GA028 - The Harry Oviss Collection

The Harry Oviss 

Collection 

Melbourne, 3–5 October 2021

Specialists & Management for this sale 

Jennifer Gibson 

CEO & Head of 

Valuations 

Deanna Baxter 

Business 

Manager 

Samuel Fricker 

Operations 

& Marketing 

Manager 

Ann Roberts 

Consultant 

Specialist 

Asian Art 

Jon Dwyer 

Consultant 

Specialist 

Australian & 

International Art 

Elizabeth 

Stannard 

Consultant 

Specialist 

Jewellery 

Phil Gore 

Consultant 

Specialist 

Clocks, Watches 

& Barometers 

Jennifer Gibson 

jennifer.gibson@gibsonsauctions.com.au 

Deanna Baxter 

deanna.baxter@gibsonsauctions.com.au 

Samuel Fricker 

samuel.fricker@gibsonsauctions.com.au 

Ann Roberts 

ann.roberts@gibsonsauctions.com.au 

Jon Dwyer 

jon.dwyer@gibsonsauctions.com.au 

Elizabeth Stannard 

elizabeth.stannard@gibsonsauctions.com.au 

AUCTION ADMINISTRATION 

Jemima Livesey 

Office Administrator 

Megan Mac Sweeney 

Accounts Administrator 

Max Sumner 

Operations & Logistics 

Marilla O’Sullivan 

Auction Administrator 

Ella Gibson 

Auction Administrator 

AUCTION ENQUIRIES 

ABSENTEE & TELEPHONE BIDS 

Deanna Baxter 

deanna.baxter@gibsonsauctions.com.au 

+61 9500 2607 

CONDITION REPORTS 

condition.reports@gibsonsauctions.com.au 

+61 9500 2607 

SHIPPING 

www.gibsonsauctions.com.au/shipping 

ACCOUNTS 

Megan Mac Sweeney 

accounts@gibsonsauctions.com.au 

+61 9500 2607 

Simon Gibson 

CFO 

simon.gibson@gibsonsauctions.com.au 

GENERAL ENQUIRIES 

mail@gibsonsauctions.com.au 

+61 9500 2607 

www.gibsonsauctions.com.au 

03 9500 2607 

gibsonsauctions.com.au 

ORRONG RD 

ASHLEIGH RD 

NEW ST 

HIGH ST 

ARMADALE 

OSMENT ST 

NORTHCOTE RD 

KOOYONG RD 

Auction, Viewing and 

Payment & Collections 

Level 1, 885-889 High St 

Armadale, Victoria 3143 

AUBURN GROVE 

DENBIGH RD 

SUTHERLAND RD 

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CHEEL ST

FRONT COVER: 

Lot 146 (Detail) 

BACK COVER: 

Lot 427 

The Harry Oviss 

Collection 

Part I & II: Live Auction 

Part I Sunday 3 October 2021, 11am (Lots 1–422) 

Part II Monday 4 October 2021, 11am (Lots 423–739) 

Level 1, 885-889 High Street, Armadale, Victoria 3143 

Part III: Online 

Tuesday 5 October 2021, closing from 10am (Lots 740–1226) 

Viewing (If permitted under Government restrictions) 

Thursday 30 September 

Friday 1 October 

Saturday 2 October 

10.00am – 5.00pm 

10.00am – 5.00pm 

10.00am – 5.00pm 

Auction Codes: Part I & II: GA028 | Part III: GO016 

GST 

† Lots with this symbol are subject 

to GST on the hammer price and the 

buyer’s premium. 

Buyer’s Premium 

Buyer’s Premium is charged at 

22% of the hammer price plus GST. 

GST is applicable to the buyer’s 

premium only, unless otherwise 

indicated by the † symbol. 

Registration 

To register to bid at Gibson's 

Auctioneers & Valuers an accredited 

form of photo identification is required. 

This applies to bidding in person at 

the auction, Telephone, Absentee and 

Online bidding. 

Resale Royalty Scheme 

Lots subject to payment of the Artist's 

Resale Royalty Scheme will be denoted 

by the symbol §. The Australian Resale 

Royalty is a flat rate of 5% on the 

hammer price (including GST) and is 

payable by the seller. 

