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GA028 - The Harry Oviss Collection

Harry Oviss was a successful clothing and fashion magnate, later turning his business interests to property and development. Over time, his interests in building and architecture spilled into a passion for the arts, culminating with his enthusiasm for collecting. Art slowly became a lifetime hobby that knew no bounds and which he enjoyed immensely, especially when it came to contemporary art. He immersed himself in that world, becoming a regular visitor to galleries and auction houses, befriending people in the art world - artists, gallerists and other avid collectors. His unique eclectic tastes translated into an extensive range of modern and contemporary artwork including Roger Kemp, Donald Friend and Leonard French; Australian ceramics and art glass including works by David, Merric and Guy Boyd, Reg Preston, Vic Greenaway and Deborah Halpern; mid-century Danish designer furniture including Hans Wegner; and a collection of modernist jewellery.

Harry Oviss was a successful clothing and fashion magnate, later turning his business interests to property and development. Over time, his interests in building and architecture spilled into a passion for the arts, culminating with his enthusiasm for collecting.

Art slowly became a lifetime hobby that knew no bounds and which he enjoyed immensely, especially when it came to contemporary art. He immersed himself in that world, becoming a regular visitor to galleries and auction houses, befriending people in the art world - artists, gallerists and other avid collectors.

His unique eclectic tastes translated into an extensive range of modern and contemporary artwork including Roger Kemp, Donald Friend and Leonard French; Australian ceramics and art glass including works by David, Merric and Guy Boyd, Reg Preston, Vic Greenaway and Deborah Halpern; mid-century Danish designer furniture including Hans Wegner; and a collection of modernist jewellery.

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<strong>The</strong> <strong>Harry</strong> <strong>Oviss</strong><br />

<strong>Collection</strong><br />

Melbourne, 3–5 October 2021


Specialists & Management for this sale<br />

Jennifer Gibson<br />

CEO & Head of<br />

Valuations<br />

Deanna Baxter<br />

Business<br />

Manager<br />

Samuel Fricker<br />

Operations<br />

& Marketing<br />

Manager<br />

Ann Roberts<br />

Consultant<br />

Specialist<br />

Asian Art<br />

Jon Dwyer<br />

Consultant<br />

Specialist<br />

Australian &<br />

International Art<br />

Elizabeth<br />

Stannard<br />

Consultant<br />

Specialist<br />

Jewellery<br />

Phil Gore<br />

Consultant<br />

Specialist<br />

Clocks, Watches<br />

& Barometers<br />

Jennifer Gibson<br />

jennifer.gibson@gibsonsauctions.com.au<br />

Deanna Baxter<br />

deanna.baxter@gibsonsauctions.com.au<br />

Samuel Fricker<br />

samuel.fricker@gibsonsauctions.com.au<br />

Ann Roberts<br />

ann.roberts@gibsonsauctions.com.au<br />

Jon Dwyer<br />

jon.dwyer@gibsonsauctions.com.au<br />

Elizabeth Stannard<br />

elizabeth.stannard@gibsonsauctions.com.au<br />

AUCTION ADMINISTRATION<br />

Jemima Livesey<br />

Office Administrator<br />

Megan Mac Sweeney<br />

Accounts Administrator<br />

Max Sumner<br />

Operations & Logistics<br />

Marilla O’Sullivan<br />

Auction Administrator<br />

Ella Gibson<br />

Auction Administrator<br />

AUCTION ENQUIRIES<br />

ABSENTEE & TELEPHONE BIDS<br />

Deanna Baxter<br />

deanna.baxter@gibsonsauctions.com.au<br />

+61 9500 2607<br />

CONDITION REPORTS<br />

condition.reports@gibsonsauctions.com.au<br />

+61 9500 2607<br />

SHIPPING<br />

www.gibsonsauctions.com.au/shipping<br />

ACCOUNTS<br />

Megan Mac Sweeney<br />

accounts@gibsonsauctions.com.au<br />

+61 9500 2607<br />

Simon Gibson<br />

CFO<br />

simon.gibson@gibsonsauctions.com.au<br />

GENERAL ENQUIRIES<br />

mail@gibsonsauctions.com.au<br />

+61 9500 2607<br />

www.gibsonsauctions.com.au<br />

03 9500 2607<br />

gibsonsauctions.com.au<br />

ORRONG RD<br />

ASHLEIGH RD<br />

NEW ST<br />

HIGH ST<br />

ARMADALE<br />

OSMENT ST<br />

NORTHCOTE RD<br />

KOOYONG RD<br />

Auction, Viewing and<br />

Payment & <strong>Collection</strong>s<br />

Level 1, 885-889 High St<br />

Armadale, Victoria 3143<br />

AUBURN GROVE<br />

DENBIGH RD<br />

SUTHERLAND RD<br />

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII<br />

CHEEL ST


FRONT COVER:<br />

Lot 146 (Detail)<br />

BACK COVER:<br />

Lot 427<br />

<strong>The</strong> <strong>Harry</strong> <strong>Oviss</strong><br />

<strong>Collection</strong><br />

Part I & II: Live Auction<br />

Part I Sunday 3 October 2021, 11am (Lots 1–422)<br />

Part II Monday 4 October 2021, 11am (Lots 423–739)<br />

Level 1, 885-889 High Street, Armadale, Victoria 3143<br />

Part III: Online<br />

Tuesday 5 October 2021, closing from 10am (Lots 740–1226)<br />

Viewing (If permitted under Government restrictions)<br />

Thursday 30 September<br />

Friday 1 October<br />

Saturday 2 October<br />

10.00am – 5.00pm<br />

10.00am – 5.00pm<br />

10.00am – 5.00pm<br />

Auction Codes: Part I & II: <strong>GA028</strong> | Part III: GO016<br />

GST<br />

† Lots with this symbol are subject<br />

to GST on the hammer price and the<br />

buyer’s premium.<br />

Buyer’s Premium<br />

Buyer’s Premium is charged at<br />

22% of the hammer price plus GST.<br />

GST is applicable to the buyer’s<br />

premium only, unless otherwise<br />

indicated by the † symbol.<br />

Registration<br />

To register to bid at Gibson's<br />

Auctioneers & Valuers an accredited<br />

form of photo identification is required.<br />

This applies to bidding in person at<br />

the auction, Telephone, Absentee and<br />

Online bidding.<br />

Resale Royalty Scheme<br />

Lots subject to payment of the Artist's<br />

Resale Royalty Scheme will be denoted<br />

by the symbol §. <strong>The</strong> Australian Resale<br />

Royalty is a flat rate of 5% on the<br />

hammer price (including GST) and is<br />

payable by the seller.<br />

Restricted or Organic Material<br />

♦ Lots with this symbol have been<br />

identified at the time of cataloguing<br />

as containing organic material which<br />

may be subject to export or import<br />

restrictions. <strong>The</strong> absence of this<br />

symbol is not a guarantee that export<br />

or import restrictions will not apply. See<br />

www.cites.org for further information.<br />

Payments & <strong>Collection</strong>s<br />

By appointment: 03 9500 2607 or<br />

gibsonsauctions.com.au/bookings<br />

Payments & <strong>Collection</strong>s can be made<br />

from: Level 1, 885-889 High Street,<br />

Armadale, Vic 3143<br />

(Part I & Part II only)<br />

Tuesday 5 October<br />

Wednesday 6 October<br />

Thursday 7 October<br />

Friday 8 October<br />

10am–5pm<br />

10am–5pm<br />

10am–5pm<br />

10am–5pm<br />

All goods must be collected and paid in<br />

full by 5pm on Friday 8 October (unless<br />

by prior arrangement) to avoid removal<br />

and storage charges.<br />

All payments are to be made in<br />

Australian Dollars (AU$). Please refer to<br />

the methods of payment in the ‘How to<br />

Buy’ section on the following pages.<br />

Credit card surcharges apply – 1.2%<br />

(incl GST) for Visa and Mastercard and<br />

2% (incl GST) for American Express.


2<br />

How to Buy<br />

All you need to know about the bidding process at auction<br />

Viewing<br />

Catalogues<br />

Online catalogues can be viewed at<br />

www.gibsonsauctions.com.au approximately three weeks<br />

prior to the auction date.<br />

Complimentary printed catalogues are available at Gibson’s<br />

Auctioneers & Valuers.<br />

Symbols<br />

Occasionally, a symbol is printed next to a lot number,<br />

indicating a special clause associated with the sale of the<br />

item/s. Further information on symbols within our catalogues<br />

can be found on Page 1.<br />

Viewing<br />

Auction viewings are open to the public and usually take place<br />

three or four days prior to the auction date, at the location/s<br />

listed in the auction catalogue and on the website.<br />

Lot Descriptions<br />

Lot Descriptions provide basic catalogue information such<br />

as dimensions, date or age, medium, attribution, provenance<br />

and quantity.<br />

All lots are guaranteed for fourteen (14) days from the<br />

auction date.<br />

Estimates<br />

Estimates are printed in the catalogue beside every lot and<br />

take into account rarity, condition, quality and provenance.<br />

<strong>The</strong> reserve is the amount at which the item is available for<br />

purchase. <strong>The</strong> reserve is an undisclosed confidential amount<br />

which is set at, or below the low estimate.<br />

<strong>The</strong> reserve will never exceed the low estimate at Gibson’s<br />

Auctioneers & Valuers. Many lots are sold without reserve.<br />

Talk to our Specialists<br />

Gibson’s Auctioneers & Valuers are an experienced team of<br />

specialists who are available to discuss items in further detail,<br />

and to offer advice and assistance.<br />

Contact details for relevant specialists can be found on the<br />

inside front cover our auction catalogues and on our website.<br />

Condition Reports<br />

Condition Reports are available on request. Condition Reports<br />

supplement the lot description and provide information on the<br />

condition of an item.<br />

We strongly advise obtaining a condition report if you are<br />

unable to view an item in person prior to the auction.<br />

To request a condition report please email<br />

condition.reports@gibsonsauctions.com.au with the auction<br />

title and lot number/s.<br />

Bidding<br />

Gibson’s Auctioneers & Valuers offer four bidding options:<br />

1. Auction Room Bidding<br />

To bid in person we suggest you arrive early so that you<br />

have sufficient time to register for a bidding number prior<br />

to the auction. If this is your first time bidding with Gibson’s<br />

Auctioneers & Valuers please bring photo identification, such<br />

as a driver’s licence or passport with you.<br />

2. Telephone Bidding<br />

Gibson’s Auctioneers & Valuers offer telephone bidding on all<br />

lots, at all auctions.<br />

Telephone Bidding is a convenient solution if you are unable to<br />

attend an auction in person. A Gibson’s Auctioneers & Valuers<br />

staff member will call you approximately 5 lots in advance and<br />

with your instruction, bid on your behalf at the auction.<br />

Please note: Telephone Bids must be organised at least 24<br />

hours prior to the auction and that occasionally, the number<br />

of telephone bidders available may be restricted when the<br />

auction is offsite.<br />

To organise a Telephone Bid please follow the link<br />

to the Telephone Bidding form on our website:<br />

www.gibsonsauctions.com.au.<br />

Please fill in & return via email to mail@gibsonsauctions.com.au<br />

If this is your first time bidding with Gibson’s Auctioneers &<br />

Valuers, an email address is to be supplied when you submit<br />

your Telephone Bid, along with clear Photo ID verifying<br />

your address.


3<br />

3. Absentee Bids<br />

Absentee Bidding is another convenient solution if you<br />

are unable to attend an auction in person, to speak on the<br />

telephone or if you simply have a strict budget.<br />

An Absentee Bid should be set at the maximum amount<br />

you wish to bid on the lot/s you are interested in purchasing.<br />

Should the lot/s be knocked down at an amount lower than<br />

the bid recorded on your form, the lot will be sold to you for<br />

the lesser hammer price.<br />

Please note Absentee Bids must be received at least 24 hours<br />

prior to the auction to allow time for processing.<br />

To organise an Absentee Bid please follow the link to<br />

the Absentee Bidding form available on our website:<br />

www.gibsonsauctions.com.au.<br />

Please fill in & return via email to mail@gibsonsauctions.com.au<br />

If this is your first time bidding with Gibson’s Auctioneers<br />

& Valuers, an email address is to be supplied when you<br />

submit your Absentee Bid, along with clear Photo ID verifying<br />

your address.<br />

4. Online Bidding<br />

Online bidding allows you to bid via the internet in real<br />

time with a live broadcast of the auction. To bid online visit<br />

our website and follow the ‘Live Bidding’ link under the<br />

‘Auctions’ tab.<br />

Please register for this service at least 24 hours prior to the<br />

auction to ensure you do not miss your lot.<br />

Please note online bidding is powered by Invaluable.com and<br />

so will incur a 5% fee on successful lots.<br />

If you have not bid with Gibson’s Auctioneers & Valuers<br />

previously, a photo ID verifying your address will be<br />

required before you can be approved to bid. Please email to<br />

mail@gibsonsauctions.com.au as soon as practical.<br />

International Bidding<br />

If you are bidding from overseas for the first time, you will be<br />

asked to provide a clear Photo ID verifying your address and<br />

a deposit (set at Gibson’s Auctioneers & Valuers’ discretion)<br />

prior to the auction. <strong>The</strong> deposit is refundable within 48<br />

hours should you not be successful. If you are successful<br />

the deposit will be deducted from your invoice total. <strong>The</strong><br />

remaining balance must be paid preferably by direct deposit.<br />

Bank details are provided in the Payment & <strong>Collection</strong> section<br />

of this guide.<br />

Payment & <strong>Collection</strong><br />

Payments<br />

If you are successful an invoice (AU$) will be emailed or<br />

posted to you immediately after the auction.<br />

You will pay the hammer price, plus the buyer’s premium<br />

(22% plus GST) on each Lot, together with any additional<br />

applicable charges such as GST on hammer.<br />

Payments must be made in full by the final day of <strong>Collection</strong>s<br />

as printed in the catalogue.<br />

Bank Transfer/Direct Deposit is our preferred method<br />

of payment:<br />

Account Name: Gibsons Auctions<br />

Bank:<br />

Bank of Melbourne (A division of St George)<br />

BSB: 193879<br />

Account No: 441701443<br />

Swift Code: SGBLAU2S<br />

Routing Code: 021000021<br />

Bank Address: 197-201 Glenferrie Road, Malvern, Vic, 3144<br />

• Personal, Company and Bank Cheques are not accepted<br />

without prior approval.<br />

• Eftpos (no charge).<br />

• Credit cards: Visa and Mastercard (1.2% inc GST merchant<br />

fee) and American Express (2% inc GST merchant fee).<br />

• Please note that credit card transactions over $5,000<br />

will not be accepted over the telephone unless by prior<br />

arrangement.<br />

• Cash payments up to AU$10,000 can be accepted. For any<br />

amount over this, cash is to be deposited directly into our<br />

account at a Bank of Melbourne/St George branch.<br />

<strong>Collection</strong>s<br />

Gibson’s Auctioneers & Valuers are happy to assist and<br />

provide you with recommended transport companies whether<br />

it be a local, interstate or international delivery.<br />

Storage<br />

All items must be paid for and collected within the collection<br />

times advertised for each individual auction. If items are not<br />

collected within this time-frame, Gibson’s Auctioneers &<br />

Valuers reserve the right to charge removal and storage fees.


4


5<br />

<strong>The</strong> <strong>Harry</strong> <strong>Oviss</strong> <strong>Collection</strong><br />

<strong>Harry</strong> <strong>Oviss</strong> was born on 26th of March<br />

1923 in Jaffa, Palestine, where his family<br />

had moved from Poland seeking better work<br />

prospects and opportunities. At 11 months<br />

old, he and his family migrated to Australia<br />

in 1924. <strong>Harry</strong>’s parents, like many others,<br />

took the risk of uprooting their family in<br />

hopes of a better life in Australia where they<br />

established a successful coat business.<br />

<strong>The</strong> Great Depression during the 1930s<br />

was a time that immensely shaped <strong>Harry</strong>,<br />

instilling him with an insatiable goal to<br />

become a successful businessman. From<br />

a very young age, around 14 years old, he<br />

had an unshakeable ambition and a clear<br />

vision of what he wanted to achieve in life,<br />

and then proceeded to spend the next 84<br />

years creating his own future and making his<br />

vision a reality.<br />

His childhood aspirations certainly<br />

materialised with <strong>Harry</strong> becoming a<br />

successful clothing and fashion magnate<br />

with his exclusive knitwear shop in the<br />

Block Arcade, Collins Street, being one<br />

of the youngest people to lease a shop in<br />

the CBD at the time. While he possessed<br />

a natural talent in the clothing and textiles<br />

industry, his true passion was property<br />

and he would ultimately turn his business<br />

ventures to property and development.<br />

From his humble, uncertain childhood,<br />

<strong>Harry</strong> cemented himself in Australia as a<br />

self-made man. Over time, his interests<br />

in building and architecture spilled into a<br />

passion for the arts, culminating with his<br />

enthusiasm for collecting.<br />

Art slowly became a lifetime hobby that<br />

knew no bounds and which he enjoyed<br />

immensely, especially when it came to<br />

contemporary art. He immersed himself<br />

in that world, becoming a regular visitor to<br />

galleries and auction houses, befriending<br />

people in the art world – artists, gallerists<br />

and other avid collectors.<br />

<strong>Harry</strong>’s unique and eclectic tastes ultimately<br />

translated into an extensive collection of<br />

modern and contemporary artwork including<br />

works by Roger Kemp, Donald Friend,<br />

Leonard French and Robert Dickerson.<br />

Australian ceramics and art glass make up<br />

a significant proportion of the collection<br />

and include works by Arthur, David, Merric,<br />

Lucy and Guy Boyd, Reg Preston, Shigeo<br />

Shiga, Vic Greenaway and Deborah Halpern.<br />

Mid-century Danish designer furniture<br />

is represented with some iconic pieces<br />

by Hans Wegner. Last but not least is the<br />

fabulous collection of modernist designer<br />

jewellery by the likes of Gary Bradley and<br />

Matcham Skipper.<br />

Gibson’s are delighted to have been<br />

entrusted with the sale of the <strong>Harry</strong> <strong>Oviss</strong><br />

<strong>Collection</strong> and it is with great pleasure that<br />

we offer it to the market knowing that these<br />

pieces will now move on to a whole new<br />

generation of collectors.


