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NZPhotographer Issue 35, September 2020

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

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Learning To See<br />

By Richard Young<br />

“Slow down, connect with your subject, and decide what you wish to express<br />

before you attempt to try to capture it.”<br />

Today, life tends to take place in a rushed manner. It’s<br />

hard to leave this attitude behind, even when we go<br />

out to photograph wild places. Our instinct is to turn<br />

up, capture the image, and leave. For our vision to<br />

truly emerge, we must give ourselves time to connect<br />

with our landscape or subject, take in its beauty,<br />

and decide the story we wish to tell. We must give<br />

ourselves time to see.<br />

This goal can be tricky in frequently-photographed<br />

landscapes; if you’re not careful, there will be little in<br />

your image to make it stand out from all the others. I<br />

don’t mean to put you off with this reality, but rather,<br />

to ready you for a good challenge. With enough<br />

creativity, there will always be an opportunity for your<br />

style and vision to shine. Where other photographers<br />

may end up with the exact same images as each<br />

other, strive to tell your own unique story.<br />

One thing I really enjoy about working as a<br />

photography tutor is the opportunity to travel to<br />

amazing locations with people from all around the<br />

world. Discovering the individuality and uniqueness of<br />

everyone’s visions comprises a very important part of<br />

the workshop environment. Sure, these photographers<br />

have primarily come to learn from their tutor but in<br />

reality, everybody ends up learning from each other.<br />

Every time I run a workshop, I learn from the clients I<br />

am there to teach. That is one of the amazing things<br />

about photography: we never stop learning. And<br />

when it comes to learning about our vision, there is no<br />

right or wrong answer.<br />

During our trips, there are times when everybody<br />

sets up their tripods in a line to capture the same<br />

vista. However, these are vastly outnumbered by the<br />

times when everyone ends up with their own unique<br />

image from the same location. Time and time again,<br />

even when I’m sure I’ve visited a location far too<br />

many times to see a fresh interpretation, someone<br />

always finds a way to create something totally new.<br />

Maybe they have seen some small detail that others<br />

overlooked, or maybe they just approach the view in<br />

front of them in an unusual way.<br />

I particularly enjoy taking people to lesser-known<br />

locations for this reason. Sure, everyone has a hitlist<br />

of images they hope to capture on the trip, but<br />

sometimes, the most unknown locations are the real<br />

gems. Arriving with no preconceptions allows visitors<br />

to explore, experiment, and express their own vision.<br />

Teachers of photography often focus on technique,<br />

but the part I enjoy most is teaching people to see:<br />

to break down the scene in front of them, decide the<br />

story, determine the key elements of their photograph,<br />

and figure out how to express their vision.<br />

52<br />

<strong>NZPhotographer</strong>

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