NZPhotographer Issue 35, September 2020
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
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Learning To See<br />
By Richard Young<br />
“Slow down, connect with your subject, and decide what you wish to express<br />
before you attempt to try to capture it.”<br />
Today, life tends to take place in a rushed manner. It’s<br />
hard to leave this attitude behind, even when we go<br />
out to photograph wild places. Our instinct is to turn<br />
up, capture the image, and leave. For our vision to<br />
truly emerge, we must give ourselves time to connect<br />
with our landscape or subject, take in its beauty,<br />
and decide the story we wish to tell. We must give<br />
ourselves time to see.<br />
This goal can be tricky in frequently-photographed<br />
landscapes; if you’re not careful, there will be little in<br />
your image to make it stand out from all the others. I<br />
don’t mean to put you off with this reality, but rather,<br />
to ready you for a good challenge. With enough<br />
creativity, there will always be an opportunity for your<br />
style and vision to shine. Where other photographers<br />
may end up with the exact same images as each<br />
other, strive to tell your own unique story.<br />
One thing I really enjoy about working as a<br />
photography tutor is the opportunity to travel to<br />
amazing locations with people from all around the<br />
world. Discovering the individuality and uniqueness of<br />
everyone’s visions comprises a very important part of<br />
the workshop environment. Sure, these photographers<br />
have primarily come to learn from their tutor but in<br />
reality, everybody ends up learning from each other.<br />
Every time I run a workshop, I learn from the clients I<br />
am there to teach. That is one of the amazing things<br />
about photography: we never stop learning. And<br />
when it comes to learning about our vision, there is no<br />
right or wrong answer.<br />
During our trips, there are times when everybody<br />
sets up their tripods in a line to capture the same<br />
vista. However, these are vastly outnumbered by the<br />
times when everyone ends up with their own unique<br />
image from the same location. Time and time again,<br />
even when I’m sure I’ve visited a location far too<br />
many times to see a fresh interpretation, someone<br />
always finds a way to create something totally new.<br />
Maybe they have seen some small detail that others<br />
overlooked, or maybe they just approach the view in<br />
front of them in an unusual way.<br />
I particularly enjoy taking people to lesser-known<br />
locations for this reason. Sure, everyone has a hitlist<br />
of images they hope to capture on the trip, but<br />
sometimes, the most unknown locations are the real<br />
gems. Arriving with no preconceptions allows visitors<br />
to explore, experiment, and express their own vision.<br />
Teachers of photography often focus on technique,<br />
but the part I enjoy most is teaching people to see:<br />
to break down the scene in front of them, decide the<br />
story, determine the key elements of their photograph,<br />
and figure out how to express their vision.<br />
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<strong>NZPhotographer</strong>