Stacklab Lookbook - Limited

STACKLAB was founded by designer
Jeffrey Forrest in 2013. The Torontobased
art and design studio pursues
conceptual projects spanning a range
of scales and disciplines by working
in close collaboration with experts
in craft and science. The team is
dedicated to design thinking and
provoking meaningful discourse about
our built environment and the objects
within it. There are two divisions:
OBJECT,
their collection of LIMITED furniture and art
objects; and PROJECT, their design
practice focused on architecture,
interior design and installations.
STACKLAB was founded by designer
Jeffrey Forrest in 2013. The Torontobased
art and design studio pursues
conceptual projects spanning a
range of scales and disciplines
by working in close collaboration
with experts in craft and science.
The STACKLAB team is dedicated
to design thinking and provoking
meaningful discourse about the built
environment and the objects within
it. There are two divisions: OBJECT,
their collection of furniture and art
objects; and PROJECT, their design
practice focused on architecture,
interior design and installations.

Through experimentation, research and theoretical insight, the
STACKLAB collection explores digital and physical processes to create
contemporary narrative works.
Borrowing from the technology sector, our process adheres to the
concept of ‘stack’-based design - that is, applied critical thinking that
leverages existing technologies, infrastructures, and the people behind
them to innovate.
Our ‘stack’ does not favour a particular discipline or method, and as a
result, our work does not have a unifying aesthetic fingerprint. Instead,
our collections are defined by our approach.
Our primary focus is creating art and design that challenges and
provokes our fellow citizens and patrons. We strive to incite awe and
wonder, stimulate critical cultural discourse and ultimately provide
enjoyment using a variety of materials and methods.
Jeffrey Forrest
Founder

Garrison | 52-102
The Garrison is a sculptural iron casting intended for use as a stool
or side table. It recycles steel salvaged from the 2015 demolition
of the namesake Garrison bridge near Toronto’s Fort York. True to
STACKLAB’s ethos, however, the Garrison’s shape is not intended to
be a formal representation or memorialization of any of the bridge’s
attributes.
Instead, the Garrison exemplifies STACKLAB’s mission to repurpose
discarded or waste materials in a way that imbues them with new life and
meaning.
Its form was derived using digital real-time parametric design and
fabrication technology. STACKLAB optimized the product to be as light
and strong as possible: the Garrison’s 35-lb. weight can support a load
of 900 lbs.
STACKLAB and its partnering firm Rebart procured two tons of bridge
rebar, enough to release a limited-edition run of 102 units. Units 52 to
102 are all iron. Honouring central-eastern Canada’s manufacturing
heritage, The Garrison was cast in sand- the same process used to
produce machine parts for heavy industry. The sand-casting process
produces faintly perceptible irregularities that enhance the Garrison’s
tactile appeal.
Cast Iron | © Maison Gerard

GARRISON SCRIPT
GARRISON KEY PERMUTATION EXPLORATIONS
Representation of Garrison parametric script / definition
Fragment of historic rebar from the former Garrison Bridge, Toronto, Canada
Sample elevation explorations produced from script

16” W x 14” D x 18” H
Cast Iron
EXPO Chicago 2017 | © Maison Gerard

Garrison | 1-51
STACKLAB designed the Garrison to be sand-cast and engineered the
pattern (used to generate sand moulds) so that small manufacturing
defects, typical of this process, would only appear at the tip of the
piece. Units 1 to 51 have a thermally applied 1/16” solid bronze coating
in this location, which ameliorates these defects. This coating turns units
that may have been discarded into premium ones, enabling a near-100-
percent yield out of the run.
Garrison 1-51 is available exclusively at Maison Gerard, New York.
Cast Iron, Polished Bronze
© Patrick Thompson

16” W x 14” D x 18” H
Cast Iron, Polished Bronze
Private Residence | © Patrick Thompson

Garrison | 103-133
The original, award-winning Garrison was a sculptural iron casting
intended for use as a stool or side table. It recycled two tons of rebar,
enough to release a limited-edition run of 102 units, salvaged from the 2015
demolition of the namesake Garrison bridge near
Toronto’s Fort York.
The first 51 units of the Garrison series featured a bronze-coated
tip. That detail was the inspiration behind this recent addition to the
line, limited to 30 units, in which the entire unit is cast in solid bronze
and given a mirror-polished, waxed finish. Honouring central-eastern
Canada’s manufacturing heritage, the Garrison was cast in sand- the
same process used to produce machine parts for heavy industry. The
sand-casting process produces faintly perceptible irregularities that
enhance the Garrison’s tactile appeal.
Residence, Jeff Forrest | © Patrick Biller