6<br />

Part I<br />

Sunday 3 October 2021, 10am<br />

Lots 1–422<br />

1<br />

A GOLD RETRO BRACELET<br />

Articulated geometrical links; 14ct<br />

gold. Signed FBD, possibly American.<br />

Weight 65.1g.<br />

$2,500–3,500<br />

1<br />

2<br />

A DIAMOND BANGLE<br />

Of an abstract ribbon design, pave set<br />

diamonds; 14ct gold. Weight 33.3g.<br />

$1,200–1,500<br />

2


7<br />

3<br />

A GENTS GOLD LINK NECK CHAIN<br />

Heavy curb link chain; 18ct gold.<br />

Weight 199.6g.<br />

Length 63cms.<br />

$7,000–10,000<br />

3


8<br />

4<br />

4<br />

AN ART NOUVEAU-STYLE RING<br />

Featuring the face of a woman with<br />

diamond set head-band and eyes,<br />

round brilliant cut diamonds totalling<br />

0.12cts; 14ct gold. Weight 44.9g.<br />

$1,300–1,600<br />

5<br />

A HANDMADE MID-CENTURY<br />

STERLING SILVER PENDANT<br />

Mid-century modern freeform design,<br />

on a European Silver necklace.<br />

Total weight 65.6g.<br />

$300–500<br />

6<br />

A FREEFORM SILVER PENDANT ON<br />

COLLAR<br />

Featuring an abstract textured silver<br />

pendant on solid bar drop, on an<br />

integral silver collar.<br />

Pendant weight 37g<br />

$200–300<br />

7<br />

A BLISTER PEARL PENDANT<br />

ON NECKLACE<br />

Featuring a large blister pearl set<br />

within a freeform mount on a silver<br />

chain, signed Jen; sterling silver.<br />

Weight 94.8g.<br />

$400–600<br />

8<br />

A CULTURED PEARL PENDANT<br />

BY GARY BRADLEY<br />

Of textured, circular design with a<br />

cultured pearl mounted to the lower<br />

side of the pendant, on an integral<br />

chain, signed GB; sterling silver.<br />

Weight 50.5g.<br />

$500–700<br />

9<br />

A ROSE GOLD FOB CHAIN<br />

With t-bar drop; 9ct gold.<br />

Weight 37.1g.<br />

$750–950<br />

10<br />

A ROSE GOLD FOB CHAIN<br />

Square elongated panels; 9ct gold.<br />

Weight 42.6g.<br />

$800–900<br />

11<br />

A CULTURED FRESHWATER PEARL<br />

NECKLACE<br />

Baroque pearl strand fastening to<br />

a 14ct white gold clasp set with<br />

Australian sapphires.<br />

$300–400


9<br />

12<br />

12<br />

A DIAMOND COLLAR NECKLACE<br />

Featuring a braided satin finish<br />

necklace set with<br />

graduated diamonds totalling<br />

approximately 2.50cts: stamped CB<br />

18ct gold. Weight 70.5g.<br />

$5,000–7,000


10<br />

13<br />

A PAVE DIAMOND DRESS RING<br />

Styled as a textured dome set with<br />

diamonds, bark finish; 14ct gold.<br />

Ring size J. Weight 19.7g<br />

$1,000–1,500<br />

14<br />

A DIAMOND BROOCH BY GARY<br />

BRADLEY<br />

Featuring a freeform, textured gold<br />

plaque, set with a single round<br />

brilliant cut diamond totalling 0.20cts;<br />

18ct gold. Weight 26.4g.<br />

$1,400–1,600<br />

15<br />

A LARGE AMBER PENDANT<br />

Set within an Arts and Crafts-style<br />

mount on a silver chain, pendant<br />

hallmarked; sterling silver.<br />

$300–500<br />

16<br />

A GOLD FULL HUNTER POCKET<br />

WATCH BY WALTHAM<br />

Antique 14ct rose gold gentlemens<br />

pocket watch, engraved detail, vacant<br />

cartouche to verso.<br />

Weight 142.1g. On a 9ct gold curb link<br />

chain, weight 8g.<br />

$2,000–3,000<br />

13<br />

14


11<br />

17<br />

17<br />

A HANDMADE GOLD NECKLACE<br />

Of textured lozenge design;<br />

testing as 18ct gold.<br />

Weight 113.6g.<br />

$5,000–7,000<br />

18<br />

AN EGYPTIAN REVIVAL-STYLE GOLD<br />

LIONS HEAD RING<br />

Set with cabochon cut turquoise and<br />

malachites; 14ct gold.<br />

Ring size M. Weight 23.4g.<br />

$800–1,200


12<br />

19<br />

19<br />

A CULTURED PEARL AND GEMSTONE<br />

COLLAR<br />

Featuring a triple strand of cultured<br />

9mm Akoya pearls<br />

strung to a substantial textured gold<br />

clasp featuring stacked gold discs,<br />

surmounted by a Brazilian amethyst<br />

of approx. 29.8cts, surrounded by a<br />

border of round brilliant cut diamonds<br />

totalling approx. 2.50cts; 18ct gold,<br />

hallmarked maker Alan Shaw.<br />

Pendant weight approx. 79.9g.<br />

$5,000–7,000


13<br />

20<br />

A VINTAGE LADY’S OMEGA SAPPHIRE<br />

AND DIAMOND COCKTAIL WATCH<br />

Designed as a tapered hinged bangle,<br />

diamond set bezel, bullet markers, set<br />

with sapphires and baguette and round<br />

brilliant cut diamonds, tapered angular<br />

design, diamonds totalling 1.10cts,<br />

sapphires totalling 1.40cts ;18ct white<br />

gold. Total weight 94.5g.<br />

$5,000–7,000<br />

21<br />

A VINTAGE DIAMOND NECKLACE<br />

Textured necklace, set with a<br />

round brilliant cut diamond cluster<br />

totalling approx. 0.60cts; 18ct gold.<br />

Weight 14.1g.<br />

$600–800<br />

22<br />

A MID CENTURY DESIGN<br />

GEMSTONE SET RING<br />

Of geometric design set with emeralds<br />

and rubies; 18ct yellow and white gold.<br />

Ring size M. Weight 13.1g.<br />

$500–700<br />

23<br />

A CITRINE RING BY GARY BRADLEY<br />

Textured gold-work with bark finish,<br />

set with a square faceted citrine of<br />

approximately 5.80cts; 18ct gold.<br />

Weight 17.9g. Ring size O.<br />

$800–1,000<br />

20


14<br />

24<br />

24<br />

A DIAMOND STICK PIN<br />

Featuring a single old European cut<br />

diamond totalling approx. 0.85cts.<br />

$1,000–1,500<br />

25<br />

A GOLD SPIDERS WEB PENDANT<br />

ON CHAIN<br />

Set with diamond highlights to the<br />

web; 18ct gold. Weight 18.6g.<br />

$700–900<br />

26<br />

A GOLD DRESS CHAIN<br />

Textured fancy link chain; 14ct gold.<br />

Weight 29.4g.<br />

$800–900<br />

27<br />

AN ANTIQUE SILVER FOB CHAIN<br />

With shield fob; sterling silver.<br />

Weight 58g.<br />

$100–200<br />

28<br />

A FREEFORM GOLD<br />

AND DIAMOND RING<br />

Honeycomb textured gold-work,<br />

round brilliant cut diamonds totalling<br />

approximately 1.25ct; 14ct gold.<br />

Ring size T. Weight 10.6g.<br />

$600–800<br />

29<br />

AN ABSTRACT DESIGNED PERIDOT<br />

AND DIAMOND RING<br />

Of geometric design, marquise cut<br />

peridot, round brilliant cut diamonds<br />

within rope borders totalling<br />

approximately 0.50cts; 14ct rose gold.<br />

Weight 8.8g. Ring size L.<br />

$400–600<br />

30<br />

A FRESHWATER PEARL AND<br />

DIAMOND BROOCH<br />

Organic floral design, set with baroque<br />

shaped pearls and a single round<br />

brilliant cut diamond of 0.12cts; 14ct<br />

gold. Weight 25.5g.<br />

$600–800<br />

31<br />

A FREEFORM DIAMOND AND<br />

COLOURED STONE RING<br />

Set within a freeform textured mount,<br />

with a single round brilliant cut<br />

diamond totalling 0.40cts, cabochon<br />

cut coloured stones; 18ct gold.<br />

Weight 10.8g.<br />

$500–700<br />

32<br />

A MYTHICAL GOLD RING<br />

Featuring a mythical creature, ruby<br />

stone; 9ct gold. Ring size W.<br />

Weight 22.7g.<br />

$400–600<br />

33<br />

A LAPIS LAZULI RING<br />

Set within a foliate mount; testing as<br />

18ct gold. Ring size N. Weight 15.1g.<br />

$500–700<br />

34<br />

A QUARTZ GEODE RING<br />

BY GARY BRADLEY<br />

Featuring a geode in a raised textured<br />

mount; 18ct gold, stamped GB.<br />

Ring size K. Weight 12.6g.<br />

$500–700<br />

35<br />

A WIDE DIAMOND BAND RING<br />

Pierced, freeform design, round<br />

brilliant cut diamond highlights;<br />

testing as 18ct gold.<br />

Ring size K. Weight 9.7g.<br />

$500–700<br />

36<br />

A BLISTER PEARL<br />

AND DIAMOND RING<br />

Freeform cage, two blister pearls with<br />

diamond highlights; testing as 14ct<br />

gold. Ring size P. Weight 16.4g.<br />

$400–600<br />

37<br />

A FREEFORM TOURMALINE RING<br />

Textured mount, freeform design,<br />

cabochon cut tourmaline ; testing as<br />

14ct gold. Ring size H. Weight 15.4g.<br />

$500–700<br />

38<br />

A FRESHWATER PEARL RING<br />

Set as an organic floral design; 9ct<br />

gold. Ring size L. Weight 13g.<br />

$300–500


15<br />

39<br />

A TEXTURED GOLD COLLAR<br />

Tapered form; stamped 18ct gold.<br />

Weight 75.1g.<br />

$4,000–6,000<br />

40<br />

A GOLD GRIM-REAPER RING<br />

Garnet set eyes and diamond<br />

highlights; 9ct gold. Ring size Z.<br />

Weight 38.5g.<br />

$700–900<br />

41<br />

A RETRO DIAMOND RING<br />

Of geometric design, round brilliant<br />

cut diamond highlights; 18ct gold.<br />

Ring size N. Weight 8.1g.<br />

$400–600<br />

39


16<br />

42<br />

A SAPPHIRE AND DIAMOND DRESS<br />

RING BY ALAN SHAW<br />

Honeycomb style mount, set with a<br />

faceted sapphire and round brilliant cut<br />

diamond; 18ct gold, signed AS.<br />

Ring size N. Weight 16g.<br />

$800–1,200<br />

43<br />

A GOLD PIERCED BAND RING<br />

Open design; 9ct gold. Ring size N.<br />

Weight 8.1g.<br />

$200–300<br />

44<br />

A GREEN GEODE GENTS RING<br />

Textured bark finish containing quartz<br />

geode; 18ct gold. Ring size O.<br />

Weight 26.7g.<br />

$800–1,200<br />

45<br />

A GOLD BOMBE RING<br />

Patterned design to dome; 18ct gold.<br />

Fully hallmarked H.B. London, 1970.<br />

Weight 12.6g. Ring size N.<br />

$500–700<br />

46<br />

A GOLD BAND BY GARY BRADLEY<br />

Open pierced design; 18ct gold.<br />

Signed GB. Ring size L. Weight 7.9g.<br />

$400–600<br />

47<br />

A TURQUOISE DRESS RING<br />

Brushed gold finish, cabochon cut<br />

turquoise; 18ct gold. Italian marks.<br />

Ring size L. Weight 8.6g.<br />

$350–450<br />

48<br />

A DIAMOND DRESS RING<br />

Bark finish to the shoulders, set with<br />

round brilliant cut diamonds totalling<br />

0.50cts; 18ct gold. Ring size R.<br />

Weight 5.8g<br />

$400–600<br />

49<br />

A GOLD HANDMADE RING<br />

Featuring mythical sea creatures with<br />

stone set eyes; 18ct gold, hallmarked.<br />

Ring size P. Weight 21.1g.<br />

$700–1,000<br />

50<br />

A GENTS BAND RING BY GARY<br />

BRADLEY<br />

Embossed design; 11.8mm diameter;<br />

18ct gold. Signed GB. Ring size P.<br />

Weight 17g.<br />

$800–1,000<br />

51<br />

A GEM SET RING<br />

Freeform mount set with coloured<br />

stones; 14ct gold, stamped SECO.<br />

Ring size M. Weight 7.6g.<br />

$300–500<br />

52<br />

A GEODE RING BY GARY BRADLEY<br />

Set with a green geode in a textured<br />

gold mount, stamped GB; 18ct gold.<br />

Ring size O. Weight 16.5g.<br />

$800–1,200<br />

53<br />

A SAPPHIRE RING BY ALAN SHAW<br />

Set with an oval faceted sapphire<br />

within a textured, geometrical mount,<br />

signed AS; 18ct gold. Ring size K.<br />

Weight 18.6g.<br />

$900–1,200<br />

54<br />

A MABE PEARL DRESS RING<br />

Central pearl set within a double floral<br />

border; 14ct gold, stamped AA.<br />

Ring size N. Weight 10.9g.<br />

$300–400<br />

55<br />

AN AMETHYST DRESS RING<br />

Oval pierced panel set with amethysts;<br />

9ct gold. Ring size O. Weight 6.1g.<br />

$180–240


17<br />

56<br />

56<br />

A GEOMETRICAL GOLD COLLAR<br />

Of tapered design, articulated<br />

rectangular sections; 18ct gold.<br />

Weight 53.0g.<br />

$2,500–3,500<br />

57<br />

TWO CULTURED PEARL RINGS<br />

One of floral design, the other freeform<br />

tree branches; 9ct and 14ct gold<br />

respectively. Ring sizes L & M.<br />

Total weight 13.7g.<br />

$300–500


18<br />

58<br />

58<br />

A GOLD LADY’S LONGINES<br />

COCKTAIL WATCH<br />

Tapered gold watch band with<br />

engraved brushed panels; 18ct gold.<br />

Weight 53.5g<br />

$2,000–3,000<br />

59<br />

A LADY’S DIAMOND COCKTAIL<br />

WATCH BY BUCHERER<br />

Vintage watch, square design,<br />

diamond set case totalling 0.37cts,<br />

gold mesh band; 18ct gold.<br />

Weight 36.4g.<br />

$1,400–1,600<br />

60<br />

A VINTAGE SMOKY QUARTZ BROOCH<br />

Featuring a rectangular faceted smoky<br />

quartz totalling approx. 18.50cts;<br />

set within a beaten gold concave<br />

plaque; 9ct rose gold. Fully hallmarked,<br />

Birmingham. Weight 15g.<br />

$400–600<br />

61<br />

A GARNET PENDANT<br />

Bezel set garnet within a textured gold<br />

abstract pendant, on a gold chain;<br />

all 9ct gold.<br />

Total weight 9.6g.<br />

$250–350<br />

59


19<br />

62<br />

A VINTAGE GOLD GUBELIN GENTS<br />

WATCH<br />

Ipso Day model, date window at<br />

3’oclock, automatic movement, gold<br />

mesh watch band; all in 18ct gold.<br />

Total weight 75.5g.<br />

$3,000–5,000<br />

63<br />

A VINTAGE DIAMOND BRACELET<br />

WATCH BY OMEGA<br />

Open textured gold circles, tapered<br />

design, hidden watch, set throughout<br />

with round brilliant cut diamonds<br />

totalling 0.70cts; 18ct gold.<br />

Weight 73.9g.<br />

$3,500–4,500<br />

62<br />

63


20<br />

64<br />

A FANCY LINK DRESS CHAIN<br />

Alternating elongated and round<br />

curb links; 14ct gold. Weight 20.7g.<br />

Length 46cms.<br />

$600–800<br />

65<br />

A VICTORIAN GOLD FOB CHAIN<br />

Engraved decorative links, T-bar<br />

attachment; 9ct rose gold.<br />

Weight 46.1g.<br />

$1,000–1,500<br />

66<br />

A GOLD SIGNET PENDANT ON CHAIN<br />

Libra pendant on fancy link chain; all<br />

9ct gold. Total weight 6.8g.<br />

$120–150<br />

67<br />

A TWISTED GOLD ROPE NECKLACE<br />

Alternating yellow and white gold<br />

ropes; 14ct gold. Weight 12.3g.<br />

$400–600<br />

68<br />

A CULTURED PEARL AND DIAMOND<br />

BROOCH<br />

Styled as a bird perched on a<br />

branch, body set with pearls, branch<br />

terminating to two small diamonds;<br />

14ct gold. Weight 8.3g.<br />

$300–500<br />

69<br />

A GOLD CHAIN<br />

Curb links; 18ct gold. Weight 10.7g.<br />

Length 50cms.<br />

$400–600<br />

70<br />

A BOULDER MATRIX OPAL PENDANT<br />

Freeform opal set in 9ct rose gold,<br />

on a base metal display chain.<br />

Pendant weight 4.1g.<br />

$150–200<br />

71<br />

A GEMSTONE ‘TUTTI FRUTTI’<br />

SPRAY BROOCH<br />

Set throughout with sapphires,<br />

tourmaline, peridot, garnet, citrine,<br />

iolite and aquamarine; 9ct rose gold.<br />

Weight 16.3g.<br />

$600–800<br />

72<br />

A LIGHT OPAL AND DIAMOND<br />

PENDANT<br />

Featuring a pear shaped polished opal<br />

set with a light yellow round brilliant<br />

cut diamond of approx. 0.45cts, on<br />

a gold chain; set in 9ct rose gold.<br />

Total weight 20.7g.<br />

$800–1,200<br />

73<br />

A PAIR OF MABE PEARL EARRINGS<br />

Clip-on backings (one broken); 9ct<br />

gold. Total weight 13.7g.<br />

$100–200<br />

74<br />

A TORTOISE SHELL AND DIAMOND<br />

HAIR CLIP<br />

Featuring a star burst feature with<br />

diamond terminals; 9ct gold.<br />

$500–700<br />

75<br />

A CARVED NEPHRITE PENDANT ON<br />

CHAIN<br />

Freeform carving; 18ct gold curb link<br />

chain. Chain weight 19.7g.<br />

$900–1,200<br />

76<br />

A VINTAGE GOLD LONGINES WATCH<br />

Automatic movement; 18ct gold case,<br />

Leather strap.<br />

$600–800<br />

77<br />

A VINTAGE GOLD WATCH<br />

Inner seconds dial, on a leather strap;<br />

9ct rose gold. Weight 26.3g.<br />

$150–250<br />

78<br />

A GOLD PIN SET WITH GEMSTONES<br />

Freeform design set with green<br />

chalcedony, synthetic colour-change<br />

Alexandrite and a cultured pearl;<br />

14ct gold. Weight 9.8g.<br />

$300–500<br />

79<br />

A DIAMOND SET STICK PIN<br />

Styled as a bamboo walking stick, set<br />

with a horseshoe of old cut diamonds;<br />

15ct rose gold.<br />

Weight 6.3g.<br />

$200–300<br />

80<br />

AN ANTIQUE MOONFACE PIN SET<br />

WITH DIAMONDS<br />

Stick pin with a carved rock crystal<br />

Moonface, stylised star burst<br />

terminating to old cut diamonds;<br />

18ct rose gold. Weight 1.2g.<br />

$400–600


21<br />

81<br />

A VINTAGE LADY’S DIAMOND<br />

WRISTWATCH<br />

Textured gold work, pierced design<br />

set with an outer bordered of round<br />

brilliant cut diamonds, totalling 0.60cts,<br />

stamped Juvenia; 18ct white gold.<br />

Weight 32.9g<br />

$1,000–1,200<br />

81<br />

82<br />

A DIAMOND, SAPPHIRE AND RUBY<br />

STARBURST BROOCH<br />

Styled as a starburst ribbon, set with<br />

round cut sapphires and rubies, round<br />

brilliant cut diamonds totalling over<br />

1.50cts; 18ct yellow and white gold.<br />

Weight 17.3g.<br />

$1,200–1,500<br />

82


22<br />

83<br />

A GENTS GOLD BRACELET<br />

Textured and polished curb links; 9ct<br />

gold. Weight 45.8g.<br />

$1,000–2,000<br />

84<br />

AN ANTIQUE GOLD LADY’S<br />

WRISTWATCH<br />

Circular design, stamped Stewart<br />

Dawson & Co Ltd; watch case testing<br />

as 14ct rose gold.<br />

$200–300<br />

85<br />

A DIAMOND RING AND BAND RING<br />

Featuring a raised diamond cluster ring<br />

accompanied by a shaped diamond<br />

band set with round brilliant and<br />

baguette cut diamonds; 18ct gold and<br />

platinum. Ring sizes K & P respectively.<br />

Total weight 12.6g.<br />

$800–1,200<br />

86<br />

A FIRE AGATE AND LAPIS RING<br />

Of freeform design; 14ct gold.<br />

Ring size K. Weight 8.1g.<br />

$280–320<br />

87<br />

AN OPAL MATRIX RING<br />

Featuring two figures holding the opal;<br />

9ct gold. Makers mark obscured.<br />

Ring size N. Weight 5.3g.<br />

$200–300<br />

88<br />

A DYED LAPIS LAZULI<br />

AND DIAMOND RING<br />

Featuring a colour enhanced oval<br />

shaped lapis, set with baguette cut<br />

shoulders; 14ct white gold.<br />

Ring size L. Weight 7.4g.<br />

$300–400<br />

83


23<br />

89<br />

89<br />

A GENTS GOLD BRACELET<br />

Elongated, rounded curb links; 18ct<br />

gold. Weight 36.4g.<br />

$1,400–1,600<br />

90<br />

A GENTS GOLD BRACELET<br />

Heavy curb link chain; 18ct gold.<br />

Weight 70.0g.<br />

$2,800–3,200<br />

90


24<br />

91<br />

A SUBSTANTIAL AMETHYST RING BY<br />

GARY BRADLEY<br />

Open wire-work freeform design,<br />

centrally set amethyst geode; 9ct<br />

gold. Signed GB. Ring size Q. Comes in<br />

vintage Gary Bradley pouch.<br />

Weight 36.3g.<br />

$1,000–1,500<br />

92<br />

A STAR RUBY RING BY GARY<br />

BRADLEY<br />

Featuring a heavily textured freeform<br />

panel, star ruby cabochon; 18ct gold.<br />

Signed GB. Ring size P. Weight 30.4g.<br />

$1,500–1,700<br />

93<br />

A GENTS BAND RING<br />

Open design, bark finish; 18ct gold,<br />

stamped WD (possible William<br />

Drummond). Weight 30.9g. Ring size Y.<br />

$1,200–1,500<br />

94<br />

A STAR RUBY AND DIAMOND RING<br />

Set within a substantial textured gold<br />

mount, central star ruby; 18ct gold.<br />

Ring size W. Weight 20.4g.<br />

$1,000–2,000<br />

95<br />

A LIGHT OPAL RING BY GARY<br />

BRADLEY<br />

Oval cut opal set within a freeform<br />

mount; 18ct gold. Signed GB.<br />

Ring size O. Weight 19.2g.<br />

$1,000–1,500<br />

96<br />

A GENTS SIGNET RING<br />

Featuring the entwined figures of a<br />

man and a woman, possibly Matcham<br />

Skipper; 18ct gold.<br />

Ring size U. Weight 24g.<br />

$1,000–1,500<br />

97<br />

A SAPPHIRE AND DIAMOND<br />

DRESS RING<br />

Abstract, textured gold mount, set<br />

with sapphires of approx 0.55cts<br />

and round brilliant cut diamonds of<br />

approx 0.30cts, bark finish; 18ct gold.<br />

Ring size P. Weight 18.3g.<br />

$900–1,200<br />

98<br />

A GROUP OF THREE GEM SET RINGS<br />

Set with diamonds, garnet and<br />

aquamarine; all in 18ct gold.<br />

Ring sizes O (2) and K. Total weight 7g.<br />

$500–700<br />

99<br />

A DIAMOND DRESS RING<br />

Vintage design, set with diamonds<br />

totalling 0.15cts; 14ct white gold.<br />

Ring size O. Weight 4.6g.<br />

$200–300<br />

100<br />

THREE GENTS GOLD RINGS<br />

Two set with synthetic stones;<br />

all in 9ct gold. Ring sizes O (x2) and Q.<br />

Total weight 17.2g.<br />

$300–400<br />

101<br />

A GENTS ONYX SIGNET RING<br />

Oval onyx plaque; testing as 14ct rose<br />

gold. Ring size U. Weight 12.7g.<br />

$300–400<br />

102<br />

A GROUP OF THREE GENTS RINGS<br />

One styled as a buckle with onyx and<br />

white stones, one set with a synthetic<br />

blue stone, the other a band ring; all in<br />

18ct gold. Ring sizes Q (x2) and R.<br />

Total weight 32g.<br />

$1,000–1,500<br />

103<br />

TWO COLOURED STONE SET RINGS<br />

Vintage settings with white stone<br />

shoulders; 9ct gold. Ring sizes O & R.<br />

Total weight 5.2g.<br />

$120–180<br />

104<br />

AN ANTIQUE-STYLE PLAQUE RING<br />

Pierced plaque set with vari-cut<br />

diamonds totalling approximately<br />

0.36cts; 18ct gold. Weight 4.4g.<br />

Ring size M.<br />

$600–800<br />

105<br />

A GOLD BAND RING<br />

Wide band featuring figures climbing<br />

across the ring; testing as 9ct gold.<br />

Signed RF. Ring size N. Weight 7.5g.<br />

$200–300<br />

106<br />

AN OPAL AND DIAMOND RING<br />

Featuring a centrally set light opal<br />

within a circular plaque, single round<br />

brilliant cut diamond totalling approx.<br />

0.35cts; 9ct rose gold. Ring size L.<br />

Weight 5.9g.<br />

$400–600<br />

107<br />

A DIAMOND COCKTAIL RING<br />

Featuring single cut diamonds and<br />

baguette cut diamonds in a floral spray<br />

totalling approximately 0.50cts; testing<br />

as 9ct white gold. Ring size L.<br />

$300–500<br />

108<br />

A TIGERS-EYE AND DIAMOND SPIDER<br />

RING<br />

Body of the spider set with a single<br />

cushion diamond of approx. 0.40cts<br />

and a cabochon cut tigers-eye; 9ct<br />

rose gold. Ring size P. Weight 9.8g.<br />

$500–700


25<br />

92<br />

91<br />

93<br />

94<br />

95<br />

97<br />

96


26<br />

109<br />

109<br />

A SUBSTANTIAL AUSTRALIAN SILVER<br />

PENDANT<br />

Featuring an Arts and Crafts-style flora<br />

and fauna<br />

Design centred around a kangaroo, on<br />

a silver collar; Sterling silver, makers<br />

mark RN. Pendant weight 52.8g.<br />

$1,000–2,000<br />

110<br />

A GROUP OF ASSORTED JEWELLERY<br />

ITEMS<br />

Including a bee brooch, Australian<br />

gemset drop earrings,<br />

Two rings, a tigers eye bead necklace<br />

and a brooch by Tony Kean; most in<br />

sterling silver.<br />

$200–300<br />

111<br />

AN ANTIQUE SAPPHIRE AND<br />

DIAMOND PIN<br />

Styled as a horse shoe with alternating<br />

sapphires and rose cut diamonds;<br />

14ct rose gold.<br />

Weight 3.9g.<br />

$300–400<br />

112<br />

AN OPAL DRESS RING<br />

Off-set design, bark finish to gold work;<br />

18ct gold. Ring size O. Weight 12.1g.<br />

Note: opal is crazed and cracked.<br />

$400–600<br />

113<br />

A PERIDOT RING BY DIANNE BAPTY<br />

Elongated, textured design, one stone<br />

missing; 9ct gold. Ring size H.<br />

Weight 12.6g.<br />

$300–400<br />

114<br />

A PAIR OF GENTS CUFFLINKS BY<br />

GARY BRADLEY<br />

Styled as abstract geometric cubes;<br />

sterling silver. Signed Gary Bradley.<br />

In original box.<br />

$300–600<br />

115<br />

A SUBSTANTIAL GILDED MODERNIST<br />

COLLAR<br />

Handmade collar with brutalist detail,<br />

gilded detail.<br />

$300–500<br />

116<br />

TWO METAL AND STONE SET<br />

PENDANTS<br />

Both mid-century modern design, one<br />

set with a glass stone, the other with<br />

semi-precious stones.<br />

$180–260


27<br />

117<br />

117<br />

A SILVER FREEFORM BRACELET BY<br />

DIANNE BAPTY<br />

Articulated organic stick form.<br />

Weight 108.1g.<br />

$300–500<br />

118<br />

A HANDMADE AMEHTYST BANGLE<br />

Of brutalist design, styled with figures<br />

climbing over an amethyst geode,<br />

hinged bangle, possibly Matcham<br />

Skipper; silver.<br />

$800–1,200<br />

119<br />

A SUBSTANTIAL SUITE OF<br />

AMETHYST JEWELLERY<br />

Comprising a ring, pendant on<br />

chain and hinged bangle, all set with<br />

amethyst geodes, organic handmade<br />

form; sterling silver, signed ‘ross’.<br />

$500–700<br />

118


28<br />

120<br />

120<br />

A RETRO ROSE GOLD PANEL<br />

BRACELET<br />

Large alternating engraved panels;<br />

14ct rose and orange blossom gold.<br />

Weight 67.8g.<br />

$2,000–3,000<br />

121<br />

A GEM SET COLLAR<br />

Five tapered, engraved panels,<br />

articulated design, set throughout<br />

with various gemstones including<br />

amethyst, topaz, sunstone, turquoise,<br />

tigers eye, citrine and chalcedony;<br />

testing as 14ct gold. Weight 73.3g<br />

$1,800–2,400<br />

122<br />

A GROUP OF THREE GEM SET<br />

BOMBE RINGS<br />

All set throughout with various<br />

gemstones including emeralds, coral,<br />

lapis lazuli and cultured pearls; all in<br />

14ct gold. Ring sizes L, M & Q.<br />

Total weight 27.8g.<br />

$1,200–1,500<br />

123<br />

TWO STONE SET COCKTAIL RINGS<br />

One set with green chalcedony, the<br />

other with a mabe pearl; 14ct and 18ct<br />

gold respectively. Ring sizes J & L<br />

respectively. Total weight 16.4g.<br />

$200–300<br />

124<br />

A LIGHT OPAL RING<br />

Set with figures embracing the opal;<br />

9ct gold. Possibly Matcham Skipper.<br />

Ring size N. Weight 11.2g.<br />

$400–600<br />

125<br />

A SYNTHETIC COLOUR-CHANGE<br />

SAPPHIRE RING<br />

Set within a freeform gold mount,<br />

diamond highlights; 18ct gold.<br />

Ring size L. Weight 21.9g.<br />

$700–1,000<br />

126<br />

A DIAMOND BOMBE RING<br />

Beaded detail with a diamond set<br />

dome totalling approximately 0.70cts;<br />

testing as 18ct gold. Ring size K.<br />

Weight 10g.<br />

$600–800<br />

127<br />

AN ABSTRACT DIAMOND DRESS<br />

RING<br />

Abstract grid design featuring round<br />

brilliant cut diamonds totalling approx.<br />

0.50cts; Platinum and 18ct gold.<br />

Ring size O. Weight 11.9g.<br />

$600–800<br />

128<br />

A GOLD NUGGET<br />

Freeform nugget, original paperwork.<br />

Weight 5.27g.<br />

$400–600<br />

129<br />

A GROUP OF 9CT GOLD JEWELLERY<br />

To include earrings, lockets,<br />

pendants, some stone set.<br />

Total weight 7.0 grams.<br />

$200–300<br />

130<br />

A HEAVY ORGANIC BANGLE BY<br />

DIANNE BAPTI<br />

Featuring pierced circular motifs,<br />

freeform design; sterling silver.<br />

$300–500


29<br />

121<br />

122


30<br />

131<br />

A VICTORIAN GOLD FOB CHAIN<br />

Engraved decorative links, T-bar<br />

attachment; 9ct rose gold.<br />

Weight 47.1g.<br />

$1,000–1,500<br />

132<br />

TWO SILVER NECKLACES<br />

One substantial collar set with stones,<br />

the other of fob-style; stamped 925.<br />

$200–300<br />

133<br />

A COLLECTION OF VINTAGE GOLD<br />

STICK PINS<br />

Of varying forms, some stone set; 9ct<br />

gold. Total weight 35.6g.<br />

$800–1,200<br />

134<br />

A GROUP OF FOUR DIAMOND SET<br />

PINS<br />

All set with diamonds totaling approx.<br />

1.00ct.<br />

$700–1,000<br />

131


31<br />

135<br />

135<br />

A GOLD ‘STAR OF DAVID’ PENDANT<br />

ON CHAIN<br />

Featuring a handmade textured gold<br />

cross on a fully Hallmarked chain:<br />

both 14ct gold. Weight 30.9g.<br />

$1,400–1,600<br />

136<br />

A GROUP OF STONE SET STICK PINS<br />

Including opal, turquoise, peridot and<br />

cameo pins; All in gold.<br />

$800–1,200<br />

137<br />

A GROUP OF ANTIQUE STICK PINS<br />

Set with coral, seed pearls and pearl;<br />

All set in gold. Weight 28g.<br />

$700–900<br />

138<br />

A GROUP OF GEMSTONE SET STICK<br />

PINS<br />

Including sapphire, amethyst,<br />

garnet and moonstone; all in gold.<br />

Weight 32.3g.<br />

$800–1,200<br />

139<br />

A GROUP OF FOUR GOLD STICK PINS<br />

Including gold-in-quartz, pyrite;<br />

all in gold<br />

Weight 20g.<br />

$700–900<br />

140<br />

A GROUP OF THREE PINS<br />

Two stick pins with nephrite and a<br />

scarab, one diamond set tie pin; all in<br />

gold. Total weight 13.1g.<br />

$400–600<br />

141<br />

THREE CULTURED PEARL STRANDS<br />

Two strands comprising dyed pearls,<br />

one freshwater, the other rice pearls,<br />

third strand natural rice pearls; all with<br />

gold stone-set clasps.<br />

$300–500<br />

142<br />

TWO CULTURED PEARL NECKLACES<br />

One a double strand closing to a seed<br />

pearl and opal doublet clasp, the<br />

other a single strand closing to a ruby<br />

set ball clasp; in 9ct and 14ct gold<br />

respectively.<br />

$400–600<br />

143<br />

A CULTURED FRESHWATER NECKLET<br />

WITH DIAMOND SET CLASP<br />

Featuring a pearl necklet with a<br />

diamond set feature clasp totalling<br />

approx. 1.00cts, central Akoya pearl of<br />

9.3mm; 18ct gold.<br />

$400–600


32<br />

144 145<br />

144<br />

ROGER KEMP (1908-1987)<br />

Flower Piece circa 1974<br />

oil on board<br />

32.5 x 15.5cm<br />

$2,200–3,000<br />

145<br />

ROGER KEMP (1908-1987)<br />

<strong>The</strong> Blue Vase 1960<br />

oil on board<br />

signed, dated and inscribed lower left:<br />

Roger Kemp 60 To Kath<br />

32.5 x 15cm<br />

$2,500–3,500


33<br />

146<br />

146<br />

ARTHUR MERRIC BLOOMFIELD BOYD (1920-1999)<br />

Marine Forms<br />

watercolour and collage<br />

signed lower right: Arthur Boyd<br />

57 x 78cm<br />

PROVENANCE<br />

Australian Galleries, Melbourne<br />

$3,000–5,000<br />

147<br />

ARTHUR MERRIC BLOOMFIELD BOYD (1920-1999)<br />

Prometheus<br />

ink and wash on paper<br />

34 x 47cm<br />

$1,000–1,500<br />

148<br />

MATTHEW PERCEVAL (BORN 1945)<br />

Spring Morning, Bay of Port de Selva 1971<br />

oil on canvas<br />

signed and dated upper left and right:<br />

Matthew Perceval 1971<br />

34.5 x 44.5cm<br />

$600–900<br />

149<br />

SIDNEY NOLAN (ATTRIBUTED)<br />

Figurative Study<br />

oil on board<br />

25 x 26.5cm<br />

$800–1,200


34<br />

150 151<br />

150<br />

KEVIN CONNOR (BORN 1932)<br />

Haymarket - Face in a Moonlit Park 1963<br />

oil on board<br />

signed and dated lower right: Connor 63<br />

titled verso: FACE IN A MOONLIT PARK<br />

45 x 60cm<br />

$500–900<br />

151<br />

KEVIN CONNOR (BORN 1932)<br />

Man who Lives in the Cemetery 1961<br />

oil on board<br />

signed and dated lower right: Connor 61<br />

titled verso: MAN WHO LIVES IN THE CEMETERY<br />

52 x 40.5cm<br />

PROVENANCE<br />

Australian Galleries, Melbourne<br />

$600–900<br />

152<br />

ATHOL FARMER (BORN 1960)<br />

Snakes and Turtles 1991<br />

acrylic on canvas on board<br />

signed and dated lower right: Athol Farmer 91<br />

59 x 43.5cm<br />

$200–400<br />

153<br />

ROBERT BOYNES (BORN 1942)<br />

Archeology 1985<br />

oil and pastel on paper<br />

signed and dated lower right: Boynes 85<br />

27.5 x 38.5cm<br />

PROVENANCE<br />

Macquarie Galleries, Sydney<br />

$200–500


35<br />

154<br />

KEVIN CONNOR (BORN 1932)<br />

Portrait VII 1965<br />

oil on board<br />

signed and dated lower right:<br />

Connor 65<br />

60 x 60cm<br />

PROVENANCE<br />

Australian Galleries, Melbourne<br />

$800–1,500<br />

154<br />

155<br />

LOUIS JAMES (1920-1996)<br />

Red Ikon 1963<br />

oil on canvas<br />

signed and dated lower left:<br />

LOUIS JAMES 63<br />

signed and titled verso:<br />

Louis James RED IKON<br />

101 x 75cm<br />

$1,500–2,500<br />

155


36<br />

156<br />

156<br />

DOUGLAS WRIGHT (BORN 1944)<br />

Pylon No. 1 1974<br />

acrylic on canvas<br />

signed and dated lower right: WRIGHT 74<br />

titled and dated verso Pylon No. 1 NOV 1974<br />

152.5 x 152cm<br />

$2,000–4,000


37<br />

157<br />

157<br />

ROGER KEMP (1908-1987)<br />

Poem in Space<br />

acrylic on board<br />

signed verso: Roger Kemp<br />

78.5 x 114.5cm<br />

PROVENANCE<br />

Leonard Joel Auctions, Australian, New Zealand,<br />

British and European Historical & Contemporary Paintings,<br />

Melbourne, 12 June 1974, Lot 479<br />

Christie’s, Australian Paintings, Melbourne, 1 March 1973,<br />

Lot 296<br />

$15,000–25,000


38<br />

158<br />

DONALD FRIEND (1915-1989)<br />

Moody and Sanky 1948<br />

mixed media<br />

signed and dated lower right:<br />

Donald 48<br />

38.5 x 33.5cm<br />

$2,000–4,000<br />

158<br />

159<br />

LOUDON SAINTHILL<br />

(1919-1969)<br />

Design for the Red Light (Ballet)<br />

gouache and watercolour<br />

signed and titled lower right and left:<br />

Sainthill Design for <strong>The</strong> Red Light<br />

55 x 47cm<br />

$1,000–1,800<br />

159


39<br />

160<br />

160<br />

JAN SENBERGS (BORN 1939)<br />

Structure with Head<br />

oil on board<br />

signed lower right: J Senbergs<br />

inscribed with title verso: STRUCTURE WITH HEAD<br />

76 x 71cm<br />

$2,500–4,500


40<br />

161<br />

161<br />

NICOLE NEWMAN (BORN 1949)<br />

Bather 1971<br />

composite resin<br />

signed and dated verso: NICOLE NEWMAN 71<br />

37cm high, 54cm wide, 19.5cm deep (sculpture)<br />

127cm high, 91.5cm wide, 18cm deep (overall sizing<br />

including frame)<br />

$400–600


41<br />

162<br />

162<br />

EDWIN TANNER (1920-1980)<br />

Little Man 1962<br />

oil on board with collage<br />

signed and dated upper left: EDWIN TANNER 62<br />

105 x 121cm<br />

PROVENANCE<br />

Leonard Joel, ‘Australian, New Zealand, British and<br />

European Historical & Contemporary Paintings’, Melbourne,<br />

6 November 1974, lot 420<br />

$12,000–18,000


42<br />

163<br />

163<br />

GARETH SANSOM (BORN 1939)<br />

Man Form I 1967<br />

oil on board<br />

diptych<br />

signed, dated and titled verso:<br />

GARETH SAMSON 1967 MAN FORM I<br />

95.5 x 127cm (overall)<br />

$2,500–3,500<br />

164<br />

GARETH SANSOM (BORN 1939)<br />

Humpty Dumpty Dying 1963<br />

mixed media<br />

signed and dated lower right: Sansom 63<br />

signed, dated and titled verso:<br />

Gareth Sansom 63 Humpty Dumpty Dying<br />

51.5 x 73.5cm<br />

$600–1,000<br />

165<br />

GARETH SANSOM (BORN 1939)<br />

Portrait 1982<br />

oil on paper<br />

40 x 30cm<br />

$300–600<br />

166<br />

YOSL BERGNER (1920-2017)<br />

Portrait Fanatic 1978<br />

oil on canvas<br />

signed and dated lower left: Y Bergner 78<br />

inscribed, dated and titled verso:<br />

Yosl Bergner 1978 PORTRAIT<br />

63.5 x 44.5cm<br />

$3,000–5,000


43<br />

166


44<br />

167<br />

167<br />

JOHN COBURN (1925-2006)<br />

Crucifixion 1955<br />

oil on board<br />

signed and dated lower left: Coburn 55<br />

32.5 x 46.5cm<br />

$3,000–6,000


45<br />

168<br />

168<br />

LEONARD FRENCH (1928-2017)<br />

Girl on Carousel 1950<br />

enamel on board<br />

signed and dated lower left: French 50<br />

66.5 x 88.5cm<br />

$6,000–9,000


46<br />

169<br />

169<br />

BERNARD HESLING (1905-1987)<br />

Face 1971<br />

vitreous enamel - platter<br />

signed and dated lower right:<br />

HESLING 71<br />

65.5cm diameter<br />

$800–1,500<br />

170<br />

BERNARD HESLING (1905-1987)<br />

Horse of Another Colour<br />

vitreous enamel<br />

signed and titled: HESLING HORSE<br />

OF ANOTHER COLOUR<br />

36cm diameter<br />

$500–800<br />

171<br />

VYTAS KAPOCIUNAS<br />

(BORN 1943)<br />

Party<br />

oil on board<br />

signed lower right: Vytas Kapociunas<br />

60 x 42cm<br />

$200–400<br />

172<br />

VYTAS KAPOCIUNAS<br />

(BORN 1943)<br />

Two for Dinner 1986<br />

oil on canvas<br />

signed and dated lower right:<br />

V Kapociunas 86<br />

inscribed and titled verso:<br />

V KAPOCIUNAS TWO FOR DINNER<br />

152 x 121.5cm<br />

$400–800<br />

173<br />

PETER ELLIS (BORN 1956)<br />

Woman With Spiders 1986<br />

mixed media on paper<br />

signed, dated and titled lower right and<br />

left: Ellis 1986 ‘woman with spiders’<br />

122 x 80.5cm<br />

$400–800<br />

174<br />

PETER ELLIS (BORN 1956)<br />

Girl and Self Portrait 1980<br />

mixed media<br />

signed, dated and titled lower right and<br />

centre: Ellis 80 Girl and Self Portrait<br />

95 x 65cm<br />

$200–400


47<br />

175<br />

ANDY WARHOL (AMERICAN, 1930-1987)<br />

Boxing Glove<br />

painted boxing glove with black and silver ink<br />

signed: Andy Warhol<br />

housed in a perspex case<br />

16.5cm high, 25.5cm wide, 18.5cm deep<br />

PROVENANCE<br />

Christie’s, Australian, International & Contemporary Art,<br />

Melbourne, 22 August 2005, Lot 363<br />

NOTE<br />

This is the glove worn by Warhol for the sitting<br />

of the Warhol Basquiat Joint Show Party poster<br />

$3,000–5,000<br />

175


48<br />

176<br />

176<br />

RICHARD HAVYATT (BORN 1945)<br />

Abstract Landscape 1967<br />

oil on canvas<br />

diptych<br />

signed and dated lower right: RS Havyatt 67<br />

101 x 162.5cm<br />

$500–1,000<br />

177<br />

RICHARD HAVYATT (BORN 1945)<br />

Untitled 1978<br />

watercolour and collage<br />

signed and dated lower right: R J Havyatt 78<br />

59 x 39.5cm<br />

PROVENANCE<br />

Macquarie Galleries, Sydney<br />

$200–400<br />

178<br />

RICHARD HAVYATT (BORN 1945)<br />

Untitled 1988<br />

watercolour and ink<br />

signed and dated lower right: R J Havyatt 88<br />

38 x 58cm<br />

$200–400<br />

179<br />

PETER ADSETT (BORN 1959)<br />

​Deforestation 1989<br />

oil on canvas<br />

signed and dated lower right: ADSETT 89<br />

inscribed verso: ADSETT 89 DEFORESTATION<br />

154 x 153cm<br />

PROVENANCE<br />

William Mora Galleries, Melbourne<br />

$400–600


49<br />

180<br />

180<br />

JEFFREY MAKIN (BORN 1943)<br />

Garden<br />

oil on canvas<br />

signed upper right: Makin<br />

signed verso: Jeffrey Makin<br />

166 x 166cm<br />

EXHIBITED<br />

Georges Invitation Prize for Painting 1974.<br />

50 Years of the National Art School, Bonython Gallery, Sydney<br />

$4,000–8,000<br />

181<br />

MARK SCHALLER (BORN 1962)<br />

Still Life II 1991<br />

oil on board<br />

signed with initials and dated lower left: MS 91<br />

58 x 43.5cm<br />

PROVENANCE<br />

Australian Galleries, Melbourne<br />

$200–500


