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MYTHS, MELODIES & METAPHYSICS: - Prefab Sprout

MYTHS, MELODIES & METAPHYSICS: - Prefab Sprout

MYTHS, MELODIES & METAPHYSICS: - Prefab Sprout

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forthcoming gigs with the band. Autumn 1984 saw recording commence for Steve<br />

McQueen, Kitchenware's third album.<br />

A video is made to promote When Love Breaks Down, being remixed by Thomas Dolby<br />

for the new album only, the original version of which is intended will be a hit single the<br />

second time round in the following year. CBS issue<br />

a 'Preview' promo compilation on vinyl including the song, in search of further airplay<br />

on radio.<br />

The only other <strong>Sprout</strong>-like offering of 1984 was The Daintees' I'm A Hypocrite (A<br />

Crocodile Cryer), which was included in NME's cassette compilation 'Raging Spool',<br />

produced by Paddy McAloon. 1985 was to prove a very busy and a very successful year<br />

for the <strong>Sprout</strong>s, following the first cuts of Steve McQueen in January at London's Trident<br />

Recording Studios.<br />

In March, CBS gave When Love Breaks Down a second shot, this time with the B-side<br />

The Yearning Loins and slightly different packaging. The single was offered in a few<br />

double-packs, the first offering a free 7" of The Devil, the second a free 7" of 'Lions', in true<br />

Kitchenware style. This time, they had the video to promote the single and the band had<br />

finished their studio work so they were free to 'run the press'. Disappointingly, the single<br />

only reached number 88, to the amazement, and disappointment, of CBS A& R man Muff<br />

Winwood.<br />

At the same time, Polygram Video, in association with Kitchenware Records released a<br />

Kitchenware compilation video (SK-ONE) which included When Love Breaks Down but<br />

no other <strong>Sprout</strong> visuals. They preferred to slant emphasis on the chart success of The Kane<br />

Gang and 'late developers' The Daintees and The Linkmen on the collection, entitled A<br />

One Way Ticket To Palookasville.<br />

Neil Conti and Kevin Armstrong go into the studio with David Bowie and Mick Jagger<br />

to record their cover of Dancing in the Streets. Meanwhile, Wendy Smith, beginning to set<br />

trends in fashion, is pictured by the local Evening Chronicle parading down the catwalk!<br />

Steve McQueen was released in June 1985 and reached number 21 in the album charts,<br />

residing in the top 100 for a healthy 35 weeks, eventually earning platinum status.<br />

The music press threw open its arms and embraced the album, hailing it "without a<br />

shadow of a doubt the finest album you will ever hear" (Record Mirror), a collection of<br />

"some of the most beautiful and rewarding songs ever laid down in the name of pop"<br />

(NME) and "the finest, most harmonious run of tunes since, oh, Dylan arranged his ration<br />

of chords for Blood On The Tracks" (Sounds).<br />

In America, EPIC were planning on the album's release (the advance cassette<br />

introduced PREFAB SPROUTS), saying that the band's name suggested a blend of the hitech<br />

and the organic, a fair characterization of the album Two Wheels Good.<br />

Despite both Martin and Wendy offering to change their names by deed poll to Steve<br />

McQueen and dropping the suggestion of naming the album after one of the band's loyal<br />

followers, Jo Grimes of Liverpool, they changed it to<br />

Two Wheels Good in America and Canada, after the McQueen estate (his daughter)<br />

objected. But why Two Wheels Good? In Orwell's Animal Farm the phrase "four legs good<br />

and two legs bad" was used, so Paddy had the idea of the motorbike (two wheels good)<br />

on the front of the album sleeve and using a car (four wheels bad) on the reverse. They

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