Residence, Kimberly Von Koontz |
© Domino Magazine | Adrian Gaut
16” W x 14” D x 18”

Felt | Arm Chair Prototype
A prototype in our ever-evolving Felt Collection, this arm chair features
a plush seating surface and back made of layers of premium natural
merino wool felt. The stack is held together by STACKLAB’s signature
plated-steel clamping hardware.
The felt stack mixes colored and grey layers. An interstitial steel brace
identical in thickness to a felt layer, stiffens the stack to prevent racking.
This Arm Chair is supplied with an ergonomic driver that aids in
tightening or releasing the felt clamping hardware. The driver’s tip fits
into the slot atop the clamping fastener, making it easy to reorder or
tighten the felt layers.
To minimize cutting waste, felt layers are sourced from an online
database of available offcuts and end-of-bolt material.
A new version of this chair is in development, and will be slated for
unlimited production.

Felt Series

25 7/8” W x 20 9/16” D x 32 5/16” H
Natural Wool Felt
Black Oxide Steel
With Turned Walnut Legs
Felt Arm Chair, Custom 20” Dia. Felt Circle,
Custom 20” Equilateral Felt Triangle with Acrylic legs

Felt | Side Chair Prototype
A prototype in our ever-evolving Felt Collection, this chair features a
plush seating surface and back made of layers of premium natural
merino wool felt. The stack is held together by STACKLAB’s signature
plated-steel clamping hardware.
The felt stack contains multiple layers of Aubergine felted wool. An
interstitial bronze-plated steel brace identical in thickness to a felt layer,
stiffens the stack to prevent racking.
This Chair is supplied with an ergonomic driver that aids in tightening
or releasing the felt clamping hardware. The driver’s tip fits into the slot
atop the clamping fastener, making it easy to reorder or tighten the felt
layers.
To minimize cutting waste, felt layers are sourced from an online
database of available offcuts and end-of-bolt material.
A new version of this chair is in development, and will be slated for
unlimited production.

Residence, Jeff Forrest | © Patrick Biller
18 3/4” W x 20 9/16” D x 32 5/16” H
Natural Wool Felt
Satin Bronze-Plated Steel
With Turned Walnut Legs

Geppetto 1-50
Geppetto, intended for use as a stool or side table, is a single sculptural
casting of solid red bronze with an opening in the top that acts as an
ergonomic carrying handle.
Geppetto contemporizes and optimizes the classic three-legged stool
that the eponymous elderly woodcarver sits on in Carlo Collodi’s 1883
fairy-tale novel The Adventures of Pinocchio, which in turn spurred the
1940 Disney film.
The stool’s shape was arrived at through an extensive iterative,
parametric modeling process that tested variables such as leg taper,
leg angle, and leg angle relative to seat thickness. Proportions were
optimized to create the object with the lightest weight and highest
performance that could be cast as a single, balanced piece.
The stool’s red-bronze material is a custom alloy based on phosphor
bronze with an unusually high copper content. The augmented copper
enhances the stool’s corrosion resistance and makes the stool suitable
for use indoors and out. In either location, the stool will slowly develop a
subtle patina.
Honouring central-eastern Canada’s manufacturing heritage, Geppetto
was cast in sand- the same process used to produce machine parts for
heavy industry. The sand-casting process produces faintly perceptible
irregularities that enhance Geppetto’s tactile appeal. The base has a
peened finish; the top is available in a mirror polished finish.
Right: Raw casting, unprocessed
Left: Geppetto stool with flashing and surface residue removed

12” Dia. x 19” H
Cast Red Bronze
Parametric formal studies seat thickness, leg spread distance, leg taper, centre leg