50<br />

182<br />

182<br />

WILLIAM FRATER (1890-1974)<br />

Landscape<br />

oil on board<br />

signed lower right: William Frater<br />

60 x 79.5cm<br />

$700–1,200<br />

183<br />

RODNEY MILGATE (1934-2015)<br />

Valediction<br />

oil on board<br />

signed lower right: Milgate<br />

inscribed verso:<br />

RODNEY MILGATE VALEDICTION<br />

121 x 90cm<br />

EXHIBITED<br />

<strong>The</strong> Australian Commonwealth<br />

Government, Young Australian Painter<br />

Exhibition for Japan, Tokyo and Kyoto,<br />

April-May 1965, cat no.55 (label verso)<br />

$600–900<br />

183


51<br />

184<br />

184<br />

CLIFTON PUGH (1924-1990)<br />

White and Pink Heath 1989<br />

oil on canvas<br />

signed and dated lower right: Clifton 20.5.89<br />

90 x 110cm<br />

PROVENANCE<br />

Australian Galleries, Melbourne<br />

$4,000–7,000<br />

185<br />

WILLIAM (BILL) FERGUSON (BORN 1932)<br />

Ancestral Figure<br />

oil on canvas<br />

signed lower right: Ferguson<br />

131.5 x 121.5cm<br />

$600–1,000


52<br />

186<br />

186<br />

NOEL COUNIHAN (1913-1986)<br />

<strong>The</strong> Negro 1963<br />

pastel and chalk<br />

signed and dated lower right:<br />

Counihan 63<br />

47 x 73cm<br />

$1,500–2,500<br />

187<br />

ALBERT TUCKER (1914-1999)<br />

Nude 1955<br />

charcoal<br />

signed and dated lower right:<br />

Tucker 55<br />

37 x 23.5cm<br />

$700–1,200<br />

188<br />

GUELDA PYKE (1905-1994)<br />

Balinese Cock Fight<br />

mixed mixed<br />

signed lower right: Guelda Pyke<br />

64 x 76.5cm<br />

$200–400<br />

187


53<br />

189<br />

189<br />

ROBERT DICKERSON<br />

(1924-2015)<br />

Pensive Young Girl<br />

charcoal<br />

signed lower right: Dickerson<br />

73 x 52.5cm<br />

$4,000–5,000<br />

190<br />

IAN DUNCAN (ACTIVE 1980s)<br />

<strong>The</strong> Nightmare 1987<br />

oil on canvas on board<br />

signed, dated and titled verso:<br />

Duncan 87/88 <strong>The</strong> Nightmare<br />

121 x 208cm<br />

$800–1,200<br />

191<br />

ALUN LEACH-JONES<br />

(1937-2017)<br />

Through the Mirror 1987<br />

pastel and charcoal on paper<br />

signed with initials lower left: AL<br />

25.5 x 35cm<br />

$200–500


54<br />

192<br />

ANNE HALL (BORN 1945)<br />

Ex Post Facto 1968<br />

oil on canvas<br />

signed and dated centre left:<br />

Anne Hall 68<br />

101.5 x 84cm<br />

$600–900<br />

193<br />

ANNE HALL (BORN 1945)<br />

Warrior (After Leonardo) 1967<br />

oil on canvas<br />

signed and dated lower left:<br />

Anne Hall 67<br />

signed, dated and titled verso: Anne<br />

Hall 1967 ‘Warrior’ (after Leonardo)<br />

101.5 x 86.5cm<br />

$500–700<br />

192<br />

194<br />

ROBIN ANGWIN (1947-1976)<br />

Grey Space 1970<br />

mixed media<br />

signed, dated and title verso:<br />

R Angwin 1970 GREY SPACE<br />

73 x 60cm<br />

$200–500<br />

195<br />

IAN ARMSTRONG (1923-2005)<br />

Musicians 1969<br />

gouache and watercolour<br />

signed and dated lower left:<br />

Ian Armstrong 69<br />

73.5 x 53cm<br />

$200–400<br />

196<br />

DONALD LAYCOCK<br />

(BORN 1931)<br />

Abstract 1966<br />

watercolour<br />

signed and dated lower right:<br />

LAYCOCK 66<br />

28 x 37cm<br />

$150–300<br />

193


55<br />

197<br />

ANNE HALL (BORN 1945)<br />

Mirka Mora 1967<br />

oil on canvas<br />

signed and dated centre left:<br />

Anne Hall 67<br />

signed, dated and titled verso:<br />

Anne Hall 1967 Mirka More<br />

81 x 61cm<br />

$800–1,200<br />

198<br />

ANDREW SIBLEY (1933-2015)<br />

Man and Moon 1962<br />

oil on board<br />

signed and dated lower right: Sibley 62<br />

75 x 60cm<br />

$300–500<br />

199<br />

ANNE HALL (BORN 1945)<br />

<strong>The</strong> Priest 1967<br />

oil on canvas<br />

signed and dated lower right:<br />

Anne Hall 67<br />

signed, dated and titled verso:<br />

Anne Hall 67 <strong>The</strong> Priest<br />

101 x 85.5cm<br />

$500–800<br />

197<br />

200<br />

ANDREW SIBLEY (1933-2015)<br />

<strong>The</strong> Red Lounge 1970<br />

oil on paper<br />

signed and dated bottom right:<br />

Sibley 70<br />

55 x 75cm<br />

$300–600<br />

201<br />

D. MITRIES<br />

Abstract<br />

mixed media<br />

signed lower right: D Mitries<br />

18 x 25.5cm<br />

$250–450<br />

198


56<br />

202<br />

202<br />

ERIC SMITH (1919-2017)<br />

Spring Landscape 1962<br />

oil on board<br />

signed and dated lower right:<br />

ERIC SMITH 62<br />

signed and inscribed verso:<br />

Eric Smith Spring Landscape<br />

29 x 36.5cm<br />

$500–700<br />

203<br />

ERIC SMITH (1919-2017)<br />

Owl 1955<br />

oil on board<br />

signed and dated lower right:<br />

ERIC SMITH 55<br />

inscribed with title verso: OWL<br />

35 x 24cm<br />

$600–900<br />

203


57<br />

204<br />

204<br />

ERIC SMITH (1919-2017)<br />

Sydney Harbour 1960<br />

oil on board<br />

signed and dated lower right:<br />

ERIC SMITH 60<br />

78.5 x 122cm<br />

$1,500–2,500<br />

205<br />

ARCH CUTHBERTSON<br />

(1924-2001)<br />

Arch Genesis, <strong>The</strong> Second Day<br />

1965<br />

watercolour<br />

signed and dated lower right:<br />

Cuthbertson 65<br />

56.5 x 45cm<br />

$250–450<br />

205


58<br />

206<br />

DAVID BOYD (1924-2011)<br />

High Priest and Guard Angel 1965<br />

oil on canvas on board<br />

signed and dated lower left:<br />

David Boyd 1965<br />

inscribed and titled verso: DAVID BOYD<br />

HIGH PRIEST & GUARD ANGEL<br />

35 x 25cm<br />

PROVENANCE<br />

<strong>The</strong> Johnstone Gallery, Brisbane<br />

$1,000–1,500<br />

207<br />

DAVID BOYD (1924-2011)<br />

<strong>The</strong> Emissary 1966<br />

oil on canvas on board<br />

signed and dated lower left:<br />

David Boyd 66<br />

21 x 36.5cm<br />

$1,500–2,500<br />

208<br />

SHEPHERD<br />

Workshop 1973<br />

oil on canvas<br />

signed and dated lower right:<br />

Shepherd 73<br />

122 x 121.5cm<br />

$300–500<br />

206<br />

207


59<br />

209<br />

209<br />

GARETH SANSOM (BORN 1939)<br />

Wandering Figure 1963<br />

mixed media<br />

signed and dated lower left:<br />

Sansom 63<br />

inscribed verso: GARETH LAURENCE<br />

SANSOM WANDERING FIGURE<br />

115 x 114.5cm<br />

$2,000–4,000<br />

210<br />

GARETH JONES-ROBERTS<br />

(1935-2013)<br />

Night Birds and Sleeping Figures<br />

oil on board<br />

signed lower right: G Jones Roberts<br />

inscribed with title verso:<br />

NIGHT BIRDS & SLEEPING FIGURES<br />

76 x 91cm<br />

$200–400<br />

211<br />

PASQUALE GIARDINO<br />

(BORN 1961)<br />

Nude 1999<br />

gouache and watercolour<br />

signed and dated lower right:<br />

Pasquale Giardino 10/5/99<br />

84.5 x 55cm<br />

$200–500


60<br />

212<br />

213<br />

212<br />

CHARLES REDDINGTON (BORN 1929)<br />

Great Pan<br />

oil on canvas<br />

signed lower left: C. Reddington<br />

inscribed verso: Charles Reddington GREAT PAN<br />

67.5 x 122cm<br />

$400–600<br />

213<br />

C ROSE<br />

Abstract<br />

oil on board<br />

signed with initials lower left: CR<br />

61.5 x 91cm<br />

$200–400


61<br />

214 218<br />

214<br />

ROBERT (BOB) GRIEVE<br />

(1924-2006)<br />

Japanese Folk Toy <strong>The</strong>me 1965<br />

oil on board<br />

signed and dated lower right:<br />

R GRIEVE 65<br />

titled verso:<br />

JAPANESE FOLK TOY THEME<br />

60 x 35cm<br />

$600–900<br />

215<br />

ROBERT (BOB) GRIEVE<br />

(1924-2006)<br />

Han (Seal)<br />

mixed media<br />

signed upper right: R GRIEVE<br />

38 x 27cm<br />

$500–800<br />

216<br />

ROBERT (BOB) GRIEVE<br />

(1924-2006)<br />

<strong>The</strong> Seller<br />

oil on board<br />

signed lower left: R GRIEVE<br />

19.5 x 14.5cm<br />

$200–400<br />

217<br />

ROBERT (BOB) GRIEVE<br />

(1924-2006)<br />

Yellow Improvisation<br />

oil on board<br />

signed upper right: Robert Grieve<br />

32 x 22cm<br />

$300–600<br />

218<br />

THOMAS (TOM) CLEGHORN<br />

(BORN 1925)<br />

Bushfire 1958<br />

oil on board<br />

signed and dated lower right:<br />

Thomas Cleghorn 58<br />

67.5 x 44cm<br />

$1,000–1,500<br />

219<br />

JEAN BELLETTE (1908-1991)<br />

Horse Rider<br />

watercolour and ink<br />

signed lower left: J Bellette<br />

21.5 x 14cm<br />

$200–400


62<br />

220<br />

220<br />

LOUIS KAHAN (1905-2002)<br />

Hobart Harbour Scene 1961<br />

oil on board<br />

signed and dated lower right:<br />

Louis Kahan 61<br />

inscribed verso: FOR WYNNE PRIZE<br />

Sold to ART GALLERY of NSW<br />

59.5 x 89.5cm<br />

$800–1,200<br />

221<br />

BERNARD HESLING (1905-1987)<br />

Farm Boy<br />

vitreous enamel<br />

signed lower right: HESLING<br />

63.5 x 34cm<br />

$600–900<br />

222<br />

D KWIATKOWSKI<br />

Night Man with Newspaper 1964<br />

oil on canvas<br />

signed and dated lower left:<br />

D.Kwiatkowski 64<br />

121 x 90.5cm<br />

$600–800<br />

221


63<br />

223<br />

SALVATORE ZOFREA<br />

(BORN 1946)<br />

Bush Landscape<br />

oil and board<br />

signed lower right: S ZOFREA<br />

136 x 121cm<br />

$1,000–1,500<br />

224<br />

BRIAN KEWLEY (BORN 1933)<br />

St Kilda<br />

oil on board<br />

signed lower left: B. KEWLEY<br />

70 x 104.5cm<br />

$500–800<br />

225<br />

ARTIST UNKNOWN<br />

Forgotten Landscape<br />

oil on canvas<br />

137.5 x 181cm<br />

$600–800<br />

226<br />

M R THOMPSON<br />

Green Interior 1974<br />

oil on canvas<br />

signed, dated and titled verso:<br />

MR Thompson 1974 Green Interior<br />

152.5 x 153.5cm<br />

$500–800<br />

223<br />

227<br />

JOHN MONEY (BORN 1953)<br />

Dancers 1976<br />

oil on canvas<br />

signed and dated lower left:<br />

JOHN MONEY 76<br />

166.5 x 136cm<br />

$400–600<br />

228<br />

JOHN MONEY (BORN 1953)<br />

<strong>The</strong> Lost Cause 1978<br />

pencil on paper<br />

diptych<br />

signed and dated upper right:<br />

JOHN MONEY 1978<br />

111 x 74cm<br />

$200–400<br />

224


64<br />

229<br />

STANISLAUS RAPOTEC<br />

(1913-1997)<br />

Red Flowers Windy Day<br />

oil on board<br />

74.5 x 59cm<br />

$600–900<br />

230<br />

FRANCIS LYMBURNER<br />

(1916-1972)<br />

<strong>The</strong> Lovers<br />

oil on board<br />

signed lower left: Lymburner<br />

36.5 x 47cm<br />

$400–600<br />

231<br />

ARTIST UNKNOWN<br />

Black September <strong>The</strong> Weather<br />

Man<br />

oil on board<br />

inscribed lower right and left: BLACK<br />

SEPTEMBER THE WEATHER MAN<br />

60 x 43cm<br />

$200–400<br />

229<br />

232<br />

HUGH (GIL) JAMIESON<br />

(1934-1992)<br />

<strong>The</strong> Bullfight<br />

oil on paper<br />

signed lower right: GIL JAMIESON<br />

57 x 89cm<br />

$200–400<br />

233<br />

IAN VAN WIERINGEN<br />

Carnivale 1975<br />

oil on canvas<br />

signed and dated lower right:<br />

Van Wieringen 75<br />

176 x 128.5cm<br />

$600–1,000<br />

230


65<br />

234<br />

235<br />

234<br />

KEVIN (PRO) HART (1928-2006)<br />

Broken Hill Ant<br />

silver medallion<br />

incised lower and upper centre:<br />

Pro Hart BROKEN HILL ANT<br />

4.5 x 6cm<br />

$300–500<br />

235<br />

KEVIN (PRO) HART (1928-2006)<br />

Broken Hill Mine<br />

silver medallion<br />

incised upper left: Pro Hart<br />

5.5 x 6cm<br />

$300–500<br />

236<br />

THOMAS (TOM) CLEGHORN<br />

(BORN 1925)<br />

Icon No.2 1966-1967<br />

bronze wall plaque<br />

signed, dated and titled verso:<br />

Cleghorn 1966-67 ICON No. 2<br />

24 x 18.5cm<br />

$300–600<br />

236


66<br />

240<br />

ARCH CUTHBERTSON<br />

(1924-2001)<br />

Saplings 1988<br />

oil on canvas<br />

signed and dated lower right:<br />

Cuthbertson 88<br />

29.5 x 34cm<br />

$200–400<br />

241<br />

IAN PARRY (BORN 1947)<br />

Coastal View<br />

oil on board<br />

signed lower right: Parry<br />

32.5 x 34cm<br />

$200–500<br />

242<br />

DOUGLAS STUBBS (1927-2008)<br />

Bird Totem 1967<br />

oil on board<br />

signed and dated lower left:<br />

STUBBS 67<br />

71 x 53.5cm<br />

$200–400<br />

237<br />

237<br />

JOHN KRZYWOKULSKI<br />

(BORN 1947)<br />

To Facilitate a Known Strange<br />

1972<br />

acrylic and autolacquer<br />

signed and dated verso:<br />

John Krzywokulski 72<br />

To Facilitate a Known Strange<br />

137 x 114cm<br />

PROVENANCE<br />

Sweeney Reed Galleries, Melbourne<br />

EXHIBITED<br />

Corio 5 Prize 1972<br />

$500–800<br />

238<br />

JOHN KRZYWOKULSKI<br />

(BORN 1947)<br />

Abstract 1968<br />

mixed media<br />

signed and dated lower left:<br />

John KRZYWOKULSKI 68<br />

55 x 38cm<br />

$200–400<br />

239<br />

HORACE BRODZKY (1885-1969)<br />

Nude 1960<br />

ink<br />

signed and dated lower right:<br />

HORACE BRODZKY 60<br />

28 x 26.5cm<br />

$300–500<br />

243<br />

LAURENCE PETERSON<br />

(BORN 1946)<br />

Abstract 1973<br />

oil on canvas<br />

signed and dated lower left:<br />

L PETERSON 73<br />

168 x 121cm<br />

$700–1,000<br />

244<br />

BEN LAYCOCK (1956)<br />

Holiday in Cambodia 1983<br />

oil on canvas<br />

diptych<br />

signed, dated and titled lower left:<br />

Ben Laycock 1983 Holiday in<br />

Cambodia<br />

130.5 x 222cm (overall)<br />

$400–800


67<br />

245<br />

SILVIO APPONYI (BORN 1949)<br />

Female Form<br />

gilded bronze<br />

31cm high<br />

$1,000–2,000<br />

246<br />

ARTIST UNKNOWN<br />

<strong>The</strong> Wrestlers<br />

bronze<br />

43cm high, 33cm wide, 21cm deep<br />

$200–400<br />

247<br />

ARTIST UNKNOWN<br />

Kneeling Figure<br />

metal<br />

31cm high, 22cm wide, 14.5cm deep<br />

$200–500<br />

248<br />

DAVID GERSTIEN, NAN KAMP,<br />

LESLEY HERBERT<br />

Flower piece, Torso, Seated Figure<br />

Painted timber, glazed ceramic<br />

& terracotta<br />

each signed on base<br />

44cm high, 24cm, 22cm deep<br />

$200–500<br />

249<br />

IEVA POCIUS (1923-2010)<br />

two abstract sculptures<br />

welded metal<br />

89.5cm high and 73cm high<br />

$400–800<br />

245


68<br />

250<br />

GUY BOYD (1923-1988)<br />

Adam and Eve 1970<br />

aluminium<br />

signed and dated verso:<br />

Guy Boyd 1970<br />

36cm high, 27cm wide<br />

$800–1,000<br />

250<br />

251<br />

GUY BOYD (1923-1988)<br />

Ballet Practice<br />

bronze<br />

incised on base: Guy Boyd<br />

47cm high, 14cm wide, 21cm deep<br />

$2,000–4,000<br />

251


69<br />

252<br />

GUY BOYD (1923-1988)<br />

Adam’s Rib 1970<br />

bronze<br />

incised on base: G M BOYD<br />

63cm high, 35.5cm wide, 29cm deep<br />

PROVENANCE<br />

Christie’s, Melbourne, Australian<br />

and European Paintings,<br />

23 November 1998, Lot 338<br />

ILLUSTRATED<br />

VON BERTOUCH, Anne and<br />

HUTCHINGS, Patrick, Guy Boyd,<br />

Lansdowne Press, Melbourne, 1976,<br />

pg 84-85<br />

LITERATURE<br />

A. Von Bertouch & P. Hutchings,<br />

Guy Boyd, Melbourne, 1976<br />

$4,000–6,000<br />

252


70<br />

253<br />

ARTIST UNKNOWN<br />

Minataur<br />

bronze<br />

47cm high, 40cm wide,<br />

14cm deep<br />

$300–500<br />

253<br />

254<br />

ARTIST UNKNOWN<br />

Face 1987<br />

bronze<br />

incised and dated on base: RS 87<br />

37cm high<br />

$600–900<br />

254


71<br />

255<br />

NORMAN LINDSAY (1879-1969)<br />

Sphinx Radiator Cap 1988<br />

bronze<br />

impressed on base with initials: NL<br />

19.5cm high<br />

$1,800–2,500<br />

255<br />

256<br />

ROBERT JACKS (1943-2014)<br />

Guitar 1996<br />

bronze<br />

incised, dated and editioned on<br />

base: Jacks 96 2/3<br />

33cm high, 12.5 wide, 13cm deep<br />

$3,000–5,000<br />

256


72<br />

257<br />

ARTIST UNKNOWN<br />

Form<br />

gilded bronze<br />

20cm high<br />

$500–800<br />

258<br />

HERMANN HOHAUS<br />

(1920-1990)<br />

Crucifixion 1966<br />

bronze<br />

26cm high, 17cm wide, 15cm deep<br />

$300–600<br />

259<br />

KEVIN (PRO) HART (1928-2006)<br />

<strong>The</strong> Feast 1976<br />

bronze<br />

incised, dated and titled on base:<br />

Pro Hart 21.2.76 ‘THE FEAST’<br />

14.5cm high, 28cm wide, 11.5cm deep<br />

$200–400<br />

260<br />

ROD DUDLEY (BORN 1935)<br />

Man and Dog<br />

painted bronze<br />

signed and dated on base:<br />

Rod Dudley 86<br />

31.5cm high, 35cm wide, 5cm deep<br />

$300–500<br />

261<br />

ARTIST UNKNOWN<br />

Pig in a Pram<br />

painted plaster and fibre<br />

glass<br />

65cm high, 87cm wide, 42.5cm<br />

$200–500<br />

262<br />

HANS KNORR<br />

(GERMAN, 1915-1988)<br />

Untitled Form<br />

wood form on sandstone base<br />

107.5cm high (including base)<br />

$300–600<br />

263<br />

GARRY GREENWOOD<br />

(1972-2005)<br />

Untitled 1980<br />

leather and wood<br />

signed with initials and dated lower<br />

left: GG 80<br />

inscribed verso<br />

80cm high, 150cm, 24cm deep<br />

$300–500<br />

257


73<br />

264<br />

NORTON<br />

Form<br />

gilded bronze<br />

signed on base: Norton<br />

29cm high,12cm wide, 8.5cm deep<br />

$500–1,000<br />

265<br />

ARTISTS UNKNOWN<br />

A metal sculptured fan<br />

and a bronze figure<br />

the fan 37cm high<br />

and the figure 35cm high<br />

$200–500<br />

266<br />

​ERICA BANETH-GOODEY<br />

(BORN 1928)<br />

Two Figures<br />

bronze<br />

signed on base:<br />

ERICA BANETH GOODEY<br />

32cm high and 28.5cm high<br />

$200–500<br />

267<br />

STEPHEN SKILLITZKI<br />

(BORN 1947)<br />

Goodnight Sweet Prince<br />

glass and wax sculpture<br />

44 x 57 x 16cm<br />

$300–500<br />

268<br />

A J LEMI<br />

Bending Nude<br />

metal<br />

incised on base: AJ Lemi<br />

12.5cm high, 17cm wide, 6.5cm deep<br />

$100–300<br />

269<br />

CARRASCO<br />

Seated Female Figure<br />

alloy composite<br />

edition 17/500<br />

23cm high, 23.5cm wide, 12cm deep<br />

$300–600<br />

270<br />

S GOLDMAN<br />

Mother and Child<br />

gilded bronze<br />

incised on base: S Goldman<br />

30.5cm high<br />

$250–500<br />

264


74<br />

271<br />

ARTIST UNKNOWN<br />

<strong>The</strong> Footballers<br />

welded metal<br />

incised but illegible on base<br />

83cm high, 25cm wide, 12cm deep<br />

$600–1,000<br />

272<br />

HERMANN HOHAUS<br />

(1920-1990)<br />

Standing Figure<br />

bronze<br />

incised on base: HOHAUS<br />

25cm high<br />

$600–1,000<br />

271 272


75<br />

273<br />

273<br />

LES KOSSATZ (1943-2011)<br />

Sheep 1975<br />

bronze<br />

incised and dated on base: Kossatz 75<br />

11cm high, 30.5cm wide, 22cm deep<br />

$2,000–4,000<br />

274<br />

AFTER PIERRE RENOIR<br />

Figure Washing<br />

bronze<br />

incised on base: Renoir<br />

28cm high, 12.5cm wide, 22cm deep<br />

$1,200–1,800<br />

275<br />

AFTER AUGUSTE RODIN<br />

Profile Figure<br />

bronze<br />

incised on base with foundry stamp:<br />

Rodin<br />

17cm high, 11cm wide, 6.5cm deep<br />

$400–600<br />

274


76<br />

276<br />

276<br />

MARC CLARK (BORN 1923)<br />

Girl on Park Bench 1967<br />

bronze<br />

signed with initials and dated verso:<br />

MC 67<br />

27cm high, 27.5cm wide, 20cm deep<br />

$400–600<br />

277<br />

ARTIST UNKNOWN<br />

Head<br />

bronze<br />

15cm high, 14cm wide, 6cm deep<br />

$250–500<br />

278<br />

WILLIAM (BILL) OGILVIE<br />

(BORN 1935)<br />

Floating Figure 1979<br />

stone, metal, bronze<br />

incised, dated and editioned on leg:<br />

Bill Ogilvy 79 5/5<br />

74cm high, 42cm wide, 25cm deep<br />

$200–400<br />

279<br />

ARTIST UNKNOWN<br />

Figures<br />

bronze<br />

15cm high, 20cm wide, 10.5cm deep<br />

$300–600<br />

280<br />

LEOPOLDINE MIMOVICH<br />

(BORN 1920)<br />

Dancer<br />

bronze<br />

incised on base: L MIMOVICH<br />

24cm high<br />

$200–500<br />

281<br />

JOHN HOWLEY (1931-2020)<br />

Williamstown<br />

painted plaster mask<br />

signed and titled verso:<br />

JOHN HOWLEY WILLIAMSTOWN<br />

21cm high, 13.5cm wide, 6cm deep<br />

PROVENANCE<br />

<strong>The</strong> Jewish Museum of Australia Mask<br />

Auction, 19 March 1998, cat no. 45<br />

$150–250<br />

282<br />

PHILIP HUNTER (1958-2017)<br />

AND VERA MOLLER<br />

(BORN 1945)<br />

Untitled<br />

painted plaster mask<br />

signed verso: Hunter Moller<br />

21cm high, 13.5cm wide, 6cm deep<br />

PROVENANCE<br />

<strong>The</strong> Jewish Museum of Australia Mask<br />

Auction, 19 March 1998, cat no. 48<br />

$150–250<br />

283<br />

INA ROSE AND ANNETTE<br />

IGGULDEN<br />

Sunset at Sea and Untitled<br />

two painted plaster masks<br />

signed verso: I. Rose and A Iggulden<br />

21cm high, 13.5cm wide, 6cm deep<br />

(each)<br />

PROVENANCE<br />

<strong>The</strong> Jewish Museum of Australia<br />

Mask Auction, 19 March 1998,<br />

cat no. 32 and 145<br />

$150–250


77<br />

284<br />

WILLIAM (BILL) FERGUSON<br />

(BORN 1932)<br />

AND KELVIN BUTLER<br />

Untitled 1997 and Untitled 1997<br />

two painted plaster masks<br />

signed and titled verso: WILLIAM<br />

FERGUSON 97 and Kelvin Butler ‘97<br />

21cm high, 13.5cm wide, 6cm deep<br />

PROVENANCE<br />

<strong>The</strong> Jewish Museum of Australia<br />

Mask Auction, 19 March 1998,<br />

cat no. 6 and 15<br />

$150–250<br />

285<br />

GARRY SHEAD (BORN 1942)<br />

Adam and Eve 1997<br />

painted plaster<br />

signed, dated and titled verso:<br />

Garry Shead ‘97 Adam + Eve<br />

21cm high, 13.5cm wide, 6cm deep<br />

(each)<br />

PROVENANCE<br />

<strong>The</strong> Jewish Museum of Australia Mask<br />

Auction, 19 March 1998, cat no. 27<br />

$300–500<br />

286<br />

DAVID LARWILL (1956-2011)<br />

Untitled Mask 1997<br />

painted plaster<br />

signed with initials and dated verso:<br />

D. R. ‘97<br />

21cm high, 13.5cm wide, 6cm deep<br />

(each)<br />

PROVENANCE<br />

<strong>The</strong> Jewish Museum of Australia Mask<br />

Auction, 19 March 1998, cat no. 109<br />

$250–350<br />

287<br />

FRANK HODGKINSON<br />

(1919-2001)<br />

For the Jewish Museum<br />

painted plaster<br />

signed and titled verso: Frank<br />

Hodgkinson for the JEWISH MUSEUM<br />

21cm high, 13.5cm wide, 6cm deep<br />

(each)<br />

PROVENANCE<br />

<strong>The</strong> Jewish Museum of Australia Mask<br />

Auction, 19 March 1998, cat no. 23<br />

$200–400<br />

288<br />

FREDERICK (FRED) CRESS<br />

(1938-2009)<br />

Untitled 1997<br />

painted plaster mask<br />

signed and dated verso: Cress ‘97<br />

21cm high, 13.5cm wide, 6cm deep<br />

(each)<br />

PROVENANCE<br />

<strong>The</strong> Jewish Museum of Australia Mask<br />

Auction, 19 March 1998, cat no. 47<br />

$150–250<br />

289<br />

PETER SMITH (1936-2005)<br />

Bending Lady 1973<br />

bronze<br />

incised, dated and editioned on base:<br />

Peter Smith 1973 2/10<br />

13cm high, 14.5cm wide, 9cm deep<br />

$200–500<br />

290<br />

PETER SMITH (1936-2005)<br />

Seated Nude 1982<br />

bronze<br />

incised, dated and editioned on base:<br />

Peter Smith 1982 2/7<br />

17cm high, 31cm wide, 14cm deep<br />

$200–500<br />

291<br />

IN THE STYLE OF MILO<br />

Female Figure<br />

bronze<br />

76cm high, 20.5cm wide, 20.5cm deep<br />

$500–800<br />

292<br />

CLIFFORD LAST (1918-1991)<br />

Quartette 1966<br />

bronze<br />

signed with initials and dated on base:<br />

L LXVI<br />

27.5cm high, 10.5cm wide, 13cm deep<br />

$200–400<br />

293<br />

IAN MARSHALL<br />

Nude 1972<br />

bronze<br />

incised and dated on base:<br />

Ian Marshall 72<br />

15cm high, 52cm wide, 20cm deep<br />

$200–500<br />

293


78<br />

294<br />

P G CAMPBELL<br />

House Abstract 1973<br />

oil on canvas<br />

signed and dated verso:<br />

P G Campbell 73<br />

167 x 167cm<br />

$700–900<br />

295<br />

CHRISTOPHER PYETT<br />

(BORN 1943)<br />

Saturday Afternooners 1975<br />

oil on canvas<br />

signed and dated lower left: Pyett 75<br />

signed and titled verso: Christopher<br />

Pyett SATURDAY AFTERNOONERS<br />

152.5 x 152cm<br />

$1,000–2,000<br />

294<br />

296<br />

ANDREW SOUTHALL<br />

(BORN 1947)<br />

Panel Van 1983<br />

oil on canvas<br />

signed with initials lower right: AS<br />

signed and dated verso: Southall 83<br />

34 x 44cm<br />

$200–400<br />

297<br />

ANDREW SOUTHALL<br />

(BORN 1947)<br />

Swimmer 1984<br />

oil on canvas<br />

signed with initials lower right: AS<br />

signed and dated verso: Southall 84<br />

65 x 82.5cm<br />

$200–500<br />

298<br />

ANDREW SOUTHALL<br />

(ATTRIBUTED)<br />

Forrest<br />

oil on canvas<br />

inscribed verso: FORREST<br />

83.5 x 83.5cm<br />

$250–500<br />

295


79<br />

299<br />

299<br />

ANNE GRAHAM (BORN 1925)<br />

Sydney 1968<br />

oil on board<br />

signed and dated lower right:<br />

Anne Graham 1968<br />

58.5 x 89.5cm<br />

$1,500–2,500<br />

300<br />

MURRAY WALKER (BORN 1937)<br />

Little Bourke Street Festival 1988<br />

collage and mixed media<br />

signed, dated and titled lower right and<br />

left: Murray Walker 1988 Little Bourke<br />

Street Festival<br />

40.5 x 60.5cm<br />

PROVENANCE<br />

Powell Street Gallery, Melbourne<br />

$200–400<br />

301<br />

AFTER ROY LICHTENSTEIN<br />

Landscape with Figures<br />

colour reproduction<br />

inscribed and titled lower right and<br />

left: Roy Lichtenstein Landscape with<br />

Figures<br />

18 x 17.5cm<br />

$200–400<br />

302<br />

AFTER ROY LICHTENSTEIN<br />

Road Before the Forest<br />

colour reproduction<br />

inscribed and titled lower right and left:<br />

Roy Lichtenstein, Road Before <strong>The</strong><br />

Forest<br />

12.5 x 15.5cm<br />

$200–400<br />

303<br />

DESIDERIUS ORBAN<br />

(ATTRIBUTED)<br />

Gathering Clouds<br />

oil on canvas board<br />

signed lower left: Orban<br />

40 x 50cm<br />

$200–400<br />

304<br />

STANISLAUS RAPOTEC<br />

(1913-1997)<br />

Abstract<br />

acrylic on paper<br />

inscribed verso: Stanislaus Rapotec<br />

30 x 41cm<br />

$200–500


80<br />

305<br />

306<br />

305<br />

CREAGH MANNING<br />

(BORN 1950)<br />

Mother and Child Forms Freed<br />

1974<br />

oil on canvas<br />

signed and dated lower right:<br />

Creagh Manning 74<br />

inscribed and titled verso:<br />

CREAGH MANNING MOTHER<br />

& CHILD FORMS FREED<br />

168 x 122cm<br />

$800–1,200<br />

306<br />

JEFFREY BREN (1944-2007)<br />

<strong>The</strong> Tree 1990<br />

watercolour<br />

signed and dated lower left:<br />

Jeffrey Bren 1990<br />

75 x 54cm<br />

$200–400<br />

307


81<br />

307<br />

JOHN OPIE<br />

Ibitza, Balearic Isles off Spain<br />

oil on canvas on board<br />

signed lower centre: OPIE<br />

39.5 x 31.5cm<br />

$500–800<br />

308<br />

JOHN PEART (1945-2013)<br />

Abstract 1968<br />

pastel on paper<br />

signed and dated lower right:<br />

PEART 11/68<br />

55.5 x 56.5cm<br />

$500–800<br />

309<br />

BRIAN YATES (1946-2014)<br />

Sunrise<br />

oil on canvas<br />

signed lower centre: YATES<br />

50 x 55cm<br />

$300–500<br />

310<br />

JEFFREY BREN (1944-2007)<br />

Still Life with Wallpaper<br />

oil on canvas<br />

signed lower left: Jeffrey Bren<br />

inscribed and titled verso: JEFFREY<br />

BREN STILL LIFE WITH WALLPAPER<br />

61.5 x 66.5cm<br />

$400–600<br />

308<br />

311<br />

JEFFREY BREN (1944-2007)<br />

It’s Dark Outside<br />

oil on canvas<br />

signed lower left: Jeffrey Bren<br />

85.5 x 78cm<br />

PROVENANCE<br />

Tolarno Galleries, Melbourne<br />

$250–450<br />

309


82<br />

312<br />

IVAN DURRANT (BORN 1947)<br />

Horse in Landscape 1972<br />

oil on board<br />

signed and dated lower left:<br />

I. DURRANT 72<br />

76 x 90.5cm<br />

$1,000–1,500<br />

313<br />

ANTHONY (TONY) WOODS<br />

(1940-2017)<br />

<strong>The</strong> Coat Hanger 1966<br />

oil on canvas<br />

signed and dated lower right:<br />

Woods 66<br />

105 x 80cm<br />

$300–500<br />

312<br />

314<br />

JOHN MARTIN (1942-2017)<br />

Still Life with Dead Canary 1990<br />

oil on canvas<br />

signed, dated and titled verso:<br />

John Martin 90<br />

STILL LIFE WITH DEAD CANARY<br />

76 x 101cm<br />

$200–400<br />

315<br />

GREG IRVINE (BORN 1947)<br />

Still Life<br />

gouache on paper<br />

signed with initials lower left: GI<br />

35 x 27.5cm<br />

$200–400<br />

316<br />

FRANK WERTHER (1922-2010)<br />

Lilith Up Ended 1965<br />

oil on board<br />

signed and dated lower right:<br />

Werther 65<br />

inscribed and titled verso:<br />

FRANK WERTHER LILITH UP ENDED<br />

91 x 76cm<br />

$200–500<br />

313


83<br />

317<br />

317<br />

JOHN McLEAN (BORN 1944)<br />

Studio Nude<br />

oil on canvas<br />

signed lower right: McLEAN<br />

152 x 152cm<br />

$800–1,200<br />

318<br />

CRAIG GOUGH (BORN 1938)<br />

Cold Fire 1969<br />

oil on board<br />

signed and dated lower right:<br />

Craig Gough 1969<br />

88 x 94.5cm<br />

$300–500<br />

319<br />

POLLY COURTIN (BORN 1951)<br />

Head Study<br />

oil on canvas<br />

signed lower right: Polly Courtin<br />

75 x 100.5cm<br />

$200–500


84<br />

320<br />

320<br />

FREDERICK (FRED) CRESS<br />

(1938-2009)<br />

Abstract 1965<br />

mixed media on board<br />

signed and dated lower centre:<br />

Cress 65<br />

51.5 x 88cm<br />

$900–1,500<br />

321<br />

YOSL BERGNER (1920-2017)<br />

<strong>The</strong> Dancer 1954<br />

mixed media<br />

signed and dated lower left:<br />

Y Bergner 54<br />

33.5 x 23cm<br />

$300–500<br />

322<br />

YOSL BERGNER (1920-2017)<br />

Puppets 1956<br />

watercolour and ink<br />

signed and dated lower right:<br />

Y BERGNER 56<br />

20 x 27.5cm<br />

$300–500<br />

321


85<br />

323<br />

323<br />

BERNARD HESLING (1905-1987)<br />

Town at Night<br />

vitreous enamel<br />

signed upper left: Hesling<br />

40 x 86cm<br />

$1,500–2,500<br />

324<br />

LOUIS JAMES (1920-1996)<br />

Sun Landscape 2 1964<br />

oil on canvas<br />

signed and dated lower left:<br />

LOUIS JAMES 64<br />

inscribed verso:<br />

Louis James SUN LANDSCAPE<br />

49.5 x 34cm<br />

$600–900<br />

325<br />

GEORGE MORANT (BORN 1934)<br />

<strong>The</strong> 53 Club<br />

oil on board<br />

signed lower right: MORANT<br />

121.5 x 90cm<br />

$300–500<br />

324


86<br />

326<br />

326<br />

KAAPA TJAMPITJINPA (1926-1989)<br />

Women’s Dreaming<br />

acrylic on canvas on board<br />

23.5 x 34cm<br />

$600–900<br />

327<br />

JUNE BIRD NGALE (BORN 1953)<br />

Yam Dreaming<br />

acrylic on canvas<br />

inscribed verso: CAAMA June Bird 13.2.88<br />

72 x 139.5cm<br />

$600–1,200<br />

328<br />

CLIFFORD POSSUM TJAPALTJARRI<br />

(CIRCA 1933-2002)<br />

Kartjara - Emu + Bush Food<br />

acrylic on canvas<br />

inscribed verso:<br />

CLIFFORD POSSUM KARTJARA EMU + BIRD FOOD<br />

60 x 90.5cm<br />

PROVENANCE<br />

Papunya Community Council Inc, Papunya, NT<br />

$800–1,200<br />

329<br />

GEORGE BUSH TJANGALA (1940-1997)<br />

Bush Tucker Dreaming<br />

acrylic on canvas<br />

inscribed and titled verso: GEORGE BUSH TJANGALA BUSH<br />

TUCKER DREAMING<br />

cat no: 1287859GB<br />

91.5 x 60.5cm<br />

$300–500<br />

330<br />

LORNA BENNELL<br />

Snake Dreaming<br />

acrylic on canvas<br />

signed verso: LORNA BENNELL<br />

128 x 124cm<br />

$700–1,200<br />

331<br />

INDIGENOUS SCHOOL<br />

Untitled Landscape<br />

acrylic on canvas<br />

125.5 x 120.5cm<br />

$500–800


87<br />

327<br />

328


88<br />

332 333<br />

332<br />

JEANNE BRUNO NAMPITJINPA<br />

Untitled<br />

synthetic polymer paint on canvas<br />

inscribed verso: JEANNE BRUNO NAMPITJINPA<br />

91 x 61cm<br />

$300–500<br />

333<br />

RUTH NAPALYARRI<br />

Bush Tucker Dreaming<br />

acrylic on canvas<br />

inscribed verso: RUTH NAPALYARRI<br />

60.5 x 90cm<br />

$200–400<br />

334<br />

MICHAEL NELSON TJAKAMARRA (BORN 1945)<br />

Untitled<br />

synthetic polymer paint on canvas<br />

inscribed verso: MICHAEL NELSON TJAKAMARRA<br />

cat no. MN5960105<br />

49 x 74cm<br />

$400–600<br />

335<br />

LILY (MAGGIE) HARGRAVES NUNGARRAYI (BORN<br />

CIRCA 1930)<br />

Women (Ngaliyipi) Bush Vine 1997<br />

acrylic on canvas<br />

​inscribed, dated​ and ​titled verso: LILY NUNGARRAYI<br />

HARGREAVES 2-10-97 WOMEN (NGALIYIPI) (BUSH VINE)<br />

cat no: AA1 148<br />

89.5 x 69cm<br />

$200–400


89<br />

336<br />

MARGARET LOY PULA<br />

(BORN 1956)<br />

Bush Plum Utopia<br />

synthetic polymer paint on canvas<br />

signed and titled verso:<br />

Margaret LOY PULA Bush Plum Utopia<br />

124 x 77.5cm<br />

$500–800<br />

337<br />

NGAJAWAH JUKURRPA<br />

Bush Tomarta Dreaming<br />

oil on canvas on board<br />

inscribed verso: Ngajawah Jukurrpa<br />

Bush Tomarta Dreaming<br />

61 x 91.5cm<br />

$200–500<br />

338<br />

GRAHAM BIGGIBILLA<br />

(ACTIVE 1980-1990)<br />

Gurreah 1997<br />

acrylic on canvas<br />

signed, titled and dated verso: Biggililla<br />

1997 ‘GURREAH’ BAIEME NARRAN<br />

MURRATHA GURREAH DOONGALLA<br />

90 x 111cm<br />

$400–600<br />

339<br />

GRAHAM BIGGIBILLA<br />

(ACTIVE 1980-1990)<br />

Emus<br />

acrylic on canvas<br />

91.5 x 112cm<br />

$400–600<br />

336


90<br />

340<br />

VICTOR MAJZNER (BORN 1945)<br />

Abstract<br />

oil on canvas<br />

214 x 152.5cm<br />

PROVENANCE<br />

Powell Street Gallery, Melbourne<br />

$800–1,200<br />

341<br />

JEFFREY MAKIN (BORN 1943)<br />

St Villa I 1972<br />

oil on canvas<br />

signed lower right: Makin<br />

signed, dated and titled verso:<br />

Jeffrey Makin 1972 St Villa I<br />

63.5 x 50.5cm<br />

$800–1,200<br />

340<br />

342<br />

OWEN PIGGOTT (1931-2015)<br />

Landscape Forms –<br />

Birth 1962/1963<br />

oil on board<br />

signed, dated and titled verso:<br />

OWEN PIGGOTT 1962/63<br />

121 x 105.5cm<br />

$500–800<br />

343<br />

PETER WRIGHT (1941-1999)<br />

Landscape with Figures 1966<br />

oil on board<br />

signed and dated lower right:<br />

Peter Wright 1966<br />

70.5 x 76cm<br />

$300–500<br />

344<br />

FRANK WERTHER (1922-2010)<br />

Chromatic Lady 1968<br />

oil on board<br />

signed lower centre: Werther<br />

signed and dated verso:<br />

FRANK WERTHER 1968<br />

50 x 75.5cm<br />

$250–450<br />

341


91<br />

345 346<br />

345<br />

PHILLIP SCOTT<br />

Red Concept<br />

oil on canvas<br />

signed and titled verso:<br />

PHILLIP SCOTT RED CONCEPT<br />

122 x 244cm<br />

$500–800<br />

346<br />

PETER WALSH (1958-2009)<br />

Figure Approaching with Poppies<br />

1988<br />

oil on canvas<br />

signed, dated and titled verso:<br />

Peter Walsh 1988 Figure<br />

approaching with Poppies<br />

152 x 121cm<br />

$600–900<br />

347<br />

CHARLES REDDINGTON<br />

(BORN 1929)<br />

Two Figures 1962<br />

mixed media<br />

signed and dated lower left:<br />

C Reddington 1962<br />

54 x 74cm<br />

$300–500<br />

348<br />

CHARLES REDDINGTON<br />

(BORN 1929)<br />

Figure Vision 1962<br />

mixed media<br />

signed and dated lower left:<br />

C Reddington 62<br />

54.5 x 75cm<br />

PROVENANCE<br />

South Yarra Gallery, Melbourne<br />

$200–400<br />

349<br />

GEORGE HAYNES (BORN 1938)<br />

Untitled Abstract<br />

oil on canvas<br />

inscribed verso: GEORGE HAYNES<br />

167 x 140cm<br />

PROVENANCE<br />

Skinner Galleries, Perth<br />

EXHIBITED<br />

Georges Invitation Art Prize,<br />

Melbourne, 1972<br />

$1,000–2,000<br />

350<br />

JOE ROSE (1915-1999)<br />

Abstract No. 2<br />

mixed media on board<br />

signed lower left: JOE ROSE<br />

90 x 59.5cm<br />

$300–500


92<br />

351<br />

ANTHONY (TONY) WOODS<br />

(1940-2017)<br />

Fruit 1967<br />

oil on board<br />

signed lower right: TONY WOODS<br />

signed, dated and titled verso: TONY<br />

WOODS 1967 fruit<br />

36.5 x 29cm<br />

$250–500<br />

352<br />

ANDREW SIBLEY (1933-2015)<br />

Summer Still Life 1966<br />

oil on canvas<br />

signed and dated lower left: Sibley ‘66<br />

titled verso: Summer Still Life<br />

97 x 92cm<br />

$400–600<br />

353<br />

ARTIST UNKNOWN<br />

Abstract<br />

oil on canvas<br />

84 x 101cm<br />

$300–500<br />

351<br />

354<br />

RAYMOND REARDON<br />

(BORN 1939)<br />

Landscape<br />

oil on board<br />

signed lower right: Reardon<br />

28.5 x 58cm<br />

$200–400<br />

355<br />

PETER GANDRABOR<br />

Through the Trees<br />

oil on paper<br />

signed lower right: P Gandrabor<br />

37 x 31.5cm<br />

$100–300<br />

352<br />

356<br />

ARTIST UNKNOWN<br />

Kitchen<br />

oil on canvas<br />

45.5 x 51cm<br />

$200–500


93<br />

357<br />

WILLIAM (BILL) COLEMAN<br />

(1922-1993)<br />

Still Life<br />

oil on card<br />

signed lower left: Bill Coleman<br />

38.5 x 28.5cm<br />

$1,200–1,800<br />

358<br />

TONY TWIGG (BORN 1953)<br />

Two Images From My Mind<br />

Buddha Coogee 1986<br />

oil on board<br />

diptych<br />

signed, titled and dated verso:<br />

Tony Twigg 1986 2 images from<br />

my mine buddha coogee 1986<br />

42 x 59.5cm (overall)<br />

$300–600<br />

359<br />

IAN BOW (1914-1990)<br />

Aged <strong>The</strong>me on an Incidental<br />

Palette<br />

oil on board<br />

signed lower right: BOW<br />

20 x 20cm<br />

$200–400<br />

360<br />

JOEL ELENBERG (1948-1980)<br />

Study for Sculpture 1970<br />

oil on canvas with collage<br />

signed and dated lower right:<br />

Joel Elenberg 70<br />

40 x 51cm<br />

$400–800<br />

357<br />

361<br />

ARTIST UNKNOWN<br />

Figures in a Clearing<br />

oil on canvas<br />

140.5 x 133cm<br />

$400–600<br />

358


94<br />

362 365<br />

362<br />

MARK SCHALLER (BORN 1962)<br />

Man with Conch Shell 1997<br />

oil on canvas<br />