Restricted or Organic Material 

♦ Lots with this symbol have been 

identified at the time of cataloguing 

as containing organic material which 

may be subject to export or import 

restrictions. The absence of this 

symbol is not a guarantee that export 

or import restrictions will not apply. See 

www.cites.org for further information. 

Payments & Collections 

By appointment: 03 9500 2607 or 

gibsonsauctions.com.au/bookings 

Payments & Collections can be made 

from: Level 1, 885-889 High Street, 

Armadale, Vic 3143 

(Part I & Part II only) 

Tuesday 5 October 

Wednesday 6 October 

Thursday 7 October 

Friday 8 October 

10am–5pm 

10am–5pm 

10am–5pm 

10am–5pm 

All goods must be collected and paid in 

full by 5pm on Friday 8 October (unless 

by prior arrangement) to avoid removal 

and storage charges. 

All payments are to be made in 

Australian Dollars (AU$). Please refer to 

the methods of payment in the ‘How to 

Buy’ section on the following pages. 

Credit card surcharges apply – 1.2% 

(incl GST) for Visa and Mastercard and 

2% (incl GST) for American Express.

2 

How to Buy 

All you need to know about the bidding process at auction 

Viewing 

Catalogues 

Online catalogues can be viewed at 

www.gibsonsauctions.com.au approximately three weeks 

prior to the auction date. 

Complimentary printed catalogues are available at Gibson’s 

Auctioneers & Valuers. 

Symbols 

Occasionally, a symbol is printed next to a lot number, 

indicating a special clause associated with the sale of the 

item/s. Further information on symbols within our catalogues 

can be found on Page 1. 

Viewing 

Auction viewings are open to the public and usually take place 

three or four days prior to the auction date, at the location/s 

listed in the auction catalogue and on the website. 

Lot Descriptions 

Lot Descriptions provide basic catalogue information such 

as dimensions, date or age, medium, attribution, provenance 

and quantity. 

All lots are guaranteed for fourteen (14) days from the 

auction date. 

Estimates 

Estimates are printed in the catalogue beside every lot and 

take into account rarity, condition, quality and provenance. 

The reserve is the amount at which the item is available for 

purchase. The reserve is an undisclosed confidential amount 

which is set at, or below the low estimate. 

The reserve will never exceed the low estimate at Gibson’s 

Auctioneers & Valuers. Many lots are sold without reserve. 

Talk to our Specialists 

Gibson’s Auctioneers & Valuers are an experienced team of 

specialists who are available to discuss items in further detail, 

and to offer advice and assistance. 

Contact details for relevant specialists can be found on the 

inside front cover our auction catalogues and on our website. 

Condition Reports 

Condition Reports are available on request. Condition Reports 

supplement the lot description and provide information on the 

condition of an item. 

We strongly advise obtaining a condition report if you are 

unable to view an item in person prior to the auction. 

To request a condition report please email 

condition.reports@gibsonsauctions.com.au with the auction 

title and lot number/s. 

Bidding 

Gibson’s Auctioneers & Valuers offer four bidding options: 

1. Auction Room Bidding 

To bid in person we suggest you arrive early so that you 

have sufficient time to register for a bidding number prior 

to the auction. If this is your first time bidding with Gibson’s 

Auctioneers & Valuers please bring photo identification, such 

as a driver’s licence or passport with you. 

2. Telephone Bidding 

Gibson’s Auctioneers & Valuers offer telephone bidding on all 

lots, at all auctions. 

Telephone Bidding is a convenient solution if you are unable to 

attend an auction in person. A Gibson’s Auctioneers & Valuers 

staff member will call you approximately 5 lots in advance and 

with your instruction, bid on your behalf at the auction. 

Please note: Telephone Bids must be organised at least 24 

hours prior to the auction and that occasionally, the number 

of telephone bidders available may be restricted when the 

auction is offsite. 

To organise a Telephone Bid please follow the link 

to the Telephone Bidding form on our website: 

www.gibsonsauctions.com.au. 

Please fill in & return via email to mail@gibsonsauctions.com.au 

If this is your first time bidding with Gibson’s Auctioneers & 

Valuers, an email address is to be supplied when you submit 

your Telephone Bid, along with clear Photo ID verifying 

your address.

