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PANACEA 2020

panacea /ˌpanəˈsiːə/ noun a solution or remedy for all difficulties or diseases. The term ‘Panacea’ embodies humanity’s unfaltering idealism, our wishful thinking and our unattainable dreams. It is this idealism which lays the foundation for our ambition and perseverance in the face of unparalleled hardship, and which fuels our resilience after defeat. In a time like the present and indeed throughout history, the concept of a ‘Panacea’ has been a frank deviation from reality – it is nothing more than a fantasy or escape. Nonetheless, for us, ‘Panacea’ is a delight, a source of hope and a symbol of our unending optimism. This year, the theme of AMSA’s student magazine, Panacea, is “When the dust settles: Reflection and renewal in a COVID-19 world.” We asked medical students from across Australia to submit written pieces or artwork relevant to the theme, for publication in a colourful and engaging digital magazine. Please enjoy the compilation of these wonderful works in Panacea 2020.

panacea
/ˌpanəˈsiːə/
noun
a solution or remedy for all difficulties or diseases.

The term ‘Panacea’ embodies humanity’s unfaltering idealism, our wishful thinking and our unattainable dreams. It is this idealism which lays the foundation for our ambition and perseverance in the face of unparalleled hardship, and which fuels our resilience after defeat. In a time like the present and indeed throughout history, the concept of a ‘Panacea’ has been a frank deviation from reality – it is nothing more than a fantasy or escape. Nonetheless, for us, ‘Panacea’ is a delight, a source of hope and a symbol of our unending optimism.

This year, the theme of AMSA’s student magazine, Panacea, is “When the dust settles: Reflection and renewal in a COVID-19 world.” We asked medical students from across Australia to submit written pieces or artwork relevant to the theme, for publication in a colourful and engaging digital magazine. Please enjoy the compilation of these wonderful works in Panacea 2020.

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Vera Drake (2004)<br />

Vera is a well-meaning, in the parlance<br />

of the day, ‘kindly’, working-class<br />

woman in London in the 1950’s who likes<br />

to help others. Amongst her helpful<br />

duties, she performs abortions on young<br />

woman who have ‘got themselves in<br />

trouble’. She accepts no payment but her<br />

friend, Lily, who organises the service,<br />

does charge and in turn, makes sure Vera<br />

is looked after with occasional gifts of<br />

black market goods. Like in real life,<br />

the plot then goes on to show that bad<br />

things can happen.<br />

Vera is played by Imelda Staunton in an<br />

exquisite performance. In fact, it is<br />

the audience’s belief in Vera that helps<br />

paper over inconsistencies in the plot.<br />

The rest of the British cast are all<br />

authentic characters from that era. Mike<br />

Leigh was both writer and director and<br />

used his trademark approach of immersing<br />

the cast in the milieu of the times and<br />

circumstances. The dialogue is<br />

convincing and the sets embody the<br />

nostalgia of the 50’s without<br />

trespassing on the twee.<br />

The movie won a Golden Lion at Venice,<br />

was denied screening at Cannes for some<br />

reason, lifted three BAFTAs (including<br />

best leading actress) and was nominated<br />

for three Academy Awards. Metacritic<br />

give it 83/100, Rotten Tomatoes 92% and<br />

IMDb 7.7/10.<br />

If all, or any illegal abortionists, were as well-meaning as Vera they would not have been held in<br />

as much disrepute. The reality was that it was highly dangerous both for the woman and the<br />

abortionist and often carried out with poor preparation, poor counselling, poor knowledge, poor<br />

technique and poor equipment. Some criticism was directed at the lethality of the actual technique<br />

that Vera uses; however, until abortion was legalised in the late 60’s, it was estimated that there<br />

were approximately 250,000 illegal abortions performed each year in the U.K. Those comments were<br />

perhaps based on only seeing the tip of the iceberg: those that went wrong.<br />

Well, if it is not a fair and accurate portrayal of backyard abortionists, why should it be seen by<br />

medical students?<br />

Well, for starters, it raises the topic.<br />

Secondly, it authentically depicts situations that they might be exposed to in their medical<br />

career. Pregnancy will still continue to have a possible negative effect on a woman’s future.<br />

Abortion has persisted through the ages and even in these enlightened times will continue to be an<br />

option. It does illustrate the contrasting options for rich and poor.<br />

We only need to go back to the life and campaigning of Dr Bertram Wainer in Melbourne to conjure up<br />

the rather similar situation that existed here in Australia. Seeing this movie may deter some of<br />

those who would be tempted to revisit the past and make it a criminal offence.<br />

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