signed and dated centre right: Schaller 97<br />

signed, dated and titled verso:<br />

Mark Schaller 1997 Man with Conch Shell<br />

170.5 x 151.5cm<br />

$600–900<br />

363<br />

PAUL DELPRAT (BORN 1942)<br />

Ode to Liz<br />

oil on canvas on board<br />

signed lower right: Paul Delprat<br />

60 x 91cm<br />

$200–400<br />

364<br />

BRUCE EARLES (BORN 1953)<br />

City Workers 1990<br />

oil on canvas<br />

signed and dated lower centre: B Earles 90<br />

121.5 x 152cm<br />

$800–1,500<br />

365<br />

HORACE BRODZKY (1885-1969)<br />

Nude 1934<br />

watercolour<br />

signed and dated lower left: H Brodzky 34<br />

23.5 x 15.5cm<br />

$300–500<br />

366<br />

S BASHAM<br />

<strong>The</strong> Metaphysical Paradox of Omen Barr –<br />

<strong>The</strong> Hermit 1979<br />

oil on canvas<br />

signed with initials and dated lower right: SB 79<br />

152.5 x 180cm<br />

$300–500<br />

367<br />

W HILL<br />

Dancing Figure 1961<br />

oil on paper<br />

signed and dated lower right and left: W Hill 61<br />

75 x 54cm<br />

$300–500


95<br />

368<br />

MURRAY WALKER (BORN 1937)<br />

Spring in the Garden 1962<br />

oil on canvas<br />

signed and dated lower right:<br />

Murray Walker 1962<br />

91 x 71cm<br />

$600–900<br />

369<br />

MOSTYN BRAMLEY-MOORE<br />

(BORN 1952)<br />

Grey Figure<br />

oil on canvas<br />

inscribed and titled verso:<br />

M BRAMLEY MOORE GREY FIGURE<br />

76 x 91cm<br />

$400–800<br />

370<br />

VICTOR RUBIN (BORN 1950)<br />

Wrapped Figure 1979<br />

oil on canvas and steel bolts<br />

signed and dated lower right:<br />

V M Rubin 79<br />

122 x 122cm<br />

$600–900<br />

371<br />

MAXIMILIAN FEUERRING<br />

(1896-1985)<br />

Old Entrance<br />

oil on board<br />

signed lower left: FEUERRING<br />

71.5 x 74.5cm<br />

$300–600<br />

368<br />

372<br />

ARTIST UNKNOWN<br />

Interior<br />

oil on canvas<br />

162 x 182cm<br />

$500–800<br />

373<br />

ARTIST UNKNOWN<br />

<strong>The</strong> Table<br />

oil on canvas<br />

120 x 152cm<br />

$500–800<br />

369


96<br />

374<br />

374<br />

ARCH CUTHBERTSON<br />

(1924-2001)<br />

Untitled Abstract 3<br />

oil on canvas<br />

triptych<br />

each signed lower right: Cuthbertson<br />

56 x 56cm (each)<br />

$800–1,200<br />

375<br />

ALYCE PLATT (BORN 1963)<br />

Carnival 1993<br />

mixed media<br />

signed and dated lower left:<br />

Alyce Platt 93<br />

54.5 x 74.5cm<br />

$200–400<br />

376<br />

COLIN MUNRO<br />

Figures in Landscape 1984<br />

oil on canvas<br />

signed with initials and dated lower<br />

right: CM 84<br />

75.5 x 91cm<br />

$200–400<br />

377<br />

RAFAEL GURVICH (BORN 1949)<br />

Sky Carnival 1985<br />

mixed media<br />

signed, dated and titled lower right and<br />

centre: GURVICH 85 Sky Carnival<br />

57 x 76cm<br />

$200–400<br />

378<br />

PAUL BAXTER (BORN 1949)<br />

Scream 1968<br />

oil on board<br />

signed and dated lower right:<br />

PAUL BAXTER 68<br />

87 x 87.5cm<br />

$200–400<br />

379<br />

JOSIP (PUCO) PINTARIC<br />

(CROATIAN, 1927-2017)<br />

Field Flowers 1990<br />

oil on canvas<br />

signed and dated lower right:<br />

Puco Pintaric 1990<br />

68 x 57.5cm<br />

$300–500<br />

380<br />

MILAN TODD (1922-2018)<br />

Flamingos Retreat<br />

gouache<br />

signed lower right: Milan<br />

32 x 80.5cm<br />

$200–500<br />

381<br />

ROBIN WALLACE-CRABBE<br />

(BORN 1938)<br />

Nude Shadows 1964<br />

oil on canvas on board<br />

signed and dated lower right:<br />

R WALLACE CRABBE 64<br />

121 x 90.5cm<br />

$400–600<br />

382<br />

BERNARD OLLIS (BORN 1951)<br />

Portrait of an Australian 1994<br />

pastel on paper<br />

signed and dated lower right: OLLIS 94<br />

56 x 75cm<br />

PROVENANCE<br />

Australian Galleries, Melbourne<br />

$200–400<br />

383<br />

D KWATKOWSKI<br />

Suburbia 1963<br />

oil on board<br />

signed and dated lower left:<br />

D Kwatkowski 63<br />

74.5 x 59.5cm<br />

$200–400<br />

384<br />

RODNEY MILGATE (1934-2015)<br />

<strong>The</strong> Cloud<br />

oil on board<br />

signed lower right: Milgate<br />

59.5 x 44.5cm<br />

$200–400<br />

385<br />

ANTHONY (TONY) WOODS<br />

(1940-2017)<br />

Artist Drawing I 1972<br />

watercolour, pencil and gouache<br />

signed and dated lower left: Woods 72<br />

62 x 48.5cm<br />

$200–400


97<br />

386<br />

386<br />

AFTER SALVADOR DALI<br />

Design Tiles<br />

six painted ceramic tiles<br />

each inscribed in image: Dali<br />

19.5 x 19.5cm (each)<br />

$800–1,200<br />

387<br />

JOE ROSE (1915-1999)<br />

Thought 1980<br />

mixed media<br />

signed and dated lower right:<br />

Joe Rose 80<br />

74.5 x 54.5cm<br />

$200–400<br />

388<br />

ARTIST UNKNOWN<br />

Head Study 1967<br />

oil on canvas<br />

signed but illegible and dated lower<br />

left: 1967<br />

60 x 34.5cm<br />

$200–400<br />

389<br />

FRENCH SCHOOL<br />

<strong>The</strong> Rose Garden<br />

oil on board<br />

signed lower right: Renoir<br />

19.5 x 24cm<br />

$200–500<br />

390<br />

VICTOR MAJZNER (BORN 1945)<br />

Named Description 1982<br />

oil on canvas<br />

signed, dated and titled verso:<br />

V Mazjner 1982 NAMED DESCRIPTION<br />

45.5 x 46cm<br />

$400–600<br />

391<br />

MARLENE O’BREE (1947-2003)<br />

Still Life and Summer Flowers<br />

1980<br />

oil on canvas (2)<br />

signed and dated lower right:<br />

M O’Bree 80<br />

39 x 49cm (each)<br />

$200–400


98<br />

392<br />

RICHARD LARTER (1929-2014)<br />

Portrait 1966<br />

oil on canvas<br />

signed with initials and dated lower<br />

right: RL 66<br />

signed and dated verso: R LARTER 66<br />

54 x 49cm<br />

$800–1,200<br />

393<br />

MICHAEL SHANNON<br />

(1927-1993)<br />

Sun Dance 1954<br />

gouache and watercolour<br />

signed and dated lower left:<br />

Shannon 54<br />

31 x 46.5cm<br />

$500–800<br />

394<br />

SIGI GABRIE (BORN 1945)<br />

Landscape<br />

mixed media on canvas<br />

signed lower right: SIGI GABRIE<br />

118 x 181cm<br />

$800–1,500<br />

392<br />

395<br />

TONY LAWRENCE (ACTIVE<br />

1980s)<br />

<strong>The</strong> Race 1989<br />

oil on canvas<br />

signed, dated and titled verso:<br />

Tony Lawrence 89 <strong>The</strong> Race<br />

121.5 x 121.5cm<br />

$500–800<br />

396<br />

MARLENE O’BREE (1947-2003)<br />

Spring Day 1986<br />

oil on canvas<br />

signed, dated and titled verso:<br />

O’BREE 1986 SPRING DAY<br />

183 x 183cm<br />

$600–1,000<br />

393


99<br />

397<br />

397<br />

DAVID BROMLEY (BORN 1960)<br />

Hommage to Vincent<br />

(Van Gough) 1988<br />

oil on canvas<br />

signed and dated lower right:<br />

DAVE BROMLEY 88<br />

100 x 125.5cm<br />

$900–1,500<br />

398<br />

MARTIN JONES (BORN 1945)<br />

Blue and Green Landscape<br />

oil on canvas<br />

inscribed verso: MARTIN JONES<br />

167.5 x 167.5cm<br />

$400–600<br />

399<br />

MARTIN JONES (BORN 1945)<br />

Blue Landscape<br />

oil on canvas<br />

signed lower left: M Jones<br />

152 x 182.5cm<br />

$400–600<br />

400<br />

JOHN SANDLER (BORN 1945)<br />

Shoe Unit 1972<br />

liquitex acrylic on canvas<br />

signed, dated and titled verso:<br />

JOHN SANDLER 1972 SHOE UNIT<br />

183 x 122cm<br />

$500–800<br />

401<br />

SARAH GULLY<br />

Faces 1986<br />

oil on canvas<br />

signed and dated lower right:<br />

SARAH GULLY 86<br />

101 x 100cm<br />

$200–400<br />

402<br />

JOHN SANDLER (BORN 1945)<br />

Boots 1973<br />

pencil on paper<br />

signed and dated lower right:<br />

John Sandler 1973<br />

70 x 104cm<br />

$200–500


100<br />

403<br />

403<br />

KEITH LOOBY (BORN 1940)<br />

History of the World - No Longer Hamper Crowds<br />

mixed media<br />

signed lower right: LOOBY<br />

50.5 x 60.5cm<br />

PROVENANCE<br />

Macquarie Galleries, Sydney<br />

$200–400<br />

404<br />

KEITH LOOBY (BORN 1940)<br />

Melbourne Club<br />

ink drawing<br />

signed lower right: LOOBY<br />

50 x 62cm<br />

$250–500<br />

405<br />

KEITH LOOBY (BORN 1940)<br />

History of the World<br />

mixed media<br />

inscribed verso: KEITH LOOBY HISTORY OF THE WORLD<br />

50 x 60cm<br />

PROVENANCE<br />

Macquarie Galleries, Sydney<br />

$200–400<br />

406<br />

HENRIKAS (HENRY) SALKAUSKAS (1925-1979)<br />

Landscape 1962<br />

mixed media<br />

signed and dated lower right: Henry Salkauskas 1962<br />

53 x 73cm<br />

$300–500


101<br />

407<br />

KEITH LOOBY (BORN 1940)<br />

Forced Separate 1988<br />

litho crayon on paper<br />

signed and dated lower right:<br />

Looby 88<br />

101 x 74.5cm<br />

PROVENANCE<br />

Ray Hughes Gallery, Sydney<br />

(label verso)<br />

$700–1,200<br />

408<br />

BEN LAYCOCK (BORN 1956)<br />

I Love You 1984<br />

oil on canvas<br />

signed and dated lower right:<br />

Ben Laycock 1984<br />

131 x 110.5cm<br />

$400–800<br />

409<br />

GERALDINE BURKE<br />

On the Beach<br />

oil on canvas<br />

signed lower right: G.Burke<br />

111 x 121.5cm<br />

$200–400<br />

410<br />

RONALD MILLAR (BORN 1927)<br />

Two Trunks<br />

oil on canvas<br />

signed bottom right: Ronald Millar<br />

inscribed verso: TWO TRUNKS<br />

114.5 x 88.5cm<br />

$700–1,200<br />

411<br />

GARETH JONES-ROBERTS<br />

(1935-2013)<br />

Two Figures<br />

oil on board<br />

signed lower left:<br />

Gareth Jones-Robert<br />

98.5 x 74cm<br />

$300–600<br />

412<br />

BRIAN YATES (1946-2014)<br />

Summer Holiday<br />

oil on board<br />

signed lower left: YATES<br />

112 x 105cm<br />

$400–600<br />

413<br />

PETER RODNEY<br />

<strong>The</strong> Acrobat 1994<br />

oil on board<br />

signed and dated lower right: Rodney 94<br />

124.5 x 87cm<br />

$200–500<br />

414<br />

JO RIMMER<br />

Serpent in Eden 1993<br />

oil on canvas<br />

signed, dated and titled lower right:<br />

Jo Rimmer 93 Serpent in Eden<br />

120.5 x 89.5cm<br />

$200–400<br />

415<br />

ARTIST UNKNOWN<br />

Nude with Guitar<br />

oil on board<br />

47 x 36.5cm<br />

$200–500<br />

407


102<br />

416<br />

WILLIAM (BILL) FERGUSON<br />

(BORN 1932)<br />

Sun Ceremony Okerka 1968<br />

acrylic on canvas<br />

signed lower centre: Ferguson<br />

signed, dated and titled verso:<br />

Ferguson 68 OKERKA<br />

76 x 91cm<br />

$300–500<br />

416<br />

417<br />

JOHN PERCEVAL (1923-2000)<br />

<strong>The</strong> Visitation 1961<br />

oil on paper<br />

signed and dated lower right:<br />

Perceval 61<br />

43.5 x 68.5cm<br />

$500–800<br />

418<br />

ROBERT (BOB) GRIEVE<br />

(1924-2006)<br />

Composition 1967<br />

oil on board<br />

signed and dated upper left:<br />

R GRIEVE 67<br />

25 x 32.5cm<br />

$200–400<br />

417<br />

419<br />

ROBERT (BOB) GRIEVE<br />

(1924-2006)<br />

Landscape 1962<br />

oil on board<br />

signed and dated lower right:<br />

R GRIEVE 62<br />

24 x 30cm<br />

$250–450<br />

420<br />

WEAVER HAWKINS (1893-1977)<br />

Ribbons of Sunlight 1959<br />

oil on board<br />

signed and dated lower left and right:<br />

Raokin 59<br />

71 x 49cm<br />

PROVENANCE<br />

Macquarie Galleries, Sydney<br />

$500–700<br />

418


103<br />

420 421<br />

421<br />

KENNETH (KEN) REINHARD<br />

(BORN 1936)<br />

Abstract Figure<br />

oil and mixed media on board<br />

inscribed verso: Ken Reinhard<br />

79.5 x 59cm<br />

$400–700<br />

422<br />

LES KOSSATZ (1943-2011)<br />

Wheel and Field 1965<br />

oil on board<br />

signed and dated lower right: Kossatz 65<br />

79 x 69.5cm<br />

$600–1,200<br />

422


104<br />

Part II<br />

Monday 4 October 2021, 11am<br />

Lots 423–739<br />

423<br />

A studio glass blue teardrop vase by<br />

Garry Nash, New Zealand, 1986<br />

with abstract decoration, on a frosted<br />

glass base, signed ‘Garry Nash ‘86’ to<br />

side of base<br />

32cm high<br />

$500–800<br />

423<br />

424<br />

A studio glass sculpture by Stephen<br />

Skillitzi, Australian, 1980<br />

signed and dated to base<br />

36cm high<br />

$400–600<br />

425<br />

A large orange and purple glass<br />

bowl by Schneider, French, early<br />

20th century<br />

together with a large brown and<br />

orange footed vase<br />

39cm diameter and 23cm high<br />

$200–300<br />

426<br />

A large Murano Venini emerald and<br />

amber glass platter<br />

54cm wide<br />

$200–300<br />

424


105<br />

427<br />

DALE CHIHULY<br />

(AMERICAN, BORN 1941)<br />

An oval royal blue shaped oval bowl<br />

decorated with black spotting and<br />

applied red rim<br />

incised to base: Chihuly<br />

22cm high, 15cm diameter<br />

PROVENANCE<br />

Sotheby’s Melbourne, Supporters of<br />

the Arts Auction, 31 May 1998<br />

$6,000–10,000<br />

428<br />

A Swedish Strombergshyttan blue<br />

glass bowl<br />

bearing original factory paper label<br />

31cm wide<br />

$150–250<br />

429<br />

A collection of glass ornaments,<br />

20th century<br />

including a Wedgwood otter and a<br />

Murano dog by Vincenzo Nason<br />

the dog 20cm high<br />

$200–300<br />

427


106<br />

430<br />

Five Australian iridescent studio glass<br />

goblets<br />

together with a silver mounted gum<br />

nut vase by Colin Heaney<br />

the tallest glass 22cm high<br />

$500–800<br />

431<br />

A collection of seven art glass goblets<br />

and vases, including Tricia Allen<br />

the largest 17cm high<br />

$200–300<br />

432<br />

A Cristalleries de Vannes-le-Châtel<br />

petalled clear glass flower vase, French<br />

signed<br />

27cm diameter<br />

$200–300<br />

433<br />

A yellow art glass vase<br />

with black and white swirling banded<br />

decoration<br />

21cm high<br />

$200–300<br />

434<br />

A tall Murano style glass vase,<br />

20th century<br />

with green and red dappled opaque<br />

yellow decoration<br />

29cm high<br />

$200–300<br />

435<br />

An Italian studio glass vase by Carlo<br />

Moretti<br />

of tall star form in tones of blue<br />

33cm high<br />

$200–300<br />

436<br />

A large studio glass vase by Julio<br />

Santos, Australian, 1982<br />

of slender baluster form form in tones<br />

of lilac and amber, signed and dated ‘J<br />

Santos 1982’ to base<br />

44cm high<br />

$200–300<br />

437<br />

A Murano style art glass vase<br />

in tones of green and dark blue<br />

21cm high<br />

$200–300<br />

438<br />

An amber art glass vase, second half<br />

20th century<br />

with applied green and blue roundels<br />

22cm high<br />

$200–300<br />

439<br />

Three Australian studio glass forms<br />

comprising two sculptural forms and a<br />

goblet by Stephen Stillitzi, 1980<br />

the largest piece 20cm high<br />

$200–300<br />

440<br />

Two glass float vases, second half<br />

20th century<br />

with applied green and blue roundels<br />

the amber bowl 21cm diameter<br />

$200–300<br />

441<br />

A pulled feather amethyst glass<br />

sculpture<br />

delicately moulded in the form of a<br />

conch shell<br />

27cm long<br />

$150–250<br />

430


107<br />

442<br />

A Maltese Mdina blue glass chalice<br />

by Michael Harris, 1974<br />

signed and dated to base<br />

20cm high<br />

$300–400<br />

443<br />

A large iridescent turquoise studio<br />

glass column vase by Chuck<br />

Simpson, New Zealand<br />

with yellow, pink and green scrolling<br />

decoration<br />

signed to base<br />

38cm high<br />

$300–400<br />

444<br />

Two azure blue Mdina studio glass<br />

vases, Maltese, circa 1970<br />

one of mallet form with a moulded<br />

geometric design, the other bottle<br />

form with an applied Maltese cross<br />

and yellow swirl, each signed ‘Mdina’<br />

to base<br />

the largest 22cm high<br />

$400–600 442<br />

443<br />

444


108<br />

445<br />

An Art Nouveau style feather lustre<br />

glass vase by Orient and Plume,<br />

American, 1982<br />

the translucent body decorated<br />

with an undulating pulled feather<br />

decoration, signed ‘Orient and Plume<br />

1982’ to base<br />

21cm high<br />

$400–600<br />

446<br />

A studio glass goblet attributed to<br />

Colin Heaney, Australian<br />

multi-coloured, on a double scrolled<br />

stem<br />

22cm high<br />

$300–500<br />

447<br />

A studio glass opalescent blue bowl by<br />

Patrick De Sumo, Australia, 1993<br />

signed and dated ‘De Sumo 93’ to<br />

base<br />

18cm diameter<br />

$200–300<br />

448<br />

A tall white and green striped art glass<br />

vase<br />

29cm high<br />

$200–300<br />

449<br />

A striped studio glass vase, possibly<br />

Murano<br />

with a controlled bubble sitting in the<br />

violet toned base<br />

28cm high<br />

$200–300<br />

450<br />

A Lalique frosted glass Bacchus<br />

vase, designed 1938<br />

moulded with fauns and trailing ivy,<br />

signed Lalique, France<br />

17.5cm high<br />

$600–800<br />

451<br />

A large pink ground studio glass vase<br />

by Glen Pattrick, Australian, 1995<br />

of tapering form with a scalloped rim,<br />

signed to base ‘G Pattrick 1995’<br />

32cm high<br />

$200–300<br />

445 446


109<br />

452<br />

452<br />

A group of six yellow art glass vases<br />

the largest 27cm high<br />

$300–500<br />

453<br />

A lustred art glass form<br />

with royal blue disc decoration<br />

25cm high<br />

$200–300<br />

454<br />

A studio glass vase by Peter Viesnick,<br />

Australia<br />

with a torn rim in tones of blue, purple<br />

and green<br />

28cm high<br />

$200–300<br />

455<br />

Three Murano style glass vases<br />

each of serpentine form in tones of<br />

orange and yellow<br />

the largest 34cm high<br />

$200–300<br />

456<br />

An assembled collection of liqueur,<br />

sherry and wine glasses<br />

together with four hand blown art glass<br />

tumblers<br />

the sherry glasses 17cm high<br />

$400–600<br />

457<br />

A group of three Scandinavian studio<br />

glass vases, 20th century<br />

including a squat grey bottle vase<br />

by Erik Hoglund, a tall brown vase by<br />

Norway Plus and a black frosted glass<br />

vase<br />

the largest 27cm high<br />

$200–300<br />

458<br />

A studio glass vase by Glen Pattrick,<br />

Australian, 1994<br />

with applied vertical bands in<br />

aubergine tones, signed and dated<br />

to base<br />

26cm high<br />

$200–300<br />

459<br />

A collection of five studio glass vases<br />

comprising a pink heart form Kosta<br />

Boda vase, a Pasabahce for Gempo<br />

Australia vase, a Murano style pierced<br />

float vase, a globe form vase and a<br />

coral texture moulded glass stem vase<br />

the largest 24cm high<br />

$200–300<br />

460<br />

A group of five various art glass vases<br />

in tones of orange and yellow<br />

the largest 18cm high<br />

$250–350<br />

461<br />

A Murano bowl by Angelo Ballarin<br />

33cm wide<br />

$200–300


110<br />

462<br />

Two Kosta Boda glass vases by Bertil<br />

Vallien, Sweden, circa 1970<br />

one of flattened ovoid form with white<br />

‘pulled feather’ decoration, the straight<br />

edge vase cobalt with outwards<br />

moulded beading to the middle<br />

the largest 13cm high<br />

$300–400<br />

463<br />

A purple glass vase by Aimo Okkolin<br />

for Riihimäen Lasi Oy, circa 1970s<br />

etched ‘Riihimäen Lasi Oy Aimo<br />

Okkolin’ to base<br />

11cm high<br />

$200–300<br />

464<br />

A collection of four coloured glass<br />

vases<br />

each of elongated baluster form<br />

the tallest 39cm high<br />

$200–300<br />

465<br />

A collection of four coloured art glass<br />

bottle vases<br />

the largest 35cm high<br />

$200–300<br />

466<br />

An amethyst studio glass vase<br />

with coiled applied decoration<br />

23cm high<br />

$150–250<br />

467<br />

An abstract glass form by Sam<br />

Herman, Australian, 1976<br />

with a silvered glass band to the neck,<br />

signed ‘S Herman 1976’ to base<br />

13cm high<br />

$200–300<br />

468<br />

Two green lustre vases, probably<br />

Austrian<br />

each with serpentine decoration<br />

the largest 20cm high<br />

$200–300<br />

469<br />

An Australian studio glass vase by<br />

Jonathan Westacott<br />

of globular form with tones of pink and<br />

white<br />

signed to base ‘Jonathan Westacott’<br />

19cm high<br />

$150–250<br />

470<br />

A large Murano glass vase<br />

of lobed form in tones of red and white<br />

30cm high<br />

$200–300<br />

471<br />

A green studio glass sphere vase by<br />

Julio Santos, Australian, 1984<br />

with blue leaves extending from<br />

the mouth and frilled purple lines<br />

extending down the body<br />

signed ‘Julio Santos 1984’ to base<br />

19cm high<br />

$200–300<br />

472<br />

A pale yellow baluster form frosted<br />

glass vase by Robert Wynne for<br />

Denizen Studio<br />

with scrolled brown and white<br />

horizontal bands and vertical red drop<br />

moulded Denizen mark to base<br />

10cm high<br />

$200–300<br />

462


111<br />

473<br />

473<br />

Three Kosta Boda glass vases<br />

one with black spiral decoration<br />

signed by Bertil Vallien, one blue<br />

and white ‘half-moon’ design by Kjell<br />

Engman and a clear tulip vase, each<br />

with factory marks<br />

the largest 19.5cm high<br />

$300–500<br />

474<br />

A group of three Murano glass<br />

nudes, in the style of Alfredo Rossi,<br />

Italian, 1983<br />

each raised on a black glass plinth<br />

engraved ‘Stefros Murano, 1983’<br />

the figures 32cm high<br />

$600–800<br />

475<br />

A large translucent art glass vase<br />

of ovoid form decorated with<br />

translucent blue birds<br />

30cm high<br />

$200–400<br />

474


112<br />

476<br />

A group of three Murano glass vases<br />

in pale green and pink tones<br />

the largest 34cm high<br />

$200–300<br />

477<br />

An opaque pale aqua wide lipped<br />

sculptural studio glass vase by Sam<br />

Herman, Australian, 1979<br />

signed and dated ‘Samuel Herman<br />

1979’ base<br />

17cm high, 32cm wide<br />

$200–300<br />

478<br />

A pastel and silver striped column vase<br />

by Julio Santos, Australia, 1985<br />

signed and dated to base<br />

29cm high<br />

$200–300<br />

479<br />

A large amethyst art glass vase<br />

signed ‘Parryne Smith 1985’ to base<br />

49cm high<br />

$200–300<br />

480<br />

An art glass axe form bud vase by the<br />

Iwatsu Glass Company, Japanese,<br />

circa 1970<br />

from their ‘Hineri’ line, with swirling pink<br />

and blue interior<br />

paper trade label to base<br />

23cm high<br />

$200–300<br />

481<br />

An Australian studio glass vase by<br />

Richard Wynne, Denizen Studio<br />

in iridescent blue with silvered spiral<br />

decoration<br />

impressed mark to base: Denizen<br />

15cm high<br />

$200–400<br />

482<br />

A studio glass mottled purple<br />

cornucopia vase by Glen Pattrick,<br />

Australian, 1993<br />

on an iridescent coiled base<br />

signed and dated ‘G Pattrick 93’ to<br />

base<br />

14cm high<br />

$200–300<br />

483<br />

Three polychrome hand blown glass<br />

column vases<br />

the tallest 21cm high<br />

$200–300<br />

484<br />

A pale green and iridescent yellow<br />

bottle studio glass vase by Sam<br />

Herman, Australian, 1975<br />

signed and dated to base<br />

16cm high<br />

$200–300<br />

476


113<br />

485<br />

A smoky quartz biomorphic glass vase<br />

24cm high<br />

$200–300<br />

486<br />

Three small opaque white and applied<br />

stripe vases by Bertil Vallien<br />

the largest 11cm high<br />

$300–40<br />

487<br />

An Italian Cenedese blue glass vase<br />

of fluted cylindrical form<br />

incised to base ‘Cenedese’, bearing<br />

original label marked Cenedese Vetri<br />

30cm high<br />

$200–400<br />

488<br />

An Australian studio glass vase<br />

by G Pattinson, 1992<br />

of flared conical form with a scroll<br />

decorated base<br />

signed and dated to base<br />

‘G Pattinson 1992’<br />

25cm high<br />

$200–400<br />

489<br />

Three Murano style coloured<br />

glass vases<br />

the largest 28cm high<br />

$200–300<br />

490<br />

An opaque pale blue straight<br />

sided studio glass vase by<br />

Pauline Delaney, Australia, 1983<br />

with yellow, red and blue<br />

flashing<br />

signed and dated to base<br />

25cm high<br />

$200–300<br />

491<br />

A large smoky glass vase with<br />

etched Art Deco motifs<br />

63cm high<br />

$200–400<br />

492<br />

An electric blue studio glass trumpet<br />

vase by Richard Morrell, Australian,<br />

circa 1980<br />

signed to base with paper trade label<br />

35cm high<br />

$200–300<br />

485<br />

486


114<br />

493<br />

493<br />

A group of four coloured studio glass<br />

vases<br />

the largest 14cm high<br />

$300–500<br />

494<br />

A group of four art glass vases<br />

comprising an amber glass bowl by<br />

Pauline Delaney, 1984 and three pink<br />

and purple glass vases<br />

the largest 24cm high<br />

$300–400<br />

495<br />

A slender everted lip opaque lavender<br />

art glass vase<br />

44cm high<br />

$200–400<br />

496<br />

A Finnish studio glass vase by Aimo<br />

Okkolin for Riihimaki<br />

in aubergine undulating cylindrical form<br />

20cm high<br />

$200–400<br />

497<br />

A collection of Murano style blue<br />

cased mauve glass vases<br />

the largest 26cm high<br />

$200–300<br />

498<br />

An Australian studio glass vase by<br />

Julio Santos<br />

in flared form in tones green, red and<br />

white<br />

incised to base J Santos 1986<br />

26cm high<br />

$200–300<br />

499<br />

An Australian Studio iridescent glass<br />

vase by Colin Heaney<br />

signed and dated to base 1994<br />

11cm high<br />

$150–250<br />

500<br />

A studio glass vase by Sam Herman<br />

of stylised form in tones of blue and<br />

green<br />

signed and numbered to base ‘Samuel<br />

Herman BA997’<br />

25cm high<br />

$200–300<br />

494


115<br />

501<br />

An Australian studio art glass vase by<br />

Richard Swift, 1993<br />

the waisted cylindrical body and<br />

everted rim with streaked amber<br />

decoration<br />

engraved to base Richard Swift 4/93<br />

and further lozenge marked 119<br />

34cm high<br />

$300–500<br />

502<br />

An iridescent New Zealand studio<br />

glass vase by Chuck Simpson<br />

incised to base Simpson NZ 80<br />

18cm high<br />

$200–300<br />

501<br />

503<br />

A large studio glass vase by Chris<br />

Pantano<br />

with ochre, brown and red rock art<br />

decoration, impressed stippling and<br />

shell forms to the foot, signed ‘Chris<br />

Pantano’ to base<br />

28cm high<br />

$600–800<br />

504<br />

An Australian studio glass vase by<br />

David Herbert<br />

in tones of pale green and black with<br />

with a scrolling black rim<br />

signed and dated ‘8/92’<br />

22cm high<br />

$150–250<br />

503


116<br />

505<br />

505<br />

Three magenta studio glass vases<br />

each of columnar form including a<br />

vase by Pauline Delaney, 1959 and<br />

Robert Morrell, 1981<br />

the largest 23cm high<br />

$300–500<br />

506<br />

A translucent mauve concentric swirl<br />

glass vase by Julio Santos, Australian,<br />

1986<br />

together with two bulbous purple bud<br />

vases<br />

the largest 26cm high<br />

$300–400<br />

507<br />

An iridescent orange and opaque<br />

yellow blown glass abstract bottle vase<br />

by Sam Herman, Australian, 1978<br />

signed and dated to base<br />

22cm high<br />

$200–300<br />

506


117<br />

508<br />

A ruby frosted studio glass vase by<br />

Garry Nash, New Zealand, 1987<br />

of teardrop form with a beaded rim<br />

30cm high<br />

$500–800<br />

509<br />

An acid green with opaque white and<br />

brown swirl art glass bottle vase by<br />

Sam Herman, Australian, 1977<br />

18cm high<br />

$200–300<br />

510<br />

An Australian studio glass bottle<br />

vase by Sam Herman<br />

with swirling grey decoration to the<br />

bulbous blue toned body<br />

signed to base ‘Sam Herman’<br />

22cm high<br />

$200–300<br />

513<br />

A trumpet glass vase<br />

of conical form in tones of orange<br />

and pink<br />

34cm high<br />

$200–300<br />

514<br />

An opaque white art glass bottle vase<br />

with orange and brown vertical<br />

scrolling<br />

17cm high<br />

$200–300<br />

515<br />

A slender baluster form opaque studio<br />

glass vase by Julio Santos, Australian,<br />

1986<br />

signed and dated to base ‘J Santos<br />

1986’<br />

31cm high<br />

$200–300<br />

516<br />

A slender opaque yellow, grey and<br />

brown tulip rimmed vase<br />

42cm high<br />

$200–300<br />

517<br />

A tall art glass vase<br />

in tones of green and mauve with a<br />

flared rim and lugged base<br />

44cm high<br />

$200–300<br />

518<br />

An ovoid mottled white art glass vase<br />

with pale orange scrolls<br />

30cm high<br />

$200–300<br />

511<br />

A large red art glass vase<br />

49cm high<br />

$200–300<br />

512<br />

A blue and black striped with black<br />

collar art glass vase<br />

signed and dated to base<br />

32cm high<br />

$200–300<br />

508


118<br />

519<br />

An large chartreuse art glass vase on<br />

stand<br />

of conical form with serpentine<br />

wrought iron support<br />

73cm high<br />

$500–800<br />

520<br />

A large opaque black geometric glass<br />

vase<br />

27cm high<br />

$200–300<br />

521<br />

A black ovoid art glass vase<br />

with silvered flecks and floating blue<br />

and orange decoration<br />

26cm high<br />

$200–300<br />

522<br />

Two opaque white art glass vases with<br />

gestural blue decoration<br />

the largest 24cm high<br />

$200–300<br />

523<br />

A lapis blue pulled feather decorated<br />

studio glass sphere vase by Julio<br />

Santos, Australian, 1987<br />

17cm high<br />

$200–300<br />

524<br />

A Murano amber interior faceted glass<br />

vase<br />

together with two amber toned glass<br />

vases<br />

the largest 23cm high<br />

$200–300<br />

525<br />

A high gloss ovoid ruby glass vase<br />

21cm high<br />

$200–300<br />

519


119<br />

526<br />

A tall opaque white and yellow bottle<br />

glass vase with scrolling neck and<br />

black spotting by Ulrica Hydmann for<br />

Kosta Boda<br />

68cm high<br />

$300–500<br />

527<br />

A blue ground studio glass bowl vase<br />

by Richard Morrell<br />

together with a mottled glass urn<br />

the bowl signed to base<br />

the largest 23cm high<br />

$200–300<br />

528<br />

An split rim mottled grey black and red<br />

accented studio glass vase by David<br />

Herbert, Australian<br />

with red accents to the split rim<br />

signed to base ‘David Herbert 11/91’<br />

16cm high<br />

$200–300<br />

529<br />

An abstract mustard, orange and<br />

yellow drip textured glass vase,<br />

circa 1960<br />

21cm high<br />

$200–300<br />

530<br />

Three Murano style sculptural two<br />

toned glass vessels<br />

the largest 23cm wide<br />

$200–300<br />

531<br />

A Swedish orange studio glass<br />

decanter by Eric Hoglund for Kosta<br />

Boda<br />

incised to base: H1686/200<br />

32cm high<br />

$200–300<br />

532<br />

A pinched rim smoky glass bowl vase<br />

with asymmetrical blue and silver<br />

banding<br />

12cm high<br />

$200–300<br />

533<br />

A clear purple art glass bowl with<br />

orange, red and purple scrolls<br />

15cm high<br />

$150–300<br />

534<br />

A plum ground trailing stripe decorated<br />

studio glass vase by Richard Wynne<br />

for Denizen Studio, Australian<br />

impressed mark to base<br />

20cm high<br />

$200–300<br />

535<br />

An Australian studio glass vase of<br />

unusual form by Brian Hirst, 1983<br />

signed and dated to base ‘B Hirst 83’<br />

17cm high<br />

$200–300<br />

536<br />

A large speckled flattened ovoid glass<br />

vase by Garry Nash, New Zealand,<br />

1983<br />

signed and dated ‘G Nash ‘83’ to base<br />

42cm high<br />

$600–800<br />

537<br />

A group of four orange toned Murano<br />

style blown glass vases<br />

the largest 33cm high<br />

$200–300<br />

526


120<br />

538<br />

An opaque dark green straight sided<br />

glass vase by Garry Nash, New<br />

Zealand, 1987<br />

with cut decoration, mounded<br />

signature<br />

31cm high<br />

$300–500<br />

539<br />

A large mottled ‘tree landscape’ art<br />

glass vase by Isle of Wight glass<br />

paper label to base<br />

34cm high<br />

$300–400<br />

540<br />

A opaque black studio glass vase by<br />

Garry Nash, New Zealand, 1987<br />

moulded signature ‘G. Nash ‘87’ to<br />

base<br />

33cm high<br />

$300–500<br />

541<br />

A large blue and red banded opaque<br />

black ovoid glass vase<br />

32cm high<br />

$200–300<br />

542<br />

A large red and green banded column<br />

floor vase<br />

signed and dated to base<br />

55cm high<br />

$150–250<br />

543<br />

Two Australian studio glass vases by<br />

Peter Goss<br />

the lilac bottle with multi coloured<br />

flecking signed ‘PG ‘86’ to base and<br />

the square iridescent brown vase<br />

signed ‘Peter Goss ‘81’<br />

the largest 18cm high<br />

$250–400<br />

544<br />

An Australian studio glass baluster<br />

vase by Richard Morrell<br />

with mottled iridescent green and<br />

brown colouring<br />

signed to base<br />

17cm high<br />

$200–300<br />

545<br />

An Australian studio glass vase by<br />

Richard Wynne, Denizen Studio<br />

of flattened ovoid form, dark green<br />

with a brown overlay including white<br />

lines and two red blooms<br />

16cm high<br />

$200–400<br />

538 539<br />

540


121<br />

546<br />

A blue speckled glass vase by<br />

Moncrieff Glass Works, Scotland,<br />

circa 1980<br />

23cm high<br />

$300–500<br />

547<br />

A large studio glass vase by Brian<br />

Hirst, 2002<br />

incised and dated to base<br />

36cm high<br />

$200–300<br />

546<br />

548<br />

A Galle style cameo glass landscape<br />

vase, circa 1900<br />

in delicate autumn tones<br />

with etched ‘Galle’ signature to lower<br />

body<br />

26cm high<br />

$400–600<br />

549<br />

An Australian studio glass urn shaped<br />

vase by Richard Wynne, Denizen<br />

Studio<br />

with iridescent blue and bronze motif<br />

moulded mark to base<br />

23cm high<br />

$200–300<br />

548


122<br />

550<br />

A studio glass vase by Moncrieff Glass<br />

Works, Scotland, circa 1980<br />

of cylindrical form in tones of speckled<br />

orange with purple<br />

24cm high<br />

$300–500<br />

550<br />

551<br />

A large red and green candy striped art<br />

glass bottle vase<br />

59cm high<br />

$300–400<br />

552<br />

A Glasform iridescent art glass vase,<br />

English<br />

of inverted egg form with speckled red<br />

patination<br />

signed to base with original label<br />

20cm high<br />

$200–300<br />

553<br />

A collection of hand blown glass<br />

goblets<br />

comprising five glasses<br />

the largest goblet 22.5cm high<br />

$200–300<br />

551


123<br />

554<br />

A studio art glass vase by Brenden<br />

Scott French<br />

of tapering tear drop form in tones of<br />

white, pink and red<br />

incised to base: Brenden Scott French<br />

41cm high<br />

$300–500<br />

555<br />

An opaque lilac ground conical vase by<br />

Vivianne Karlsson for Orrefors<br />

decorated with a flowing iron red and<br />

black diamond pattern<br />

signed and editioned to base<br />

28cm high<br />

$300–600<br />

556<br />

An Australian studio glass vase by<br />

Julio Santos, 1987<br />

with apricot flower form bands<br />

extending down the body<br />

15cm high<br />

$200–300<br />

557<br />

A Maltese Mdina marbled red studio<br />

glass bottle vase<br />

with applied turquoise scrolls<br />

engraved ‘Mdina’ to base<br />

15cm high<br />

$200–300<br />

558<br />

A group of three marbled abstract<br />

studio glass bottle vases<br />

each signed to base<br />

the largest 16cm high<br />

$200–300<br />

559<br />

A collection of three studio art glass<br />

vases<br />

including a green Murano glass vase,<br />

and two mid-century coloured glass<br />

vases<br />

the largest 31cm high<br />

$200–300<br />

560<br />

An opaque white studio glass vase by<br />

Richard Morrell<br />

with swirling turquoise decoration<br />

signed to base<br />

34cm high<br />

$200–300<br />

554<br />

555


124<br />

561<br />

561<br />

A collection of five coloured Murano<br />

glass vases, 20th century<br />

in tones of blue, red, green and orange<br />

the largest 31cm high<br />

$300–500<br />

562<br />

A lapis blue studio glass sphere vase<br />

by Julio Santos, Australia, 1992<br />

with an internal trailing feather<br />

decoration, signed and dated to base<br />

70cm high<br />

$300–400<br />

563<br />

Three baluster form opaque art glass<br />

vases<br />

of dual tone colouration<br />

the largest 26cm high<br />

$200–300<br />

562


125<br />

564<br />

564<br />

A collection of Australian studio glass<br />

by Michael Hook<br />

comprising an ovoid black and white<br />

swirled vase, a blue bowl and a brown<br />

vase, each signed to base<br />

the largest 17cm high<br />

$300–400<br />

565<br />

A group of four Murano style glass<br />

vases<br />