3 

3. Absentee Bids 

Absentee Bidding is another convenient solution if you 

are unable to attend an auction in person, to speak on the 

telephone or if you simply have a strict budget. 

An Absentee Bid should be set at the maximum amount 

you wish to bid on the lot/s you are interested in purchasing. 

Should the lot/s be knocked down at an amount lower than 

the bid recorded on your form, the lot will be sold to you for 

the lesser hammer price. 

Please note Absentee Bids must be received at least 24 hours 

prior to the auction to allow time for processing. 

To organise an Absentee Bid please follow the link to 

the Absentee Bidding form available on our website: 


Please fill in & return via email to mail@gibsonsauctions.com.au 

If this is your first time bidding with Gibson’s Auctioneers 

& Valuers, an email address is to be supplied when you 

submit your Absentee Bid, along with clear Photo ID verifying 

your address. 

4. Online Bidding 

Online bidding allows you to bid via the internet in real 

time with a live broadcast of the auction. To bid online visit 

our website and follow the ‘Live Bidding’ link under the 

‘Auctions’ tab. 

Please register for this service at least 24 hours prior to the 

auction to ensure you do not miss your lot. 

Please note online bidding is powered by Invaluable.com and 

so will incur a 5% fee on successful lots. 

If you have not bid with Gibson’s Auctioneers & Valuers 

previously, a photo ID verifying your address will be 

required before you can be approved to bid. Please email to 

mail@gibsonsauctions.com.au as soon as practical. 

International Bidding 

If you are bidding from overseas for the first time, you will be 

asked to provide a clear Photo ID verifying your address and 

a deposit (set at Gibson’s Auctioneers & Valuers’ discretion) 

prior to the auction. The deposit is refundable within 48 

hours should you not be successful. If you are successful 

the deposit will be deducted from your invoice total. The 

remaining balance must be paid preferably by direct deposit. 

Bank details are provided in the Payment & Collection section 

of this guide. 

Payment & Collection 

Payments 

If you are successful an invoice (AU$) will be emailed or 

posted to you immediately after the auction. 

You will pay the hammer price, plus the buyer’s premium 

(22% plus GST) on each Lot, together with any additional 

applicable charges such as GST on hammer. 

Payments must be made in full by the final day of Collections 

as printed in the catalogue. 

Bank Transfer/Direct Deposit is our preferred method 

of payment: 

Account Name: Gibsons Auctions 

Bank: 

Bank of Melbourne (A division of St George) 

BSB: 193879 

Account No: 441701443 

Swift Code: SGBLAU2S 

Routing Code: 021000021 

Bank Address: 197-201 Glenferrie Road, Malvern, Vic, 3144 

• Personal, Company and Bank Cheques are not accepted 

without prior approval. 

• Eftpos (no charge). 

• Credit cards: Visa and Mastercard (1.2% inc GST merchant 

fee) and American Express (2% inc GST merchant fee). 

• Please note that credit card transactions over $5,000 

will not be accepted over the telephone unless by prior 

arrangement. 

• Cash payments up to AU$10,000 can be accepted. For any 

amount over this, cash is to be deposited directly into our 

account at a Bank of Melbourne/St George branch. 

Collections 

Gibson’s Auctioneers & Valuers are happy to assist and 

provide you with recommended transport companies whether 

it be a local, interstate or international delivery. 

Storage 

All items must be paid for and collected within the collection 

times advertised for each individual auction. If items are not 

collected within this time-frame, Gibson’s Auctioneers & 

Valuers reserve the right to charge removal and storage fees.

4

5 

The Harry Oviss Collection 

Harry Oviss was born on 26th of March 

1923 in Jaffa, Palestine, where his family 

had moved from Poland seeking better work 

prospects and opportunities. At 11 months 

old, he and his family migrated to Australia 

in 1924. Harry’s parents, like many others, 

took the risk of uprooting their family in 

hopes of a better life in Australia where they 

established a successful coat business. 

