Volume 26 Issue 7 - May and June 2021
Meet some makers (of musical things) - a live filmed operatic premiere of a Handel oratorio?; 20 years of Summer Music in the Garden, short documentary film A Concerto is a Conversation; choirs Zooming in to keep connection live; a watershed moment for bridging the opera/musical theatre divide; and more than 100 recordings listened to and reviewed since the last time.
Meet some makers (of musical things) - a live filmed operatic premiere of a Handel oratorio?; 20 years of Summer Music in the Garden, short documentary film A Concerto is a Conversation; choirs Zooming in to keep connection live; a watershed moment for bridging the opera/musical theatre divide; and more than 100 recordings listened to and reviewed since the last time.
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of the Shmenge brothers in C<strong>and</strong>y’s hotel room while shooting SCTV<br />
in Edmonton; <strong>and</strong> about faking live concerts backed by a polka b<strong>and</strong>,<br />
with his accordion gutted so it couldn’t make a sound. Prompted by<br />
Simon, Levy talked about the origin of his character’s two left feet<br />
in Christopher Guest’s film Best in Show. And how his love of Bach<br />
(“I just loved the cluster of notes in a fugue”) grew out of watching<br />
a friend (Bob Morrow, who later became Hamilton’s longest-serving<br />
mayor) play Bach on the piano. That anecdote was the cue for Glenn<br />
Gould School student Godwin Friesen to perform Bach’s Prelude <strong>and</strong><br />
Fugue in C-sharp Major in an empty Koerner Hall.<br />
Nowadays, music is a big part of the Levy household. His wife<br />
Deborah puts music on in the morning – “usually a classical station”<br />
– <strong>and</strong> plays piano most days. Simon prodded Levy for his take on<br />
Gershwin (“I love the intricate rhythms, the dynamic piano; it kind of<br />
says New York to me”) – which set up Anagnoson & Kinton who delivered<br />
a spirited two-piano version of Gershwin’s Rhapsody in Blue<br />
from an empty Koerner Hall.<br />
The new channel features hundreds of hours of performances<br />
filmed in Koerner Hall with its superb acoustics, as well as engaging<br />
talks, documentaries (including the Music of My Life series) <strong>and</strong> celebratory<br />
events. New content will be added weekly.<br />
Also from the Royal Conservatory, it’s always noteworthy hearing<br />
what Marc-André Hamelin is up to. His consummate musicianship<br />
fuelled by seemingly effortless technique will be on display in<br />
a livestream from Koerner Hall on Sunday, <strong>May</strong> 30, <strong>2021</strong> at 3pm <strong>and</strong><br />
available for seven days for ticket holders (the concert has already<br />
been rescheduled twice). It’s a classical lineup with a C.P.E. Bach<br />
Rondo, a Haydn Fantasia <strong>and</strong> two Beethoven sonatas – No.3 in C<br />
Major, Op.2 No.3 <strong>and</strong> the justly celebrated, dynamic No.23 in F Minor,<br />
Op.57 (“Appassionata”). Rounding out the program is the world<br />
premiere of a new work Hamelin commissioned from Canadian<br />
composer John Oswald.<br />
Simon Rivard<br />
TSYO<br />
During this unusual season, the<br />
89-member Toronto Symphony<br />
Youth Orchestra (TSYO) – made<br />
up of talented young musicians<br />
under the age of 22 – has maintained<br />
a commitment to learning<br />
<strong>and</strong> developing their craft. The<br />
students have continued to practise<br />
<strong>and</strong> work hard from the<br />
safety of their homes, with<br />
regular online workshops,<br />
lectures <strong>and</strong> masterclasses with TSYO Conductor Simon Rivard <strong>and</strong><br />
TSO musicians <strong>and</strong> staff. Ordinarily, the TSYO would give performances<br />
throughout the season, culminating in a finale at Roy Thomson<br />
Hall. But this year, the young musicians came together online, giving a<br />
virtual recital for family <strong>and</strong> friends.<br />
“Thanks to the efforts of the TSYO, we have all remained motivated<br />
<strong>and</strong> musical throughout these difficult times,” said 16-year-old cellist<br />
Anika Grieve, a member of the TSYO for two years, who performed in<br />
<strong>and</strong> co-hosted one of the recitals.<br />
Gemma New<br />
Earlier this year, New Zeal<strong>and</strong>born<br />
Gemma New, music director<br />
of the Hamilton Philharmonic<br />
Orchestra <strong>and</strong> principal guest<br />
conductor of the Dallas Symphony<br />
Orchestra, was named the 12th<br />
recipient of the Sir Georg Solti<br />
Conducting Award, the second<br />
woman to be so honoured. She<br />
had previously earned Solti<br />
Foundation U.S. Assistance Awards<br />
in 2017, 2019 <strong>and</strong> 2020.<br />
The Solti Foundation U.S. is<br />
currently the only American<br />
Gemma New<br />
foundation to grant these kinds of<br />
awards each year to young conductors. American citizens or permanent<br />
residents of the United States, 38 years of age or younger, who<br />
are career-ready artists in the field of conducting are eligible. The<br />
award comes with a $30,000 prize “to provide the recipient means<br />
to continue to master their craft.” The winner is selected “based on<br />
their skills <strong>and</strong> abilities, as well as their passion for communicating<br />
through music.<br />
Music Toronto<br />
Music Toronto’s free virtual concert series continues <strong>May</strong> 13, <strong>2021</strong> at<br />
7:30pm (available until 7:30pm <strong>May</strong> 15) with a representative program<br />
of new music by the celebrated JACK Quartet. Included are works<br />
by Rodericus (arranged by Christopher Otto), Ruth Crawford Seeger,<br />
Elliott Carter <strong>and</strong> Tyshawn Sorey. Two weeks later at 7:30pm, <strong>May</strong> 27<br />
(<strong>and</strong> available until 9:30pm <strong>May</strong> 29), clarinetist Julian Bliss joins<br />
the UK-based Carducci String Quartet in a performance of Mozart’s<br />
sublime Clarinet Quintet K581 <strong>and</strong> David Bruce’s Gumboots (2008)<br />
– the title refers to South African labourers’ footwear in flooded gold<br />
mines. The York Press described it in 2019 as having a deceptively<br />
ANTHONY CHANG<br />
20/21 Spring<br />
Virtually Yours<br />
Online Season<br />
Announcement<br />
The Ice is Talking – <strong>May</strong>.16.21<br />
Works for violin <strong>and</strong> percussion as performed by Mark Fewer <strong>and</strong> Aiyun Huang.<br />
Pieces by Georges Aperghis, Vivian Fung, Lei Liang, Sophie Dupuis, Tania León,<br />
Michael Oesterle, <strong>and</strong> Jean-Claude Risset.<br />
Not Alone – broadcast date TBA (previously <strong>May</strong> 30)<br />
Works for soloists with electronics. Pieces by George Lewis, Malin Bång, Michel<br />
van der Aa, Bruno Mantovani, Luigi Nono, <strong>and</strong> Rebekah Cummings.<br />
Aulos – broadcast date TBA (previously <strong>June</strong> 22)<br />
Works for flutes performed by Dianne Aitken <strong>and</strong> Robert Aitken. Pieces by<br />
Maurice Ohana, Hitomi Kaneko, Yoshihisa Taira, Toru Takemitsu, Hilda<br />
Paredes, Thorkell Sigurbjörnsson, Shawn E. Okpebholo, <strong>and</strong> Diego Luzuriaga<br />
newmusicconcerts.com<br />
416 961 9594<br />
12 | <strong>May</strong> <strong>and</strong> <strong>June</strong> <strong>2021</strong> thewholenote.com