12” Dia. x 19” H
Cast Red Bronze

Mura | Low Table
The Mura low table was created in collaboration with Toronto-based
glass design and fabrication atelier Jeff Goodman Studio (JGS). It pairs
STACKLAB’s signature solid-bronze Jupiter leg castings with a dropletshaped
top of kiln-fused glass. The table’s name derives from the
Japanese word for “unevenness, irregularity, inequality”.
In JGS’s proprietary glass fabrication process, rods of glass are broken.
The glass fragments are meticulously arranged in the kiln bed to
achieve a randomized pattern, then fired and cooled for a week. This
process yields a distinctive mottled pattern of milky translucent veils
and transparent glass windows. The slab is then polished, and cut to
size with a water jet. Because the glass is handmade, each table top
takes three weeks to carve and polish, a process that is impossible to
duplicate, making each Mura table unique.
The Jupiter leg is a study in creating a completely asymmetrical, yet
aesthetically cohesive, geometry. The shape is readily castable, yet
differs in every elevation, section and plan view. The planetary name
pays homage to the subtitle of Mozart’s last symphony, a favorite of the
patron who commissioned the first Jupiter table.
The leg’s theme of asymmetry influenced STACKLAB’s design for the
tabletop shape, which varies in every elevation, section and plan. The
top appears different when looked at from above the flat top or through
the sloping edge.
The Mura table is a limited-edition run of 25 units, available exclusively at
Maison Gerard, New York.
The Salon Art + Design New York 2018 | © Maison Gerard

C
C
C
C
MURA LOW TABLE
A
B
Section AA
E
Section BB
D
Section CC
D
Section DD
Section EE
E
B
MURA LOW TABLE
A
A
B
Section AA
E
Section BB
D
Section CC
D
Section DD
Section EE
E
B
A
48” W x 48” D x 14” H
Kiln-Fused Glass and Cast Solid Bronze
48” W x 48” D x 14” H
Kiln-Fused Glass and Cast Solid Bronze

Cube Series
The Cube Series, available in four variants, has a flexible range of
functions. Individually, they serve as a stool, bench, ottoman, table or
artwork. Together, they offer these same functions but have the benefit
of modular configurability.
The Cube Series celebrates the industrial process that creates moulds
for producing sand-cast metal parts. This particular field on inquiry
follows STACKLAB’s interest in reintegrating historic materials into the
scaled production of useful, modern objects. While patterns are still
commonly used in manufacturing, they are regularly decommissioned
and archived in response to industry innovation. There is a growing
abundance of unproductive industrial patterns in foundries and factories.
STACKLAB has been experimenting with disused wooden patterns,
made between 1890 and 1950, to create cast furnishings and sculptures
that reuse the patterns in a different, contemporary way.
One reuse strategy, exemplified by the Cube Series, is to reconfigure
a wooden pattern of a decommissioned, historic pump as a mould
to make a casting in an alternative, low-temperature medium such as
Engineered Cementitious Composite (ECC). ECC uses recycled glass
as an aggregate and recycled fiber as a reinforcing agent. Unlike metal,
ECC can be cast directly from a wooden pattern, creating a robust
negative or inverse of the original. The specific industrial shapes of these
patterns become non-specific when inverted, lending themselves to
flexible programming. Indeed, the Cubes can be oriented on any of their
six sides and suitable for interior or exterior use.
© Dineen Architecture + Design | Photo: Peter Rymwid
Each piece in this limited series is available exclusively at Maison Gerard,
New York.
Cube: Type B
wilth 24 Karat Gold (optional)
Residence, Jeff Forrest | © Patrick Biller

CUBE SERIES | PROCESS
1. Decommissioned Pump
2. One Quarter of
3. Milled Foam Added to
4. Form Built Around
5. Form Filled with ECC 6. Object De-Moulded 7. Finished Piece
Pattern Cut into Quarters
Pump Pattern
Reduce Weight
Pump Quarter
Cube: Type D
16” W x 16” D x 16” H
Kips Bay Showhouse 2017 | Dineen Architecture + Design | © Peter Rymwid
Engineered Cementitious Composite (ECC)

Holiday House New York 2018 | Robin Kramer Garden Design | © Courtesy of Holiday House
Cubes: Types A, B, D
ECC Natural Shade

Ovoid | Dining Table
The Ovoid is a custom 10’ x 5’ asymmetric table, composed of oldgrowth
Californian walnut and cast resin. The tabletop is paired with two,
blackened steel band ribbon legs, and a solid walnut pedestal.
The Ovoid marks an evolution of the material and design languages of
Stacklab’s celebreated Cut Burl Series. Using the original perfected fabrication
methods, we explored new formal possibilities and have added
premium domestic hardwood options to the series palette.
Commissioned by Frampton Co, New York
Private Residence | Frampton Co | © Joshua McHugh

60” W x 120” D x 29 1/2” H
California Black Walnut,
Cast-Resin, Blackened Steel

OVOID | TABLE
Blackened Steel Band Ribbon Base
Solid Walnut Pedestal
Blackened Steel Band Ribbon Base
Cast Resin
Blackened Steel Band Ribbon Base
Solid Walnut Pedestal
California Black Walnut Slab
Blackened Steel Band Ribbon Base
Cast Resin
California Black Walnut Slab