The Great Depression during the 1930s 

was a time that immensely shaped Harry, 

instilling him with an insatiable goal to 

become a successful businessman. From 

a very young age, around 14 years old, he 

had an unshakeable ambition and a clear 

vision of what he wanted to achieve in life, 

and then proceeded to spend the next 84 

years creating his own future and making his 

vision a reality. 

His childhood aspirations certainly 

materialised with Harry becoming a 

successful clothing and fashion magnate 

with his exclusive knitwear shop in the 

Block Arcade, Collins Street, being one 

of the youngest people to lease a shop in 

the CBD at the time. While he possessed 

a natural talent in the clothing and textiles 

industry, his true passion was property 

and he would ultimately turn his business 

ventures to property and development. 

From his humble, uncertain childhood, 

Harry cemented himself in Australia as a 

self-made man. Over time, his interests 

in building and architecture spilled into a 

passion for the arts, culminating with his 

enthusiasm for collecting. 

Art slowly became a lifetime hobby that 

knew no bounds and which he enjoyed 

immensely, especially when it came to 

contemporary art. He immersed himself 

in that world, becoming a regular visitor to 

galleries and auction houses, befriending 

people in the art world – artists, gallerists 

and other avid collectors. 

Harry’s unique and eclectic tastes ultimately 

translated into an extensive collection of 

modern and contemporary artwork including 

works by Roger Kemp, Donald Friend, 

Leonard French and Robert Dickerson. 

Australian ceramics and art glass make up 

a significant proportion of the collection 

and include works by Arthur, David, Merric, 

Lucy and Guy Boyd, Reg Preston, Shigeo 

Shiga, Vic Greenaway and Deborah Halpern. 

Mid-century Danish designer furniture 

is represented with some iconic pieces 

by Hans Wegner. Last but not least is the 

fabulous collection of modernist designer 

jewellery by the likes of Gary Bradley and 

Matcham Skipper. 

Gibson’s are delighted to have been 

entrusted with the sale of the Harry Oviss 

Collection and it is with great pleasure that 

we offer it to the market knowing that these 

pieces will now move on to a whole new 

generation of collectors.

6 

Part I 

Sunday 3 October 2021, 10am 

Lots 1–422 

1 

A GOLD RETRO BRACELET 

Articulated geometrical links; 14ct 

gold. Signed FBD, possibly American. 

Weight 65.1g. 

$2,500–3,500 

1 

2 

A DIAMOND BANGLE 

Of an abstract ribbon design, pave set 

diamonds; 14ct gold. Weight 33.3g. 

$1,200–1,500 

2

7 

3 

A GENTS GOLD LINK NECK CHAIN 

Heavy curb link chain; 18ct gold. 

Weight 199.6g. 

Length 63cms. 

$7,000–10,000 

3

8 

4 

4 

AN ART NOUVEAU-STYLE RING 

Featuring the face of a woman with 

diamond set head-band and eyes, 

round brilliant cut diamonds totalling 

0.12cts; 14ct gold. Weight 44.9g. 

$1,300–1,600 

5 

A HANDMADE MID-CENTURY 

STERLING SILVER PENDANT 

Mid-century modern freeform design, 

on a European Silver necklace. 

Total weight 65.6g. 

$300–500 

6 

A FREEFORM SILVER PENDANT ON 

COLLAR 

Featuring an abstract textured silver 

pendant on solid bar drop, on an 

integral silver collar. 

Pendant weight 37g 

$200–300 

7 

A BLISTER PEARL PENDANT 

ON NECKLACE 

Featuring a large blister pearl set 

within a freeform mount on a silver 

chain, signed Jen; sterling silver. 

Weight 94.8g. 

$400–600 

8 

A CULTURED PEARL PENDANT 

BY GARY BRADLEY 

Of textured, circular design with a 

cultured pearl mounted to the lower 

side of the pendant, on an integral 

chain, signed GB; sterling silver. 

Weight 50.5g. 

$500–700 

9 

A ROSE GOLD FOB CHAIN 

With t-bar drop; 9ct gold. 

Weight 37.1g. 

$750–950 

10 

A ROSE GOLD FOB CHAIN 

Square elongated panels; 9ct gold. 

Weight 42.6g. 

$800–900 

11 

A CULTURED FRESHWATER PEARL 

NECKLACE 

Baroque pearl strand fastening to 

a 14ct white gold clasp set with 

Australian sapphires. 