in tones of red, blue and orange<br />

the largest 35cm high<br />

$300–500<br />

565


126<br />

566<br />

566<br />

VICTOR GREENAWAY<br />

(BORN 1947)<br />

A large celadon glazed earthenware<br />

bowl, circa 1970<br />

impressed mark to side of base<br />

21cm high, 44cm diameter<br />

$200–300<br />

567<br />

VICTOR (VIC) GREENAWAY<br />

(BORN 1947)<br />

A glazed earthenware vase<br />

impressed personal seal 1975-1993<br />

19cm high<br />

$300–500<br />

568<br />

A collection of four glazed<br />

earthenware platters<br />

the largest by Vic Greenaway<br />

signed to base: Greenaway 91<br />

and impressed mark<br />

34/59cm diameter<br />

$200–400<br />

569<br />

A glazed earthenware vase and jug<br />

by John Campbell<br />

vase incised to base:<br />

John Campbell Tasmania B55M<br />

jug incised to base:<br />

John Campbell Tasmania 57J.<br />

the vase 14cm high<br />

$200–300<br />

570<br />

A New Zealand glazed earthenware<br />

vase by Peter Stichbury<br />

with a mottled celadon glaze<br />

label to base: ‘Stoneware Pottery Peter<br />

Stichbury 948 Great South Road,<br />

Manurewa’<br />

27cm high<br />

$200–300<br />

571<br />

A collection of five studio pottery<br />

vases and vessels<br />

the largest 36cm high<br />

$300–500<br />

572<br />

A large Harold Hughen glazed<br />

earthenware platter<br />

together with two other large glazed<br />

earthenware platters<br />

the largest 40cm diameter<br />

$300–500<br />

573<br />

JOHN EDYE (BORN 1944)<br />

A glazed studio pottery vase by John<br />

Edye, Australian<br />

impressed: JE and the Sturt Pottery<br />

mark<br />

17cm high<br />

$200–300<br />

574<br />

An unusual studio pottery vase,<br />

mid 20th century<br />

impressed marks to base<br />

29cm high<br />

$200–300


127<br />

575<br />

JOHN PERCEVAL (1923-200)<br />

A glazed earthenware covered jar,<br />

1956<br />

of ovoid form with two handles<br />

incised to base and inside of cover:<br />

Perceval 1956<br />

32cm high<br />

$400–600<br />

576<br />

DEBORAH HALPERN<br />

(BORN 1957) AND STACHA<br />

HALPERN (1919-1969)<br />

A glazed earthenware jug<br />

and a small pot<br />

the pot incised: Deborah D Halpern<br />

the jug signed: S Halpern<br />

the jug 22cm high<br />

$200–300<br />

575<br />

577<br />

DEBORAH HALPERN<br />

(BORN 1957) AND STACHA<br />

HALPERN (1919-1969)<br />

two glazed earthenware bowls<br />

one incised: D D Halpern<br />

one signed: S Halpern 83<br />

the largest bowl: 22cm diameter<br />

$400–600<br />

577


128<br />

578<br />

DEBORAH HALPERN<br />

(BORN 1957)<br />

A hand painted and glazed<br />

earthenware teapot<br />

signed to base: D Halpern<br />

39cm high<br />

$400–600<br />

579<br />

DEBORAH HALPERN<br />

(BORN 1957) AND STACHA<br />

HALPERN (1919-1969)<br />

two glazed earthenware goblets and<br />

a plate<br />

the goblets signed to base:<br />

Deborah Halpern and D. D Halpern<br />

the plate signed to base: S Halpern<br />

the largest goblet 20cm high<br />

$600–800<br />

578<br />

579


129<br />

580<br />

DEBORAH HALPERN<br />

(BORN 1957)<br />

A tall glazed earthenware double teapot<br />

signed to the leg: D D Halpern<br />

97cm high<br />

$2,000–3,000<br />

581<br />

DEBORAH HALPERN<br />

(BORN 1957)<br />

A painted earthenware vase<br />

of tripod form and decorated<br />

with foliage<br />

signed to base: D D Halpern<br />

13.5cm high<br />

$150–250<br />

582<br />

DEBORAH HALPERN<br />

(BORN 1957)<br />

A glazed earthenware covered jar<br />

signed to base: Halpern<br />

15cm high<br />

$200–300<br />

583<br />

DEBORAH HALPERN<br />

(BORN 1957)<br />

A glazed earthenware bowl by<br />

Deborah Halpern, Australian<br />

decorated in tones of black, blue and<br />

white and initialled to base: D D H<br />

together with a glazed earthenware<br />

bowl by Eric Juckert<br />

the Halpern bowl 11cm high,<br />

22cm diameter<br />

$200–300<br />

584<br />

DEBORAH HALPERN<br />

(BORN 1957)<br />

A green glazed earthenware vase<br />

signed to base: Halpern<br />

15cm high<br />

$300–500<br />

580


130<br />

585<br />

A collection of nine hand painted<br />

slipware plates by Martin Boyd<br />

decorated with indigenous figures,<br />

motifs and landscapes<br />

each incised to base:<br />

Martin Boyd Australia<br />

26cm diameter<br />

$800–1,200<br />

586<br />

A collection of eight hand painted<br />

slipware plates by Martin Boyd<br />

variously decorated with figures and<br />

landscapes<br />

incised to base: Martin Boyd Australia<br />

the largest 31cm diameter<br />

$600–800<br />

587<br />

A glazed earthenware vase<br />

by Kevin Boyd, 1988<br />

ovoid form in pink tones<br />

incised to base: Kevin Boyd 88<br />

17cm high<br />

$150–250<br />

588<br />

A large white glazed ceramic vase,<br />

20th century<br />

54cm high<br />

$200–300<br />

589<br />

A collection of seven studio pottery<br />

vases and vessels<br />

comprising three tall vases, a jug vase,<br />

a compressed ovoid vase and two<br />

black glazed form vessels<br />

the largest 42cm high<br />

$200–400<br />

585<br />

590<br />

A tall red and black glazed earthenware<br />

vase by Peter Ellis<br />

signed to base: Ellis<br />

57cm high<br />

$200–300<br />

586


131<br />

591<br />

A large studio pottery vase<br />

of compressed ovoid form with a<br />

stylised mid-century design<br />

36cm high<br />

$200–300<br />

592<br />

A collection of abstract stoneware<br />

comprising eight pieces<br />

the largest piece 25cm high<br />

$200–300<br />

593<br />

Seven glazed earthenware platters<br />

and bowls<br />

including a large figural bowl marked<br />

BS (possibly for Bernard Sahm)<br />

the largest bowl 40cm diameter<br />

$200–300<br />

594<br />

A large Australian glazed earthenware<br />

vase, 20th century<br />

relief decorated with semi-draped<br />

female figures, incised to the base<br />

‘Made in Australia, cB’<br />

48cm high<br />

$200–300<br />

595<br />

A large glazed earthenware vase<br />

by Kim Smith<br />

of ovoid form decorated with flowers<br />

signed and dated to base:<br />

Kim Smith ‘94<br />

61cm high<br />

$250–350


132<br />

596<br />

VICTOR GREENAWAY<br />

(BORN 1947)<br />

A large earthenware form<br />

impressed mark to base<br />

44cm high<br />

$300–500<br />

597<br />

HAROLD HUGHAN (1893-1987)<br />

two studio pottery jugs<br />

both signed to base<br />

the tallest 20cm high<br />

$300–500<br />

598<br />

HAROLD HUGHAN (1893-1987)<br />

A black glazed earthenware vase<br />

monogrammed to base<br />

29cm high<br />

$200–300<br />

599<br />

IAN SPRAGUE (1920-1994)<br />

A tall glazed earthenware vase<br />

in tones of brown and blue<br />

29cm high<br />

$250–350<br />

600<br />

ALAN PEASCOD (1945-2007)<br />

An ovoid textured earthenware vase<br />

and cover<br />

28cm high<br />

$300–500<br />

601<br />

CHRISTOPHER SANDERS<br />

(BORN 1952)<br />

A glazed earthenware vase<br />

signed and dated base: Christopher<br />

Sanders 1991<br />

impressed mark to base: CS<br />

21cm high<br />

$150–250<br />

602<br />

A glazed earthenware vase<br />

stamped indistinctly near base<br />

26cm high<br />

$200–400<br />

596


133<br />

603<br />

ROBERT BARRON (BORN 1957)<br />

A large glazed earthenware charger<br />

signed to base: Robert Barron 2006<br />

impressed mark: Goose Neck Pottery<br />

(GNP)<br />

55cm diameter<br />

$400–600<br />

603<br />

604<br />

ROBERT BARRON (BORN 1957)<br />

A large glazed earthenware platter<br />

signed to base: Robert B<br />

54cm diameter<br />

$200–300<br />

605<br />

MILTON MOON (1926-2019)<br />

A glazed earthenware bowl<br />

decorated with stylised decoration<br />

incised to base: Milton Moon<br />

35cm diameter<br />

$300–500<br />

605


134<br />

606<br />

606<br />

REGINALD (REG) PRESTON<br />

(1917-2000)<br />

A large glazed earthenware platter by<br />

Reg Preston, Australian<br />

impressed mark to base<br />

8cm high, 46cm wide, 43cm deep<br />

$300–500<br />

607<br />

REGINALD (REG) PRESTON<br />

(1917-2000)<br />

A studio pottery glazed earthenware<br />

lidded pot<br />

impressed mark to base<br />

20cm high<br />

$200–300<br />

608<br />

REGINALD (REG) PRESTON<br />

(1917-2000)<br />

A brown glazed earthenware kendi<br />

signed to base: Preston<br />

23cm high<br />

$150–250<br />

609<br />

REGINALD (REG) PRESTON<br />

(1917-2000)<br />

A glazed earthenware plate<br />

decorated with leaves and berries<br />

signed to base: Preston<br />

31cm diameter<br />

$150–250<br />

610<br />

A collection of four glazed<br />

earthenware vessels including<br />

a Reg Preston vase<br />

together with a carved wooden<br />

sculpture<br />

the Preston vase 24.5cm high<br />

$200–300<br />

611<br />

A collection of eight Australian studio<br />

pottery vessels and vases<br />

including two vases by Reg Preston,<br />

a large vase by Robert Forster, a tall<br />

cylindrical vase by Greg Hamilton, a<br />

bottle vase and two other vases<br />

the largest 40cm high<br />

$300–500


135<br />

612<br />

ROBIN VAN SCHILAGAARGE<br />

An ovoid textured earthenware form<br />

32cm high<br />

$200–300<br />

613<br />

GUS McLAREN (1923-2008)<br />

An earthenware lidded box<br />

incised to base: Gus McLaren<br />

17cm high<br />

$200–300<br />

614<br />

A set of six turquoise glazed<br />

earthenware goblets by Lucy Beck<br />

incised to base: Beck<br />

each 14cm high<br />

$150–250<br />

615<br />

A large glazed earthenware bowl,<br />

20th century<br />

with a highly textured surface<br />

59cm diameter<br />

$200–300<br />

612<br />

615


136<br />

616<br />

616<br />

A collection of six hand painted<br />

slipware plates by Martin Boyd<br />

variously decorated with landscapes<br />

and figures<br />

30cm diameter<br />

$600–800<br />

617<br />

A collection of eleven hand painted<br />

slipware plates by Martin Boyd<br />

variously decorated fruit, figural and<br />

landscape scenes<br />

each incised to base:<br />

Martin Boyd Australia<br />

three fruit plates dated to base: 1950<br />

18cm diameter<br />

$500–800<br />

618<br />

A collection of three hand painted<br />

slipware vases by Martin Boyd<br />

decorated with indigenous figures<br />

all incised to base: Martin Boyd<br />

the largest 18cm high<br />

$300–500<br />

619<br />

A hand painted slipware charger by<br />

Martin Boyd<br />

decorated with a sage on horseback<br />

incised to base: Martin Boyd Australia<br />

35cm diameter<br />

$150–250<br />

620<br />

A collection of five studio pottery<br />

bowls and vases, 20th century<br />

including a Les Blakebrough, Sturt<br />

Pottery platter with impressed<br />

monograms, circa 1975<br />

the largest 35cm high<br />

$300–500<br />

621<br />

LES BLAKEBROUGH<br />

(BORN 1932)<br />

A large glazed earthenware lidded pot<br />

impressed marks to base<br />

33cm high<br />

$200–300<br />

617


137<br />

626<br />

BARBARA SWARBRICK<br />

(BORN 1945)<br />

A glazed earthenware dish<br />

decorated with parrots, fruit and faces<br />

incised to base: Barbara Swarbrick<br />

1988<br />

impressed mark to base<br />

26 x 20cm<br />

$200–400<br />

622<br />

An earthenware bowl and a covered jar<br />

by Sergio Sill<br />

incised signatures<br />

the largest 20cm diameter<br />

$300–500<br />

623<br />

A glazed textured earthenware bowl<br />

and a lidded jar by Sergio Sill<br />

in burnt umber terracotta tones<br />

the plate incised to base: Sergio Sill<br />

23cm diameter<br />

$200–300<br />

624<br />

A large studio pottery form<br />

signed to base: Judy 68<br />

17cm high, 37cm diameter<br />

$200–300<br />

625<br />

A large glazed earthenware studio<br />

pottery platter<br />

decorated with a ragged natural edge<br />

55 x 52cm<br />

$150–250<br />

627<br />

RUDOLF DYBKA (1935-2015)<br />

A substantial glazed earthenware<br />

platter<br />

relief moulded with stylised figures on<br />

a blue ground<br />

stamped and inscribed lower centre:<br />

Dybka<br />

85cm diameter<br />

$300–500<br />

628<br />

A large Italian glazed pottery<br />

‘Chess King’ vase, 20th century<br />

with a silver and gilt glaze,<br />

inscribed ‘Italy’ to the base<br />

52cm high<br />

$200–400


138<br />

629<br />

SHIGEO SHIGA (ATTRIBUTED)<br />

A tall glazed earthenware vase<br />

incised decoration, label to base<br />

inscribed Shigeo Shiga<br />

43cm high<br />

$500–900<br />

630<br />

630<br />

SHUNICHI INOUE<br />

(JAPANESE, BORN 1946)<br />

A pale celadon glazed studio pottery vase<br />

signed to base: S. Inoue<br />

incised with Japanese calligraphy mark<br />

30cm high<br />

$400–600<br />

631<br />

SHIGEO SHIGA (1928-2011)<br />

A glazed pottery bottle vase<br />

impressed signature mark and Asuka<br />

Pottery mark<br />

19cm high<br />

$300–500<br />

632<br />

SHIGEO SHIGA (1928-2011)<br />

A blue glazed earthenware bowl<br />

impressed signature mark and Asuka<br />

Pottery mark<br />

13.5cm high, 18cm diameter<br />

$300–500<br />

629


139<br />

633<br />

A large glazed earthenware bowl<br />

attributed to Mitsuo Shoji<br />

decorated with large flowers<br />

and leaves<br />

incised signature to base<br />

52cm diameter<br />

$800–1,000<br />

633<br />

634<br />

SHIGEO SHIGA (1928-2011)<br />

An earthenware bowl<br />

impressed signature mark<br />

and Asuka Pottery mark<br />

21cm diameter<br />

$400–600<br />

634<br />

635<br />

SHIGEO SHIGA (1928-2011)<br />

A large glazed earthenware vase<br />

ovoid with a celadon and<br />

terracotta glaze<br />

impressed signature mark<br />

and Asuka Pottery mark<br />

26cm high<br />

$400–600


140<br />

636<br />

636<br />

ALLAN LOWE (1907-2001)<br />

A glazed earthenware bowl<br />

incised to base: Allan Lowe<br />

33cm diameter<br />

$300–500<br />

637<br />

ALLAN LOWE (1907-2001)<br />

An aqua glazed earthenware vase<br />

incised to base: Allan Lowe<br />

19cm high<br />

$400–600<br />

638<br />

RALPH EBERLEIN (BORN 1951)<br />

A large glazed earthenware platter<br />

and bowl<br />

each decorated with classical figures<br />

the platter signed and dated:<br />

Eberlein 92<br />

the bowl signed: Eberlein<br />

the platter 57cm diameter<br />

the bowl 42cm diameter<br />

$300–500<br />

637


141<br />

639<br />

A large Continental porcelain tureen<br />

and cover<br />

of boar head form with gilt and silver<br />

scrolling acorn branches<br />

29cm high, 45cm wide, 22cm deep<br />

$600–800<br />

640<br />

PIPPIN DRYSDALE (BORN 1943)<br />

A glazed earthenware pale blue and<br />

green bowl, 1996<br />

signed and dated: Pippin Drysdale ‘96<br />

30cm diameter<br />

$200–400<br />

641<br />

TOM P SANDERS (1925-2008)<br />

A glazed earthenware stylised jug<br />

incised to base: T P Sanders 1962<br />

16cm high<br />

$150–250<br />

642<br />

A Chinese celadon glazed vase,<br />

20th century<br />

of ovoid form with a continuous<br />

overlapping leaf pattern<br />

two character calligraphy mark to base<br />

32cm high<br />

$300–500<br />

643<br />

FIONA MURPHY (BORN 1958)<br />

A mollusc vase, 1989<br />

incised to base: F Murphy 89<br />

together with a certificate of<br />

authenticity from Artefact, Melbourne<br />

53cm high<br />

$300–400<br />

644<br />

PETER PETRUCCELLI<br />

(1934-2013)<br />

A glazed earthenware vase<br />

of cylindrical form with decorated with<br />

a stylised landscape scene<br />

signed to base: Petruccelli<br />

43cm high<br />

$200–400<br />

645<br />

PETER PETRUCCELLI<br />

(1934-2013)<br />

A large glazed earthenware jar<br />

signed and dated to base:<br />

P Petruccelli 78<br />

56cm high<br />

$300–500<br />

639


142<br />

646<br />

646<br />

ARTHUR MERRIC BLOOMFIELD<br />

BOYD (1920-1999)<br />

Three studio pottery plates<br />

two decorated with indigenous figures<br />

and one yellow glazed<br />

two incised to base: A M Boyd<br />

the yellow glazed plate incised to base<br />

A M Boyd JP<br />

23cm diameter<br />

$500–800<br />

647<br />

WILLIAM MERRIC (MERRIC)<br />

BOYD (1888-1959)<br />

A miniature glazed earthenware<br />

vase by Merric Boyd (1888-1959),<br />

Australian, 1942<br />

relief moulded with a windswept tree<br />

incised to base: Merric Boyd 1942<br />

5.5cm high<br />

NOTE<br />

For a similar example please see lot<br />

449 of Tempus Fugit: <strong>The</strong> <strong>Collection</strong> of<br />

George Gyori | Australian, Maritime &<br />

Exploration<br />

$200–300<br />

649<br />

ARTHUR MERRIC BLOOMFIELD<br />

BOYD (1920-1999) AND JOHN<br />

PERCEVAL (1923-2000)<br />

A pink and green glazed earthenware<br />

bowl<br />

incised to base: Perceval AMB<br />

stamped to base: Primrose Pottery<br />

10cm high<br />

$300–500<br />

650<br />

ARTHUR MERRIC BLOOMFIELD<br />

BOYD (1920-1999)<br />

A pink and white domestic ware series<br />

jug<br />

incised to base: A M Boyd<br />

34cm high<br />

$300–500<br />

651<br />

ARTHUR MERRIC BLOOMFIELD<br />

BOYD (1920-1999)<br />

A glazed earthenware vase,<br />

mug and beaker<br />

in tones of white, yellow and black<br />

each incised to base:<br />

Arthur Merric Boyd, A M Boyd<br />

the vase 20cm high<br />

$200–300<br />

652<br />

A studio pottery plate by Hermia Boyd<br />

hand painted with a foal<br />

signed to base: Hermia Boyd<br />

20cm diameter<br />

$200–300<br />

648<br />

ARTHUR MERRIC BLOOMFIELD<br />

BOYD (1920-1999)<br />

A glazed earthenware ewer<br />

on a black ground with yellow flowers<br />

incised to base: A M Boyd<br />

33cm high<br />

$300–500


143<br />

653<br />

653<br />

ARTHUR MERRIC BLOOMFIELD<br />

BOYD (1920-1999)<br />

Three small glazed slipware vases<br />

each colourfully decorated and<br />

banded<br />

each incised to base: A M Boyd<br />

11cm high<br />

$400–800<br />

654<br />

DAVID BOYD (1924-2011) AND<br />

HERMIA BOYD (1931-2000)<br />

Two green and black glazed handled<br />

pots<br />

incised to base: D & H Boyd<br />

together with a covered sugar basin by<br />

Beryl Armstrong<br />

the largest Boyd pot 14cm high<br />

$200–300<br />

655<br />

A large collection of twenty three<br />

glazed slipware ramekins and bowls by<br />

Arthur Merric Bloomfield Boyd<br />

each incised to base: A M B or A M Boyd<br />

the largest 11cm diameter<br />

$200–300<br />

656<br />

ARTHUR MERRIC BLOOMFIELD<br />

BOYD (1920-1999) AND JOHN<br />

PERCEVAL (1923-2000)<br />

A glazed earthenware, lyrebird<br />

decorated bowl<br />

incised to based: JP AMB<br />

30cm diameter<br />

$600–800<br />

657<br />

A collection of nine hand painted<br />

slipware plates by Guy Boyd<br />

decorated with figures, flowers,<br />

animals and landscapes<br />

the largest 23cm diameter<br />

$600–800<br />

657


144<br />

658<br />

658<br />

A large purple and turquoise glazed<br />

earthenware charger by Ray Carlton<br />

incised to base: Ray Carlton ‘93<br />

50cm diameter<br />

$200–400<br />

659<br />

MERRIC BOYD (1862-1940)<br />

A blue glazed earthenware jardinière<br />

with leaf and landscape decoration<br />

incised to base: Merric Boyd 1948<br />

13cm high<br />

$400–600<br />

659


145<br />

660<br />

GREG DALY (BORN 1954)<br />

An ovoid glazed earthenware vase<br />

signed and impressed to base:<br />

Daly GD<br />

20cm high<br />

$600–800<br />

661<br />

GREG DALY (BORN 1954)<br />

A glazed earthenware vase<br />

of ovoid form with gilded and lustred<br />

decoration<br />

signed and stamped to base: Daly<br />

26cm high<br />

$300–500<br />

662<br />

GREG DALY (BORN 1954)<br />

A large glazed studio pottery platter by<br />

Greg Daly, Australian, 1988<br />

signed and dated to base: Daly 88<br />

43cm diameter<br />

$150–250<br />

660<br />

663<br />

GREG DALY (BORN 1954)<br />

A matt glazed studio pottery vase<br />

green toned, free form earthenware<br />

vase<br />

signed to base: Daly<br />

36cm high<br />

$200–300<br />

664<br />

A collection four studio pottery<br />

dishes<br />

comprising a platter by Greg Daly,<br />

a large dish and two bowls<br />

the largest 37cm diameter<br />

$200–300<br />

661


146<br />

665<br />

A large collection of glazed slipware<br />

ramekins and dishes by Martin Boyd<br />

and Arthur Merric Bloomfield Boyd<br />

variously signed: A M Boyd<br />

and Martin Boyd<br />

the largest 13cm diameter<br />

$400–600<br />

666<br />

A collection of thirteen studio pottery<br />

plates by Guy Boyd<br />

decorated with flora and fauna,<br />

portraits and landscapes<br />

twelve incised to base: Guy Boyd,<br />

one stamped to base: Martin Boyd<br />

the largest 14cm diameter<br />

$300–400<br />

667<br />

A collection of eight hand painted<br />

slipware plates by Guy Boyd<br />

decorated with figures, landscapes<br />

and flowers<br />

the largest 19cm diameter<br />

$300–500<br />

668<br />

A hand painted slipware plate and<br />

a collection of seven hand painted<br />

slipware bowls by Guy Boyd<br />

the plate decorated with an indigenous<br />

landscape and the bowls decorated<br />

with Australian fauna<br />

each incised to base: Guy Boyd<br />

the plate 30cm diameter<br />

$300–500<br />

669<br />

ELLEN HANSA-STANYER<br />

(BORN 1942)<br />

A glazed earthenware vase<br />

of ovoid form with white moulding<br />

incised to base: Ellen Stanyer 76<br />

18cm high<br />

$200–400<br />

670<br />

TED SECOMBE (BORN 1957)<br />

A circular glazed earthenware box<br />

incised to base<br />

15cm diameter<br />

$300–500<br />

671<br />

PAUL DAVIS (BORN 1955)<br />

A glazed earthenware square section<br />

bottle vase<br />

in tones of black and black<br />

48cm high<br />

$150–250<br />

672<br />

A large continental glazed earthenware<br />

ewer, probably Italian<br />

decorated with a continuous frieze of<br />

leafy fruiting branches<br />

51cm high<br />

$300–500<br />

665


147<br />

673<br />

ARTHUR MERRIC BLOOMFIELD<br />

BOYD (1920-1999)<br />

A navy and white domestic ware series<br />

jug<br />

incised to base: A M Boyd<br />

32cm high<br />

$300–500<br />

674<br />

ARTHUR MERRIC BLOOMFIELD<br />

BOYD (1920-1999)<br />

A group of five glazed earthenware<br />

dishes and vessels<br />

the plate decorated with an indigenous<br />

figure<br />

all variously signed: A M Boyd<br />

the plate 18cm diameter<br />

$150–250<br />

675<br />

A large glazed earthenware floor<br />

vase<br />

with lily in blue, white and green<br />

tones<br />

68cm high<br />

$250–350<br />

676<br />

A large blue glazed earthenware vase,<br />

20th century<br />

68.5cm high<br />

$200–300<br />

677<br />

A large glazed earthenware<br />

vase, 20th century<br />

incised illegibly to the base<br />

52cm high<br />

$300–500<br />

673


148<br />

678<br />

678<br />

A glazed earthenware charger by<br />

Alexandra Copeland<br />

decorated with with frogs and verse<br />

signed and dated to base: Alexandra<br />

Copeland 9/8/1988<br />

40cm diameter<br />

$400–600<br />

679<br />

A collection of six hand painted<br />

slipware plates and bowls<br />

by Martin Boyd<br />

decorated with international themed<br />

landscapes and figures<br />

the plates incised to base:<br />

Martin Boyd 1950<br />

the bowls incised to base:<br />

Martin Boyd Australia<br />

25cm diameter (each)<br />

$400–600<br />

679


149<br />

680<br />

A German Mettlach porcelain cameo<br />

charger after Jean Baptiste Stahl,<br />

Bonn, circa 1860<br />

depicting a Greek goddess and<br />

attendants<br />

impressed factory marks marks:<br />

Mttlach, Ges. Gesch, 2443, 01<br />

46cm diameter<br />

$200–300<br />

681<br />

A large glazed earthenware studio<br />

pottery vase<br />

with an aged bronze patina<br />

40cm high<br />

$150–250<br />

682<br />

A collection of eight glazed<br />

earthenware studio pottery vases<br />

the largest 37cm high<br />

$200–300<br />

680<br />

683<br />

KLYTIE PATE (1912-2010)<br />

A glazed earthenware covered bowl<br />

incised to base: Klytie Pate<br />

19cm high<br />

$300–500<br />

684<br />

A collection of seven studio pottery<br />

vases<br />

of various forms<br />

together with a brown glazed pot<br />

the largest 35cm high<br />

$200–300<br />

685<br />

A collection of eleven studio pottery<br />

vessels, vases, jugs and forms<br />

the largest 31cm high<br />

$300–500<br />

683


150<br />

686<br />

A collection of five silver and metal<br />

capped walking canes, first half<br />

20th century<br />

comprising two silver topped walking<br />

canes with scrolled decoration,<br />

London, 190, one London, 1929 by<br />

Henry Thomas & Co, and three other<br />

metal topped canes<br />

the largest 92cm<br />

$200–300<br />

687<br />

A Sevres style ball finial fiddleback<br />

blackwood walking cane<br />

the gilded royal blue ground painted<br />

with a cartouche of two cherubs<br />

94cm long<br />

$200–300<br />

688<br />

A Chinese cloisonné ball handled<br />

walking cane<br />

94cm long<br />

$120–180<br />

689<br />

A 9 carat gold handled walking stick,<br />

Birmingham 1911<br />

gold marks stamped to the base of<br />

the handle<br />

90.5cm high<br />

$200–300<br />

690<br />

A stainless set cutlery set for twelve<br />

including forks, knives, table spoons,<br />

tea spoons, cake servers, salad<br />

servers and assorted knives and bottle<br />

stoppers<br />

$200–400<br />

691<br />

A collection of ivory handled walking<br />

canes, London, late 19th/20th century<br />

two canes made of macassar and<br />

the walking stick with a silver band<br />

engraved ‘TO VA’<br />

the longest stick 92cm long<br />

$200–300<br />

692<br />

Five sterling silver and metal mounted<br />

walking sticks, including one by<br />

Thomas Bishton, London, 1923<br />

two with polished horn handles<br />

the longest 92cm<br />

$200–300<br />

686 687 688


151<br />

693<br />

An Art Nouveau silver handle<br />

ebonised walking stick by C L Schutz<br />

of Germany and three metal handled<br />

walking sticks<br />

the Art Nouveau stick handle engraved<br />

to the back ‘Ohloff’<br />

the longest 93cm<br />

$200–300<br />

694<br />

A collection of carved wood walking<br />

sticks and canes<br />

comprising fifteen pieces<br />

the longest 97cm<br />

$100–200<br />

695<br />

A collection of walking sticks including<br />

four silver mounted horn handled<br />

walking sticks, English, circa 1910<br />

comprising fifteen pieces including a<br />

cork walking cane<br />

the largest 93cm<br />

$300–500<br />

696<br />

A collection of walking sticks including<br />

burr walnut, silver mounted horn and<br />

ebonised wood<br />

comprising fifteen pieces<br />

the longest 100cm<br />

$200–300<br />

697<br />

A collection of bent wood walking<br />

sticks, including Macassar ebony<br />

and birch<br />

comprising fifteen pieces<br />

the longest 100cm<br />

$100–200<br />

698<br />

A collection of bent wood walking<br />

sticks and walking canes<br />

including a silver mounted horn<br />

handled walking cane<br />

comprising fifteen pieces<br />

the longest 92cm<br />

$100–200<br />

693


152<br />

699<br />

A collection of five sterling silver<br />

and metal mounted walking canes,<br />

19th century and later<br />

including Charles Weeden, London,<br />

1876<br />

the largest 87cm long<br />

$200–300<br />

700<br />

A 15 carat rose gold pommel handled<br />

walking stick<br />

engraved ‘Dr E.J.Mc Cardell’<br />

80cm long<br />

$200–300<br />

701<br />

A collection of carved wood<br />

walking canes<br />

comprising five pieces<br />

the largest 92cm long<br />

$100–200<br />

702<br />

A collection of walking sticks and<br />

canes<br />

including a silver mounted ‘Bohemian<br />

Club Reward’ walking stick, and<br />

specimens of fiddleback blackwood<br />

and Macassar ebony<br />

comprising fifteen pieces<br />

the longest 93cm<br />

$300–400<br />

703<br />

A large collection of walking sticks<br />

and canes<br />

comprising twelve pieces<br />

including three with bone handles,<br />

three silver mounted and a fiddleback<br />

blackwood walking stick<br />

the longest 93cm<br />

$200–300<br />

704<br />

Three silver mounted bone handle<br />

walking sticks, late 19th century,<br />

together with various walking canes<br />

and sticks<br />

comprising nine pieces<br />

the buckle cuffed stick by<br />

J Howell & Co Ltd, Birmingham, 1901<br />

the Indian brass handled cane 94cm<br />

long<br />

$200–300<br />

705<br />

A silver and faceted crystal<br />

mounted cane by Ernest Lory,<br />

London, circa 1904<br />

together with a carved ebony<br />

walking stick and six other various<br />

walking sticks<br />

the longest 93cm<br />

$100–200<br />

699 700


153<br />

706<br />

A Continental silver erotic figural<br />

handled walking stick<br />

designed in the form of a reclining<br />

woman and a dove<br />

90cm long<br />

$200–300<br />

707<br />

A walking stick with the silver handle<br />

designed as a reclining female figure<br />

92cm long<br />

$200–300<br />

708<br />

A nine carat rose gold tipped handle<br />

walking cane<br />

81cm long<br />

$120–180<br />

709<br />

Five sterling silver and metal mounted<br />

walking canes, circa 1900<br />

one marked Birmingham 1900 and<br />

four others including Indian silver<br />

96cm<br />

$200–300<br />

710<br />

A large shell inlaid ebonised walking<br />

stick with a figural handle, together<br />

with two other carved sticks<br />

the ebonised walking stick with an<br />

elephant and cobra form handle<br />

the longest 95cm<br />

$100–200<br />

711<br />

A sterling silver hoof handle walking<br />

stick and a collection of bone and<br />

carved wood handle walking sticks<br />

comprising eight pieces<br />

the horse hoof stick by<br />

Swain & Adeney, London<br />

the longest 93cm<br />

$200–300<br />

712<br />

A faceted ivory and tortoiseshell<br />

walking cane<br />

topped with with an Indian ivory<br />

knopped handle<br />

$120–180<br />

713<br />

A collection of sterling silver pommel<br />

handled walking canes with various<br />

inscriptions, including one by John<br />

Henry Rawlings, London, 1889<br />

comprising eight pieces<br />

the longest cane 93cm long<br />

$300–400<br />

714<br />

A snakeskin walking stick, an ebonised<br />

elephant handle walking stick with five<br />

antler handled walking sticks<br />

including a simulated bamboo stick<br />

comprising eight pieces<br />

the longest 97cm<br />

$100–200<br />

706 707 708


154<br />

715<br />

A collection of five silver handled<br />

walking canes, 19th century and later<br />

one decorated with two dog heads<br />

and a buckle, one of an owl, one<br />

marked London, 1909 by J Howell &<br />

Co and one marked London 1885<br />

the longest 92cm<br />

$200–300<br />

716<br />

A walking cane with a bronze bust of a<br />

young indigenous man handle<br />

engraved monogram AD<br />

92cm long<br />

$200–400<br />

717<br />

A semi-precious gem set carved ivory<br />

elephant handled walking cane, Indian,<br />

late 19th century<br />

the stick ebonised with a gilded plate<br />

engraved ‘D. Packett Moulden’<br />

92cm<br />

$300–500<br />

718<br />

An ebonised carved monkey handle<br />

walking stick and three faux ivory finial<br />

walking canes<br />

the three finials modelled as an owl,<br />

a dog and a two faced ghoul<br />

the largest 93cm<br />

$200–300<br />

719<br />

A copper mounted thornwood walking<br />

stick with a snuff compartment and<br />

spirit flask segment, together with<br />

another cane and walking stick<br />

the largest 89cm long<br />

$150–250<br />

720<br />

A large Italian glazed pottery<br />

‘Chess King’ vase, 20th century<br />

with a silver and gilt glaze, inscribed<br />

‘Italy’ to the base<br />

52cm high<br />

$120–180<br />

721<br />

Three Australian fiddleback blackwood<br />

walking sticks<br />

the horn handled cane carved<br />

with a bird<br />

the longest cane 89cm long<br />

$100–200<br />

722<br />

A collection of various riding<br />

crops, swagger sticks and canes,<br />

19th century and later<br />

comprising fifteen pieces<br />

the largest 83cm long<br />

$100–200<br />

723<br />

Two unusual walking sticks and a cane,<br />

late 19th century<br />

comprising a whale tooth handled<br />

ebony walking stick, a polished<br />

jade handled walking stick and an<br />

Australian silver mounted ebony and<br />

bamboo cane, the cane engraved ‘K<br />

Gardner of Toorak’ to the inside of the<br />

scaled handle<br />

the cane 94cm long<br />

$200-300<br />

715 716 717


155<br />

724<br />

725<br />

726<br />

724<br />

An ebonised sterling silver mounted<br />

ivory cased baton<br />

inscribed: ‘Presented to P. Barnet<br />

Esq. by the Officers & Teachers of the<br />

B.S.W.S.S NOV 1895’<br />

Birmingham assay marks<br />

52cm<br />

$150–250<br />

725<br />

A sterling silver mounted ivory cased<br />

baton<br />

inscribed: ‘Presented to T.C. Webb by<br />

the members of the Ilfracomb Coral<br />

Society in recognition of the value they<br />

place on his teaching. 13th Feby. 1877’<br />

53cm<br />

$200–300<br />

726<br />

A sterling silver mounted ivory cased<br />

baton<br />

inscribed: ‘Presented to Mr Robert<br />

Jackson Adamstown Coral Union<br />

in recognition of his valuaele (sic)<br />

valuable services as Conductor’<br />

55cm<br />

$200–300<br />

727<br />

Three silver handled walking sticks,<br />

late 19th century<br />

including a sterling silver handled<br />

walking stick, marked London 1899<br />

the largest 92cm<br />

$200–300<br />

728<br />

A Maori tiki motif walking stick<br />

together with two Oceanic style staffs<br />

the maori stick with paua shell inlay<br />

the longest 90cm<br />

$100–200<br />

729<br />

A male New Guinea Sepik River<br />

carved and painted ceremonial figure<br />

(meat hook)<br />

with shells and textile<br />

93cm long<br />

$4,000-8,000<br />

727


156<br />

730<br />

730<br />

A pair of Danish CH28 teak Sawbuck<br />

chairs by Hans Wegner for Carl<br />

Hansen, designed circa 1955<br />

each with leather seats, stamped to<br />

the base ‘Made in Denmark by Carl<br />

Hansen & Son, Odense, Denmark,<br />

Designer Hans J. Wegner’<br />

78cm high, 73cm wide, 55cm deep<br />

$4,000–6,000<br />

731<br />

A pair of Danish teak model 71 dining<br />

chairs by Arne Hovmand Olsen for<br />

Mogens Kold, designed 1959<br />

each bearing a metal plate stamped<br />

‘Craftsmanship, Made in Denmark’<br />

$600–800<br />

731


157<br />

732<br />

A nest of three teak side tables by<br />

Arne Hovmand Olsen for Mogens Kold,<br />

designed circa 1960s<br />

the largest 50cm high, 58cm wide,<br />

39cm deep<br />

$300–500<br />

733<br />

A pair of Danish teak AP-19 Papa Bear<br />

armchairs, designed by Hans Wegner<br />

for A. P. Stolen, circa 1951<br />

each with original green fabric<br />

upholstery, stamped ‘Made in<br />

Denmark, Designer: Hans J. Wegner,<br />

A. P. Stolen, Copenhagen’<br />

99cm high<br />

$12,000–15,000<br />

732<br />

734<br />

A Scandinavian teak lounge suite,<br />

Norway, circa 1960s<br />

comprising an upholstered four seat<br />

sofa and two matching arm chairs<br />

length of back 275cm<br />

$600–800<br />

733


158<br />

735<br />

A Danish teak dining suite, designed by<br />

Jens Risom, circa 1960s<br />

comprising an extension dining table<br />

and six chairs, labelled to the base<br />

‘Jens Risom Design, manufactured<br />

under licence by William Latchford &<br />

Sons Pty. Ltd., 50 Lexton Road, Box Hill,<br />

E11, Victoria<br />

74cm high, 194cm wide, 94cm deep<br />

(closed)<br />

$1,500–2,500<br />

736<br />

A Jean Lurcat Aubusson tapestry<br />

“Le Fauteuil” (<strong>The</strong> Armchair)<br />

tapestry signature lower left and right<br />

label verso: ‘Le Fauteuil’ Tracen 1<br />

Cartun de JEAN LURCAT suite P51<br />

TABARD AUBUSSON<br />

175cm high, 195cm wide<br />

$800–1,200<br />

737<br />

A Danish teak coffee table by France<br />

& Son, Denmark, circa 1960s<br />

45cm high, 175cm wide, 60cm deep<br />

$400–600<br />

738<br />

An Australian pottery tile top table<br />

comprising twenty tiles set into a<br />

hardwood table frame<br />

tiles painted with an under water<br />

seascape<br />

tile lower right signed: Pat Phillips<br />

the tiles 61cm high, 76cm wide (overall)<br />

the table 69cm high, 81cm wide,<br />

66cm deep<br />

80 x 66cm<br />

$600-900<br />

735


159<br />

739<br />

739<br />

A set of four oak CH24 Wishbone chairs,<br />

designed by Hans Wegner for Carl Hansen<br />

each chair stamped ‘Made in Denmark by<br />

Carl Hansen & Son, Odense, Denmark<br />

$800–1,200<br />

735


160<br />

Part III Online Auction<br />

<strong>The</strong> <strong>Harry</strong> <strong>Oviss</strong> <strong>Collection</strong> Part III will occur as a<br />