The Selby
25 Selby Street is a new residential development in Toronto’s east end,
incorporating the 1882 Victorian mansion built for the founder of the
Gooderham and Worts Distillery. The Selby is a 25 foot long, sculptural
LED lighting fixture. A material homage to the stills once used in the production
of spirits, the fixture features 20 sheets of mirror polished, laser
cut, solid 22 gauge copper riveted to a ribbed aluminum frame.
Commissioned by Johnson Chou Design, Toronto, Canada.
© Dineen Architecture + Design | Photo: Peter Rymwid
Main Lobby | The Selby Apartments | Toronto, Canada

304” L x 55” D x 51” H
LED Light, Aluminum, Copper Sheet
stacklab.ca | 416.886.4529 | info@stacklab.ca | 165 Geary Ave., Unit 4, Toronto , ON, M6H 2B8

Ash A356.0 | 1-4
The innovative casting process behind the limited A356.0 series uses
over 90% re-purposed material. Each piece’s base is milled from a
diseased ash log. The sawdust from the milling process is reclaimed and
compacted around the base to create a mould. Recylced aluminum beer
cans (generously donated by Steam Whistle Brewing) are melted and
cast into the sawdust mould to form a conic shape. The sawdust mould
burns away when it comes into contact with the molten metal leaving
irregular, textured impressions on the aluminum cone.
Each cone is subsequently polished and fastened to the wood base
to form functional stools and tables for indoor or outdoor use. With
the 4 units produced in the Ash A356.0 series, STACKLAB combines
their knowledge of traditional fabrication techniques and experimental
research to demonstrate how sustainable design fundamentally enriches
process and product.
Stool: 16"H x 16" Dia.
Side Table: 18"H x 16" Dia.
Diseased Ash and Recycled Aluminum

RECYCLED ALUMINIUM
ASH WOOD LOG FROM
VICTIM OF EMERALD ASH BORER
CONSUMABLES
BITS / SCRAP WOOD / ETC.
RECYCLED ALUMINIUM
ASH WOOD LOG FROM
VICTIM OF EMERALD ASH BORER
CONSUMABLES
BITS / SCRAP WOOD / ETC.
BASE OF STOOL IS MILLED FROM ASH LOG
BASE OF STOOL IS MILLED FROM ASH LOG
WOOD SHAVINGS FROM MILLING BASE ARE MIXED WITH PLASTER,
AND COMPACTED AROUND PORTION OF BASE TO FORM MOLD.
WOOD SHAVINGS FROM MILLING BASE ARE MIXED WITH PLASTER,
AND COMPACTED AROUND PORTION OF BASE TO FORM MOLD.
WOOD SHAVINGS FROM MILLING BASE ARE MIXED WITH PLASTER,
AND COMPACTED AROUND PORTION OF BASE TO FORM MOLD
WOOD SHAVINGS FROM MILLING BASE ARE MIXED WITH PLASTER,
AND COMPACTED AROUND PORTION OF BASE TO FORM MOLD
MOLTEN ALUMINIUM IS POURED INTO MOLD.
MOLTEN ALUMINIUM IS POURED INTO MOLD.
MOLD IS BROKEN APART. SEAT IS REMOVED.
MOLD IS BROKEN APART. SEAT IS REMOVED.
ASH A356.0 | TOP + BASE
TOP SEAT IS GROUND AND POLISHED
TOP SEAT IS GROUND AND POLISHED
ASH A356.0 | INPUTS ASH A356.0 | BASE ASH A356.0 | TOP PROCESS
ASH A356.0 | INPUTS ASH A356.0 | BASE ASH A356.0 | TOP PROCESS
ASH A356.0 | TOP + BASE
ASH A356.0 | RESULT
ASH A356.0 | RESULT

