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Helen Booth and Clare Walters

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HELEN BOOTH<br />

CLARE WALTERS<br />

17th April - 8th May 2021


Drift Ice (1) oil on canvas 50 x 50 cm £1400


Drift Ice (2) oil on canvas 50 x 50 cm £1400


Drift Ice (3) oil on canvas 50 x 50 cm £1400


Drift Ice (4) oil on canvas 50 x 50 cm £1400


Crest oil on canvas 25 x 30 cm £600


Large Vessel ash wood glaze <strong>and</strong> decorative slip 31 x 23 cm £390


Bowl ash wood glaze 15 x 32 cm £180


Bowl kohiki <strong>and</strong> wood ash glazes 10 x 22 cm £80 Bowl kohiki <strong>and</strong> wood ash glazes 10 x 22 cm £80


Soap Dishes various clays <strong>and</strong> glazes 2 x 11 cm (approx) £20


Pinch Pots various glazes £7 - 20


Pink Shadow oil on canvas 50 x 70 cm £1400


White Horizon oil on canvas 25 x 35 cm £600


Ice Path oil on canvas 130 x 130 cm £4250


Falling Snow oil on canvas 130 x 130 cm £4250


Morning Light oil on canvas 180 x 180 cm £6950


Winter Light oil on canvas 180 x 180 cm £6950


Vessels ash wood <strong>and</strong> transparent glazes 19 x 17 cm £75


Vessel ash wood glaze <strong>and</strong> slip decoration 13 x 14 cm £ 75


1 2<br />

3<br />

1 Facetted Stoneware Drinking Beakers various glazes <strong>and</strong> slip decoration 9 x 7 cm (approx) £30<br />

2 Stoneware Beakers various glazes <strong>and</strong> slip decoration 10 x 7 cm (approx) £30<br />

3 Raku Drinking Beakers various wood ash glazes <strong>and</strong> slip decoration 10 x 7 cm (approx) £35<br />

4 Stoneware Beakers various glazes <strong>and</strong> slip decoration 10 x 7 cm (approx) £30<br />

4


1 2<br />

3 4<br />

1 Drinking Bowls matt white glaze <strong>and</strong> kohiki slip 6 cm x 8 cm £35<br />

2 Small Bowls dolomite glaze <strong>and</strong> slip decoration 7 x 14 cm £45<br />

3 Small Bowls mixed wood ash glaze <strong>and</strong> kohiki slip 7 x 11 cm £40<br />

4 Stoneware Mugs transparent glaze over oxide slip decoration 8 x 8 cm £35


I Can Still Feel You oil on canvas 120 x 120 cm £4000


Covered Tracks oil on canvas 110 x 110 cm £3600


Horizon oil on canvas 80 x 80 cm £2750


Moving Horizon oil on canvas 80 x 80 cm £2750


Shimmer oil on canvas 92 x 122 cm £3600


Erased oil on canvas 35 x 25 cm £600


H<strong>and</strong> Built Vessel shell inlay with matt white glaze 22 x 28 cm £200


Stem Vase ash wood <strong>and</strong> transperent glazes 28 x 5 cm £45


Large Bowl nuka shiro glaze <strong>and</strong> slip decoration 16 x 30 cm £330


Pouring Bowls dolomite glaze <strong>and</strong> kohiki slip 7 x 13 cm £45


Snowfall Study oil on canvas 33 x 24 cm £600


Repetition Series (4) oil <strong>and</strong> gesso on ply panel 33 x 24 cm £900


Repetition Series (2) oil <strong>and</strong> gesso on ply panel 33 x 24 cm £900


Repetition Series (3) oil <strong>and</strong> gesso on ply panel 33 x 24 cm £900


Pink Fizz oil on canvas 140 x 140 cm £4250


Silence oil on canvas 120 x 120 cm £4000


Vessel dolomite glaze over oxide slip 21 x 14 cm £175


Vessel wood glaze <strong>and</strong> oxide slip 18 x 21 cm £190


1 2<br />

3<br />

Raku Espresso Cups various glazes <strong>and</strong> slips 8 x 7 cm (approx) £25


