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Surrey Homes | SH74 | March 2021 | Interiors supplement inside

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<strong>Interiors</strong> Supplement sponsored by<br />

5 minutes with...<br />

Jane Cowdry<br />

We learn about Jane’s work at her company, LilyMatthews, which produces curtains,<br />

blinds and soft furnishings for designers and private and commercial clients<br />

What kind of projects do you do?<br />

The bulk of our work is for designers<br />

but we also help private clients in the<br />

South East. We work on full commercial<br />

projects such as hotels and restaurants as<br />

well as residential homes and holiday homes. Large<br />

projects are a speciality as we have the capacity to<br />

work on wide width curtains with lengths as much<br />

as 7m. We also love smaller individual projects<br />

local to us that we can turn around quickly and<br />

ensure clients can get on with their lives in a<br />

finished home or bedroom as soon as possible.<br />

Can you advise on other aspects of interior<br />

design? We help with upholstery, paint<br />

and fabric supply. We can supply beautiful<br />

headboards and pelmets, too. We also help with<br />

all the fittings such as good quality basic poles<br />

to handcrafted ones in bespoke colours. We<br />

also supply automation for easy opening and<br />

closing of curtains including voice control.<br />

How are you liaising with clients during<br />

the current pandemic? This has been difficult<br />

but like every company we have adapted. Our<br />

work for designers has continued fairly normally<br />

as there is very little face-to-face with this work<br />

and properties are often empty. We are also<br />

able to quote from floor plans and elevations in<br />

the early stages so no site visits are necessary.<br />

We have strict guidelines for measuring up<br />

and are keeping appointments to no more than<br />

twice a week as this allows for testing in between.<br />

We aren’t carrying out consultations in homes<br />

but are able to meet with existing clients at the<br />

workshop showroom at weekends when no<br />

staff are present and we can keep a distance.<br />

We can then put together fabric suggestions<br />

so we can get the ball rolling and these can be<br />

shown via Powerpoint or, if very local, with mini<br />

moodboards or packs delivered to the door.<br />

How can you help a client decide on the<br />

right fabrics for their home? When I first see<br />

a client (under normal circumstances) it would<br />

be in their home. This often isn’t to their taste as<br />

they will have just moved in, so I have to work<br />

out what they like, what they want to achieve<br />

and what makes them happy. I then ask them to<br />

look at a few books – which is the quickest way<br />

to see what they love, hate or what they might<br />

consider once we have pulled it all together.<br />

The interior of your home should bring you<br />

joy and comfort, a haven from what is going on<br />

outside and the fabrics and colours all contribute<br />

to that and form the backdrop to your home life.<br />

They aren’t just the accessory. Last year we fitted<br />

a couple of rooms in the home of a family who<br />

had relocated from London. Though they loved<br />

the new house the lady was missing her London<br />

life and office. I found a lovely fun fabric ‘Berkeley<br />

Square’ by James Hare (pictured as background) and<br />

we used it in the playroom, she said it made her<br />

smile every time she went into the room because<br />

the Square had been around the corner from her<br />

office and where she would sit on a sunny day<br />

with her lunch. When you see how design can<br />

transform a house to a home it is wonderful and<br />

our designer clients are amazing at what they do.<br />

What is the most elaborate and memorable<br />

project you’ve been asked to work on?<br />

There have been so many wonderful ones and we<br />

have worked for famous faces and famous places<br />

along the way, but two spring to mind. One of<br />

our designer’s clients had always loved the film<br />

Gone with the Wind and wanted a bedroom like<br />

Scarlett’s (if you look it up it’s swathes of peach/<br />

pink satin). It was in a Kent manor house and the<br />

designer brought it up to date by using a soft grey<br />

satin, but it was fantastic with swags and tails and<br />

swooping tiebacks and trims. The second was more<br />

restrained but involved a sizeable Tudor hall that<br />

was transformed by the designer into a stunning<br />

seating and dining area with huge windows where<br />

we made curtains over 5m long in a printed-toorder<br />

Linwood fabric. They looked amazing and,<br />

more importantly for us, the fit was spot on!<br />

Tell us about your Beginners Curtain Making<br />

Kits... Gosh this was a bit of fun during the first<br />

lockdown! We have intermittently run curtain<br />

making courses but they have become more<br />

difficult as we have grown busier and also the<br />

pandemic meant they couldn’t go ahead. I had<br />

the idea to put the teaching into a kit so it was all<br />

together. There is a DVD, written instructions,<br />

fabrics, a pencil, tape and it even has pins and<br />

needles and cotton so you only need your own<br />

scissors and a tape measure. Of course you couldn’t<br />

have professionals in last year so my poor husband<br />

had to shoot the video. Though the continuity is<br />

a bit jumpy (my hair does some odd things!), the<br />

instructions are clear and easy to follow and it’s<br />

taught in exactly the same way as I would on a<br />

face-to-face course. You make a small pencil pleat<br />

curtain and then I show you how to easily scale that<br />

up for your own home. It’s a fraction of the cost<br />

of the courses and you can go at your own speed.<br />

lilymatthews.co.uk

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