Awards, Fairs & Exhibitions
Awards, Fairs & Exhibitions
RECENT AWARDS
OBJECT
Best of Canada Award - Winner: Project of the Year.
The International Exposition of Contemporary & Modern Art,
PROJECT
-Canadian Interiors, November, 2017, Toronto, Canada
Chicago, USA, September 13-17, 2017
Ash A356.0
-Via Maison Gerard
Bezier Concertina
Design by Nature Sustainable Design Award -
Winner: Ash A356.0 Series
FAIRS AND EXHIBITIONS
Felt Collection
Paris Fashion Week, Paris, France, February 2-31, 2017
-Presented by Hotel Amastan, Paris
-Design by Nature, October, 2014, Toronto, ON
OBJECT
Isola Design District “Digital Platform”
Milan, Italy, June 16-21, 2020
Happiness by Design,
New Era, Toronto, Canada, 2017
Cube Series
Design by Nature Sustainable Design Award -
Winner: The Cube Series.
-Design by Nature, October, 2013, Toronto, ON
Brain 5.3
The Brain Project, 1st Canadian Place Gallery, Toronto, Canada,
2016
Garrison 52-102
The Collective Design Fair, New York, USA,
May 5-8, 2016
-Presented by Vice Canada and Motherboard
Razzle Dazzle
MOVE, Ontario Association of Architects
Felt Series
Best of Year Award – Honoree: The Felt Series.
-Interior Design Magazine, November 30, 2018,
New York, NY
Garrison 1-102
Best of Canada Award - Winner: Product Category.
-Canadian Interiors, November, 2016, Toronto, Canada
Design Innovation Award - Winner: The Garrison
-ASID American Society of Interior Designers,
April, 2016, Minneapolis, MN USA
Restaurant & Bar Product Design Award - Winner:
Stools and Benches, The Garrison
-Restaurant & Bar Product Design Awards, June,
2016, London, UK
Cube Series
Isola Design District, “Digital Platform”, 24 Karat
Milan, Italy, June 16-21, 2020
The Salon Art + Design, New York, USA,
November 10-14, 2016
-Via Maison Gerard
Kips Bay Show House, New York, USA,
May 2 - June 1, 2017
-Via Dineen Architecture
The European Fine Art Foundation TEFAF, New York, USA
May 4-8, 2018
-Via Maison Gerard
The Holiday House New York City, New York, USA
October 23 - December 2, 2018
-Via Robin Kramer Garden Design
-Via Maison Gerard
The European Fine Art Foundation TEFAF, New York, USA,
May 4-8, 2018
-Via Maison Gerard
The International Exposition of Contemporary &
Modern Art, Chicago, USA, September 13-17, 2017
-Via Maison Gerard
Garrison 103-133
The European Fine Art Foundation TEFAF,
New York, USA May 4-8, 2018
-Via Maison Gerard
Mura Low Table
Salon Art & Design, New York, USA,
November 8-12, 2018
(OAA), Toronto, Canada, September 15-16, 2017
Sand + Draft
Interior Design Show, Toronto, Canada, 2018
-Via AZURE
Isola Design District “Digital Platform”
Milan, Italy, June 16-21, 2020
#Solo
Une Exposition de Photographies, avec Elie
Kimbembe, Toronto, Canada, March 23, 2019
STACKT
Isola Design District “Digital Platform”
Milan, Italy, June 16-21, 2020
PROJECT
Bezier Concertina
Best of Canada Award - Winner: Project Category.
-Canadian Interiors, November, 2017, Toronto, Canada
Garrison 1-51
The Collective Design Fair, New York, USA,
May 5-8, 2016
-Via Maison Gerard
The European Fine Art Foundation TEFAF, New York, USA
May 4-8, 2018
-Via Maison Gerard
Wishbone Series
Toronto Offsite Design Festival, Toronto, Canada,
January, 2014
- Via Digital Promises
Wild Abode
Expo for Design, Innovation and Technology
(EDIT),Toronto, Canada, September 28- October 8, 2017
-Presented by Great Gulf
-Via Maison Gerard

