What You See, Unseen

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122by Janet PhelpsEiteljorg Museum, Recent Acquisitions, Eiteljorg2008Blueballs, Production Fund LAB, New York, NewYork, organized by Jackie SaccoccioVolta 4, Basel, Switzerland, with Samson Projects2007SONOTUBE, Santa Barbara Contemporary ArtsForum, Santa Barbara, California, curated by MikiGarciaNew England School of Art and Design, Boston,Massachusetts, organized by Charles GiulianoNewark Open 2007, Newark, New Jersey, organizedby Omar Lopez-Chahoud2006Gallery, Paperworks, Los Angeles, California, curatedby Daria Brit ShapiroWestport Arts Center, BROOKLYN, Westport, Connecticut,curated by Amy Simon2005Le Désert de Retz, Massimo Audiello, New York,New York, curated by David HuntAlona Kagan Gallery, From the Root to the Fruit,New York, New York, curated by David HuntEvolving Pattern, New Jersey State University,Jersey City, New Jersey, organized byMidori YoshimotoPlay, Iandor Fine Arts, Newark, New Jersey, curatedby Jomo Jelani HeywoodArtists Alliance AIR Exhibition, Cuchifritos Gallery,New York, New York2004The Urge That Binds, Samson Projects, Boston,MassachusettsJersey City Museum, Jersey (New), Jersey City, NewJersey, curated by Dr. Rocio ArandaKevin Beasley2020without a clear discernible image, A4 Arts Foundation,Cape Town, South AfricaGrief and Grievance: Art and Mourning in America,New Museum, New York, NYSolidary & Solitary: The Joyner/Giuffrida Collection,Pérez Art Museum, Miami, FLYoung Gifted and Black, The Lumpkin-BoccuzziFamily Collection of Contemporary Art,Lehman College Art Gallery, The Bronx, NYPsychic Wounds: On Art and Trauma, The Warehouse,Dallas, TX2019Ace: Art on Sports, Promise, and Selfhood, UniversityArt Museum, University at Albany,Albany, NYFrederick Douglass: Embers of Freedom, SCADMuseum of Art, The Savannah College ofArt and Design, GAMaterial Tells, Oakville Galleries, Ontario, CanadaASSEMBLY (organized by Kevin Beasley, Lumi Tan,Tim Griffin, and Nicole Kaack),The Kitchen, NewYorkWorld Receivers, The Zabludowicz Collection,LondonSolidary And Solitary: The Pamela J. Joyner AndAlfred J. Giuffrida Collection, SmartMuseum of Art, University of Chicago, Chicago, IL2018A view of a landscape, Whitney Museum of AmericanArt, New York, NYKevin Beasley, The Institute of Contemporary Art,Boston, MASolidary And Solitary: The Pamela J. Joyner AndAlfred J. Giuffrida Collection, SniteMuseum of Art, University of Notre Dame, NotreDame, INNothing Stable Under Heaven, SFMoMA, SanFrancisco, CASolidary And Solitary: The Pamela J. Joyner AndAlfred J. Giuffrida Collection, NasherMuseum of Art at Duke University, Durham, NCSolidary And Solitary: The Pamela J. Joyner AndAlfred J. Giuffrida Collection, OgdenMuseum of Southern Art, New Orleans, LA2017Solidary And Solitary: The Pamela J. Joyner AndAlfred J. Giuffrida Collection, OgdenMuseum of Southern Art, New Orleans, LAThat I am readings backwards and into for a purpose,to go on:, curated by TheWhitney Museum of American Art IndependentStudy Program, The Kitchen,New York, NYTouchpiece, Hannah Hoffman Gallery, Los Angeles,CA2016A Slow Succession with Many Interruptions,SFMoMA, San Francisco, CAThe Beat Goes On, curated by Derrick Adams, SVAChelsea Gallery, New York, NYBlackness in Abstraction, curated by AdrienneEdwards, Pace Gallery, New York, NYImitation of Life: Melodrama and Race in the 21stCentury, HOME, Manchester*Between the Ticks of the Watch, The RenaissanceSociety at the University ofChicago, Chicago, ILSurrogates, Griffin Art Projects, Vancouver, BritishColumbiaA Moment of Grace, Modern Art Oxford, OxfordA Shape That Stands Up, The Hammer Museum atArt + Practice, Los Angeles, CAWinter 2015: Collected Works, Rennie Museum,Vancouver, British Columbia
123Looking Back / The 10th White Columns Annual,Selected by Matthew Higgs, WhiteColumns, New York, NY2015Many things brought from one climate to another,Art Gallery of Ontario, Ontario, TorontoGreater New York, MOMA PS1, Long Island City, NYBreath/Breadth: Contemporary American BlackMale Identity, Maier Museum of Artat Randolph College, Lynchburg, VA*Storylines: Contemporary Art at the Guggenheim,Solomon R. GuggenheimMuseum, New York, NY(MoNA), Pontiac, MIKevin Beasley and Vanessa Merrill, MoNA, Pontiac,MI:Wellness: Film premier, Cave, Detroit, MIChange: Its all There Already, University of Michiganart gallery, Detroit, MI2008This and There, Somewhere, Forum Gallery, CranbrookAcademy of Art, Bloomfield Hills, MIAndres Serrano Picks Detroit, Center Galleries,College for Creative Studies, Detroit, MIDetroit-Toledo Exhibition, Secor Gallery/DetroitIndustrial Projects, Toledo, OH2014The Global Africa Project-Political Patterns, SeoulMuseum of Art, SeoulCut to Swipe, The Museum of Modern Art, NewYork, NYRockaway! PS1 MOMA, Rockaway Beach, NewYork, NYMaterial