1<br />

2<br />

3<br />

1 Stoneware Plate transparent glaze over slip decoration 26 cm diameter £60<br />

2 Square Serving Platter ash wood glaze over slip decoration 22 x 26 cm £70<br />

3 Stoneware Charger transparent glaze over slip decoration 31 cm diameter £85<br />

4 Raku Decorative Plate nuka shiro glaze 20 cm £50<br />

4


Dipped Drawing (5) oil, printing ink <strong>and</strong> household paint on 300g acid free Fabriano 31 x 22 cm £350


Dipped Drawing (14) oil, printing ink <strong>and</strong> household paint on 300g acid free Fabriano 31 x 22 cm £350


Dipped Drawing (3) oil, printing ink <strong>and</strong> household paint on 300g acid free Fabriano 31 x 22 cm £350


H<strong>and</strong> Built Vessel dolomite glaze 24cm x 16 cm £250


Oil Burners various glazes 5 x 7 cm (approx) £25


Pinch Pots various glazes £7 - 20


HELEN BOOTH<br />

I remember walking through one metre deep snow - the sound of my heavy body making a repetitive dull hum that was swallowed immediately by the<br />

quiet. Everywhere was white - I was surrounded by the most sublime vista. I couldn’t quite grasp what I was feeling. It felt like every atom was vibrating at<br />

the same frequency. I turned a corner <strong>and</strong> there she lay - Nature in all her divine glory - laid bare, menacing, beautiful <strong>and</strong> deadly present.<br />

Skaftafell Glacier - Artist in Residence - Icel<strong>and</strong> 2020<br />

My recent paintings concentrate on the limitless variations of the single dot <strong>and</strong> how the individual marks when placed side by side create a dialogue. Often<br />

the dots follow disjointed lines or they crowd together in amorphous blocks. Sometimes they are destroyed by gravity with dripped paints. The works<br />

explore both an impulsive <strong>and</strong> repetitive way of mark-making that is both gestural <strong>and</strong> meditative. Straight <strong>and</strong> dynamic lines often appear alongside the<br />

more gossamer transient dots in the paintings.<br />

The dot itself can be many things, a puncture wound, a beginning, an end, an existence, or a loss. It can be the end of a sentence or a punctuation in a<br />

l<strong>and</strong>scape. It can symbolise life <strong>and</strong> it can represent death – a full stop.<br />

When I paint, I try to balance action <strong>and</strong> inaction. Oil allows me to do this; each layer forcing a pause in the work’s construction. I pour <strong>and</strong> drag the paint<br />

across the surface - this juxtaposition of imposed structure <strong>and</strong> the loosely applied paint is an emotional response to the process of painting. My restrained<br />

palette creates work that focuses on the mark without the distraction of colour.<br />

This way of working, the duality of the interactions by myself as an artist, the h<strong>and</strong>s-off exchanges of the paint on a surface, the force of gravity <strong>and</strong> the<br />

element of chance are fundamental to my ideas. The internal alchemy, the human condition, of being <strong>and</strong> not being, of life <strong>and</strong> death, are what I am<br />

striving to capture within my work.<br />

Agnes Martin stated succinctly in her Beauty is a Mystery of Life lecture in 1989 that “it is commonly thought that everything that is, can be put into words.<br />

But there is a wide range of emotional responses that we make that cannot be put into words. We are so used to making these emotional responses that<br />

we are not consciously aware of them till they are represented in artwork”.<br />

A recent Residency in Icel<strong>and</strong> has greatly informed by practice. St<strong>and</strong>ing in what can only be described as a Divine l<strong>and</strong>scape has reinforced my personal<br />

belief that Nature is the most powerful force <strong>and</strong> that trying to capture the essence of Nature in its purest form is what is important to me as an artist.<br />

The cycle of birth <strong>and</strong> rebirth, in life <strong>and</strong> in nature is key.<br />

The Fall oil on canvas 150 x 225 cm £8000


BIOGRAPHY<br />

<strong>Booth</strong> studied at Wimbledon School of Art, graduating in Fine<br />

Art Painting in 1989. In 2019 she received a Pollock Krasner Award from<br />

New York for her painting <strong>and</strong> also 1 of the 12 International Abstract<br />