timed online sale, closing Tuesday 5 October, 10am<br />

All bids are placed via the online catalogue on the Gibson’s website<br />

and are executed immediately against the lot’s reserve, or the current<br />

highest bid. In the case of multiple bids occurring within the last five<br />

minutes of the close of lot, the closing time is extended for a further<br />

five minutes. Please contact our office for further information.<br />

740<br />

JOHN HOWLEY (1931-2020)<br />

Landscape 1966<br />

mixed media<br />

signed and dated lower left:<br />

HOWLEY 66<br />

29.5 x 49.5cm<br />

$150–300<br />

741<br />

MAXIMILIAN FEUERRING<br />

(1896-1985)<br />

Mystic Plant<br />

oil on board<br />

signed lower right: FEUERRING<br />

inscribed verso:<br />

FEUERRING MYSTIC PLANT<br />

34.5 x 39.5cm<br />

$100–300<br />

742<br />

GARETH JONES-ROBERTS<br />

(1935-2013)<br />

Study for a Falling Man 1963<br />

watercolour<br />

signed, dated and titled lower left:<br />

G Jones Robert 63<br />

Study for a Falling Man<br />

47 x 23.5cm<br />

$80–150<br />

743<br />

FRANK WERTHER (1922-2010)<br />

Studio Nude 1971<br />

watercolour and gouache<br />

signed and dated lower right:<br />

Frank Werther 71<br />

49.5 x 64cm<br />

$100–250<br />

744<br />

NOEL TUNKS (1942-2008)<br />

Head Study for the Christ Child<br />

1976<br />

oil on canvas<br />

signed and dated lower right:<br />

N TUNKS 76<br />

74.5 x 59.5cm<br />

PROVENANCE<br />

Australian Galleries, Melbourne<br />

$150–250<br />

745<br />

JOHN HOWLEY (1931-2020)<br />

Four Figures 1970<br />

mixed media on paper<br />

signed and dated lower right:<br />

Howley 70<br />

17 x 24cm<br />

$100–300<br />

746<br />

ANTHONY (TONY) WOODS<br />

(1940-2017)<br />

Figures 1963<br />

mixed media and collage<br />

signed, dated and tiled verso:<br />

Tony Woods 1963 Figures<br />

38 x 48cm<br />

$100–500<br />

747<br />

ANTHONY (TONY) WOODS<br />

(1940-2017)<br />

Studio 1967<br />

oil on board<br />

signed and dated lower right:<br />

Woods ‘67<br />

65.5 x 74.5cm (irregular)<br />

$250–350<br />

748<br />

PAUL DELPRAT (BORN 1942)<br />

Figure Study<br />

oil on board<br />

signed lower right: DELPRAT<br />

15 x 16cm<br />

$100–200<br />

749<br />

FRANK WERTHER (1922-2010)<br />

Landscape with Thistles 1962<br />

oil on board<br />

signed and dated lower right:<br />

Werther 62<br />

33 x 38.5cm<br />

$150–250<br />

750<br />

PATRICIA FOARD (BORN 1935)<br />

Foreshore 1963<br />

oil on board<br />

signed and dated lower right:<br />

FOARD 63<br />

56.5 x 73cm<br />

$100–200<br />

751<br />

ROBERT (BOB) BARROW<br />

Highways and Byways<br />

oil on canvas<br />

inscribed verso: BOB BARROW<br />

HIGHWAYS & BYWAYS<br />

91 x 76cm<br />

$100–200


161<br />

752<br />

ARTIST UNKNOWN<br />

Studio Nude<br />

oil on canvas board<br />

signed with initials lower left: MK<br />

49 x 39cm<br />

$100–200<br />

753<br />

MORROW<br />

Interior 1966<br />

pencil and charcoal<br />

signed and dated lower right:<br />

Morrow 66<br />

34 x 45cm<br />

$100–300<br />

754<br />

ENID NANGALA GALLAGHER<br />

Fire Dreaming<br />

acrylic on canvas on board<br />

61 x 69cm<br />

PROVENANCE<br />

Warnayaka Art Centre, NT<br />

$100–300<br />

755<br />

JO DAVIDSON (BORN 1954)<br />

Portrait<br />

crayon and wash<br />

inscribed verso: Jo Davidson<br />

84.5 x 58cm<br />

$100–200<br />

756<br />

PETER KIRK<br />

Nude 1978<br />

pencil and chalk<br />

signed and dated lower centre:<br />

KIRK 78<br />

73.5 x 48cm<br />

$100–200<br />

757<br />

A THOMSON<br />

Nudes and Burning Landscape<br />

oil and mixed media on board<br />

signed lower right: A Thomson<br />

43.5 x 76.5cm<br />

$100–200<br />

758<br />

JENNY McMAHON<br />

(ACTIVE 1970-1980s)<br />

<strong>The</strong> Pink Jacket 1981<br />

oil on canvas<br />

signed and dated lower right:<br />

J A McMahon 81<br />

90 x 82.5cm<br />

$100–200<br />

759<br />

GEOFFREY GOLDIE (1921-2007)<br />

Nude 1971<br />

mixed media<br />

signed and dated lower centre:<br />

GEOFFREY GOLDIE 1971<br />

68.5 x 43cm<br />

$100–200<br />

760<br />

TERRY TAYLOR (BORN 1958)<br />

Deidre 1985<br />

oil on canvas<br />

signed and dated verso:<br />

Terry Taylor 1985<br />

60.5 x 40.5cm<br />

$200–300<br />

761<br />

JANIS KANEPS (BORN 1948)<br />

Prometheus Bound 1965<br />

oil on canvas<br />

signed and dated lower right:<br />

J KANEPS 65<br />

titled verso: PROMETHEUS BOUND<br />

102 x 75cm<br />

$100–200<br />

762<br />

THOMAS (TOM) FANTL<br />

(BORN 1947)<br />

<strong>The</strong> Cultured Jew of Melbourne<br />

1994<br />

oil on canvas<br />

signed lower right: Fantl<br />

signed, inscribed and titled verso:<br />

FANTL 1994 THE CULTURED JEW OF<br />

MELBOURNE<br />

76 x 45.5cm<br />

$150–250<br />

763<br />

THOMAS BUCKNELL<br />

Interior 1979<br />

oil on canvas<br />

signed and dated lower left:<br />

T BUCKNELL 79<br />

60.5 x 75.5cm<br />

$100–300<br />

764<br />

DOUGLAS NORMAN<br />

Compound Colour 1973<br />

acrylic on paper<br />

signed, dated and titled verso: Douglas<br />

Norman 1973 Compound Colour<br />

57.5 x 43cm<br />

$100–300<br />

765<br />

BRIAN NASH (BORN 1942)<br />

<strong>The</strong> Storm<br />

oil on board<br />

signed lower right: Brian Nash<br />

50 x 75.5cm<br />

$100–200<br />

766<br />

ALLEN DAVID (1926-2014)<br />

Totem<br />

oil on board<br />

inscribed verso: ALLEN DAVID<br />

91 x 61cm<br />

$100–300<br />

767<br />

HUGH (GIL) JAMIESON<br />

(1934-1992)<br />

Portrait of Matthew<br />

oil on board<br />

signed lower right: GIL<br />

74.5 x 54.5cm<br />

$100–300<br />

768<br />

ARTIST UNKNOWN<br />

Portrait<br />

oil on canvas<br />

signed but illegible upper right<br />

70 x 60cm<br />

$100–300


162<br />

769<br />

MARGARET HARRISON<br />

Snake Dreaming<br />

acrylic on canvas board<br />

inscribed verso: Margaret Harrison,<br />

Snake Dreaming<br />

42 x 52cm<br />

$100–200<br />

770<br />

JOHN HOWLEY (1931-2020)<br />

Anna Reading 1986<br />

oil on paper<br />

signed, dated and titled lower centre:<br />

John Howley 1986 Anna Reading<br />

50.5 x 63.5cm<br />

$100–200<br />

771<br />

GEOFFREY DANCE (BORN 1930)<br />

Nude 1996<br />

oil on canvas<br />

signed but illegible and dated lower<br />

right: 96<br />

67 x 76cm<br />

$150–250<br />

772<br />

DOUGLAS WRIGHT<br />

(BORN 1944)<br />

<strong>The</strong> Clearing 1965<br />

pastel<br />

signed and dated lower right:<br />

Wright 65<br />

34.5 x 54.5cm<br />

$80–120<br />

773<br />

JENNY McMAHON (ACTIVE<br />

1970-1980s)<br />

Portrait of a Girl 1981<br />

oil on canvas<br />

signed and dated centre right:<br />

J A McMahon 81<br />

60 x 60cm<br />

$100–200<br />

774<br />

GREG DOYLE<br />

<strong>The</strong> Hat 1987<br />

oil on paper<br />

signed and dated lower left:<br />

G DOYLE ‘87<br />

57 x 41.5cm<br />

$100–200<br />

775<br />

ASHER BILU (BORN 1936)<br />

Untitled<br />

mixed media<br />

inscribed verso: Bilu<br />

64 x 55cm<br />

$100–300<br />

776<br />

ARTIST UNKNOWN<br />

<strong>The</strong> Crucifixion<br />

oil on board<br />

signed but illegible lower right<br />

60 x 44cm<br />

$150–250<br />

777<br />

RAFAEL GURVICH (BORN 1949)<br />

Portrait 1974<br />

oil on canvas<br />

signed and dated lower right:<br />

Gurvich 74<br />

37 x 30cm<br />

$100–200<br />

778<br />

GEORGE JOHNSON<br />

(BORN 1926)<br />

Nimbus<br />

mixed media<br />

signed lower right: G Johnson<br />

32.5 x 38.5cm<br />

$200–300<br />

779<br />

JOHN GRAEME<br />

Abstract<br />

oil on board<br />

inscribed verso: JOHN GRAEME<br />

48.5 x 39cm<br />

$80–150<br />

780<br />

ANNE HALL (BORN 1945)<br />

Portrait 1974<br />

oil on canvas<br />

signed and dated centre left:<br />

Anne Hall 74<br />

51 x 41cm<br />

$150–250<br />

781<br />

M MURRAY WILCOX<br />

Summer Daze<br />

oil on board<br />

signed lower right: M MURRAY WILCOX<br />

21 x 29.5cm<br />

$100–300<br />

782<br />

MAX HURLEY (1938-2019)<br />

Tearaway 1966<br />

oil on board<br />

signed and dated lower left:<br />

MAX HURLEY 66<br />

29.5 x 19cm<br />

$100–300<br />

783<br />

JENNIE BOYLE (ACTIVE 1980s)<br />

Nude<br />

oil on paper<br />

signed lower right: Jennie M Boyle<br />

49 x 65.5cm<br />

$100–300<br />

784<br />

POLLY COURTIN (BORN 1951)<br />

Head Study 1988<br />

oil on paper<br />

signed and dated lower left:<br />

Polly Courtin 88<br />

76 x 66cm<br />

$100–200<br />

785<br />

BRIAN NASH (BORN 1942)<br />

Nude<br />

oil on board<br />

signed lower right: Brian Nash<br />

23.5 x 39.5cm<br />

$100–200


163<br />

786<br />

THOMAS (TOM) FANTL<br />

(BORN 1947)<br />

Corner Seat 1971<br />

mixed media<br />

signed and dated lower right:<br />

TOM FANTL 1971<br />

46.5 x 33cm<br />

$100–200<br />

787<br />

GEORGE DE NEMES<br />

(1909-1997)<br />

Circus<br />

oil on canvas board<br />

signed upper right:<br />

GEORGE DE NEMES<br />

29.5 x 24cm<br />

$100–200<br />

788<br />

IAN ARMSTRONG (1923-2005)<br />

Young Girl 1970<br />

gouache and watercolour<br />

signed and dated lower left:<br />

Ian Armstrong 70<br />

35.5 x 24.5cm<br />

$100–300<br />

789<br />

ROBIN ANGWIN (1947-1976)<br />

Young Pipe Container, Crushed<br />

Container and Assembly 1972<br />

three lithographs<br />

each signed, dated, titled and<br />

editioned on margin<br />

59.5 x 49.5cm (each)<br />

$150–300<br />

790<br />

GREGORY (GREG) MALLYON<br />

(BORN 1954)<br />

Lifsavers 1984<br />

gouache<br />

signed and dated lower right:<br />

GREG MALLYON 84<br />

19.5 x 19.5cm<br />

$100–200<br />

791<br />

S SMITH<br />

Street Figure 1982<br />

oil on canvas<br />

signed and dated lower right:<br />

S SMITH 82<br />

49.5 x 39.5cm<br />

$100–300<br />

792<br />

D HALL<br />

Seaside Vista<br />

acrylic on paper<br />

signed with initial lower right: H<br />

49 x 62.5cm<br />

$100–300<br />

793<br />

GREG IRVINE (BORN 1947)<br />

Monkey<br />

watercolour and ink<br />

signed with initials lower right: GI<br />

75 x 55cm<br />

$100–300<br />

794<br />

PAUL LAURIE (1928-2012)<br />

An Event<br />

oil on board<br />

signed lower right: Laurie Paul<br />

47 x 59.5cm<br />

$100–300<br />

795<br />

RODNEY MILGATE (1934-2015)<br />

Human Image<br />

serigraph<br />

inscribed verso: Rodney Millgate<br />

65 x 52cm<br />

$100–200<br />

796<br />

MARTIN EVERETT<br />

Two Bats 1983<br />

mixed media<br />

signed and dated verso: EVERETT 83<br />

25 x 35cm<br />

$100–300<br />

797<br />

IAN ARMSTRONG (1923-2005)<br />

Thinking Man<br />

gouache and watercolour<br />

signed lower right: Ian Armstrong<br />

23.5 x 11cm<br />

$100–200<br />

798<br />

MICHAEL KITCHING<br />

(1940-2019)<br />

Nevada 1967<br />

collage and mixed media<br />

signed, dated and titled lower right:<br />

Kitching 67 Nevada<br />

34.5 x 34.5cm<br />

$100–300<br />

799<br />

FRANK WERTHER (1922-2010)<br />

In Memory of Kim 1980<br />

oil on board<br />

signed, dated and titled<br />

lower left and upper centre:<br />

Werther 1980 IN MEMORY OF KIM<br />

50 x 60cm<br />

$100–300<br />

800<br />

JAMES (JIM) PATERSON<br />

(BORN 1944)<br />

Nocturne Docks 1984<br />

oil on canvas on board<br />

signed and dated verso:<br />

Jim Paterson 84<br />

30.5 x 36cm<br />

$150–250<br />

801<br />

MICHAEL (MIKE) BROWN<br />

(1938-1997)<br />

Untitled 1966<br />

ink on paper<br />

signed and dated lower right:<br />

Mike Brown 66<br />

36.5 x 46.5cm<br />

$150–300


164<br />

802<br />

JOHN SKEAPING (1901-1980)<br />

Deer<br />

drawing<br />

signed lower right: JR Skeaping<br />

36.5 x 30cm<br />

$100–300<br />

803<br />

JAKUMARRA<br />

(OF THE WESTERN DESERT)<br />

How the Snake got his Black<br />

Head circa 1995<br />

acrylic on canvas on board<br />

32 x 27.5cm<br />

$100–200<br />

804<br />

ALLEN DAVID (1926-2014)<br />

Abstract 1980<br />

mixed media<br />

signed and dated lower right:<br />

Allen David 1980<br />

40 x 22.5cm<br />

$100–200<br />

805<br />

GARETH JONES-ROBERTS<br />

(1935-2013)<br />

Head Study<br />

oil on board<br />

signed lower right: G Jones Roberts<br />

35 x 25cm<br />

$100–200<br />

806<br />

K BERGEN<br />

Figures 1978<br />

oil on canvas<br />

signed and dated lower left: Bergen 78<br />

61 x 50.5cm<br />

$100–200<br />

807<br />

JOHN BAYTON<br />

<strong>The</strong> Jonah Series No. 7<br />

oil on canvas<br />

signed lower left: Bayton<br />

90 x 60cm<br />

$100–300<br />

808<br />

JOHN HOWLEY (1931-2020)<br />

<strong>The</strong> Time Machine, Phallic<br />

Computer and Figures<br />

two ink drawings and a mixed media<br />

each signed and inscribed on image:<br />

Howley<br />

10 x 22cm, 24 x 25cm, 28 x 38cm<br />

$150–350<br />

809<br />

VIOLA BROMLEY (BORN 1915)<br />

Red Landscape<br />

oil on canvas on board<br />

signed lower left: V Bromley<br />

signed and titled verso:<br />

Viola Bromley Red Landscape<br />

30 x 37.5cm<br />

$100–200<br />

810<br />

ANGUS JONES (BORN 1962)<br />

Arabesque of an Idiots Boat Trip<br />

1986<br />

oil on board<br />

signed, dated and titled verso:<br />

ANGUS JONES 1986 ARABESQUE OF<br />

AN IDIOTS BOAT TRIP<br />

49.5 x 38.5cm<br />

$200–400<br />

811<br />

CLEM MILLWARD (BORN 1929)<br />

Nocturne<br />

oil on board<br />

signed and titled verso:<br />

CLEM MILLWARD NOCTURNE<br />

11 x 21cm<br />

$80–120<br />

812<br />

GEORGINA BEIER (BORN 1938)<br />

Papua New Guinea 1975<br />

mixed media<br />

signed, dated and titled lower right:<br />

Georgina Beier June 75 Papua New<br />

Guinea<br />

30.5 x 46cm<br />

$100–300<br />

813<br />

JOHN ASHWORTH (1915-1979)<br />

Composition 1960<br />

oil on board<br />

signed and dated lower right:<br />

J Ashworth 60<br />

60 x 50cm<br />

$100–300<br />

814<br />

JOY PECK (1928-2008)<br />

Memories of Childhood<br />

oil on canvas<br />

signed lower right: Joy Peck<br />

61 x 76cm<br />

$100–300<br />

815<br />

AUOTRUA MOM<br />

Houses 1976<br />

oil on canvas<br />

signed lower right: Auotrua Mom<br />

59 x 59cm<br />

$100–200<br />

816<br />

SONYA WEINFELD<br />

(ACTIVE 1960-1980)<br />

Village Gathering<br />

oil on paper<br />

signed lower left: Sonya Weinfeld<br />

49.5 x 59cm<br />

$100–200<br />

817<br />

JOHN LANDY<br />

Two Studies<br />

two pastel and crayon on paper<br />

each signed lower right: John Landy<br />

21 x 24cm and 21 x 28cm<br />

$100–200<br />

818<br />

IRENE AMOS (1927-2012)<br />

Farewell<br />

mixed media<br />

inscribed verso: Irene Amos<br />

62 x 49.5cm<br />

$100–300


165<br />

819<br />

FRANCIS ROY THOMPSON<br />

(1896-1966)<br />

Old House, Adelaide Hills<br />

oil on canvas on board<br />

signed lower right:<br />

Francis Roy Thompson<br />

31.5 x 37cm<br />

$200–400<br />

820<br />

DE KOONING<br />

Winter Scene<br />

oil on board<br />

signed lower left: De Kooning<br />

19 x 23.5cm<br />

$150–250<br />

821<br />

ANDREW SOUTHALL<br />

(BORN 1947)<br />

Stanhope Street 1982<br />

oil on canvas<br />

signed with initials lower right: AS<br />

signed and dated verso: Southall 82<br />

39 x 59.5cm<br />

$150–350<br />

822<br />

LAWRENCE ALCOCK<br />

Circus Players 1958<br />

oil on board<br />

signed and dated lower left:<br />

LAWRENCE ALCOCK 58<br />

50 x 42.5cm<br />

$100–200<br />

823<br />

M MORIARTY<br />

Profile 1961<br />

oil on board<br />

signed and dated lower right:<br />

M Moriaty 61<br />

40.5 x 30.5cm<br />

$50–150<br />

824<br />

ARTIST UNKNOWN<br />

European Street Scene<br />

oil on board<br />

signed with initials lower left: J N<br />

45 x 28cm<br />

$100–300<br />

825<br />

ARTIST UNKNOWN<br />

Festival 1984<br />

oil on paper<br />

signed but illegible and dated lower<br />

right: 84<br />

28 x 34.5cm<br />

$150–250<br />

826<br />

W HILL<br />

<strong>The</strong> Bikie’s 1961<br />

oil on paper<br />

signed, dated and titled lower left and<br />

right: W Hill 61 THE BIKES<br />

74 x 54cm<br />

$200–400<br />

827<br />

A collection of fifteen prints, oil<br />

paintings, watercolours and ceramic<br />

reliefs<br />

$150–250<br />

828<br />

A collection of nine paintings oil<br />

paintings, watercolours and prints<br />

$100–300<br />

829<br />

A collection of twelve paintings oil<br />

paintings, watercolours and prints<br />

$150–250<br />

830<br />

A collection of sixteen prints, oil<br />

paintings, watercolours and drawings<br />

$200–400<br />

831<br />

A collection of six oil paintings<br />

$200–400<br />

832<br />

A collection of thirteen oil paintings,<br />

prints and glass relief<br />

$150–300<br />

833<br />

A collection of twelve prints,<br />

oil paintings, watercolours and<br />

embroideries<br />

$100–300<br />

834<br />

ARTIST UNKNOWN<br />

Lovers<br />

composite resin<br />

26.5cm high<br />

$100–300<br />

835<br />

AFRICAN SCHOOL<br />

African Head<br />

stone<br />

signed with initials on base: FM<br />

15cm high, 18cm wide, 9cm deep<br />

$40–60<br />

836<br />

LLOYD ORTON (1918-1996)<br />

Nude 1992<br />

wood<br />

signed and dated on base: ORTON 92<br />

37.5cm high<br />

$100–300<br />

837<br />

MARC CLARK (BORN 1923)<br />

Face<br />

bronze<br />

22cm high, 17.5cm wide, 8.5cm deep<br />

$150–250<br />

838<br />

COLSON<br />

Reclining Figure 1972<br />

bronze<br />

signed and dated on base: Colson 72<br />

8cm high, 16cm wide, 4.5cm deep<br />

$100–200


166<br />

839<br />

GARRY BISH (BORN 1950)<br />

Female Bust<br />

terracotta<br />

incised with initial on base: B<br />

40cm high, 55cm wide, 13cm deep<br />

$150–250<br />

840<br />

STAN SLY<br />

Figure 1967<br />

terracotta<br />

incised and dated on base:<br />

STAN SLY 9/67<br />

34cm high<br />

$40–60<br />

841<br />

G LIGNIERES<br />

Abstract Tower<br />

metal<br />

45.5cm high, 24.5cm wide,<br />

23.5cm deep<br />

$200–400<br />

842<br />

ARTIST UNKNOWN<br />

<strong>The</strong> Birth<br />

bronze<br />

24cm high, 19.5cm wide, 2cm deep<br />

$100–300<br />

843<br />

SARAH SAARONI<br />

Girl Reading 1987<br />

bronze<br />

signed and dated: S Saanroni 87<br />

8.5cm high, 29cm wide, 8.5cm deep<br />

$200–400<br />

844<br />

ARTIST UNKNOWN<br />

Two Figures<br />

bronze<br />

incised on base: H K<br />

23.5cm high<br />

$150–250<br />

845<br />

ARTIST UNKNOWN<br />

Head of a Boy<br />

terracotta<br />

18cm high, 12.5cm wide, 15.5cm deep<br />

$80–120<br />

846<br />

ARTIST UNKNOWN<br />

Nude Figure<br />

terracotta<br />

46cm high, 49cm wide, 24cm deep<br />

$150–300<br />

847<br />

PETER TAYLOR<br />

Orange Mask<br />

painted metal and wire&#9;<br />

30cm high, 26.5cm wide, 17.5cm deep<br />

$100–200<br />

848<br />

JEFFREY WILKINSON<br />

Head of a Man<br />

bronze<br />

incised on base: JEFFREY WILKINSON<br />

22cm high, 19cm wide, 10.5cm<br />

$150–350<br />

849<br />

ARTIST UNKNOWN<br />

Seated woman<br />

bronze<br />

incised with initials on base<br />

24cm high, 18cm wide, 6cm deep<br />

$100–200<br />

850<br />

DANIEL WOLLMERING<br />

Abstract<br />

painted bronze<br />

signed on base: WOLLMERING<br />

86cm high, 80cm wide, 19.5cm deep<br />

$200–400<br />

851<br />

ARTIST UNKNOWN<br />

Mother and Child<br />

bronze<br />

incised on base with monogram<br />

15.5cm high, 19.5cm wide, 5cm deep<br />

$150–250<br />

852<br />

ROBERT LANGLEY (BORN 1929)<br />

Lovers<br />

bronze<br />

incised on base: Robert Langley<br />

32.5cm high<br />

$150–350<br />

853<br />

ROBERT LANGLEY (BORN 1929)<br />

Seated Figure 1967<br />

terracotta<br />

incised and dated on base:<br />

Robert Langley 1967<br />

21cm high, 20cm wide, 12.5cm deep<br />

$60–150<br />

854<br />

ARTISTS UNKNOWN<br />

Two sculptures<br />

metal<br />

36cm high and 37cm high<br />

$200–400<br />

855<br />

ARTIST UNKNOWN<br />

Untitled<br />

welded steel<br />

45cm high, 55.5cm wide, 38.5cm deep<br />

$100–300<br />

856<br />

ARTIST UNKNOWN<br />

Mother and Child on Chair<br />

metal<br />

29cm high, 37cm wide, 15.5cm deep<br />

$80–150


167<br />

857<br />

RAYMON PARMENTER<br />

Male Dancer<br />

bronze<br />

incised, dated and editioned Raymon<br />

Parmenter 1988 3/74<br />

66cm high, 52cm wide, 20cm deep<br />

$100–300<br />

858<br />

VARIOUS ARTISTS<br />

Asian Figure, Duck, Owl Abstract<br />

Form and Standing Figure<br />

a collection of four small sculptures<br />

clay, tin, metal<br />

7–19cm high (size various)<br />

$60–100<br />

859<br />

VARIOUS ARTISTS<br />

African Head, Bust of Lindon<br />

B. Johnson, Rising Figure<br />

terracotta, clay and glazed terracotta<br />

1 signed J Mason<br />

22.5–29cm (various size)<br />

$200–400<br />

860<br />

VARIOUS ARTISTS<br />

A Standing Figure, Apple, Rose,<br />

Girl on Rock, Horseman and Nude<br />

with Bell<br />

metal, stone, tin, bronze, silver<br />

43cm high Standing Figure<br />

$100–300<br />

861<br />

VARIOUS ARTISTS<br />

Untitled Form, Two Figurative,<br />

Duck and Head<br />

a group of five sculptures<br />

wood, metal, ceramic<br />

untitled form signed: R Harris<br />

17–58cm high (various sizes)<br />

$100–300<br />

862<br />

MORTON STUDIO<br />

Two Hanging Wall Sculptures<br />

metal, ceramic and glass<br />

106cm high, 31cm wide, 5cm deep and<br />

155cm high, 23cm wide, 5.5cm deep<br />

$200–300<br />

863<br />

ARTIST UNKNOWN<br />

Standing Form 1969<br />

bronze<br />

incised but illegible and dated on base:<br />

1969<br />

21cm high<br />

$150–250<br />

864<br />

A collection of eight multicoloured<br />

goblets and glasses<br />

the largest 16cm high<br />

$50–80<br />

865<br />

A pair of Austrian Moser clear faceted<br />

glass goblets<br />

etched ‘Moser’ mark to base<br />

13.5cm high<br />

$100–200<br />

866<br />

Three glass goblets<br />

together with four coloured glass<br />

sculptures including a blown glass<br />

iridescent star fish, a striped tulip vase<br />

and two modelled as fish<br />

the largest piece 19.5cm high<br />

$100–200<br />

867<br />

A collection of five glass goblets<br />

the largest 16cm high<br />

$50–100<br />

868<br />

An Australian frosted magenta studio<br />

glass vase by Patrick De Sumo, 1991<br />

with applied vertical tentacles and a<br />

white rim, signed and dated ‘De Sumo<br />

0.11.91’ to base<br />

17cm high<br />

$200–300<br />

869<br />

A collection of six small art glass vases<br />

the largest 15cm high<br />

$200–300<br />

870<br />

Three large art glass bowls<br />

the largest 37cm diameter<br />

$200–300<br />

871<br />

A large cameo glass vase, in the style<br />

of Emile Gallé<br />

relief decorated with fruiting branches<br />

on a pale yellow ground, signed ‘Le<br />

Nancy’<br />

29cm high<br />

$400–600<br />

872<br />

A large emerald green glass platter,<br />

20th century<br />

with etched ship mark to base<br />

36cm diameter<br />

$100–200<br />

873<br />

A collection of six coloured art glass<br />

bowls<br />

including Murano and Kosta Boda<br />

the largest 16cm diameter<br />

$100–200<br />

874<br />

A white ground art glass vase<br />

with green and blue swirled decoration<br />

30cm diameter<br />

$50–100<br />

875<br />

A group of three art glass vases<br />

two in the Murano style and a<br />

serpentine rim lustred vase<br />

the largest 28cm high<br />

$100–200<br />

876<br />

An Art Nouveau green lustre vase<br />

with delicate gilt flowers painted to<br />

the frieze<br />

12cm high<br />

$100–200


168<br />

877<br />

A large red ground art glass pitcher,<br />

20th century<br />

24cm high<br />

$200–300<br />

878<br />

A large dimpled metallic blue glass<br />

twin handled urn with silvered rim<br />

34cm high<br />

$100–200<br />

879<br />

An orange art glass light shade,<br />

circa 1970<br />

21cm high<br />

$100–200<br />

880<br />

A textured lustre art glass vase,<br />

20th century<br />

26cm high<br />

$100–200<br />

881<br />

A tall glass goblet vase<br />

29cm high<br />

$50–100<br />

882<br />

Two art glass bottle vases,<br />

20th century<br />

the largest 24cm high<br />

$100–200<br />

883<br />

An amber art glass vase, second half<br />

20th century<br />

12cm high<br />

$100–200<br />

884<br />

A slumped banded agate art glass<br />

vase<br />

12cm high<br />

$200–300<br />

885<br />

An opaque white art glass vase<br />

with applied swirling<br />

21cm high<br />

$100–200<br />

886<br />

An opalescent studio glass vase by<br />

Cape Byron Hot Glass, Australia, 1989<br />

with a gold hued splash form base,<br />

signed and dated ‘CBHg 89’ to base<br />

with gold paper trade label<br />

12cm high<br />

$100–200<br />

887<br />

An Australian studio glass vase by<br />

Peter Crisp<br />

of flower form in tones of cobalt blue,<br />

labelled to base<br />

20cm high<br />

$50–100<br />

888<br />

An art glass vase, 20th century<br />

with mottled orange and maroon<br />

decoration<br />

14cm high<br />

$100–200<br />

889<br />

A vintage Caithness etched glass<br />

Autumn Leaves vase, 1981<br />

titled and signed ‘SR 81’ to base<br />

23cm high<br />

$50–100<br />

890<br />

An art glass vase<br />

decorated with swirls of blue, amber<br />

and opaque white<br />

14cm high<br />

$100–200<br />

891<br />

A contemporary blue banded glass<br />

decanter<br />

26cm high<br />

$100–200<br />

892<br />

An opaque white and ochre art glass<br />

vase<br />

19cm high<br />

$100–200<br />

893<br />

Two tall turquoise ground glass vases<br />

28cm high<br />

$50–100<br />

894<br />

A tall opaque white ground art glass<br />

vase<br />

with cobalt and tan ‘pulled feather’<br />

decoration<br />

37cm high<br />

$50–100<br />

895<br />

An opaque grey art glass vase<br />

of spherical form with pink banding<br />

16cm high<br />

$50–100<br />

896<br />

A frosted white glass vase<br />

with a ripple edge, etched with flowers<br />

25cm high<br />

$50–100<br />

897<br />

A grey ground art glass vase<br />

with applied swirl decoration to the<br />

neck<br />

24cm high<br />

$100–200<br />

898<br />

A 19th century glass torpedo soda<br />

bottle,<br />

with moulded lettering ‘MILE END’<br />

22cm<br />

$80–150<br />

899<br />

A gold flecked purple art glass bowl<br />

29cm diameter<br />

$50–100<br />

900<br />

An amber art glass bowl, circa 1983<br />

etched initials ‘BEH 83’ and ‘JS’ to<br />

base<br />

14cm high<br />

$100–200<br />

901<br />

A tall red Murano glass goblet vase<br />

30cm high<br />

$60–100


169<br />

902<br />

A collection of three glass ornaments<br />

the glass prism signed Bernini<br />

the largest 28cm high<br />

$100–200<br />

903<br />

Three Australian studio glass goblets<br />

with coloured bowls and petals<br />

signed to base<br />

20cm high<br />

$200–300<br />

904<br />

Two Australian studio glass pal goblets<br />

initialled TNG to base<br />

22cm high<br />

$100–200<br />

905<br />

Two Australian studio glass goblets by<br />

David Herbert<br />

the largest 22cm high<br />

$100–200<br />

906<br />

A glass goblet and a vase<br />

by Don Wreford, 1982<br />

the vase signed and dated ‘82’<br />

the largest 21cm high<br />

$200–300<br />

907<br />

A Venetian ‘Carnevale’ glass goblet<br />

incised to base ‘Carnevale 2/91’<br />

16cm high<br />

$100–200<br />

908<br />

A pair of orange lustre Tiffany style<br />

glass goblets<br />

31cm high<br />

$150–250<br />

909<br />

A group of three lily form glass bud<br />

vases, 20th century<br />

one green striped, one white flecked<br />

and a Loetz style iridescent vase<br />

12cm high<br />

$100–200<br />

910<br />

A collection of glass ornaments<br />

comprising seven pieces<br />

the largest 16cm high<br />

$100–200<br />

911<br />

A gold flecked amethyst glass vase<br />

26cm high<br />

$100–200<br />

912<br />

A collection of six coloured glass vases<br />

the largest 26cm high<br />

$200–300<br />

913<br />

A yellow lustre studio glass bottle vase<br />

signed to base<br />

19cm high<br />

$100–200<br />

914<br />

An art glass handkerchief vase<br />

the opaque white body with red and<br />

black swirled decoration<br />

23cm high<br />

$200–300<br />

915<br />

A collection of four coloured art glass<br />

bowls and vases<br />

the largest 37cm wide<br />

$100–200<br />

916<br />

A collection of coloured glass bowls,<br />

including Murano<br />

the largest 21cm wide<br />

$200–300<br />

917<br />

A purple lustre studio glass bowl, 1981<br />

signed, numbered and dated to base<br />

29cm diameter<br />

$100–200<br />

918<br />

A group of four coloured glass bowls<br />

including Murano<br />

the largest 24cm wide<br />

$150–250<br />

919<br />

A large ovoid coloured glass shade<br />

32cm diameter<br />

$40–60<br />

920<br />

A collection of eight coloured art glass<br />

vases and ornaments<br />

the largest 14cm high<br />

$300–400<br />

921<br />

Three coloured glass vessels,<br />

20th century<br />

comprising two vases and a banded<br />

amber glass sphere vase<br />

the largest 24cm high<br />

$50–100<br />

922<br />

An orange cased glass vase<br />

22cm high<br />

$120–250<br />

923<br />

A tall green art glass vase<br />

30cm high<br />

$100–200<br />

924<br />

A feathered blue ground art glass vase,<br />

20th century<br />

23cm high<br />

$200–300<br />

925<br />

Three art glass bowls<br />

comprising a Murano red and green<br />

swirl bowl, a blue and white serpentine<br />

rim bowl and a yellow and opaque<br />

glass bowl<br />

the largest 28cm diameter<br />

$200–300<br />

926<br />

An opaque white studio vase by Karl<br />

Bengt for Kosta Boda<br />

signed to base<br />

24cm high<br />

$150–250


170<br />

927<br />

A studio glass vase, probably Murano<br />

gold splashed in tones of blue and<br />

mauve<br />

together with a milk glass vase<br />

studio glass vase 17cm high<br />

$100–200<br />

928<br />

A slender gold striped blue vase,<br />

possibly Murano<br />

21cm high<br />

$100–200<br />

929<br />

An ovoid art glass vase<br />

in tones of yellow, white and blue<br />

11cm high<br />

$100–200<br />

930<br />

A purple lustre art glass vase<br />

18cm high<br />

$100–200<br />

931<br />

A black and white art glass vase<br />

signed to base<br />

23cm high<br />

$100–200<br />

932<br />

A yellow and pink art glass vase<br />

21cm high<br />

$50–100<br />

933<br />

An orange and white art glass vase<br />

32cm high<br />

$100–200<br />

934<br />

A mushroom form amber art glass<br />

vase<br />

30cm high<br />

$100–200<br />

935<br />

A collection of five various glass vases<br />

the largest 14cm high<br />

$100–200<br />

936<br />

A Murano style glass vase<br />

25cm high<br />

$200–300<br />

937<br />

An amethyst ground art glass vase<br />

18cm high<br />

$100–200<br />

938<br />

A green uranium glass sculpture,<br />

circa 1930<br />

moulded as two children<br />

24cm high<br />

$40–60<br />

939<br />

A green glass studio vase, Adelaide,<br />

1980<br />

engraved to base<br />

17cm high<br />

$50–100<br />

940<br />

An art glass vase, circa 1980<br />

of tapering cylindrical form with yellow<br />

relief moulded banding<br />

20cm high<br />

$100–200<br />

941<br />

A purple lustre art glass vase<br />

signed illegibly to the base<br />

29cm high<br />

$200–300<br />

942<br />

A studio glass lustre vase by Colin<br />

Heaney<br />

signed to base<br />

18cm high<br />

$200–300<br />

943<br />

A blue lustre studio glass vase, by<br />

Cape Byron Hot Glass<br />

decorated in iridescent blue with<br />

swimming fish, initialled to base<br />

19cm high<br />

$50–100<br />

944<br />

An Australian studio glass amber<br />

cylinder vase by Richard Morell<br />

with a flared rim, signed ‘R Morell’ to<br />

base<br />

20cm high<br />

$100–200<br />

945<br />

A large aqua glass bottle vase<br />

41cm high<br />

$50–100<br />

946<br />

An Australian studio glass bottle vase<br />

by Samuel Herman, 1975<br />

of stylised form in tones of opaque<br />

yellow, incised to base Samuel Herman<br />

1975 SA239<br />

20cm high<br />

$200–300<br />

947<br />

A large Australian studio pale green<br />

ovoid glass vase by Sam Herman, with<br />

brown dotted and scrolling decoration,<br />

signed and dated, 1976<br />

26cm high<br />

$150–250<br />

948<br />

An opalescent studio glass bottle vase<br />

by Sam Herman, Australia<br />

with opaque brown speckles scrolling<br />

across the body, etched ‘Herman’ to<br />

base<br />

16cm high<br />

$150–250<br />

949<br />

A studio glass bottle vase by Sam<br />

Herman, 1976<br />

with metallic brown and blue bubble<br />

decoration<br />

signed and dated ‘Herman 1976’ to<br />

base<br />

13cm high<br />

$150–250<br />

950<br />

Two red art glass vases<br />

one with with white swirled application<br />

the tallest 25cm high<br />

$150–250


171<br />

951<br />

A white swirled baluster art glass vase<br />

together with a white column vase<br />

the largest 27cm high<br />

$100–200<br />

952<br />

A pale blue frill neck blown glass vase<br />

with yellow, brown and blue swirling up<br />

from the base<br />

20cm high<br />

$100–150<br />

953<br />

An ovoid pink crackle glass vase<br />

19cm high<br />

$50–100<br />

954<br />

A blue and purple crackle textured art<br />

glass bowl vase<br />

21cm diameter<br />

$100–200<br />

955<br />

An ovoid glass vase with all over dark<br />

blue and yellow scrolling decoration<br />

25cm high<br />

$100–200<br />

956<br />

An opaque white with marbled red and<br />

blue tendrils bottle vase<br />

18cm high<br />

$50–100<br />

957<br />

An art glass sculpture<br />

of stylised swirling form in tones of<br />

blue, green and red<br />

25cm high<br />

$150–250<br />

958<br />

An opaque yellow glass straight sided<br />

vase<br />

19cm high<br />

$50–100<br />

959<br />

A cloudy yellow urn form glass vase<br />

31cm high<br />

$50–100<br />

960<br />

A tulip goblet together with an applied<br />

flower vase<br />

the goblet titled, editioned and dated<br />

to base<br />

the largest 21cm high<br />

$100–200<br />

961<br />

Two hand blown bottle vases and a<br />

crystal bowl by Orrefors<br />

the largest vase 26cm high<br />

$100–200<br />

962<br />

An electric orange ripple moulded<br />

translucent glass vase, circa 1970<br />

25cm high<br />

$100–200<br />

963<br />

A smoky glass cylinder art glass vase<br />

with abstract aqua striping<br />

17cm high<br />

$100–200<br />

964<br />

An opaque glass vase with all over<br />

orange, yellow and black scrolling<br />

decoration<br />

25cm high<br />

$100–200<br />

965<br />

A Mdina sulphur green glass ball<br />

stopper decanter, Maltese, circa 1970<br />

scrolled band, etched mark<br />

28cm high<br />

$100–200<br />

966<br />

An art glass vase<br />

of clear glass form with mottled<br />

decoration<br />

24cm high<br />

$100–200<br />

967<br />

A Murano style glass vase,<br />

20th century<br />

in tones of blue and purple with a<br />

flared rim<br />

38cm high<br />

$100–200<br />

968<br />

Two lapis blue Moncrieff style<br />

speckled glass vases<br />

the largest 30cm high<br />

$100–200<br />

969<br />

A frosted art glass slab vase with<br />

silvered sprays of leaves<br />

24cm high<br />

$50–100<br />

970<br />

An orange and brown striped opaque<br />

white art glass vase<br />

33cm high<br />

$100–200<br />

971<br />

Three amber glass vases, circa 1960<br />

the largest 26cm high<br />

$100–200<br />

972<br />

