NZPhotographer Issue 35, September 2020
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
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A Fragile World<br />
by Tracey Walker<br />
When I was fifteen, my family moved to<br />
West Auckland to escape city life. It was<br />
through this time that my photographic<br />
journey started. My new school had<br />
great resources for the arts and dedicated facilities<br />
for the study of photography. We studied with<br />
old school film cameras and used the darkroom<br />
to develop our images as Kodak were only<br />
just releasing their first digital cameras at that<br />
time. Bethels Beach was my local photography<br />
playground and I would spend all my savings on<br />
rolls of film to capture images for my assignments.<br />
Now converted to the digital age, I’m using a fullframe<br />
Canon DSLR with an 85mm prime lens, a<br />
16–<strong>35</strong>mm, and 70–200mm lenses along with an<br />
extender which I use for my bird photography and<br />
a Manfrotto tripod. I must admit I love the freedom<br />
of experimenting with multiple images whilst trying<br />
not to lose the critical process of photographing<br />
with intent!<br />
Having completed a Diploma in Commercial<br />
Photography at Ucol in Auckland where I tried<br />
many different genres, it is portraiture and<br />
storytelling that have become the most important<br />
to me as an extension of my art practise. You see,<br />
I use art and photography as a platform to explore<br />
and document my environment. Sometimes as a<br />
piece of history but more often as a vessel to tell<br />
a story or create awareness… to portray pressing<br />
issues that have touched me somehow.<br />
My latest series, “A Fragile World,” is a continuing<br />
story that initially started as a narrative evoked from<br />
my preoccupation with the environmental impacts<br />
of our disposable culture. The single-use plastic bag<br />
and the manufacture of low quality throw away<br />
items exemplify a lifestyle of not respecting the<br />
CAUSTIC LIGHT<br />
4<br />
<strong>NZPhotographer</strong>