NZPhotographer Issue 35, September 2020
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
DANCING IN THE DUNES<br />
F1.8, 1/2500s, ISO100, 1<strong>35</strong>mm<br />
some amazing friendships and find that the more<br />
you shoot with someone (as long as you are open to<br />
collaboration) the more of a partnership you form.<br />
The people I shoot know they can trust me. They know<br />
that I will only share images that make them look like<br />
their best self.<br />
DO YOU HAVE A FAVOURITE SHOT? TELL US<br />
ABOUT THAT…<br />
‘Dancing in the dunes’ is my favourite. I have<br />
worked with Anita for well over a year now and quite<br />
regularly, so we have a great working relationship.<br />
Dancing in the dunes was taken at the end of a<br />
perfect day of photography. We started at the<br />
Botanic Gardens in Manurewa and did some images<br />
around the cherry blossoms, getting lucky with the<br />
small number of people about and the amount of<br />
blossom. The light was really nice all day but things just<br />
kept getting better.<br />
After some coffee, we went to the Winter Gardens in<br />
Auckland where we met with a photographer friend<br />
(Delwyn Barnett) and then after a late lunch and a<br />
wardrobe stop, we headed out to Piha. As is often<br />
the way, the plan was super flexible and changed on<br />
the fly all day. The late afternoon light was magical<br />
(in fact this folder of images is named the magic<br />
shoot!). I remember Anita asking if we were ok<br />
because it went really quiet. I had to explain that we<br />
were stunned into silence because we just knew we<br />
were getting great images (photographers all know<br />
this feeling).<br />
I must have several hundred similar shots but the<br />
moment where I asked Anita to channel her inner<br />
ballerina, relax into it and dance, that’s when the<br />
magic really hit. This is one of those images I’m scared<br />
to enter into competitions because it means too<br />
much to me.<br />
<strong>September</strong> <strong>2020</strong> 39