What You See, Unseen

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Interview116
117Jeffrey GibsonONE BECOMES THE OTHER, 201573 × 16 × 16Like A Hammer, 201456 × 24 × 11AMERICAN HISTORY (JB), 201589 × 66 × 5
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Foreword09EssayMateriality11Artists
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9ForewordOne of the most fundamenta
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11Materialityasthe BasisforChristin
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13impacts how viewers experience th
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15Hickey, like Gablik, grounds resp
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17Everything that might interpose i
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19gger, as an “open” one. Accor
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21more, it is a challenge to separa
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23The Sacred and Profane:Contempora
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25again and again as they reveal th
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27Physical Constructs:Performance &
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29the piece, requiring a level of e
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31Ritual is the attempt, usually a
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33ithe experience of interconnected
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35Digital ArtThe subject of materia
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37ference in the feeling of the wor
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39lChristina Murdoch Millsdoes this
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The art work is, to be sure, a thin
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43Brian Jungen was born in 1970 on
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45Christina Murdoch Mills
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49Brian JungenUNDERSTAND THE LIGHT
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51Brian JungenHORSE MASK (CHER) 201
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53Using a wide variety of materials
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55Choi Jeong HwaAlchemy, 2017Mixed
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59Choi Jeong HwaAlchemy, 2018Mixed
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Page 63 and 64:
63Ellen Gallagher was born in Provi
Page 65 and 66: 65Ellen GallagherDeluxe, 2004-560 w
Page 67 and 68: 67Christina Murdoch Mills
Page 69 and 70: 69Ellen GallagherDeluxe, 2004-560 w
Page 71 and 72: 71Ellen GallagherLa Chinoise, 2008P
Page 73 and 74: 73Janine Antoni is a contemporary A
Page 75 and 76: 75Janine AntoniGnaw comprises two60
Page 77 and 78: 77Janine AntoniLick and Lather, 199
Page 79 and 80: 79Janine AntoniSaddle, 2000Full raw
Page 81 and 82: 81Jeffrey Gibson is a multidiscipli
Page 83 and 84: 83Jeffrey GibsonCome Alive! (I Feel
Page 87 and 88: 87Jeffrey GibsonI PUT A SPELL ON YO
Page 89 and 90: 89Jeffrey GibsonSPEAK TO ME IN YOUR
Page 91 and 92: 91Jeffrey GibsonTHE ONLY WAY OUT IS
Page 93 and 94: 93Kevin Beasley was born in Lynchbu
Page 95 and 96: 95Kevin BeasleySlab VIII, 201995.5
Page 97 and 98: 97Kevin BeasleyThe Acquisition 2018
Page 101: 101Kevin BeasleyUNTITLED (DIFFUSOR
Page 104 and 105: 104Artist Choi Jeong Hwa’s practi
Page 106 and 107: 106plete the work would take commem
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Page 111 and 112: 111InterviewWithJefferyGibsonworkin
Page 113 and 114: 113of whether I was an artist or no
Page 115: 115Within the powwow context, the j
Page 119 and 120: 1192014Fukuoka Triennale, Fukuoka,
Page 121 and 122: 121sity of North Carolina, Greensbo
Page 123 and 124: 123Looking Back / The 10th White Co
Page 125 and 126: Jeffery Gibson125182.9 × 51.4 × 5
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What You See, Unseen

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