Histories, The Studio Museum in Harlem,NY*When the Stars Begin to Fall: Imagination and theAmerican South, The Studio Museum inHarlem, NY; NSU Museum of Art, Fort Lauderdale,FL; Institute of Contemporary Art,Boston, MAThe 2014 Whitney Biennial, Whitney Museum ofAmerican Art, New York, NYHarold Ancart, Kevin Beasley, Mateo López, CaseyKaplan, New York, NY2013Queens International 2013, Queen Museum of Art,New York, NYRealization is Better Than Anticipation, Museum ofContemporary Art, Cleveland, OH6<<<>>> Part I, Interstate Projects, Brooklyn, NY2012Fore, The Studio Museum in Harlem, Harlem, NYSome Sweet Day, Museum of Modern Art, NewYork, NYThesis Part Two, Yale University Art Gallery, NewHaven, CTAn All Day Event, The End, Danspace, New York, NY2011PULSE Contemporary Art Fair Los Angeles, TheButcher’s Daughter, Los Angeles, CALive from Detroit, Fred Torres Collaborations, NewYork, NYNew Departures and Transitions, N’Namdi Centerfor Contemporary Art, Detroit, MICollege Art Association New York Area MFA Exhibition,Hunter College, New York, NY2010Paycheck to Paycheck, The Butcher’s Daughter,Ferndale, MI2009Shameless Nameless Recycled, POP gallery LosAngeles, CADetroit: Breeding Ground, Museum of New Art
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Foreword09EssayMateriality11Artists
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9ForewordOne of the most fundamenta
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11Materialityasthe BasisforChristin
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13impacts how viewers experience th
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15Hickey, like Gablik, grounds resp
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17Everything that might interpose i
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19gger, as an “open” one. Accor
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21more, it is a challenge to separa
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23The Sacred and Profane:Contempora
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25again and again as they reveal th
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27Physical Constructs:Performance &
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29the piece, requiring a level of e
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31Ritual is the attempt, usually a
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33ithe experience of interconnected
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35Digital ArtThe subject of materia
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37ference in the feeling of the wor
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39lChristina Murdoch Millsdoes this
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The art work is, to be sure, a thin
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43Brian Jungen was born in 1970 on
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45Christina Murdoch Mills
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49Brian JungenUNDERSTAND THE LIGHT
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51Brian JungenHORSE MASK (CHER) 201
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53Using a wide variety of materials
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55Choi Jeong HwaAlchemy, 2017Mixed
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59Choi Jeong HwaAlchemy, 2018Mixed
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63Ellen Gallagher was born in Provi
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65Ellen GallagherDeluxe, 2004-560 w
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69Ellen GallagherDeluxe, 2004-560 w
Page 71 and 72: 71Ellen GallagherLa Chinoise, 2008P
Page 73 and 74: 73Janine Antoni is a contemporary A
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Page 77 and 78: 77Janine AntoniLick and Lather, 199
Page 79 and 80: 79Janine AntoniSaddle, 2000Full raw
Page 81 and 82: 81Jeffrey Gibson is a multidiscipli
Page 83 and 84: 83Jeffrey GibsonCome Alive! (I Feel
Page 85 and 86: 85Christina Murdoch Mills
Page 87 and 88: 87Jeffrey GibsonI PUT A SPELL ON YO
Page 89 and 90: 89Jeffrey GibsonSPEAK TO ME IN YOUR
Page 91 and 92: 91Jeffrey GibsonTHE ONLY WAY OUT IS
Page 93 and 94: 93Kevin Beasley was born in Lynchbu
Page 95 and 96: 95Kevin BeasleySlab VIII, 201995.5
Page 97 and 98: 97Kevin BeasleyThe Acquisition 2018
Page 101: 101Kevin BeasleyUNTITLED (DIFFUSOR
Page 104 and 105: 104Artist Choi Jeong Hwa’s practi
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Page 113 and 114: 113of whether I was an artist or no
Page 115 and 116: 115Within the powwow context, the j
Page 117 and 118: 117Jeffrey GibsonONE BECOMES THE OT
Page 119 and 120: 1192014Fukuoka Triennale, Fukuoka,
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