$300–400

9 

12 

12 

A DIAMOND COLLAR NECKLACE 

Featuring a braided satin finish 

necklace set with 

graduated diamonds totalling 

approximately 2.50cts: stamped CB 

18ct gold. Weight 70.5g. 

$5,000–7,000

10 

13 

A PAVE DIAMOND DRESS RING 

Styled as a textured dome set with 

diamonds, bark finish; 14ct gold. 

Ring size J. Weight 19.7g 

$1,000–1,500 

14 

A DIAMOND BROOCH BY GARY 

BRADLEY 

Featuring a freeform, textured gold 

plaque, set with a single round 

brilliant cut diamond totalling 0.20cts; 


$1,400–1,600 

15 

A LARGE AMBER PENDANT 

Set within an Arts and Crafts-style 

mount on a silver chain, pendant 

hallmarked; sterling silver. 

$300–500 

16 

A GOLD FULL HUNTER POCKET 

WATCH BY WALTHAM 

Antique 14ct rose gold gentlemens 

pocket watch, engraved detail, vacant 

cartouche to verso. 

Weight 142.1g. On a 9ct gold curb link 

chain, weight 8g. 

$2,000–3,000 

13 

14

11 

17 

17 

A HANDMADE GOLD NECKLACE 

Of textured lozenge design; 

testing as 18ct gold. 


$5,000–7,000 

18 

AN EGYPTIAN REVIVAL-STYLE GOLD 

LIONS HEAD RING 

Set with cabochon cut turquoise and 

malachites; 14ct gold. 

Ring size M. Weight 23.4g. 

$800–1,200

12 

19 

19 

A CULTURED PEARL AND GEMSTONE 

COLLAR 

Featuring a triple strand of cultured 

9mm Akoya pearls 

strung to a substantial textured gold 

clasp featuring stacked gold discs, 

surmounted by a Brazilian amethyst 

of approx. 29.8cts, surrounded by a 

border of round brilliant cut diamonds 

totalling approx. 2.50cts; 18ct gold, 

hallmarked maker Alan Shaw. 

Pendant weight approx. 79.9g. 

$5,000–7,000

13 

20 

A VINTAGE LADY’S OMEGA SAPPHIRE 

AND DIAMOND COCKTAIL WATCH 

Designed as a tapered hinged bangle, 

diamond set bezel, bullet markers, set 

with sapphires and baguette and round 

brilliant cut diamonds, tapered angular 

design, diamonds totalling 1.10cts, 

sapphires totalling 1.40cts ;18ct white 

gold. Total weight 94.5g. 

$5,000–7,000 

21 

A VINTAGE DIAMOND NECKLACE 

Textured necklace, set with a 

round brilliant cut diamond cluster 

totalling approx. 0.60cts; 18ct gold. 

Weight 14.1g. 

$600–800 

22 

A MID CENTURY DESIGN 

GEMSTONE SET RING 

Of geometric design set with emeralds 

and rubies; 18ct yellow and white gold. 


$500–700 

23 

A CITRINE RING BY GARY BRADLEY 

Textured gold-work with bark finish, 

set with a square faceted citrine of 

approximately 5.80cts; 18ct gold. 

Weight 17.9g. Ring size O. 

$800–1,000 

20

14 

24 

24 

A DIAMOND STICK PIN 

Featuring a single old European cut 

diamond totalling approx. 0.85cts. 

$1,000–1,500 

25 

A GOLD SPIDERS WEB PENDANT 

ON CHAIN 

Set with diamond highlights to the 

web; 18ct gold. Weight 18.6g. 

$700–900 

26 

A GOLD DRESS CHAIN 

Textured fancy link chain; 14ct gold. 

Weight 29.4g. 

$800–900 

27 

AN ANTIQUE SILVER FOB CHAIN 

With shield fob; sterling silver. 

Weight 58g. 

$100–200 

28 

A FREEFORM GOLD 

AND DIAMOND RING 

Honeycomb textured gold-work, 


approximately 1.25ct; 14ct gold. 

Ring size T. Weight 10.6g. 

