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MYTHS, MELODIES & METAPHYSICS: - Prefab Sprout

MYTHS, MELODIES & METAPHYSICS: - Prefab Sprout

MYTHS, MELODIES & METAPHYSICS: - Prefab Sprout

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stimulated to know. Many, many men have been just as troubled morally and spiritually<br />

as you are right now. Happily, some of them kept records of their troubles. You'll learn<br />

from them - if you want to. Just as some day, if you have something to offer, someone will<br />

learn something from you. It's a beautiful reciprocal arrangement. And it isn't education.<br />

It's history. It's poetry."<br />

Caulfield hated cliques - the way that Catholics stick together, intellects stick together<br />

and the guys that play bridge stick together and even the way the guys that "belong to the<br />

goddam Book-of-the-Month Club stick together." McAloon sought to avoid the phonies<br />

and to steer clear of their cliques. He toyed with the press, suggesting such things as "you<br />

won't find <strong>Prefab</strong> <strong>Sprout</strong> releasing a song called The King of Rock 'n' Roll", and insisted<br />

upon remaining detached from the 'center' of the music scene in London, opting to remain<br />

in the more familiar surroundings of County<br />

Durham. He wasn't interested in the lure of overnight successes, at least not at the<br />

expense of letting his values 'go to the birds'. Money, in McAloon's mind is OK if it helps<br />

to "go towards the pension fund and whatever" but always ends up making you,<br />

according to Catcher, "as blue as hell".<br />

The song Bonny could well be a story about the death of Caulfield's younger brother,<br />

Allie, whose baseball glove Caulfield carried around with him everywhere. McAloon's<br />

lyric, "I'm lost in heaven and I'm lost to earth" could relate to Caulfield's feelings after<br />

Allie's funeral: "All the visitors could get in their cars and turn on their radios and all and<br />

then go some place nice for dinner - everybody except Allie. I couldn't stand it. I know it's<br />

only his body and all that's in the cemetery, and his soul's in Heaven and all that crap, but<br />

I couldn't stand it anyway."<br />

McAloon and Caulfield agree on speeches and flowers being mere 'peripherals'.<br />

Caulfield exclaims, "Who wants flowers when you're dead? Nobody" and McAloon<br />

writes, "Words don't hold you, broken soldiers" and "save your speeches."<br />

In Couldn't Bear To Be Special, McAloon originally penned the line, "it joins a list of<br />

things I'll miss like cheap cigars and pretty girls I'll never kiss." He played around with it<br />

and adapted a few teases from The Catcher, changing it to, "like fencing foils and pretty<br />

girls I'll never kiss." In The Catcher, Caulfield had left the fencing team's equipment on the<br />

subway and as a junior at college, wasn't permitted to bring girls to college football<br />

games. For those uninitiated, The Catcher told a story of an intelligent, maturing young<br />

man, Holden Caulfield, and must not get the impression that the novel promotes violence.<br />

On the contrary, Caulfield was too "yellow" to kill the phonies.<br />

The only connection between Caulfield and John Lennon's murderer, Mark David<br />

Chapman, was symbolic. Caulfield was keen to act as a saviour for children and erased all<br />

the obscene graffiti on the school walls. He wanted to be The Catcher in the Rye.<br />

Chapman's act was to murder Lennon, who he interpreted as having become 'phoney',<br />

after having stood up for so much in public and at the same time was living it up in a<br />

hypocritical lavish lifestyle.<br />

Chapman saw himself as The Catcher in the Rye for his generation. Would it be too<br />

much to suspect McAloon's intentions touch on this generalization?

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