Permanent Collections, Publications,
Press & Lectures
PERMANANT COLLECTIONS
Garrison 52-102
Cube Series
Interior Design - Milan’s Isola Design District goes Complelely
IRL Installation for Instagram-Famous Photographer,
City of Toronto Permanent Fine Art Collection, Toronto, Cana-
Architectural Digest - “Brad Ford Outfits New York’s
Virtual with Interactive Online Neighborhood”, June 2020
Elie,” 2019
da, 2015
Largest Living Room”, 2018
Unit 100/102
Interior Design Magazine Spring Market Tabloid -
PROJECT
Wild Abode
“Smoking hot! Spring Market Tabloid”, 2017
Canadian Interiors - “STACKLAB installation a finalist
Permanent Collection of the Embassy of Canada to
Interior Design Magazine Spring Market Tabloid - “Market Live
Bezier Concertina
for SBID International Design Excellence Award,”
Iceland in Reykjavik, 2016
2018 Product Highlights,” May 2018
AMC archi.com - ““Aménagment de papier pour popup store
September 2018
Units 63/102 and 68/102
parisien,” December 2017
Canadian Interiors - “Caught our eye”, 2017
Cut Burl Series
Azure - “This Paris Pop-Up Clothing Store is Built
Insight: Art of Living - “Bruce Mau’s Larger Than Life
PUBLICATIONS
Elle Decor - “House Tour: A New York
Apartment with Dramatic Flair”, September 2015
Entirely of Paper”, 2017
Canadian Interiors - “Best of Canada”, 2017
Design Career,” 2018
Interior Design - “Shedding Light-Centerfold”, 2018
PROJECT
Garrison 1-102
Detail - “Self Supporting Folding Wall with Presentation Displays”,
2017
Interior Design - “Community Agency and Stacklab
Think Green for Toronto’s Design Exchange Museum”, 2018
Bezier Concertina
PUBLIKATION NEW MOVE feat. Bezier Concertina
Institute for Building Design and Technology,
Leibniz University Hanover School of Architecture
Prof. Michael Schumacher, Birkhäuser Publishers, 2018
Detail Inside - ““Selbsttragende Faltwand mit
Präsentationsflächen (Self-supporting folding
wall with presentation displays)” 2017
SELECT PRESS
Azure - “Natural Perch”, 2016
Canadian Interiors - “Reclaimed Steel From Demolished Bridge
Cast Into Limited-Edition Design Object”, 2016
Canadian Interiors - “Best of Canada,” September 2016
Interior Design Magazine - “Objets d’art”, 2016
Interior Design Magazine - “Nine sculptural seats that
double as art,” Jan. 2017
National Post - “Salvaged Bridge Rebar from Toronto’s
Historic Fort York Upcycled into Furniture Piece”, 2016
The Globe and Mail - “Dual Stool-Table Built With Salvaged
Materials From Historic Toronto Bridge”, 2016
The Toronto Star - “Own a Piece of The 6”, 2016
Forme Pavilion
Canadian Interiors - “Cross Pollination: Embracing inspiration
from alternaive disciplines”, February 2020
Build-ing - “Site Visit - New life at stackt market in Toronto, a
critical design team transforms ubiquitous materials into unique
new design,” February / March 2020
DesignBoom - “Stacklab sites community-focused, culture and
retail hub at the heart of Toronto,” February 2020
The Globe and Mail - “Old shipping containers carry a new
retail vision,” August 13, 2019
Premier Construction - “Wild Abode, a pioneering
project,” October 2018
LECTURES
Interdisciplinary Cross Pollination -
Stack Based Design and Panel, 2019
Toronto Metro Convention Centre
Using Urban Wood ForumUrban Material Reclamation, 2017
Toronto City Hall, Canada Green Building Council
OBJECT
Ash A356.0
Azure - “Seven Great Furnishings Made With Recycled Wood”,
Nov. 2014
Canadian Interiors - “How it’s made,” Jan. 2015
Globe Life & Arts - “Coveted: STACKLAB’s A356.0”, 2014
Felt Collection
Designlines - “How Stacklab’s Felt Series Disrupts the Design
Process, March 2020
Design Milk - “Discover Milan’s Isola District Virtually with Isola
Goes Digital”, June 2020
Elle Decor Netherands - “No Salon del Mobile this year, so you
will not miss anything of the lastest design”, June 2020
Sand+Draft
Interior Design Magazine - “Eleven products that
wowed at IDS [Interior Design Show],” 2018
#Solo
Canadian Interiors - “Solo - Stacklab designs environment for
Canadian photographer’s first gallery exhibit,” 2019
Interior Design - “Stacklab Creates an Experiential
10x20x20-The Garrison, 2016
Winnipeg Art Gallery
CraftED, Manitoba Crafts Council

STACKLAB’s work has been
exhibited at fairs such as The Salon
Art + Design Fair (NY), The European
Fine Art Foundation, TEFAF (NY),
The International Exposition of
Contemporary & Modern Art (Chicago)
and Paris Fashion Week. Works
have also been acquired by the City
of Toronto’s Fine Art Collection,
and the permanent Collection of the
Embassy of Canada to Iceland in
Reykjavik. STACKLAB has received
multiple awards, such as The 2016
American Society of Interior Design’s
Design Innovation Award, the 2016
and 2017 Best of Canada Awards in
the product and project categories.
www.stacklab.ca