Painting Awards from the Adolph <strong>and</strong> Esther Gottlieb Foundation in the<br />

USA. She is exhibited at various galleries throughout the UK <strong>and</strong> her<br />

work is held in several private collections around the world.<br />

SELECTED SOLO – 2/3 PERSON EXHIBITIONS<br />

2021 Konsthall Vasby – Sweden<br />

Circle Contemporary - Cornwall<br />

Recent Work - The Table Hay on Wye<br />

Solo Exhibition – Oriel Myrddin - Carmarthen<br />

2020 Solo Exhibition - &Gallery Edinburgh<br />

2019 Matter - Elysium Gallery Swansea<br />

Balance - The Table Gallery Hay Festival Hay on Wye<br />

2018 After Nature - Stiwdio 3 Cardigan<br />

2014 Synapse - Oriel Mwldan Cardigan<br />

Three - gallery/ten Cardiff<br />

2013 Drift - Duckett <strong>and</strong> Jeffries Malton Yorkshire<br />

2008 Tirliniau - Lantarnham Grange Arts Centre Cardiff<br />

L<strong>and</strong>scapes - Oriel Clwyd Art Centre Chester<br />

2007 L<strong>and</strong>scapes - Morgan Boyce Gallery Marlborough<br />

L<strong>and</strong>scapes - Oriel Mwldan Cardigan<br />

SELECTED GROUP EXHIBITIONS<br />

2021 4th Anniversary Exhibition - & Gallery- Edinburgh<br />

Tiny Yet Mighty - &gallery – Edinburgh<br />

Mixed Show - &Gallery - Edinburgh<br />

Abergavenny Art Shop <strong>and</strong> Chapel - Abergavenny<br />

Winter Abstract - Silson Contemporary - Harrowgate<br />

Wilson Stephens <strong>and</strong> Jones - London<br />

Wilson Stephens <strong>and</strong> Jones - London<br />

Exhibition Showcase - The Walnut Tree/Abergavenny Art Shop<br />

2020 Mixed Show - &Gallery - Edinburgh<br />

Time - No Format Gallery - London<br />

The Table - Oriel Myrddin - Carmarthen<br />

BEEP Painting Prize - SHIFT - Cardiff<br />

Summer Exibition - gallery ten - Cardiff<br />

Summer Exhibition - Silson Contemporary - Harrogate<br />

Irving Gallery - Oxford<br />

Winter Exhibition - Silson Contemporary - Harrogate<br />

2019 Holly Hunt Gallery -Miami Arts Week Miami USA<br />

Winter Exhibition - &Gallery Edinburgh<br />

Autumn Exhibition - Silson Contemporary Harrogate<br />

Summer/ Haf - gallery/ten - Cardiff<br />

Spring Exhibition - Silson Contemporary<br />

Approaches - Mayfair Art Weekend - D Contemporary Mayfair London<br />

Twist Group Exhibition - Northwall Arts Centre Oxford<br />

Winter Exhibition - Silson Contemporary Harrogate<br />

2018 Glimpses of Magic - Abergavenny Art Gallery Abergavenny<br />

Group Silson Contemporary - Harrogate<br />

Summer Exhibition Gallery Ten - Cardiff<br />

Roger Cecil + Four Painters - Oriel Myrddin Carmarthen<br />

2017 Winter - Gallery Ten Cardiff<br />

Summer - Gallery Ten Cardiff<br />

2016 Spring - Gallery Ten Cardiff<br />

Back Wall - Oriel Myrddin Carmarthen<br />

2015 Summer - Gallery Ten Cardiff<br />

Drawing - Oriel Myrddin Carmarthen<br />

Alternatives Are Seldom Found - Arusha Gallery Edinburgh<br />

Winter Exhibition - Art Shop Abergavenny<br />

2014 New Year Exhibition - Cadogan Contemporary London<br />

Winter - Gallery Ten Cardiff<br />

Four - Quercus Gallery Bath<br />

2013 Gleam - Quercus Gallery Bath<br />

Thomas <strong>and</strong> Paul AAF Hamburg Germany


PUBLICATIONS<br />

Abstraction - Thomas <strong>and</strong> Paul London<br />

Prelude - Thomas <strong>and</strong> Paul, London<br />

Gathered – Gathered Gallery Brooklyn New York<br />

Matter Lumina - Milkwood Gallery Cardiff<br />

2012 Memories, You’re Talking About Memories - Blinc Wales<br />

Strings - Installation Blinc Wales<br />

Matter Lumina - King Gallery Carmarthen<br />

Works On Paper - Cadogan Contemporary London<br />

Marks of Intent- The Art Shop Abergavenny<br />

PRIZES<br />

