Volume 26 Issue 7 - May and June 2021
Meet some makers (of musical things) - a live filmed operatic premiere of a Handel oratorio?; 20 years of Summer Music in the Garden, short documentary film A Concerto is a Conversation; choirs Zooming in to keep connection live; a watershed moment for bridging the opera/musical theatre divide; and more than 100 recordings listened to and reviewed since the last time.
Meet some makers (of musical things) - a live filmed operatic premiere of a Handel oratorio?; 20 years of Summer Music in the Garden, short documentary film A Concerto is a Conversation; choirs Zooming in to keep connection live; a watershed moment for bridging the opera/musical theatre divide; and more than 100 recordings listened to and reviewed since the last time.
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FEATURE<br />
Summer Music in the Garden Bids<br />
Farewell to Founding Artistic Director<br />
TAMARA BERNSTEIN<br />
CATHY RICHES<br />
BC folk fusion duo Qristina & Quinn Bach<strong>and</strong><br />
TAMARA BERNSTEIN<br />
Anyone who witnessed the first concert in <strong>June</strong> 2001 –<br />
a miserable rainy evening with only a h<strong>and</strong>ful of<br />
people in the audience – might have been forgiven<br />
for thinking the Summer Music in the Garden series was<br />
doomed to failure. But that first concert didn’t daunt<br />
Tamara Bernstein, the founding artistic director of the<br />
series. Nor were the audiences deterred. In its 20-year<br />
history, the free concert series grew to become one of the<br />
most popular on the Toronto summer festival roster.<br />
By its name, you would think that a venue called the Toronto Music<br />
Garden was made for live music, but that wasn’t the case. Perched on<br />
the inner harbour of Lake Ontario near the foot of Spadina Avenue,<br />
<strong>and</strong> designed in consultation with famed cellist Yo-Yo Ma, the Toronto<br />
Music Garden interprets, through the l<strong>and</strong>scape of its six different<br />
garden sections, the six movements of J.S. Bach’s Suite No. 1 in G<br />
Major for Solo Cello.<br />
It’s an idyllic natural setting with the breezes off the lake <strong>and</strong> the<br />
rustling of the trees, or so it seems, but for some of the performers<br />
it could be both a blessing <strong>and</strong> a curse. Flamenco dancer Esmeralda<br />
Enrique, who has been a regular performer there from the early days<br />
of Summer Music in the Garden, remembers how challenging those<br />
first performances were.<br />
“At first, it was quite difficult technically. Outdoors, the sound dissipates<br />
<strong>and</strong> it’s difficult for musicians <strong>and</strong> dancers to hear each other,<br />
which is vital in live flamenco performances,” said Enrique. “The mist<br />
coming in later in the afternoon muffled the sound quite a lot <strong>and</strong> at<br />
times there were a lot of bugs flying around. I remember one flew into<br />
my mouth once! Ugh!<br />
“As we came to know the physical limitations <strong>and</strong> sound level<br />
limits, we programmed performances more suited to the environment<br />
<strong>and</strong> temperature,” Enrique explained. “Despite some challenges,<br />
I have always loved performing outdoors. In the Music Garden we<br />
were inspired by the trees <strong>and</strong> the wind <strong>and</strong> felt like they were part<br />
of our set.”<br />
8 | <strong>May</strong> <strong>and</strong> <strong>June</strong> <strong>2021</strong> thewholenote.com