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Panels & Furniture Asia January/February 2018

Panels & Furniture Asia (PFA) is a leading regional trade magazine dedicated to the woodbased panel, furniture and flooring processing industry. Published bi-monthly since 2000, PFA delivers authentic journalism to cover the latest news, technology, machinery, projects, products and trade events throughout the sector. With a hardcopy and digital readership comprising manufacturers, designers and specifiers, among others, PFA is the platform of choice for connecting brands across the global woodworking landscape.

Panels & Furniture Asia (PFA) is a leading regional trade magazine dedicated to the woodbased panel, furniture and flooring processing industry. Published bi-monthly since 2000, PFA delivers authentic journalism to cover the latest news, technology, machinery, projects, products and trade events throughout the sector. With a hardcopy and digital readership comprising manufacturers, designers and specifiers, among others, PFA is the platform of choice for connecting brands across the global woodworking landscape.

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WOOD CLINIC 63<br />

Fig. 3: The heart wood of Kapur contains<br />

crystalline resin that is as white as borneol.<br />

Fig. 4: Clear resin canals on a cross section of Dark Meranti under a magnifying glass.<br />

v. Heart wood is usually brile. Some<br />

species have more extract and are<br />

heavier in weight. For example, the<br />

heart wood of Kapur contains<br />

crystalline resin that is as white<br />

as borneol (Fig. 3). For some species,<br />

the heart wood and the sapwood are<br />

particularly distinct, such as Rengas.<br />

vi. Sapwood is usually pale yellow or<br />

white. Some species like rubberwood<br />

display no difference in colour for<br />

sapwood and the heart wood.<br />

vii. Wood grain: Common wood grains<br />

include straight grain (Belain); wavy<br />

grain; spiral or diagonal grain;<br />

interlock grain (Dark Meranti).<br />

viii. Texture: The thickness of the texture<br />

can be distinguished by observing<br />

with the naked eye or touching<br />

dressed wood surface.<br />

ix. Wood rays: Observe the thickness,<br />

colour and luster of dressed wood’s<br />

lateral section with a magnifying<br />

glass.<br />

x. Cell extract: Observe the dressed<br />

wood surface with a magnifying<br />

glass.<br />

xi. Latex can be seen at the end of the<br />

log for some species, such as<br />

Merbau. During sawing, the band<br />

saw blades will be stained by latex.<br />

xii. Resin canal: Dark Meranti has clear<br />

resin canals (Fig. 4), one of the main<br />

features to help identify wood<br />

species.<br />

xiii. Oil may be found on the wood’s<br />

surface after being dressed, for<br />

example, Keruing. The oil is more<br />

obvious when seen from the cross<br />

section.<br />

xiv. Minerals contained in wood cells<br />

may not be the same. For example, in<br />

the vessels on the lateral or cross<br />

section of Merbau, yellowish minerals<br />

such as sulfur are obvious (Fig. 5).<br />

(II) Patching up cracks in 5-inch thick<br />

slabs of ri cut log:<br />

When the log is cut into 5-inch thick<br />

slabs, the moisture content in drying<br />

wood is uneven or over 16 per cent.<br />

In an air-conditioned room, for<br />

example, the moisture content may<br />

only be nine per cent, resulting in<br />

wood drying and contraction. As the<br />

mixture of ferrous glue and sawdust<br />

is very solid, the glue film becomes<br />

very hard and anti-solvent. As a<br />

result, it cannot contract<br />

simultaneously with the wood and<br />

thus bulges. The moisture content<br />

should be controlled at 10 ±2%.<br />

I hope the above analysis helps.<br />

Fig. 5: The vessels on the Merbau cross section contain many<br />

small yellow dots of sulfur, visible to the naked eye.<br />

f you encounter any problems with wood bonding in timber<br />

Imanufacturing or wood processing, don’thesitate to ask<br />

Mr Shen Yuxin immediately!<br />

Mr Shen Yuxin was born in 1948 in Kuching, Sarawak,<br />

Malaysia. In 1974 he graduated from the Department of<br />

Forest of National Chung Hsing University in Taiwan, and<br />

then worked in Taiwan Forestry Bureau. From 1975 to 1995,<br />

Mr Shen engaged in wood processing and wood-based panel<br />

industry in Malaysia, Singapore, Kalimantan island country, and<br />

served as the engineering and technical personnel, production<br />

director, production manager, as well as general production<br />

manager. Mr Shen also entered world famous <strong>Asia</strong>n Chemical<br />

Company woodworking group in 1996, and worked as the<br />

regional director of technical services.<br />

PANELS & FURNITURE ASIA • Issue 1 • <strong>January</strong> / <strong>February</strong> <strong>2018</strong>

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