$600–800 

29 

AN ABSTRACT DESIGNED PERIDOT 


Of geometric design, marquise cut 

peridot, round brilliant cut diamonds 

within rope borders totalling 

approximately 0.50cts; 14ct rose gold. 

Weight 8.8g. Ring size L. 

$400–600 

30 

A FRESHWATER PEARL AND 

DIAMOND BROOCH 

Organic floral design, set with baroque 

shaped pearls and a single round 

brilliant cut diamond of 0.12cts; 14ct 

gold. Weight 25.5g. 

$600–800 

31 

A FREEFORM DIAMOND AND 

COLOURED STONE RING 

Set within a freeform textured mount, 

with a single round brilliant cut 

diamond totalling 0.40cts, cabochon 

cut coloured stones; 18ct gold. 

Weight 10.8g. 

$500–700 

32 

A MYTHICAL GOLD RING 

Featuring a mythical creature, ruby 

stone; 9ct gold. Ring size W. 

Weight 22.7g. 

$400–600 

33 

A LAPIS LAZULI RING 

Set within a foliate mount; testing as 

18ct gold. Ring size N. Weight 15.1g. 

$500–700 

34 

A QUARTZ GEODE RING 

BY GARY BRADLEY 

Featuring a geode in a raised textured 

mount; 18ct gold, stamped GB. 

Ring size K. Weight 12.6g. 

$500–700 

35 

A WIDE DIAMOND BAND RING 

Pierced, freeform design, round 

brilliant cut diamond highlights; 

testing as 18ct gold. 


$500–700 

36 

A BLISTER PEARL 


Freeform cage, two blister pearls with 

diamond highlights; testing as 14ct 

gold. Ring size P. Weight 16.4g. 

$400–600 

37 

A FREEFORM TOURMALINE RING 

Textured mount, freeform design, 

cabochon cut tourmaline ; testing as 

14ct gold. Ring size H. Weight 15.4g. 

$500–700 

38 

A FRESHWATER PEARL RING 

Set as an organic floral design; 9ct 

gold. Ring size L. Weight 13g. 

$300–500

15 

39 

A TEXTURED GOLD COLLAR 

Tapered form; stamped 18ct gold. 

Weight 75.1g. 

$4,000–6,000 

40 

A GOLD GRIM-REAPER RING 

Garnet set eyes and diamond 

highlights; 9ct gold. Ring size Z. 

Weight 38.5g. 

$700–900 

41 

A RETRO DIAMOND RING 

Of geometric design, round brilliant 

cut diamond highlights; 18ct gold. 

Ring size N. Weight 8.1g. 

$400–600 

39

16 

42 

A SAPPHIRE AND DIAMOND DRESS 

RING BY ALAN SHAW 

Honeycomb style mount, set with a 

faceted sapphire and round brilliant cut 

diamond; 18ct gold, signed AS. 

Ring size N. Weight 16g. 

$800–1,200 

43 

A GOLD PIERCED BAND RING 

Open design; 9ct gold. Ring size N. 

Weight 8.1g. 

$200–300 

44 

A GREEN GEODE GENTS RING 

Textured bark finish containing quartz 

geode; 18ct gold. Ring size O. 

Weight 26.7g. 

$800–1,200 

45 

A GOLD BOMBE RING 

Patterned design to dome; 18ct gold. 

Fully hallmarked H.B. London, 1970. 

Weight 12.6g. Ring size N. 

$500–700 

46 

A GOLD BAND BY GARY BRADLEY 

Open pierced design; 18ct gold. 

Signed GB. Ring size L. Weight 7.9g. 

$400–600 

47 

A TURQUOISE DRESS RING 

Brushed gold finish, cabochon cut 

turquoise; 18ct gold. Italian marks. 

Ring size L. Weight 8.6g. 

$350–450 

48 

A DIAMOND DRESS RING 

Bark finish to the shoulders, set with 


0.50cts; 18ct gold. Ring size R. 

Weight 5.8g 

$400–600 

49 

A GOLD HANDMADE RING 

Featuring mythical sea creatures with 

stone set eyes; 18ct gold, hallmarked. 

Ring size P. Weight 21.1g. 

