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NZPhotographer Issue 35, September 2020

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

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DANCING IN THE DUNES<br />

F1.8, 1/2500s, ISO100, 1<strong>35</strong>mm<br />

some amazing friendships and find that the more<br />

you shoot with someone (as long as you are open to<br />

collaboration) the more of a partnership you form.<br />

The people I shoot know they can trust me. They know<br />

that I will only share images that make them look like<br />

their best self.<br />

DO YOU HAVE A FAVOURITE SHOT? TELL US<br />

ABOUT THAT…<br />

‘Dancing in the dunes’ is my favourite. I have<br />

worked with Anita for well over a year now and quite<br />

regularly, so we have a great working relationship.<br />

Dancing in the dunes was taken at the end of a<br />

perfect day of photography. We started at the<br />

Botanic Gardens in Manurewa and did some images<br />

around the cherry blossoms, getting lucky with the<br />

small number of people about and the amount of<br />

blossom. The light was really nice all day but things just<br />

kept getting better.<br />

After some coffee, we went to the Winter Gardens in<br />

Auckland where we met with a photographer friend<br />

(Delwyn Barnett) and then after a late lunch and a<br />

wardrobe stop, we headed out to Piha. As is often<br />

the way, the plan was super flexible and changed on<br />

the fly all day. The late afternoon light was magical<br />

(in fact this folder of images is named the magic<br />

shoot!). I remember Anita asking if we were ok<br />

because it went really quiet. I had to explain that we<br />

were stunned into silence because we just knew we<br />

were getting great images (photographers all know<br />

this feeling).<br />

I must have several hundred similar shots but the<br />

moment where I asked Anita to channel her inner<br />

ballerina, relax into it and dance, that’s when the<br />

magic really hit. This is one of those images I’m scared<br />

to enter into competitions because it means too<br />

much to me.<br />

<strong>September</strong> <strong>2020</strong> 39

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