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MYTHS, MELODIES & METAPHYSICS: - Prefab Sprout

MYTHS, MELODIES & METAPHYSICS: - Prefab Sprout

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"Armenian Santa Clause outfit" in the Cars and Girls video. McAloon reflects, "We<br />

thought we were going dead classy and dead cool. So it just goes to show you can be too<br />

clever and you can think yourself out of the game."<br />

The band was becoming a lot more aware of their appearance. "In the past we'd all wear<br />

the clothes we'd like to wear," says Wendy Smith. "In the boys' case that tended to be<br />

leather jackets and in my case it was girlie dresses, which was a mistake. When you're the<br />

only girl in the band and you're not playing an instrument, you don't want to stick out<br />

like a sore thumb."<br />

McAloon was at a stage in his relationship with CBS where he was becoming more<br />

compromising with regard to maintaining an image for the period of a record, but<br />

comments, "It's just that if you're away for a while you tend to go through a lot of changes<br />

and you don't think anything of it. I thought nothing of this whole beard business or my<br />

long hair - I had very long hair simply because I was only writing and my hair grew - but<br />

as soon as the record is out and you're among other artistes it looks like you're playing a<br />

game. Personally I don't want to be pinned down. That's quite true, I feel we'd be dead if<br />

you got your <strong>Prefab</strong> <strong>Sprout</strong> record and knew exactly what you were going to get all the<br />

way along the line, I would be disappointed. I try and keep all aspects of it fresh."<br />

An equally-as-bright video of the next single, The King of Rock 'n' Roll made for wider<br />

and more commercial appeal, now drawing in the under-16 age group with its catchy<br />

"Hot Dog, Jumping Frog, Albuquerque" chorus and accompanying frog waiter and<br />

dancing hot dogs beside the King of<br />

Rock 'n' Roll's swimming pool. The single made for their biggest selling single to date,<br />

reaching No. 7 in Britain and top 10 status all over Europe. This both pleased and<br />

concerned McAloon.<br />

On the one hand, the song was never meant to be a serious one. He dreamed up the<br />

idea while travelling on a bus and it was written in a matter of minutes, as a 'laugh'. He<br />

was almost too embarrassed for people to hear it originally, yet he toyed with the idea of<br />

sending it to David Bowie just for the cheek of it. Paul McCartney commented that<br />

McAloon had found his My Ding-A-Ling like Chuck Berry, suggesting that the public and<br />

the press would in future immediately mentally hook onto the song's chorus when they<br />

heard the band's name mentioned.<br />

On the other hand, McAloon receives no consolation from the fact that so many people<br />

say, "You're an albums band." Singles mean so much to him just through being a fan<br />

because that's how he, like so many others, got into records. After all, he does want to sell<br />

as many records as he can at the end of the day.<br />

The single was welcomed as Single of the Week by Sounds and earned a muchbegrudged<br />

admission by an NME reviewer that they actually liked the band, despite<br />

Wendy's voice on the record suggesting it sounded a "bit like she has a pencil stuck up her<br />

bum."<br />

The Elvis-tinted slogan "50,000,000 fans can't be wrong" was used in CBS's campaign for<br />

the single and limited boxed trivia games were given with initial copies of the singles,<br />

heralding a start to a run of promotional gifts mainly designed to drum up the attention of<br />

the music business more than the public themselves, followed by the Hey Manhattan!<br />

snow-dome, featured in Music Week in July, plugging the release of the follow-up single.

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