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ninth annual conference-convention - Cantors Assembly

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18. Kiddush<br />

19. Cantor’s solo or congregational chant led by<br />

cantor.<br />

20. Rabbi’s sermon<br />

21. Adon Olam or any other concluding hymn.<br />

As an opening hymn or Ma Tovu spot, one can use<br />

any appropriate psalm such as S'u Sh’arim, Pithu Li<br />

Sha-arey Txedek, or any of the six Kabalat Shabbat<br />

psalms preceding the L’kha Dodi and, of course,<br />

any number of Ma Tovu’s. Also, such hymns as “God<br />

is in His Holy Temple,” etc., which can be found in<br />

the Silverman Prayer Book. On occasion, we have<br />

used one of the six psalms antiphonally involving<br />

cantor and congregation.<br />

L’kha Dodi Spot-Each Friday, two or three stanzas<br />

of the L’kha Dodi can be utilized as a cantorial solo,<br />

cantor and choir or antiphonal chant. Some of the<br />

stanzas which lend themselves in their translated form<br />

may be used as either congregational or even choral<br />

or cantorial selections.<br />

Tov L’hodot Spot-Any standard composition available<br />

for both Tov L’hodot or Adonai Malakh. Here,<br />

too, neutral psalms may be utilized fitting the occasion;<br />

for example, Torat Adonai Tmimah (Lewandowsky),<br />

Esah Eynai, ( Ef) .<br />

Hymn Spot-Any of the Sabbath hymns to be found<br />

in the Silverman Prayer Book.<br />

Barkhu Spot---Cantor should strive to bring variety<br />

into his part of the service. I, therefore, found it<br />

advisable to alternate each Friday with either major<br />

or minor Barkhu.<br />

Ma-Ariv Aravim Spot--This chapter can be utilized<br />

for both choral and cantor solo selections, beginning<br />

each time with a different spot in this prayer; for<br />

example, one Friday, Borey Yom Valaylah; another<br />

Friday, Ma-ariv Aravim. Still another Friday, begin<br />

with Asher Bid’varo. The same can be done with<br />

Ahuvat Olam.<br />

Sh’mah Spot-Any of the three chapters of the<br />

Sh’ma may be done in either original Torah cantillation<br />

style with organ introduction or obligato or as<br />

a cantor solo and here, too, one may begin at any<br />

given appropriate place in the chapter.<br />

Eme t V'emunah Spot-Can be done as recitative or<br />

choral selection or cantor and choir. Here, too, one<br />

may begin wherever text permits it.<br />

V’ne-emar Spot-Whenever Hashkivenu is not done,<br />

this prayer may be utilized with proper organ prelude<br />

as a cantorial solo based on traditional nusah.<br />

Hashkivenu Spot-Any of the available compositions<br />

both for cantor and choir or cantorial recitative, or as<br />

antiphonal chant in either the original or English.<br />

V’shamru Spot-Any of the available compositions<br />

for cantor or cantor and choir and again, as antiphonal<br />

or congregational chants.<br />

Kaddish Spot-Standard cantor and congregational<br />

chant.<br />

-16-<br />

“May the Words" Spot-“May the Words” may be<br />

used for cantorial solo, as choral selection, or as congregational<br />

chant.<br />

Cantorial Solo Spot-Here, any of the following may<br />

be used: Vayekhulu; Magen Avot; Kadshenu; Rizey;<br />

Modim Anahnu; Shalom Rav.<br />

Of course, any one of these may be used also for<br />

congregational singing.<br />

Z’mirah Spot-Shalom Aleikhem and any other Sabbath<br />

Z’mirot to be found in the Silverman or any other<br />

prayer book.<br />

Kiddush Spot-Either as a cantorial solo or on occasion,<br />

to be done by cantor and congregation; for example,<br />

Lewandowski Kiddush.<br />

Adon Olam Spot-Any appropriate congregation<br />

hymn in Hebrew or English or priestly benediction in<br />

conjunction with rabbi or following rabbi’s benediction.<br />

SPECIAL OCCASIONS<br />

Calling up of bride and groom-When a bride and<br />

groom were called to the pulpit for the rabbi’s benediction<br />

and congratulatory remarks, I preceded with<br />

an appropriate love song, either in Hebrew or English,<br />

based on either Biblical text or any other love<br />

poem in good taste.<br />

Naming of a baby-After rabbi’s benediction, etc.,<br />

I chant a special Mi Sheberakh.<br />

Special Sisterhood service-I would list in our Temple<br />

Bulletin, the music we were preparing for this<br />

special occasion in honor of our Sisterhood: for example,<br />

Eishet Hayil, Woman in Israel, or any Biblical<br />

passages dealing with the valor of women or even<br />

appropriate Hebrew poetry.<br />

Men’s Club Sabbath-Hiney Mah Tov and any other<br />

appropriate material to be found in the Silverman or<br />

other prayer book or Biblical source.<br />

Consecration of new students-V'ha-arev-noh, Yisrael<br />

V’oraytah and any other Hebrew or English selections<br />

dealing with the study of Torah.<br />

Graduation ceremony-Any of the available Torah<br />

songs either in Hebrew or English extolling the virtue<br />

of acquiring knowledge. If not available, create your<br />

own.<br />

Bar or Bat Mitzvah-On the occasion of a boy or<br />

girl called upon to read a Biblical excerpt on the<br />

Friday preceding the Sabbath of his Bar Mitzvah, you<br />

may introduce a special Mi Sheberakh.<br />

Installation of officers--Any available appropriate<br />

material for such an occasion as may be found in the<br />

Silverman Prayer Book, Page 299, as well as other<br />

suitable prayers.<br />

Brotherhood Week-Any of the readings or prayers<br />

in the Silverman book or other fitting Hebrew or<br />

English poems telling of brotherhood.<br />

Thanksgiving Day-On a Friday evening when the<br />

Thanksgiving Day theme is featured, one may utilize<br />

any of the Silverman Prayer Book supplementary

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