A tall opaque orange baluster vase<br />

with marbled decoration<br />

43cm high<br />

$120–180<br />

973<br />

A group of three moulded art glass<br />

bowls, Italian, circa 1980<br />

including one Murano<br />

the largest 26cm wide<br />

$100–200<br />

974<br />

A large slender clear green art glass<br />

bottle vase<br />

77cm high<br />

$100–200<br />

975<br />

A long marbled red and white glass<br />

platter<br />

42cm wide<br />

$50–100<br />

976<br />

A maroon pulled feather pattern glass<br />

vase<br />

23cm high<br />

$50–100


172<br />

977<br />

A studio glass vase by J H White, 1996<br />

of baluster form in tones of yellow<br />

and blue<br />

signed and dated to base<br />

21cm high<br />

$120–180<br />

978<br />

An opaque green and clear glass<br />

moulded vase, 20th century<br />

signed to base<br />

36cm high<br />

$100–200<br />

979<br />

A tall opaque pale blue art glass vase<br />

on circular foot with moulded scrolling<br />

tulip rim<br />

49cm high<br />

$100–200<br />

980<br />

A large blown glass purple conch shell<br />

vase<br />

24cm wide<br />

$100–200<br />

981<br />

An Australian studio clear glass<br />

decanter and ball stopper by Julio<br />

Santos<br />

signed to base<br />

34cm high<br />

$120–180<br />

982<br />

A handblown silver, grey and brown<br />

swirled glass vase<br />

engraved ‘E25’ to the base<br />

17cm high<br />

$100–200<br />

983<br />

Two striped opaque glass conical<br />

vases<br />

the largest 21cm high<br />

$50–100<br />

984<br />

A Whitefriars style rectangular water<br />

textured blue vase<br />

20cm high<br />

$50–100<br />

985<br />

An opaque moulded glass goblet<br />

the stem moulded in a clown face, in<br />

tones of pink, yellow and aqua<br />

25cm high<br />

$100–200<br />

986<br />

A lapis blue glass with yellow rim<br />

trumpet vase<br />

signed to base<br />

27cm high<br />

$100–200<br />

987<br />

A flared form green glass art glass<br />

vase<br />

29cm high<br />

$60–100<br />

988<br />

A conical glass vase<br />

with mottled white and black<br />

decoration<br />

10cm high<br />

$60–100<br />

989<br />

Three ovoid glass vases<br />

in various colours of green, orange<br />

and white<br />

the largest 25cm high<br />

$100–200<br />

990<br />

A ‘Seagull’ glass bowl by Catti<br />

Aselius-Lidbeck for Lindshammar of<br />

Sweden<br />

together with two blue and white blown<br />

glass bowls<br />

the seagull bowl signed ‘C.A.L<br />

Lindshammar Sweden’<br />

the largest 15cm diameter<br />

$100–200<br />

991<br />

A collection of decorative enamelled<br />

copper dishes, circa 1970<br />

comprising three pieces, including a<br />

metallic orange and brown enamelled<br />

bowl by Beth Ben Ariel, signed and<br />

dated to base ‘Melb. ‘78’<br />

the bowl 15cm diameter<br />

$50–80<br />

992<br />

A hand blown purple and opaque white<br />

art glass vase<br />

16cm high<br />

$100–200<br />

993<br />

A silver overlaid ovoid green art glass<br />

vase, circa 1940<br />

18cm high<br />

$120–180<br />

994<br />

A tall Murano style translucent green<br />

glass pointed mouth vase<br />

45cm high<br />

$100–200<br />

995<br />

A studio glass bottle form vase<br />

of free form moulding in tones of green<br />

27cm high<br />

$100–200<br />

996<br />

A large swirling amber art glass vase<br />

31cm high<br />

$100–200<br />

997<br />

An art glass vase<br />

of flared form in tones of orange and<br />

white<br />

19cm high<br />

$100–200<br />

998<br />

A collection of four glass vases<br />

in tones of green and blue<br />

the largest 26cm high<br />

$100–200<br />

999<br />

A Murano style pale green ‘splash’<br />

form bowl<br />

28cm high<br />

$100–200<br />

1000<br />

Three coloured glass goblets<br />

the largest 28cm high<br />

$100–200


173<br />

1001<br />

A studio glass translucent apricot<br />

navette vase by Maureen Williams,<br />

Australian, 1989<br />

with an applied frosted glass band to<br />

the neck<br />

signed ‘M Williams ‘89’ to base<br />

24cm high<br />

$100–200<br />

1002<br />

An etched glass vase, circa 1950<br />

with red banding decoration<br />

16cm high<br />

$80–120<br />

1003<br />

A large opaque with blue clouding art<br />

glass bowl<br />

with an applied orange geometric<br />

motif to the front<br />

initialled to base<br />

27cm high<br />

$50–100<br />

1004<br />

A cylindrical and lustre decorated art<br />

glass vase<br />

35cm high<br />

$100–200<br />

1005<br />

Two speckled purple studio glass<br />

goblets by Stephen Morris<br />

together with a burgundy wine glass<br />

the largest 21cm high<br />

$100–200<br />

1006<br />

A tall art glass vase<br />

of cylindrical form with opaque twist<br />

decoration<br />

36cm high<br />

$100–200<br />

1007<br />

An Australian studio clear blue<br />

flattened ovoid glass vase by Tricia<br />

Allen<br />

signed to base<br />

10cm high<br />

$100–200<br />

1008<br />

A tall ovoid hand blown glass vase<br />

with pink, blue, black and yellow swirls<br />

cascading down the body<br />

etched to base ‘Randall 2000/12’<br />

40cm high<br />

$100–200<br />

1009<br />

An Australian studio glass vase by<br />

Richard Morrell<br />

together with another columnar art<br />

glass vase<br />

the largest 39cm high<br />

$120–180<br />

1010<br />

An Australian studio speckled glass<br />

urn vase by Richard Morrell<br />

signed to base ‘Morell’<br />

11cm high<br />

$120–180<br />

1011<br />

A mottled blue and clear glass striped<br />

vase<br />

signed to base: C Pachents 95<br />

15cm high<br />

$50–100<br />

1012<br />

A ruby speckled handblown glass bud<br />

vase by Glen Pattrick, 1992<br />

together with an iridescent bowl and<br />

an art glass goblet<br />

the goblet 20cm high<br />

$100–200<br />

1013<br />

A cobalt sphere glass vase with an<br />

opaque yellow everted mouth<br />

16cm high<br />

$100–200<br />

1014<br />

Two blown glass decorative dishes,<br />

circa 1985<br />

the speckled purple dish signed to<br />

base<br />

the emerald green handled dish<br />

34cm diameter<br />

$100–200<br />

1015<br />

A opaque pink glass cup vase in the<br />

style of Moncrieff<br />

with gilt and purple flecking decoration<br />

23cm high<br />

$100–200<br />

1016<br />

A Murano style opaque orange glass<br />

bottle vase with multi coloured dots<br />

27cm high<br />

$100–200<br />

1017<br />

An ovoid opaque green and yellow<br />

glass vase<br />

22cm high<br />

$100–200<br />

1018<br />

A green and amber art glass vase<br />

24cm high<br />

$100–200<br />

1019<br />

A white pulled feather pattern art glass<br />

vase<br />

29cm high<br />

$100–200<br />

1020<br />

An opaque white spotted scalloped<br />

edge vase<br />

36cm high<br />

$100–200<br />

1021<br />

A large Murano orange glass vase<br />

50cm high<br />

$150–250<br />

1022<br />

A Murano art glass vase by Barovier<br />

and Tose<br />

straight sided and decorated with a<br />

‘tortoiseshell’ pattern<br />

signed to base<br />

20cm high<br />

$100–200


174<br />

1023<br />

A white ground baluster glass vase<br />

with orange, yellow and brown flecking<br />

33cm high<br />

$100–200<br />

1024<br />

An opaque brown and orange ground<br />

art glass vase<br />

with ‘natural rock’ decoration<br />

26cm high<br />

$50–100<br />

1025<br />

A French studio glass vase<br />

of ovoid form with mottled white<br />

decoration<br />

marked ‘Lunéville’<br />

19cm high<br />

$150–250<br />

1026<br />

A collection of decorative glass<br />

objects with a quartz geode<br />

comprising a Veikkaus bird, a blown<br />

glass pen, a Glebe Hot Glass Studio<br />

weight, a pink bell<br />

the largest object 15cm wide<br />

$50–100<br />

1027<br />

An iridescent blue art glass glass<br />

perfume bottle<br />

signed but illegible to base<br />

16cm high<br />

$100–200<br />

1028<br />

A collection of sculptural studio glass<br />

vases<br />

including Holmegaard and Pauline<br />

Delaney<br />

comprising five pieces<br />

the largest 23cm high<br />

$200–400<br />

1029<br />

An Australian pottery lamp base by<br />

Guy Boyd<br />

painted with an indigenous hunter and<br />

kangaroo<br />

incised to base: Buy Boyd<br />

18cm high<br />

$150–250<br />

1030<br />

A large ‘leopard skin’ blown glass twin<br />

handled vase<br />

47cm high<br />

$200–300<br />

1031<br />

Three art glass vessels<br />

comprising an iridescent blue vase, an<br />

aqua and red square bud vase and an<br />

iridescent ovoid white vase<br />

the largest 20cm high<br />

$150–250<br />

1032<br />

A translucent yellow vase with white<br />

scrolling overlay by Clare Belgrave,<br />

Australia<br />

signed to base<br />

24cm high<br />

$100–200<br />

1033<br />

A collection of four art glass vases<br />

of various forms in tones of orange,<br />

purple and white<br />

the largest 16cm high<br />

$200–300<br />

1034<br />

A pinched mouth ‘rock’ pattern art<br />

glass vase<br />

24cm high<br />

$120–200<br />

1035<br />

An Australian pottery jug decorated by<br />

Ken Done<br />

15cm high<br />

$50–100<br />

1036<br />

A collection of Dyson Studio pottery<br />

and slipware<br />

the largest 20cm high<br />

$60–100<br />

1037<br />

A glazed slipware jar and cover by<br />

Martin Boyd<br />

incised to base: Martin Boyd<br />

15cm high<br />

$60–100<br />

1038<br />

A terracotta seated figure by<br />

Sorennsen<br />

incised to base: Sorennsen 1988<br />

15cm high<br />

$60–100<br />

1039<br />

GUY BOYD (1923-1988)<br />

Five Australian pottery mugs<br />

all signed to base<br />

the largest 11cm high<br />

$150–250<br />

1040<br />

A collection of hand painted slipware<br />

mugs by Martin Boyd<br />

comprising six pieces<br />

signed to base: Martin Boyd<br />

the largest 12cm high<br />

$150–250<br />

1041<br />

A collection of seven slipware vessels<br />

by Martin Boyd<br />

each hand painted<br />

each incised to base: Martin Boyd<br />

the largest 11cm high<br />

$60–100<br />

1042<br />

A collection of six Australian pottery<br />

jugs and vessels by Guy Boyd<br />

each inscribed with signature to base<br />

the largest 13cm high<br />

$100–200<br />

1043<br />

A collection of eight glazed and<br />

painted slipware bowls by Martin Boyd<br />

each signed to base: Martin Boyd<br />

the largest 14cm diameter<br />

$100–200<br />

1044<br />

A collection of six glazed and painted<br />

slipware ramekins by Martin Boyd<br />

each signed to base: Martin Boyd<br />

the largest 16cm<br />

$60–100


175<br />

1045<br />

A collection of four hand painted<br />

slipware dishes by Guy Boyd<br />

each incised to base: Guy Boyd<br />

the largest 15cm diameter<br />

$60–100<br />

1046<br />

Nine slipware pottery plates by Martin<br />

Boyd, Australian<br />

some with indigenous decoration<br />

each with inscribed signatures<br />

the largest 19cm diameter<br />

$100–200<br />

1047<br />

A collection of green and pink slipware<br />

pottery by Guy Boyd<br />

comprising three sugar bowls and<br />

three small ovoid vases<br />

inscribed signature to base<br />

the largest 11cm high<br />

$150–250<br />

1048<br />

A small collection of vases by Guy<br />

Boyd<br />

comprising three pieces<br />

incised signatures to base<br />

the largest 18cm high<br />

$200–300<br />

1049<br />

A collection of eight studio pottery<br />

vases and vessels by Martin Boyd<br />

the largest 14cm high<br />

$150–250<br />

1050<br />

A hand painted earthenware sculpture<br />

of a head, 20th century<br />

signed ‘Roberts’<br />

19cm high<br />

$50–100<br />

1051<br />

A collection of ceramics and a stained<br />

glass box<br />

includes a Fowlers Pottery Australia<br />

koala box, a Villeroy and Boch box and<br />

a blue Adderley’s ceramic goblet<br />

comprising four pieces<br />

the largest piece 20.5cm high<br />

$50–100<br />

1052<br />

A collection of four hand painted<br />

slipware plates by Martin Boyd<br />

decorated with Mexican scenes<br />

each incised to base: Martin Boyd<br />

27cm diameter<br />

$150–250<br />

1053<br />

A collection of metal and copper ware<br />

comprising two kettles, two teapots, a<br />

sugar bowl and a quantity of goblets<br />

the largest 19cm high<br />

$120–200<br />

1054<br />

A collection of white earthenware<br />

goblets together with a blue jug by<br />

Martin Boyd<br />

comprising six pieces<br />

incised signature to base<br />

15cm high<br />

$100–200<br />

1055<br />

A collection of white speckled<br />

earthenware goblets<br />

comprising ten pieces<br />

the largest 20cm high<br />

$100–200<br />

1056<br />

A collection of brown glazed<br />

earthenware goblets<br />

comprising ten pieces<br />

the largest 15cm high<br />

$100–200<br />

1057<br />

A collection of glazed earthenware<br />

goblets<br />

comprising ten pieces<br />

the largest 20cm high<br />

$100–200<br />

1058<br />

A collection of grey and brown<br />

earthenware goblets<br />

comprising ten pieces<br />

16cm high<br />

$100–200<br />

1059<br />

A collection of abstract earthenware<br />

goblets, including Brendan Foley<br />

comprising ten pieces<br />

variously singed to base ‘O’Loughlin’,<br />

‘Singer’ and ‘Foley’<br />

the paw footed cup 19cm high<br />

$100–200<br />

1060<br />

A collection of earthenware goblets by<br />

Brendan Foley, Australian<br />

comprising six pieces<br />

the largest<br />

$100–200<br />

1061<br />

A collection of high gloss glazed<br />

earthenware goblets<br />

comprising ten pieces<br />

the largest 20cm high<br />

$100–200<br />

1062<br />

A collection of blue and olive glazed<br />

earthenware goblets<br />

comprising ten pieces<br />

the largest 16cm high<br />

$100–200<br />

1063<br />

A collection of multicolour glazed<br />

earthenware goblets<br />

comprising ten pieces<br />

the largest 22cm<br />

$100–200<br />

1064<br />

A collection of foliate painted<br />

earthenware goblets<br />

comprising ten pieces<br />

the largest 15cm high<br />

$100–200<br />

1065<br />

A collection of glazed earthenware<br />

goblets, including Bendigo Pottery<br />

comprising nine pieces<br />

the largest 16cm high<br />

$150–250


176<br />

1066<br />

A Remued Pottery high gloss green<br />

and brown glazed vase<br />

incised ‘Remued’ to base<br />

23cm high<br />

$100–200<br />

1067<br />

A textured earthenware jug<br />

by Ellen Bjorn<br />

incised to base<br />

30cm high<br />

$100–200<br />

1068<br />

A glazed earthenware teapot by Shane<br />

McDonald<br />

decorated with gum nuts and leaves<br />

signed and dated to base: Shane<br />

McDonald 1991<br />

18cm high<br />

$100–200<br />

1069<br />

A Wedgwood porcelain yellow and<br />

orange lidded jar<br />

black factory stamp to base<br />

17cm high<br />

$100–200<br />

1070<br />

TOM P SANDERS (1925-2008)<br />

A glazed earthenware platter<br />

decorated with a figure and an emu<br />

incised to base: Tom Sanders Eltham<br />

Victoria Australia<br />

33.5cm diameter<br />

$150–250<br />

1071<br />

CHRISTOPHER SANDERS<br />

(BORN 1952)<br />

A blue glazed earthenware vase<br />

signed to base: C Sanders 1/500<br />

27cm high<br />

$100–200<br />

1072<br />

GUS MCLAREN (1923-2008)<br />

A compressed ovoid double handled<br />

earthenware vase<br />

signed on base: Gus McLaren<br />

42cm high<br />

$150–250<br />

1073<br />

GERALD MAKIN (BORN 1929)<br />

A glazed earthenware sculpture of a<br />

head, 1978<br />

incised to base: Gerald Makin 1978<br />

Part of Sport Sculpture<br />

29cm high<br />

$200–300<br />

1074<br />

A large studio pottery vase<br />

by Sandy Caldow<br />

decorated in high relief with two faces<br />

incised to base: Caldow 1997<br />

37cm high<br />

$60–80<br />

1075<br />

A hand painted slipware platter by Guy<br />

Boyd<br />

decorated with indigenous motifs<br />

incised to base: Guy Boyd<br />

39cm diameter<br />

$150–250<br />

1076<br />

A glazed earthenware jug<br />

incised to base: GM<br />

16cm high<br />

$60–100<br />

1077<br />

A large glazed earthenware vase<br />

mottled blue and green tones<br />

signed with initials to base: SB<br />

24cm high<br />

$150–250<br />

1078<br />

A large glazed pottery form by Ray<br />

Blaber<br />

of swirling cylindrical form<br />

incised to base: Blaber<br />

40cm high<br />

$100–200<br />

1079<br />

An ovoid textured bottle vase by Mary<br />

Hick<br />

incised to base: Mary Hick<br />

18cm high<br />

$100–200<br />

1080<br />

PETER TRAVIS (1929-2016)<br />

An earthenware sculpture<br />

incised to base: Peter Travis 73<br />

32cm high<br />

$200–300<br />

1081<br />

A glazed earthenware bowl<br />

by John Campbell, 1932<br />

incised to base: J Campbell 1932<br />

21cm diameter<br />

$200–400<br />

1082<br />

ARTHUR MERRIC BLOOMFIELD<br />

BOYD (1920-1999)<br />

A green and white domestic ware<br />

series jug<br />

incised to base: A M Boyd<br />

30cm high<br />

$150–250<br />

1083<br />

An glazed earthenware jug<br />

by Bendigo Pottery<br />

decorated with gum nuts and leaves<br />

impressed marks near base: Bendigo<br />

Pottery G L Epsom 2 80<br />

24.5cm high<br />

$100–200<br />

1084<br />

A large glazed earthenware vase by<br />

Tony Carlin<br />

of ovoid form in tones of blue, green<br />

and pink<br />

33cm high<br />

$100–200<br />

1085<br />

An glazed earthenware two-handled<br />

lidded pot<br />

incised to base: Stambuk<br />

30cm high<br />

$60–100<br />

1086<br />

A large earthenware vase by<br />

Jacqueline Mary Thomas<br />

of ovoid form with moulded sheep<br />

around the rim<br />

40cm high<br />

$100–200


177<br />

1087<br />

A matt glazed earthenware vase by<br />

Colin Bowes<br />

impressed mark to base: CB<br />

18cm high<br />

$100–200<br />

1088<br />

A glazed earthenware vase by Andrew<br />

Cope<br />

incised: Andrew Cope ‘91<br />

20cm high<br />

$100–200<br />

1089<br />

An glazed earthenware double gourd<br />

vase by Rynne Tanton<br />

with textured base and celadon glazed<br />

neck<br />

monogrammed to base<br />

21cm high<br />

$120–180<br />

1090<br />

A Remued glazed earthenware basket<br />

and beaker<br />

each with a treacle glaze<br />

incised to base: Remued 194/8 and<br />

145/4<br />

the basket 16cm high<br />

$150–250<br />

1091<br />

Two figural nude teapots by Maggie<br />

Brunton<br />

one pink, one black<br />

signed ‘Maggie Brunton’ to base<br />

the largest 25cm high<br />

$100–200<br />

1092<br />

An ovoid red earthenware vase by<br />

Sergio Sill<br />

incised to base: Sergio Sill<br />

23cm high<br />

$100–200<br />

1093<br />

A Schneider biomorphic crystal<br />

mantle clock and two candelabra,<br />

French, circa 1950<br />

each piece signed ‘Schneider France’<br />

to base<br />

the clock 24cm high<br />

$300–400<br />

1094<br />

A glazed earthenware vase by<br />

Marianne Cole<br />

decorated in tones of turquoise and<br />

brown<br />

incised to base: Marianne<br />

21cm high<br />

$50–100<br />

1095<br />

A French studio pottery vase by Les<br />

Hurets<br />

ovoid form with geometric decoration<br />

signed to base: Les Hurets Made in<br />

France<br />

20cm high<br />

$100–200<br />

1096<br />

A Spode Velamour vase<br />

the white glazed ovoid vase decorated<br />

with a continuous frieze of goldfish<br />

15cm high<br />

$60–100<br />

1097<br />

A glazed earthenware jug by Ellis<br />

Pottery<br />

with an antique bronze finish<br />

incised to base: Ellis<br />

29cm high<br />

$100–200<br />

1098<br />

A large glazed earthenware vase<br />

of bulbous form with a sgraffito<br />

decoration<br />

incised but illegible to base<br />

32cm high<br />

$100–200<br />

1099<br />

A blue glazed earthenware vase by<br />

Bruce Burton, 1991<br />

inscribed to base: Bruce Burton ‘91<br />

28cm high<br />

$100–200<br />

1100<br />

JENNIFER BRAIN (BORN 1954)<br />

an earthenware bust of an African lady<br />

incised to base: Jennifer J Brain 93<br />

30cm high<br />

$100–200<br />

1101<br />

A large earthenware vase<br />

of ovoid form with brown and green<br />

tones<br />

initialled to base: EC<br />

30cm high<br />

$100–200<br />

1102<br />

DAVID BOYD (1924-2011) AND<br />

HERMIA BOYD (1931-2000)<br />

a glazed earthenware circular bowl<br />

and cover<br />

with wing handles and winged lion finial<br />

incised to base: David & Hermia Boyd<br />

17cm high<br />

$150–250<br />

1103<br />

A large partially glazed studio pottery<br />

vase<br />

incised to base but illegible and<br />

dated:1984<br />

36cm high<br />

$150–250<br />

1104<br />

SYLVIA HALPERN (1918-2008)<br />

A studio pottery vase<br />

signed to base: Sylvia Halpern<br />

12cm high<br />

$100–200<br />

1105<br />

A Raku glazed earthenware pot, 1988<br />

with a lustred matte glaze<br />

impressed marks to base<br />

16cm high<br />

PROVENANCE<br />

Marvin Hurnall Antiques, Melbourne<br />

$150–250<br />

1106<br />

A studio pottery petalled form<br />

signed but illegible to base<br />

18cm high<br />

$100–200<br />

1107<br />

A Clarice Cliff porcelain shell form bowl<br />

factory marks to base<br />

29cm diameter<br />

$100–200


178<br />

1108<br />

A glazed earthenware ovoid vase by<br />

Martin Boyd<br />

decorated with zebra in landscape<br />

incised to base: Martin Boyd<br />

13cm high<br />

$150–250<br />

1109<br />

REGINALD (REG) PRESTON<br />

(1917-2000)<br />

A glazed earthenware vase<br />

signed to base: Preston<br />

18cm high<br />

$100–200<br />

1110<br />

A brown and green glazed earthenware<br />

teapot<br />

incised signature but illegible and<br />

dated to base: 63<br />

25cm high<br />

$100–200<br />

1111<br />

OLA COHN<br />

Seated Female Figure with Owl<br />

plaster<br />

incised on base: Ola Cohn<br />

22cm high, 12cm wide, 12cm deep<br />

$120–220<br />

1112<br />

REGINALD (REG) PRESTON<br />

(1917-2000)<br />

A large glazed earthenware casserole<br />

dish<br />

signed to base: Preston<br />

impressed mark to base<br />

22cm high, 33cm diameter (across<br />

handles)<br />

$100–200<br />

1113<br />

A glazed earthenware drinks set by<br />

Felicity Winter<br />

comprising a wine jug and six goblets<br />

each colourfully decorated and relief<br />

moulded<br />

signed to base: Felicity Winter<br />

the jug 34cm high<br />

$150–250<br />

1114<br />

A large glazed earthenware tea pot,<br />

20th century<br />

brightly painted with a zebra finial,<br />

giraffe handle and clock to the spout<br />

inscribed to side: Nairobi<br />

46cm high<br />

$80–120<br />

1115<br />

A large cream glazed earthenware bust<br />

with black and crimson decoration<br />

signed with initials and dated to base:<br />

GR 1993<br />

40cm high<br />

$150–250<br />

1116<br />

Christopher Sanders (Born 1952)<br />

a glazed earthenware cheese plate<br />

and cover<br />

incised to base: Christopher Sanders<br />

1976<br />

28cm diameter<br />

$150–250<br />

1117<br />

A crackle glazed earthenware vase<br />

by Sergio Sill<br />

of ovoid form with a terracotta glaze<br />

incised to base: Sergio Sill and<br />

monogramme<br />

22cm high<br />

$100–200<br />

1118<br />

An large studio pottery vase<br />

by Janine Pilven<br />

ovoid decorated with flowers and<br />

leaves<br />

signed and dated to base: Pilven ‘84<br />

31cm high<br />

$150–250<br />

1119<br />

A textured earthenware form by<br />

Lorraine Lee<br />

18cm high<br />

$60–100<br />

1120<br />

A collection of six studio pottery vases<br />

the largest 32cm<br />

$150–250<br />

1121<br />

An Israeli earthenware face vase and<br />

cover<br />

incised to base: Israel<br />

27cm high<br />

$20–40<br />

1122<br />

Three large studio pottery vases<br />

each of globular form with vibrant<br />

glazes<br />

the largest 35cm high<br />

$120–220<br />

1123<br />

An assembled group of glazed<br />

earthenware, glass, ceramics and<br />

carved wood ornaments<br />

the largest 23cm high<br />

$100–200<br />

1124<br />

A collection of glazed earthenware<br />

vessels<br />

comprising a large Gunda Pottery jug,<br />

two vases, a corked pot, a goblet and<br />

a covered jar<br />

the largest 40cm high<br />

$100–200<br />

1125<br />

A group of six glazed earthenware<br />

vases<br />

comprising three globular form vases,<br />

a tall two handled vase and a heavy<br />

pottery form<br />

together with a celadon stylised<br />

shaped vase with impressed stamp<br />

Vic Greenaway, circa 1970s<br />

the tallest 35cm high<br />

21/37cm high<br />

$200–300<br />

1126<br />

A collection of slipware by Martin Boyd<br />

comprising six pieces<br />

signed to base<br />

the largest dish 29cm long<br />

$100–200<br />

1127<br />

Two Chinese ceramic temple dogs<br />

33 and 51.5cm high<br />

$100–200


179<br />

1128<br />

A collection of seven studio pottery<br />

teapots<br />

one teapot by Terri Boyd, one by Kevin<br />

Boyd and another by William Hick<br />

the largest 24cm high (excluding<br />

handle)<br />

$150–250<br />

1129<br />

A Murano glass red candy dish by<br />

Archimede Seguso, 20th century<br />

with gold flecked clear glass edge<br />

with two original foil trade labels<br />

8cm high<br />

$100–200<br />

1130<br />

A collection of abstract ceramic<br />

teapots including pieces by Tom<br />

Stracham, Fiona Howes and monkey,<br />

1980 and later<br />

comprising twelve pieces<br />

the largest 19cm high<br />

$200–300<br />

1131<br />

A collection of abstract ceramic vases<br />

and earthenware sculptures<br />

comprising six pieces<br />

the largest piece 34cm high<br />

$50–100<br />

1132<br />

A collection of ceramic tea<br />

and coffee wares<br />

together with a white bowl<br />

by Eric Juckert<br />

the largest coffee pot 25cm high<br />

$150–250<br />

1133<br />

A collection of five studio pottery<br />

vessels<br />

including a coffee pot by Stephen<br />

Fletch, two vases, a covered pot and a<br />

beaker jug<br />

the largest 22cm high<br />

$150–250<br />

1134<br />

A collection of matte glazed<br />

earthenware bowls<br />

the largest 16cm high, 27cm diameter<br />

$150–250<br />

1135<br />

A collection of ceramic, glass, metal,<br />

glass and resin figures and vessels<br />

comprising seven pieces<br />

the largest 20cm high<br />

$100–200<br />

1136<br />

A collection of glazed earthenware,<br />

including Victor Greenaway circa 1980<br />

comprising six pieces<br />

the largest 24.5cm high<br />

$100–200<br />

1137<br />

A collection of studio pottery vases<br />

and vessels<br />

comprising four pieces<br />

the largest 8cm high<br />

$100–200<br />

1138<br />

A large glazed earthenware fruit bowl<br />

by Robert Mair<br />

the interior decorated with figures of<br />

fish<br />

incised to base: 72<br />

stamped to base: RM and dated ‘72<br />

56.6cm diameter<br />

$150–250<br />

1139<br />

A collection of earthenware vases<br />

comprising eight pieces<br />

the largest 24cm high<br />

$150–250<br />

1140<br />

A collection of glass, ceramic and<br />

earthenware vessels<br />

the largest 24cm high<br />

$100–200<br />

1141<br />

A collection of studio pottery vases,<br />

jugs and ornaments<br />

the largest 20cm high<br />

$150–250<br />

1142<br />

A collection of three abstract figural<br />

forms<br />

the largest 61cm high<br />

$100–200<br />

1143<br />

A collection of unusual earthenware<br />

vessels<br />

comprising a tall covered urn, a footed<br />

bowl and a small jug<br />

the largest 40cm high<br />

$150–250<br />

1144<br />

A collection of seven glazed<br />

earthenware vessels, vases and jugs<br />

the largest 22cm high<br />

$150–250<br />

1145<br />

A collection of glazed earthenware and<br />

slipware vessels, including Eric Juckert<br />

comprising five pieces<br />

the largest jug 23cm high<br />

$150–250<br />

1146<br />

A collection of abstract ceramic and<br />

glass bowls, vases and figurines<br />

comprising ten pieces<br />

the largest vase 25.5cm high<br />

$150–250<br />

1147<br />

A collection of earthenware platters<br />

and bowls<br />

including a Remued Pottery bowl<br />

incised to base: Remued 91-SH<br />

the largest 39cm diameter<br />

$100–200<br />

1148<br />

A large ceramic bowl and platter<br />

the largest 47cm diameter<br />

$100–200<br />

1149<br />

A collection of various boxes, vases<br />

and ceramics<br />

including Moorcroft<br />

the largest vase 33cm high<br />

$100–180<br />

1150<br />

A collection of eight metal, carved<br />

wood, ceramic face masks<br />

the largest 46cm high<br />

$100–200


180<br />

1151<br />

A collection of decorative walking<br />

sticks including tramp art, macassar<br />

ebony and fiddleback blackwood<br />

comprising fifteen pieces<br />

the longest 95cm<br />

$200–300<br />

1152<br />

A modern oak pedestal office desk<br />

and return<br />

together with a three drawer filing<br />

cabinet and a sideboard<br />

73.5cm high, 178cm wide, 95cm deep<br />

(desk)<br />

68cm high, 179cm wide, 50cm deep<br />

(sideboard)<br />

$300–500<br />

1153<br />

An assortment of stemmed glass<br />

tableware<br />

including three gilded ‘Caulfield<br />

Southern Indoor Bowls Club’ glasses<br />

comprising thirteen pieces<br />

the wine glass 16cm high<br />

$50–100<br />

1154<br />

A gilded porcelain bouillon and tea set<br />

for twelve by Richard Ginori<br />

including tea cups and bouillon bowls<br />

with matching saucers, two types of<br />

side plates and a set of dinner plates<br />

comprising eighty four pieces<br />

the dinner plates 25cm diameter<br />

$200–300<br />

1155<br />

A group of domestic items, ceramic<br />

dishes and plates, a small coffee<br />

service, glassware and 6 Selangor<br />

pewter mugs<br />

$80–120<br />

1156<br />

A Royal Albert Rose patterned<br />

porcelain tea service<br />

consisting of nine cups, eleven side<br />

plates, ten saucers, two serving plates,<br />

two sugar bowls and a milk jug<br />

$100–200<br />

1157<br />

A cold painted bronze owl ornament<br />

together with a glass lined copper urn<br />

the urn 31cm high<br />

$50–100<br />

1158<br />

Three tribal style carved wooden<br />

walking canes<br />

the longest 90cm long<br />

$50–100<br />

1159<br />

A collection of Remued pottery vases<br />

and jugs<br />

comprising six pieces<br />

incised to base<br />

the largest jug 11cm high jugs and<br />

vases<br />

$150–250<br />

1160<br />

STACHA HALPERN (1919-1969)<br />

a glazed earthenware jug<br />

signed to base: S Halpern<br />

11cm high<br />

$100–200<br />

1161<br />

A glazed earthenware pot by Charles<br />

Wilton<br />

incised to base: Wilton<br />

9cm high<br />

$20–40<br />

1162<br />

A collection of Raku fired earthenware<br />

comprising three dishes, two<br />

cupcakes, two teapots and a vase<br />

the largest 16cm high<br />

$50–100<br />

1163<br />

GREG IRVINE (BORN 1947)<br />

A pair of salt and pepper shakers<br />

glazed earthenware<br />

incised and signed to base: G Irvine<br />

10.5cm high (each)<br />

$120–150<br />

1164<br />

A collection of multicoloured<br />

earthenware plates and platters,<br />

including Fran Swinden and Kevin<br />

Boyd<br />

comprising six pieces<br />

the largest platter 43cm diameter<br />

$100–200<br />

1165<br />

A collection of three graduated<br />

embossed metal platters<br />

the largest platter 40cm diameter<br />

$50–100<br />

1166<br />

A collection of brown and white glazed<br />

earthenware vessels<br />

comprising four pieces<br />

the largest bowl 23cm diameter<br />

$50–100<br />

1167<br />

A collection of high gloss glazed<br />

ceramic and earthenware platters<br />

comprising five pieces<br />

the largest 40cm diameter<br />

$100–200<br />

1168<br />

A small collection of pale textured<br />

earthenware<br />

comprising a bowl, a vase and a platter<br />

the largest 24cm high<br />

$100–200<br />

1169<br />

A group of earthenware jars and vases<br />

comprising five pieces<br />

the largest 37cm high<br />

$100–200<br />

1170<br />

A collection of small vases and various<br />

domestic pottery wares<br />

comprising twelve pieces<br />

the largest 14cm high<br />

$100–200<br />

1171<br />

A polished burl wood bowl<br />

48cm diameter<br />

$100–200


181<br />

1172<br />

A collection of multicoloured<br />

earthenware dishes and vessels<br />

comprising seven pieces<br />

the purple bottle vase 16cm high<br />

$100–200<br />

1179<br />

A collection of earthenware bowls and<br />

vases<br />

comprising ten pieces<br />

the largest vase 22cm high<br />

$150–250<br />

1187<br />

A collection of earthenware lidded<br />

vessels and vases<br />

comprising seven pieces<br />

the plum glazed vase 27cm high<br />

$100–200<br />

1173<br />

A collection of glazed earthenware<br />

bowls and vessels<br />

the largest bowl 13cm high,<br />

22cm diameter<br />

$80–120<br />

1174<br />

A collection of glazed earthenware<br />

dishes and bowls<br />

including a large platter, two large<br />

bowls, three small vases, three bowls, a<br />

tall vase and a dish<br />

the largest 44cm diameter<br />

$100–200<br />

1175<br />

A collection six glass objects<br />

comprising a pink dish, two blue toned<br />

vases, a yellow bear, mottled amber<br />

pear and a Murano glass mouse<br />

the largest 13cm high<br />

$100–200<br />

1176<br />

A collection of abstract earthenware<br />

vases and bowls<br />

comprising four pieces<br />

the teapot 20cm high<br />

$100–200<br />

1177<br />

A collection of brown glazed<br />

earthenware<br />

comprising four pieces<br />

the charger 33cm diameter<br />

$100–200<br />

1178<br />

A collection of decorative tableware<br />

and a clock<br />

including a stainless steel bowl<br />

and jug, a set of coasters and five<br />

enamelled dishes<br />

comprising nine pieces<br />

the jug 31cm high<br />

$100–200<br />

1180<br />

A large collection of earthenware<br />

plates<br />

comprising fifteen pieces<br />

the largest 30cm diameter<br />

$50–100<br />

1181<br />

A Wedgwood of Etruria matte black<br />

glazed tea set<br />

comprising six cups and saucers<br />

the cups 6cm high<br />

$100–200<br />

1182<br />

A collection of stoneware jars and<br />

vases with two dishes<br />

comprising seven pieces<br />

the largest 21cm high<br />

$50–100<br />

1183<br />

A collection of off-white glazed<br />

earthenware goblets<br />

comprising ten pieces<br />

the largest 19cm high<br />

$100–200<br />

1184<br />

An unusual cream ceramic teapot<br />

together with five ceramic bowls<br />

the teapot 20cm high<br />

$50–100<br />

1185<br />

A collection of blue and white teapots<br />

comprising five pieces with carved and<br />

applied decoration, one teapot signed<br />

‘R. Hartman’ to base<br />

the largest piece 25cm high<br />

$50–100<br />

1186<br />

A collection of seven ceramic bowls<br />

by Guy Boyd<br />

the largest 18.5cm diameter<br />

$100–200<br />

1188<br />

A collection of handpainted ceramic<br />

objects, including pieces by Janet<br />

Gray and Monkey Australian,<br />

circa 1980<br />

comprising eight bowls by Janet Gray,<br />

a slipware cast ceramic paperboy hat<br />

and a Luna Park teapot by Monkey<br />

the teapot 20cm high<br />

$100–200<br />

1189<br />

An slender opaque orange blown glass<br />

vase, circa 1960<br />

trade label to base<br />

