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Maree Makom

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H. is standing behind the visiting delegation’s

principal. His features are blurry in the white light

washing-obliterating the crowd huddled within the

room. A tall man, grey, slightly bent, the look in his

eyes, which will stir up and reawaken in the hot air

of the rocky hills to which a few hours later he, R.

and L. will escape, away from the suffocating grief,

is faded and heav y lidded still over the black

mustache. The dim motivation for his action, within

which was tucked a concealed desire for a goal

that would free him from a two year wait for a

house the completion of which cannot be funded,

and for a wife who got up one day af ter bearing

him eleven daughters and only one son, and

returned to her mother’s home, impelled him to

move, tall and promising, from one house-in-need

to the ruins of another, surrounded from all sides

by rings of anxiety and despair, scribbling numbers

on tattered shreds of paper which will pile on

others like them in his of fice in Al-Khalil’s

municipality building: a measurement of a beloved

piece of land destroyed today by a bulldozer, or

the number of uprooted olive trees marked on a

scrap torn from a map.

Video Recording Site

Al-Khalil. A house in mourning

The home-owners’ son has been stabbed to

death by an Israeli settler several days prior to

the recorded visit.

Demolished homes in Al-Khalil surroundings

Video Recording Occasion

1998. Initial production days of the video piece

by L. and R.

Participants

H. - A resident of Al-Khalil and an Al-Khalil

municipality engineer, who is aiding the two

women in the making of their piece

A delegation from Israel consisting of

representatives from various peace

movements

A delegation from Palestine

Family members

L. - An Israeli videographer residing in Tel Aviv

R. - An Israeli writer living in Jerusalem

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