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music | art | theatre & cinema listings for the hudson ... - Roll Magazine

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Blacke<strong>art</strong>h frequently shared bills with NEXUS, which <strong>for</strong>med in Toronto<br />

in 1971 and also shared members with Reich’s ensemble. Blacke<strong>art</strong>h<br />

eventually split, however, and when NEXUS co-founder John<br />

Wyre chose to leave his group in 2002, Kvistad was an obvious choice<br />

to take up his mallets. “We had played with Garry <strong>for</strong> years with Reich,<br />

so it was a natural progression,” says NEXUS’s Russell H<strong>art</strong>enberger.<br />

“He has a similar background to <strong>the</strong> rest of us; we all know <strong>the</strong> same<br />

repertoire.” Like <strong>the</strong> rest of <strong>the</strong> fivesome—which has toured <strong>the</strong> world,<br />

worked with noted composer Toru Takemitsu, and recently focused on<br />

early 20th-century novelty and ragtime <strong>music</strong>—Kvistad flits easily<br />

among bells, marimba, glockenspiel, cymbals, drums, vibraphone,<br />

and o<strong>the</strong>r instruments.<br />

Then <strong>the</strong>re’s Kvistad’s o<strong>the</strong>r hugely successful role with<br />

Woodstock Percussion, which he st<strong>art</strong>ed when he moved to <strong>the</strong> area in<br />

1979 and has since grown to an award-winning, multi-national concern.<br />

The business, which grew out of Kvistad’s construction of a metallophone<br />

from cast-off aluminum lawn-chair tubing, boasts two subsidiaries:<br />

Woodstock Chimes, whose unique, handmade offerings include <strong>the</strong><br />

firm’s debut item, <strong>the</strong> Chimes of Olympus (tuned to an ancient Greek<br />

pentatonic scale), and <strong>the</strong> meditative Awakening Bell (co-designed with<br />

legendary local drummer Jack DeJohnette); and <strong>the</strong> Woodstock Music<br />

Collection, a line of children’s instruments.<br />

In 1986, Kvistad and his wife, Diane, established <strong>the</strong> Woodstock<br />

Chimes Fund, which supports various local <strong>art</strong>s, food, and shelter<br />

ef<strong>for</strong>ts. “So far, we’ve given away over $2 million to <strong>the</strong> community,”<br />

says Kvistad, who also organized 2009’s Drum Boogie Festival<br />

in Kingston. “But it’s easy just to give money when you have it.<br />

We also give our time and experience; I was <strong>the</strong> chairman of [<strong>art</strong>s<br />

organization] <strong>the</strong> Woodstock Byrdcliffe Guild <strong>for</strong> a few years and<br />

17 | rollmagazine.com<br />

Diane is on <strong>the</strong> board of [social aid group] Family of Woodstock.”<br />

This semester, Kvistad is <strong>the</strong> Larry Berk Artist in Residence<br />

at Ulster County Community College, where he has given free seminars<br />

and a concert with NEXUS.<br />

“Besides being a fantastic player Garry is a man of ideals,” says Reich.<br />

“He’s definitely someone with many talents.”<br />

Talents that assure, like <strong>the</strong> sounds of his beloved instruments, Kvistad’s<br />

legacy will resonate <strong>for</strong> quite some time.<br />

www.nexuspercussion.com; www.chimes.com<br />

Watch a video of Garry Kvistad demonstrating his amazing collection of<br />

instruments at www.rollmagazine.com<br />

FA r l eF t t o p; neXuS At byr d C l i FFe tH e At e r: gA r r y Kv i S tA d iS A<br />

m e m b e r o F t H e to r o n t o b A S e d p e r C u S S i o n g r o u p neXuS<br />

(w w w.n e X u S p e r C u S S i o n.C o m). He r e t H e y A r e p e r F o r m i n g to n g u e S<br />

(w r i t t e n b y m e m b e r S o F neXuS) At t H e byr d C l i FFe tH e At e r in<br />

wo o d S t o C K ne w yo r K , F o r t H e wo o d S t o C K be At Co n C e r t o F<br />

2005, A n A n n uA l F u n d r A i S e r F o r t H e wo o d S t o C K byr d C l i FFe gu i l d<br />

S p o n S o r e d b y t H e wo o d S t o C K CH i m eS Fu n d. leF t t o ri g H t: bo b<br />

be C K e r, gA r r y Kv i S tA d , bill CA H n A n d ru S S e l l HA r t en b erg er.<br />

pH o t o C r e d i t: gA r y Hi l S t e A d<br />

FA r l eF t b o t t o m; Aw A K e n i n g bel l: tH e Aw A K e n i n g bel l b y<br />

wo o d S t o C K CH i m eS iS A t o n e t u b e u S e d F o r m e d i tA t i o n A n d H e A l i n g,<br />

d e v e l o p e d in pA r t n e r S H i p w i tH j A z z g r e At jA C K dejo H n e t t e, w o r l d<br />

r en ow n ed S o u n d t H e r A p i S t dr. jo H n be A u l i e u A n d wo o d S t o C K<br />

CH i m eS F o u n d e r /m u S iC iA n gA r r y Kv i S tA d. pH o t o iS o F gA r r y w i tH<br />

jA C K dejo H n e t t e.<br />

b e l o w; wo o d S t o C K CH i m eS , p H o t o b y mAt t pe t r i C o n e

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