through where the<br />

threads are carried across at the back.<br />

AZURE BELLS<br />

The seasonal beauty of bluebells is captured in<br />

this picture created with thread<br />

Creating the embroidery<br />

1. A 15½in (40cm) length of the required colour is cut <strong>and</strong><br />

three str<strong>and</strong>s drawn out. These are held together <strong>and</strong><br />

threaded through the needle.<br />

2. The outline is transferred onto the linen, using a<br />

heat-erasable pen. The linen is placed over the Stitch–N-Tear<br />

<strong>and</strong> both layers are mounted in the embroidery hoop, with<br />

the screw at the centre top.<br />

3. The stalk is embroidered with three rows of small stem<br />

stitches. For the top row, one str<strong>and</strong> of light blue <strong>and</strong> two of<br />

light green are used, <strong>and</strong> three light green for the other two<br />

rows. The leaf is also worked with three str<strong>and</strong>s of light<br />

green, in satin stitch. Each side is worked separately, so that<br />

the stitches slant in opposite directions.<br />

4. Each bluebell <strong>and</strong> the centre bud on the left-h<strong>and</strong> side<br />

are outlined in stem stitch, using three str<strong>and</strong>s of dark blue.<br />

The shapes between are filled in with three str<strong>and</strong>s of light<br />

blue, in stem stitch. The top bud is outlined <strong>and</strong> filled in with<br />

three str<strong>and</strong>s of light blue <strong>and</strong> the lower bud with one str<strong>and</strong><br />

of dark blue <strong>and</strong> two of light blue.<br />

5. Using two str<strong>and</strong>s of light green <strong>and</strong> one of dark green,<br />

the bluebell stalks are worked in stem stitch. The tendrils<br />

that grow from the stalks are embroidered in different<br />

colours, for a more natural appearance. From left to right,<br />

the first two are stitched in three str<strong>and</strong>s of dark green, the<br />

next with two str<strong>and</strong>s of dark blue <strong>and</strong> one of light blue.<br />

Three str<strong>and</strong>s of light blue are used for the next two <strong>and</strong> the<br />

final one with one str<strong>and</strong> of dark blue <strong>and</strong> two of light blue.<br />

6. Removed from the hoop, the piece is lightly pressed from<br />

the wrong side. This removes the heat-erasable pen. Once<br />

refitted in the hoop, the layer of Stitch-N-Tear is trimmed<br />

flush with the frame, then the linen is trimmed back to ½in<br />

(1cm) all round. The inside of the frame is coated with glue<br />

<strong>and</strong> the fabric folded back so it adheres to the wood.<br />

▯ Project: Lucinda G<strong>and</strong>erton ▯ Photography: Richard Faulks<br />

TEMPLATE<br />

25

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