2018 Welsh Based Artist Prize - Friends of the Glynn Vivian Gallery<br />

BEEP International Painting Biennial Swansea<br />

2012 Threadneedle Art Prize The Mall Galleries, London<br />

2021 It’s a Passion Thing. 6 Page Artist Interview. April 2021<br />

Abstraction by Jenny White - Western Mail (03/21)<br />

Artist Interview – Ivanna De La Rosa Chapter 89 Arts Magazine (02/21)<br />

2020 Selected Works by Richard Unwin - The Net Gallery Publication (09/20)<br />

Art & Presence – Interview (08/20)<br />

3 Painters to Watch - Visionary Project NYC (08/20)<br />

Tous Magazine. Interview by Holly Newgate (06/20)<br />

House <strong>and</strong> Garden. Artist Support Pledge Highlight (06/20)<br />

Coeur Et Art. Interview by Alex<strong>and</strong>ra Etienne (03/20)<br />

2019 The Weekend, Western Mail. Editorial - Jenny White (12/19)<br />

Murze Magazine. Minimalism Issue (12/19)<br />

Western Mail Elysium Exhibition Review - Jenny White (07/19)<br />

Glynn Vivian Magazine. Glynn Vivian Interview - Alice McKenna Jones (05/19)<br />

AWARDS<br />

2020 Arts Council Wales - WAI Travel Award for Icel<strong>and</strong>ic Residency<br />

2019 Painting Award from Adolph <strong>and</strong> Esther Gottlieb Foundation NYC<br />

Award for Painting Pollock Krasner Foundation Inc. New York<br />

2014 Award for Painting Pollock Krasner Foundation Inc. New York<br />

2011 Arts Council R&D Award Welsh Arts Council<br />

2009 Oppenheim John Downes Award for Painting<br />

2007 Oppenheim John Downes Award for Painting<br />

2006 Arts Council Personal Development Grant, Out in the L<strong>and</strong>scape<br />

RESIDENCIES<br />

2020 Hafnarborg Residency Icel<strong>and</strong>


CLARE WALTERS<br />

<strong>Clare</strong> trained in Fine Art at Cardiff University between 1991-1994 <strong>and</strong> in her final year she was fortunate<br />

enough to be tutored by the renowned artist Cornelia Parker before graduating in Sculpture.<br />

Despite a long pause between finishing her degree <strong>and</strong> establishing her own ceramics studio last<br />

year the themes that interest her have remained constant; a celebration of raw materials <strong>and</strong> the<br />

way in which they transform <strong>and</strong> interact on each other. It is this effect of the behaviour of one<br />

material when exposed or joined to another that she is constantly excited by. The inside of a kiln<br />

is the perfect environment for something unexpected <strong>and</strong> if lucky, beautiful, to occur.<br />

<strong>Clare</strong> feels her role as an artist is to assist but not completely control the creative process. When<br />

making a piece of work she feels it is necessary to be in a present state of mind to be able to find<br />

the balance between what the clay wants to be <strong>and</strong> her idea of what it should be. Every piece of<br />

work reflects that conversation.<br />

It’s what we find ourselves doing not our ideas of what we should be doing that make us who<br />

we are, unintentionally or not, creative acts are biographical.


To purchase work please contact Val Harris at art@thetablehay.com or 07956 452195<br />

The gallery offers Collectorplan, an initiative administered by the Welsh Assembly, enabling you to purchase work up to the<br />

value of £5,000 with an interest free loan repayable over a year. In addition we now offer Own Art & Take it away with<br />

interest free loans up to £25,000 repayable over ten months.<br />

The gallery is open Thursday - Saturday 10am - 3pm or by appointment during exhibitions.<br />

All works are for sale upon receipt of this catalogue.

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