40cm high<br />

$50–100<br />

1190<br />

JENNY ORCHARD (BORN 1951)<br />

a hand painted stylised form vase<br />

signed to base: Jenny Orchard<br />

together with four coffee mugs<br />

the vase 25cm high<br />

$100–200<br />

1191<br />

A collection of decorative serving<br />

porcelain, including Royal Winton<br />

comprising five pieces<br />

the footed platter 6cm high<br />

$100–200<br />

1192<br />

A collection of glazed earthenware<br />

vessels<br />

comprising two teapots, a stylised jug<br />

and a small plate<br />

the largest 16cm high<br />

$100–200<br />

1193<br />

A collection of pastel coloured<br />

ramekins by Martin Boyd<br />

comprising eight pieces<br />

6cm high<br />

$100–200


182<br />

1194<br />

A violin together with a collection of<br />

metal and ceramic objects<br />

comprising six pieces, including a<br />

glass platter, a hip flask, an oil burner, a<br />

bell and an ash tray<br />

the platter 35cm diameter<br />

$50–100<br />

1195<br />

A collection of black ramekins by<br />

Martin Boyd<br />

with various pastel coloured interiors<br />

incised to base<br />

comprising eight pieces<br />

6cm high<br />

$100–200<br />

1196<br />

A collection of multicoloured ramekins<br />

by Martin Boyd<br />

comprising eight pieces<br />

incised to base<br />

6cm high<br />

$50–100<br />

1197<br />

A collection of small ceramic ramekins<br />

by Martin Boyd<br />

comprising eight pieces<br />

incised to base<br />

9cm diameter<br />

$100–200<br />

1198<br />

A collection of multicoloured ceramic<br />

ramekins by Martin Boyd<br />

comprising eight pieces<br />

6cm high<br />

$100–200<br />

1199<br />

A blue ‘cracked shell’ glazed<br />

earthenware urn<br />

impressed mark to base<br />

36cm high<br />

$100–200<br />

1200<br />

A mosaic tile top teak coffee table,<br />

circa 1960s<br />

39cm high, 125cm wide, 44cm deep<br />

$100–200<br />

1201<br />

A collection of ceramic platters and a<br />

porcelain top hat bowl<br />

including a Royal Doulton ‘Spindrift’<br />

pattern platter<br />

comprising five pieces<br />

the hat 13cm high<br />

$100–200<br />

1202<br />

A collection of decorative metal<br />

objects<br />

including a commemorative dish and a<br />

Wedgwood style lidded bucket<br />

comprising five pieces<br />

the pewter dish 30cm diameter<br />

$100–200<br />

1203<br />

ARTIST UNKNOWN<br />

Mother and Child<br />

terracotta<br />

signed with initials to base: HK<br />

14.5cm, 19cm wide, 5cm deep<br />

$60–80<br />

1204<br />

GARRY GREENWOOD<br />

(1972-2005)<br />

Ear Bowl 1978<br />

leather<br />

signed with initials and dated lower<br />

left: GG 78<br />

15cm high, 35cm, 33cm deep<br />

$150–250<br />

1205<br />

A modern circular oak table<br />

76cm high, 106cm diameter<br />

$100–200<br />

1206<br />

A pair of modern pine side tables<br />

65cm high, 150cm wide, 48cm deep<br />

$100–200<br />

1207<br />

A nest of three glass top oak tables,<br />

circa 1960s<br />

50cm high, 64cm wide, 38cm deep<br />

(largest)<br />

$100–200<br />

1208<br />

A modern pine side table<br />

together with a pine coffee table<br />

65cm high, 150cm wide, 48cm deep<br />

(side table)<br />

$100–200<br />

1209<br />

A modern oak saddle stool<br />

$100–200<br />

1210<br />

Two modern black lacquer bar stool<br />

together with a black low stool<br />

$50–100<br />

1211<br />

LILY SANDOVER KNGWARREYE<br />

(1942-2003)<br />

Dancing Music Sticks<br />

two painted wood<br />

26cm (each)<br />

$100–200<br />

1212<br />

A large Moorcroft vase, circa 1940s<br />

of baluster form with a multi coloured<br />

mottled glaze<br />

37cm high<br />

$150–250<br />

1213<br />

A Satava art glass vase, 20th century<br />

the mottled surface decorated with<br />

rock art markings<br />

incised mark to base: Satava 995-99<br />

28cm high<br />

$100–200<br />

1214<br />

COLIN LANCELEY (1938-2015)<br />

Untitled Blue and White 1997<br />

painted plaster<br />

signed, dated and titled verso:<br />

Lanceley 97 UNTITLED BLUE AND<br />

WHITE<br />

21cm high,13.5cm wide, 6cm deep<br />

(each)<br />

PROVENANCE<br />

<strong>The</strong> Jewish Museum of Australia Mask<br />

Auction, 19 March 1998, cat no. 108<br />

$200–400


183<br />

1215<br />

A small novelty taxidermy tortoise<br />

and toad<br />

15cm high<br />

$100–200<br />

1216<br />

A collection of brown glazed<br />

earthenware vessels and platters<br />

comprising a heavily potted chimney<br />

form vase, a covered pot, a jardinière,<br />

two platters and two other vases<br />

the largest pot 25cm high,<br />

26cm diameter<br />

$200–300<br />

1217<br />

A collection of glazed earthenware,<br />

ceramics and pottery<br />

including works by Eric Juckert and<br />

Kevin Boyd<br />

the Boyd bowl 13cm high,<br />

22cm diameter<br />

$100–200<br />

1218<br />

A stylised metal mounted art glass<br />

lamp<br />

with a marble base<br />

101cm high<br />

$40–60<br />

1219<br />

A glazed earthenware face form table<br />

lamp<br />

together with a glass shade and fitting<br />

the base 34cm high<br />

$100–200<br />

1223<br />

A travertine console table<br />

78cm high, 180cm wide, 46cm deep<br />

$200–300<br />

1224<br />

A collection of glazed earthenware<br />

vessels<br />

together with five composite moulded<br />

heads<br />

comprising eleven pieces<br />

the largest 19cm high<br />

$50–100<br />

1225<br />

REGINALD (REG) PRESTON<br />

(1917-2000)<br />

A glazed earthenware vase<br />

of ovoid form with black and blue<br />

tones<br />

signed to base: Preston<br />

impressed mark near base<br />

17cm high<br />

$150–250<br />

1226<br />

Two glazed ceramic bowls<br />

the largest 30cm diameter<br />

$60–100<br />

End of Sale<br />

1220<br />

A leather bar stool<br />

77 cm high<br />

$100–200<br />

1221<br />

Two teak side tables<br />

44cm high, 51cm wide, 38cm deep<br />

$80–120<br />

1222<br />

A low travertine coffee table<br />

36cm high, 140cm wide, 80cm deep<br />

$200–300


184<br />

Terms & Conditions of Sale<br />

<strong>The</strong> terms and conditions of sale listed here contain<br />

the policies of Gibson’s Auctioneers & Valuers<br />

Pty Ltd. <strong>The</strong>y are the terms on which Gibson’s<br />

Auctioneers & Valuers Pty Ltd and the Seller contract<br />

with the Buyer. <strong>The</strong>y may be amended by printed<br />

Saleroom Notices or oral announcements made<br />

before and during the sale. By bidding at auction you<br />

agree to be bound by these terms.<br />

1. Background to the Terms used in<br />

these Conditions<br />

<strong>The</strong> conditions that are listed below contain terms<br />

that are used regularly and may need explanation.<br />

<strong>The</strong>y are as follows:<br />

“the Buyer” means the person with the highest bid<br />

accepted by the Auctioneer<br />

“the Lot” means any item depicted within the sale for<br />

auction and in particular the item or items described<br />

against any lot number in the catalogue.<br />

“the Hammer price” means the amount of the highest<br />

bid accepted by the auctioneer in relation to a lot<br />

“the Buyers Premium” means the charge payable by<br />

the Buyer to the auction house as a percentage of<br />

the hammer price.<br />

“the Reserve” means the lowest amount at which<br />

Gibson’s Auctioneers & Valuers has agreed with the<br />

Seller that the lot can be sold.<br />

“Forgery” means an item constituting an imitation<br />

originally conceived and executed as a whole, with<br />

a fraudulent intention to deceive as to authorship,<br />

origin, age, period, culture or source, where the<br />

correct description as to such matters is not<br />

reflected by the description in the catalogue.<br />

Accordingly no lot shall be capable of being a forgery<br />

by reason of any damage or restoration work of any<br />

kind (Including re-painting).<br />

“the insured value” means the amount that Gibson’s<br />

Auctioneers & Valuers in its absolute discretion<br />

from time to time shall consider the value for which<br />

a lot should be covered for insurance (whether or<br />

not insurance is arranged by Gibson’s Auctioneers<br />

& Valuers.)<br />

All values expressed in Gibson’s Auctioneers &<br />

Valuers Pty Ltd catalogues (in any format) are in<br />

Australian Dollars (AU$). All bids, “hammer price”,<br />

“reserves”, “Buyers Premium” and other expressions<br />

of value are understood by all parties to be in<br />

Australian Dollars (AU$) unless otherwise specified.<br />

2. Gibson’s Auctioneers & Valuers<br />

Auctions as Agent<br />

Except as otherwise stated Gibson’s Auctioneers &<br />

Valuers Pty Ltd acts as agent for the Seller.<br />

<strong>The</strong> contract for the sale of the property is therefore<br />

made between the Seller and the Buyer.<br />

3. Before the Sale<br />

A) EXAMINATION OF PROPERTY<br />

Prospective Buyers are strongly advised to examine<br />

in person any property in which they are interested<br />

before the Auction takes place. Neither Gibson’s<br />

Auctioneers & Valuers nor the Seller provides any<br />

guarantee in relation to the nature of the property<br />

apart from the Limited warranty in the paragraph<br />

below.<br />

<strong>The</strong> property is otherwise sold “AS IS”<br />

B) CATALOGUE AND OTHER DESCRIPTIONS<br />

All statements by Gibson’s Auctioneers & Valuers<br />

in the catalogue entry for the property or in the<br />

condition report, or made orally or in writing<br />

elsewhere, are statements of opinion and are not<br />

to be relied upon as statements of fact. Such<br />

statements do not constitute a representation,<br />

warranty or assumption of liability by Gibson’s<br />

Auctioneers & Valuers of any kind. References in the<br />

catalogue entry to the condition report to damage<br />

or restoration are for guidance only and should be<br />

evaluated by personal inspection by the bidder or<br />

a knowledgeable representative. <strong>The</strong> absence of<br />

such a reference does not imply that an item is free<br />

from defects or restoration, nor does a reference to<br />

particular defects imply the absence of any others.<br />

Estimates of the selling price should not be relied<br />

on as a statement that this is the price at which<br />

the item will sell or it’s value for any other purpose.<br />

Neither Gibson’s Auctioneers & Valuers nor <strong>The</strong><br />

Seller is responsible for any errors or omissions in the<br />

catalogue or any supplemental material.<br />

Images are measured height by width (sight size).<br />

Illustrations are provided only as a guide and should<br />

not be relied upon as a true representation of colour<br />

or condition. Images are not shown at a standard<br />

scale. Mention is rarely made of frames (which may be<br />

provided as supplementary images on the website)<br />

which do not form part of the lot as described in the<br />

printed catalogue.<br />

Foreign buyers should note that all transactions<br />

are in Australian dollars (AU$)so there may be a<br />

small exchange rate risk. <strong>The</strong> costs associated<br />

with acquiring a good certificate will be carried by<br />

the purchaser. If the item turns out to be forged or<br />

otherwise incorrectly described, all reasonable costs<br />

will be borne by the vendor.<br />

C) BUYERS RESPONSIBILITY<br />

All property is sold “as is” without representation<br />

or warranty of any kind by Gibson’s Auctioneers<br />

& Valuers or the Seller. Buyers are responsible for<br />

satisfying themselves concerning the condition<br />

of the property and the matters referred to in the<br />

catalogue by requesting a condition report<br />

4. At the Sale<br />

A) REFUSAL OF ADMISSION<br />

Gibson’s Auctioneers & Valuers reserves the right at<br />

our complete discretion to refuse admission to the<br />

auction premises or participation in any auction and<br />

to reject any bid.<br />

B) REGISTRATION BEFORE BIDDING<br />

Any prospective new buyer must complete and sign<br />

a registration form and provide photo-identification<br />

before bidding. Gibson’s Auctioneers & Valuers may<br />

request bank, trade or other financial references to<br />

substantiate this registration.<br />

C) BIDDING AS A PRINCIPAL<br />

When making a bid, a bidder is accepting personal<br />

liability to pay the purchase price including the<br />

buyers premium and all applicable taxes, plus all<br />

other applicable charges, unless it has been explicitly<br />

agreed in writing with Gibson’s Auctioneers & Valuers<br />

before the commencement of the sale that the<br />

bidder is acting as agent on behalf of an identified<br />

third party acceptable to Gibson’s Auctioneers &<br />

Valuers and that Gibson’s Auctioneers & Valuers will<br />

only look to the principal for payment.<br />

D) INTERNATIONAL REGISTRATIONS<br />

All International clients not known to Gibson’s<br />

Auctioneers & Valuers will be required to scan or fax<br />

through an accredited form of photo identification<br />

and pay a deposit at our discretion in cleared funds<br />

into Gibson’s Auctioneers & Valuers’ account at least<br />

48 hours before the commencement of the auction.<br />

Bids will not be accepted without this deposit.<br />

Gibson’s Auctioneers & Valuers also reserves the<br />

right to request any additional forms of identification<br />

prior to registering an overseas bid.<br />

This deposit can be made using a credit card,<br />

however the balance of any purchase price in excess<br />

of $5,000 can not be charged to this card without<br />

prior arrangement. This deposit is redeemable<br />

against any auction purchase.<br />

E) ABSENTEE BIDS<br />

Gibson’s Auctioneers & Valuers will use reasonable<br />

efforts to execute written bids delivered to us AT<br />

LEAST 24 Hours before the sale for the convenience<br />

of those clients who are unable to attend the auction<br />

in person. If we receive identical written bids on a<br />

particular lot, and at the auction these are the highest<br />

bids on that lot, then the lot will be sold to the person<br />

whose written bid was received and accepted first.<br />

Execution of written bids is a free service undertaken<br />

subject to other commitments at the time of the sale<br />

and we do not accept liability for failing to execute<br />

a written bid or for errors or omissions which may<br />

arise. It is the bidder’s responsibility to check with<br />

Gibson’s Auctioneers & Valuers after the auction if<br />

they were successful. Unlimited or “Buy” bids will not<br />

be accepted. Please refer to our indicative bidding<br />

increments below for appropriate absentee bid<br />

amounts (Section K).<br />

F) TELEPHONE BIDS<br />

Priority will be given to overseas and interstate<br />

bidders. Arrangements for this service must be<br />

confirmed AT LEAST 24 HOURS PRIOR to the auction<br />

commencing. Gibson’s Auctioneers & Valuers<br />

accepts no responsibility whatsoever for any errors<br />

or failure to execute bids. In telephone bidding the<br />

buyer agrees to be bound by all terms and conditions<br />

listed here and accepts that Gibson’s Auctioneers<br />

& Valuers cannot be held responsible for any<br />

mis-communications in the process. <strong>The</strong> success<br />

of telephone bidding cannot be guaranteed due to<br />

circumstances that are unforeseen. Buyers should<br />

be aware of the risk and accept the consequences<br />

should contact be unsuccessful at the time of<br />

Auction. You must advise Gibson’s Auctioneers &<br />

Valuers of the lots in question and recommend a<br />

‘Cover Bid’ amount should there be any issues with<br />

technology or communication via the telephone<br />

number provided. Gibson’s Auctioneers & Valuers<br />

will advise Telephone Bidders who have registered<br />

at least 24 hours before the auction of any relevant<br />

changes to descriptions, withdrawals or any other<br />

sale room notices.<br />

G) ONLINE BIDDING<br />

Gibson’s Auctioneers & Valuers accepts no<br />

responsibility for any errors, failure to execute bids or<br />

any other miscommunications regarding this process.<br />

It is the online bidder’s responsibility to ensure the<br />

accuracy of the relevant information regarding bids,<br />

lot numbers and contact details.<br />

H) RESERVES<br />

Unless otherwise indicated, all lots are offered subject<br />

to a reserve, which is the confidential minimum price<br />

below which the Lot will not be sold. <strong>The</strong> reserve will<br />

not exceed the low estimate printed in the catalogue.<br />

<strong>The</strong> auctioneer may open the bidding on any Lot<br />

below the reserve by placing a bid on behalf of the<br />

Seller. <strong>The</strong> auctioneer may continue to bid on behalf<br />

of seller up to the amount of the reserve, either<br />

by placing consecutive bids or by placing bids in<br />

response to other bidders.<br />

I) AUCTIONEERS DISCRETION<br />

<strong>The</strong> Auctioneer has the right at his absolute and sole<br />

discretion to refuse any bid, to advance the bidding<br />

in such a manner as he may decide, to withdraw or<br />

divide any lot, to combine any two or more lots and,<br />

in the case or error or dispute and whether during or


185<br />

after the sale, to determine the successful bidder, to<br />

continue the bidding, to cancel the sale or to reoffer<br />

and resell the item in dispute. If any dispute arises<br />

after the sale, then Gibson’s Auctioneers & Valuers’s<br />

sale record is conclusive.<br />

J) SUCCESSFUL BID AND PASSING OF RISK<br />

Subject to the auctioneer’s discretion, the highest<br />

bidder accepted by the auctioneer will be the buyer<br />

and the striking of his hammer marks the acceptance<br />

of the highest bid and the conclusion of a contract<br />

for sale between the Seller and the Buyer. Risk and<br />

responsibility for the lot (including frames or glass<br />

where relevant) passes immediately to the Buyer.<br />

K) INDICATIVE BIDDING STEPS, ETC.<br />

Gibson’s Auctioneers & Valuers reserves the right to<br />

refuse any bid, withdraw any lot from sale, to place<br />

a reserve on any lot and to advance the bidding<br />

according to the following:<br />

Increment Amount<br />

Dollar Range<br />

$20 $0–$500<br />

$50 $500–$1,000<br />

$100 $1,000–$2,000<br />

$200 $2,000–$5,000<br />

$500 $5,000–$10,000<br />

$1,000 $10,000–$20,000<br />

$2,000 $20,000–$50,000<br />

$5,000 $50,000–$100,000<br />

$10,000 $100,000–$200,000<br />

$20,000 $200,000–$500,000<br />

$50,000 $500,000–$1,000,000<br />

Absentee bids must follow these increments and any<br />

bids that don’t follow the steps will be rounded up to<br />

the nearest acceptable bid.<br />

5. After the Sale<br />

A) BUYERS PREMIUM<br />

In addition to the hammer price, the buyer agrees to<br />

pay to Gibson’s Auctioneers & Valuers the buyers<br />

premium. <strong>The</strong> buyer’s premium is 22% of the<br />

hammer price plus GST. (Goods and Services Tax)<br />

where applicable.<br />

B) PAYMENT AND PASSING OF TITLE<br />

<strong>The</strong> buyer must pay the full amount due (comprising<br />

the hammer price, buyers premium and any<br />

applicable taxes and GST) not later than three (3)<br />

days after the auction date.<br />

<strong>The</strong> buyer will not acquire title for the lot until<br />

Gibson’s Auctioneers & Valuers receives full<br />

payment in cleared funds, and no goods under any<br />

circumstances will be released without confirmation<br />

of cleared funds received. This applies even if the<br />

buyer wishes to send items interstate or overseas.<br />

Payment can be made by the following means:<br />

• Bank Transfer/Direct Deposit is our preferred<br />

method of payment<br />

Account Name: Gibsons Auctions<br />

Bank:<br />

Bank of Melbourne<br />

(A division of St George)<br />

BSB: 193879<br />

Account No: 441701443<br />

Swift Code: SGBLAU2S<br />

Routing Code: 021000021<br />

Bank Address: 197-201 Glenferrie Road,<br />

Malvern, Vic, 3144<br />

<strong>The</strong> buyer is responsible for any bank fees and<br />

charges applicable for the transfer of funds into<br />

Gibson’s Auctioneers & Valuers’s account<br />

• Personal, Company and Bank Cheques are not<br />

accepted without prior approval.<br />

• Eftpos (no charge)<br />

• Credit cards: Visa and Mastercard (1.2% incl GST<br />

merchant fee) and American Express (2% incl<br />

GST merchant fee)<br />

Please note that credit card transactions over<br />

$5,000 will not be accepted over the telephone<br />

unless by prior arrangement.<br />

• Cash up to AU$10,000 can accepted in<br />

cash. For any amount over this, cash is to be<br />

deposited directly into our account at a Bank of<br />

Melbourne/St George branch<br />

C) COLLECTION OF PURCHASES & INSURANCE<br />

Gibson’s Auctioneers & Valuers is entitled to retain<br />

items sold until all amounts due to us have been<br />

received in full in good cleared funds. Subject to this,<br />

the Buyer shall collect purchased lots within three<br />

(3) days from the date of the sale unless otherwise<br />

agreed in writing between Gibson’s Auctioneers &<br />

Valuers and the Buyer.<br />

At the fall of the hammer, insurance is the<br />

responsibility of the purchaser.<br />

D) PACKING, HANDLING AND SHIPPING<br />

At the request of the buyer, Gibson’s Auctioneers &<br />

Valuers may assist with packing of goods but takes<br />

no responsibility for loss, damage or breakage that<br />

may occur.<br />

Gibson’s Auctioneers & Valuers at the request of the<br />

buyer may arrange for a carrier, packer or shipper to<br />

have the property packed, insured and shipped at<br />

the buyer’s expense. All packing, shipping, insurance,<br />

postage & associated charges will be borne by the<br />

purchaser.<br />

Gibson’s Auctioneers & Valuers can assist with<br />

removal companies that the buyer can use but takes<br />

no responsibility whatsoever for the actions of any<br />

recommended third party.<br />

E) CULTURAL HERITAGE EXPORT LICENCES<br />

Unless otherwise agreed by us in writing, the fact<br />

that the buyer wishes to apply for an export licence<br />

does not affect his or her obligation to make full<br />

payment immediately, nor our right to charge<br />

interest or storage charges on late payment. It<br />

is the Buyer’s responsibility to check Australia’s<br />

Protection of Moveable Cultural Heritage Act 1986<br />

before purchase. If the Buyer requests Gibson’s<br />

Auctioneers & Valuers to apply for an export licence<br />

then we shall be entitled to charge a fee for this<br />

service. We shall not be obliged to rescind a sale nor<br />

to refund any interest or other expenses incurred<br />

by the Buyer where payment is made by the Buyer<br />

in circumstances where an export licence is not<br />

granted.<br />

F) REMEDIES FOR NON-PAYMENT<br />

If the Buyer fails to make full payment immediately,<br />

Gibson’s Auctioneers & Valuers is entitled to exercise<br />

one or more of the following rights or remedies (in<br />

addition to asserting any other rights or remedies<br />

available under the law)<br />

i) to charge interest at the ANZ visa credit card<br />

rate as published weekly in the Australian<br />

Financial Review<br />

ii)<br />

iii)<br />

iv)<br />

to hold the defaulting Buyer liable for the<br />

total amount due and to commence legal<br />

proceedings for it’s recovery along with interest,<br />

legal fees and costs to the fullest extent<br />

permitted under applicable law<br />

to cancel the sale<br />

to resell the property publicly or privately on<br />

such terms as we see fit<br />

v) to pay the Seller an amount up to the net<br />

proceeds payable in respect of the amount bid<br />

by the defaulting Buyer. In these circumstances<br />

the defaulting Buyer can have no claim upon<br />

Gibson’s Auctioneers & Valuers in the event that<br />

the item(s) are sold for an amount greater than<br />

the original invoiced amount.<br />

vi)<br />

vii)<br />

to set off against any amounts which Gibson’s<br />

Auctioneers & Valuers may owe the Buyer in<br />

any other transactions, the outstanding amount<br />

remaining unpaid by the Buyer.<br />

where several amounts are owed by the Buyer to<br />

us, in respect of different transactions, to apply<br />

any amount paid to discharge any amount owed<br />

in respect of any particular transaction, whether<br />

or not the Buyer so directs.<br />

viii) to reject at any future auction any bids made by<br />

or on behalf of the Buyer or to obtain a deposit<br />

from the Buyer prior to accepting any bids.<br />

ix)<br />

to exercise all the rights and remedies of a<br />

person holding security over any property in<br />

our possession owned by the Buyer whether by<br />

way of pledge, security interest or in any other<br />

way, to the fullest extent permitted by the law of<br />

the place where such property is located. <strong>The</strong><br />

Buyer will be deemed to have been granted such<br />

security to us and we may retain such property<br />

as collateral security for such Buyer’s obligations<br />

to us.<br />

x) to take such other action as Gibson’s<br />

Auctioneers & Valuers deem necessary or<br />

appropriate<br />

If we do sell the property under paragraph<br />

(iv), then the defaulting Buyer shall be liable<br />

for payment of any deficiency between the<br />

total amount originally due to us and the<br />

price obtained upon reselling as well as for<br />

all costs, expenses, damages, legal fees and<br />

commissions and premiums of whatever kinds<br />

associated with both sales or otherwise arising<br />

from the default.<br />

If we pay any amount to the Seller under<br />

paragraph (v) the Buyer acknowledges that<br />

Gibson’s Auctioneers & Valuers shall have all<br />

of the rights of the Seller, however arising, to<br />

pursue the Buyer for such amount.<br />

G) FAILURE TO COLLECT PURCHASES<br />

Where purchases are not collected within three (3)<br />

days from the sale date, whether or not payment<br />

has been made, we shall be permitted to remove the<br />

property to a warehouse at the buyer’s expense, and<br />

only release the items after payment in full has been<br />

made of removal, storage handling, insurance and<br />

any other costs incurred, together with payment of all<br />

other amounts due to us.<br />

6. Extent of Gibson’s Auctioneers &<br />

Valuers Liability<br />

Gibson’s Auctioneers & Valuers agrees to refund<br />

the purchase price in the circumstances of the<br />

Limited Warranty set out in paragraph 7 below.<br />

Apart from that, neither the Seller nor we, nor any<br />

of our employees or agents are responsible for<br />

the correctness of any statement of whatever kind<br />

concerning any lot, whether written or oral, nor<br />

for any other errors or omissions in description<br />

or for any faults or defects in any lots. Except as<br />

stated in paragraph 7 below, neither the Seller<br />

ourselves, our officers, agents or employees give any<br />

representation warranty or guarantee or assume any<br />

liability of any kind in respect of any lot with regard<br />

to merchantability, fitness for a particular purpose,<br />

description, size, quality, condition, attribution,<br />

authenticity, rarity, importance, medium, provenance,<br />

exhibition history, literature or historical relevance.<br />

Except as required by local law any warranty of any<br />

kind is excluded by this paragraph.<br />

7. Limited Warranty<br />

Subject to the terms and conditions of this<br />

paragraph, the Seller warrants for the period of<br />

fourteen (14) days from the date of the sale that<br />

any property described in this catalogue (noting<br />

such description may be amended by any saleroom<br />

notice or announcement) which is stated without<br />

qualification to be the work of a named author or


186<br />

authorship is authentic and not a forgery. <strong>The</strong> term<br />

“Author” or “authorship” refers to the creator of the<br />

property or to the period, culture, source, or origin<br />

as the case may be, with which the creation of such<br />

property is identified in the catalogue.<br />

<strong>The</strong> warranty is subject to the following:<br />

i) it does not apply where a) the catalogue<br />

description or saleroom notice corresponded<br />

to the generally accepted opinion of scholars<br />

and experts at the date of the sale or fairly<br />

indicated that there was a conflict of opinions,<br />

or b) correct identification of a lot can be<br />

demonstrated only by means of a scientific<br />

process not generally accepted for use until<br />

after publication of the catalogue or a process<br />

which at the date of the publication of the<br />

catalogue was unreasonably expensive or<br />

impractical or likely to have caused damage to<br />

the property.<br />

ii)<br />

iii)<br />

iv)<br />

the benefits of the warranty are not assignable<br />

and shall apply only to the original buyer of the<br />

lot as shown on the invoice originally issued by<br />

Gibson’s Auctioneers & Valuers when the lot was<br />

sold at Auction.<br />

the Original Buyer must have remained the<br />

owner of the lot without disposing of any interest<br />

in it to any third party<br />

<strong>The</strong> Buyer’s sole and exclusive remedy against<br />

the Seller in place of any other remedy which<br />

might be available, is the cancellation of the sale<br />

and the refund of the original purchase price<br />

paid for the lot less the buyers premium which is<br />

non refundable. Neither the Seller nor Gibson’s<br />

Auctioneers & Valuers will be liable for any<br />

special, incidental nor consequential damages<br />

including, without limitation, loss of profits not for<br />

interest.<br />

v) <strong>The</strong> Buyer must give written notice of claim<br />

to us within fourteen (14) days of the date of<br />

the Auction. <strong>The</strong> Seller shall have the right,<br />

to require the Buyer to obtain two written<br />

opinions by recognised experts in the field,<br />

mutually acceptable to the Buyer and Gibson’s<br />

Auctioneers & Valuers to decide whether or not<br />

to cancel the sale under warranty.<br />

vi)<br />

the Buyer must return the lot to Seller in the<br />

same condition that it was purchased.<br />

8. Severability<br />

If any part of these Conditions of Sale is found by any<br />

court to be invalid, illegal or unenforceable, that part<br />

shall be discounted and the rest of the Conditions<br />

shall continue to be valid to the fullest extent<br />

permitted by law.<br />

9. Copyright<br />

<strong>The</strong> copyright of all images, illustrations and written<br />

material produced by Gibson’s Auctioneers &<br />

Valuers relating to a lot including the contents of this<br />

catalogue, is and shall remain the property at all times<br />

of Gibson’s Auctioneers & Valuers and shall not be<br />

used by the Buyer, nor by anyone else without our<br />

prior written consent. Gibson’s Auctioneers & Valuers<br />

and the Seller make no representation or warranty<br />

that the Buyer of a property will acquire any copyright<br />

or other reproduction rights in it.<br />

10. Law and Jurisdiction<br />

<strong>The</strong>se terms and conditions and any matters<br />

concerned with the foregoing fall within the exclusive<br />

jurisdiction of the courts of the state in which the<br />

auction is held.<br />

11. Pre-Sale Estimates<br />

Gibson’s Auctioneers & Valuers publishes with each<br />

catalogue our opinion as to the estimated price range<br />

for each lot. <strong>The</strong>se estimates are approximate prices<br />

only and are not intended to be definitive. <strong>The</strong>y are<br />

prepared well in advance of the sale and may be<br />

subject to revision. Interested parties should contact<br />

Gibson’s Auctioneers & Valuers prior to auction for<br />

updated pre-sale estimates and starting prices.<br />

12. Sale results<br />

Gibson’s Auctioneers & Valuers will provide auction<br />

results, which will be available as soon as possible<br />

after the sale. Results will include buyer’s premium<br />

(22% plus GST). <strong>The</strong>se results will be posted at<br />

www.gibsonsauctions.com.au.<br />

13. Goods and Service Tax<br />

In accordance with A New Tax System (Goods<br />

and Services Tax) Act 1999 Gibson’s Auctioneers<br />

& Valuers Auctions will collect on behalf of the<br />

Australian tax office (ATO) a Goods and Service Tax<br />

(GST) of 10% on all applicable transactions.<br />

ABN: 26 440 767 899<br />

GST is applicable on the hammer price in the case<br />

where the seller is selling property that is owned by<br />

an entity registered for GST. GST is also applicable<br />

on the hammer price in the case where the seller is<br />

not an Australian resident. <strong>The</strong>se lots are denoted by<br />

a dagger symbol † placed next to the estimate.<br />

GST is also applicable on the buyer’s premium.<br />

Overseas buyers and buyers non-resident in Australia<br />

will not be charged GST on both hammer price and<br />

premiums under the following conditions:<br />

1. <strong>The</strong> items are exported through a Gibson’s<br />

Auctioneers & Valuers approved freight<br />

company including Australia Post<br />

2. <strong>The</strong> items are exported within 60 days of the<br />

date of the sale<br />

<strong>The</strong> invoice supplied by Gibson’s Auctioneers &<br />

Valuers for purchases will be regarded as a Tax<br />

invoice for GST purposes.<br />

14. Resale Royalty Scheme<br />

Under the legal obligations of the Resale Royalty<br />

Scheme for Visual Artists Act 2009, sellers must<br />

provide the following information to comply with<br />

the act:<br />

• was the artwork acquired after 8 June 2010?<br />

• is the sale/reserve price (including GST) $1,000<br />

or more?<br />

• is the artist from Australia or a country listed in<br />

the Regulations to the Act?<br />

• is the artist alive, or deceased less than 70<br />

years?<br />

<strong>The</strong> seller:<br />

i) acknowledges that he or she understands his or<br />

her legal obligations under the Resale Royalty for<br />

Visual Artists Act 2009 (the Act);<br />

ii)<br />

iii)<br />

iv)<br />

undertakes to comply with all requirements of<br />

the Act, including by providing its agent, the<br />

company, with accurate information sufficient for<br />

compliance with sections 28 and 29 of the Act;<br />

undertakes to indemnify the company for any<br />

loss incurred by the company as a result of<br />

the vendor’s failure to comply with any of the<br />

vendor’s legal obligations under the Act; and<br />

acknowledges that if he or she fails to comply<br />

with any of his or her legal obligations under<br />

the Act, the company may provide the vendor’s<br />

name and contact details to Copyright Agency<br />

Limited (CAL).<br />

Lots subject to payment of the Resale Royalty<br />

Scheme will be denoted by the §. <strong>The</strong> Australian<br />

Resale Royalty is a flat rate of 5% on the hammer<br />

price (including GST). <strong>The</strong> Australian Resale Royalty<br />

is payable by the seller in addition to the buyers<br />

premium plus any applicable GST.<br />

15. Jewels & Watches<br />

GEMSTONES<br />

Gemstones