NZPhotographer Issue 46, August 2021
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
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I have not been writing much lately. It is easy to<br />
produce a quick article to meet a deadline, but it is<br />
not so easy to write something worth saying. Will it just<br />
add to all the other noise that is already out there?<br />
That is always the fear - and I find the same applies to<br />
the production of photographs, which is why there are<br />
times in my own photography practice where I don’t<br />
shoot anything seriously for months at a time. This<br />
may seem hard to believe from a full-time landscape<br />
photographer but if I don’t have anything new to say,<br />
I’d rather not say anything at all.<br />
Much like writing an engaging piece, making an<br />
original photograph requires a lot of energy and<br />
the right headspace, which can be hard to find<br />
when focusing on teaching, running a business, and<br />
other projects. I can capture a stunning landscape<br />
any day of the week, but a stunning capture<br />
doesn’t guarantee depth of expression. In fact, it’s<br />
not uncommon for me to find myself in just such a<br />
landscape, in excellent shooting conditions, without<br />
ever unpacking my camera. I study the light and work<br />
out what I’m trying to say. I may see a shot that will<br />
work, but I question if it is worth me taking it: is it a shot<br />
I need? What will its end-use be? Will I even ever use it<br />
or will it just add to the noise of all the other unsorted<br />
files on my hard drives?<br />
Today, life tends to take place in a rushed manner. It’s<br />
hard to leave this attitude behind, even when we go<br />
out to photograph wild places. Our instinct is to turn<br />
up, capture the image, and go. Little regard tends<br />
to be given to our impact on the landscape we are<br />
“capturing” or our reasons for photographing it to<br />
start with. But when I am out shooting, I actually spend<br />
more time engaging in the landscape - studying<br />
it, working out how to compose it, seeing how the<br />
light reacts with it - than I do taking photos. I enjoy<br />
the thought process behind the creation of a work<br />
as much as I enjoy the end product. Of course, this<br />
thought process of ‘what I am trying to express?’ will<br />
not be obvious to the viewer, so how can I express it<br />
in the resulting photograph? If we give ourselves time<br />
to connect with our landscape, take it in, and decide<br />
72 <strong>August</strong> <strong>2021</strong> <strong>NZPhotographer</strong>