$700–1,000 

50 

A GENTS BAND RING BY GARY 

BRADLEY 

Embossed design; 11.8mm diameter; 

18ct gold. Signed GB. Ring size P. 

Weight 17g. 

$800–1,000 

51 

A GEM SET RING 

Freeform mount set with coloured 

stones; 14ct gold, stamped SECO. 


$300–500 

52 

A GEODE RING BY GARY BRADLEY 

Set with a green geode in a textured 

gold mount, stamped GB; 18ct gold. 

Ring size O. Weight 16.5g. 

$800–1,200 

53 

A SAPPHIRE RING BY ALAN SHAW 

Set with an oval faceted sapphire 

within a textured, geometrical mount, 

signed AS; 18ct gold. Ring size K. 

Weight 18.6g. 

$900–1,200 

54 

A MABE PEARL DRESS RING 

Central pearl set within a double floral 

border; 14ct gold, stamped AA. 


$300–400 

55 

AN AMETHYST DRESS RING 

Oval pierced panel set with amethysts; 

9ct gold. Ring size O. Weight 6.1g. 

$180–240

17 

56 

56 

A GEOMETRICAL GOLD COLLAR 

Of tapered design, articulated 

rectangular sections; 18ct gold. 

Weight 53.0g. 

$2,500–3,500 

57 

TWO CULTURED PEARL RINGS 

One of floral design, the other freeform 

tree branches; 9ct and 14ct gold 

respectively. Ring sizes L & M. 


$300–500

18 

58 

58 

A GOLD LADY’S LONGINES 

COCKTAIL WATCH 

Tapered gold watch band with 

engraved brushed panels; 18ct gold. 

Weight 53.5g 

$2,000–3,000 

59 

A LADY’S DIAMOND COCKTAIL 

WATCH BY BUCHERER 

Vintage watch, square design, 

diamond set case totalling 0.37cts, 

gold mesh band; 18ct gold. 

Weight 36.4g. 

$1,400–1,600 

60 

A VINTAGE SMOKY QUARTZ BROOCH 

Featuring a rectangular faceted smoky 

quartz totalling approx. 18.50cts; 

set within a beaten gold concave 

plaque; 9ct rose gold. Fully hallmarked, 

Birmingham. Weight 15g. 

$400–600 

61 

A GARNET PENDANT 

Bezel set garnet within a textured gold 

abstract pendant, on a gold chain; 

all 9ct gold. 


$250–350 

59

19 

62 

A VINTAGE GOLD GUBELIN GENTS 

WATCH 

Ipso Day model, date window at 

3’oclock, automatic movement, gold 

mesh watch band; all in 18ct gold. 


$3,000–5,000 

63 

A VINTAGE DIAMOND BRACELET 

WATCH BY OMEGA 

Open textured gold circles, tapered 

design, hidden watch, set throughout 

with round brilliant cut diamonds 

totalling 0.70cts; 18ct gold. 

Weight 73.9g. 

$3,500–4,500 

62 

63

20 

64 

A FANCY LINK DRESS CHAIN 

Alternating elongated and round 

curb links; 14ct gold. Weight 20.7g. 

Length 46cms. 

$600–800 

65 

A VICTORIAN GOLD FOB CHAIN 

Engraved decorative links, T-bar 

attachment; 9ct rose gold. 

Weight 46.1g. 

$1,000–1,500 

66 

A GOLD SIGNET PENDANT ON CHAIN 

Libra pendant on fancy link chain; all 

9ct gold. Total weight 6.8g. 

$120–150 

67 

A TWISTED GOLD ROPE NECKLACE 

Alternating yellow and white gold 

ropes; 14ct gold. Weight 12.3g. 

$400–600 

68 

A CULTURED PEARL AND DIAMOND 

BROOCH 

Styled as a bird perched on a 

branch, body set with pearls, branch 

terminating to two small diamonds; 


$300–500 

69 

A GOLD CHAIN 

Curb links; 18ct gold. Weight 10.7g. 

Length 50cms. 

$400–600 

70 

A BOULDER MATRIX OPAL PENDANT 

Freeform opal set in 9ct rose gold, 

on a base metal display chain. 

Pendant weight 4.1g. 

$150–200 

71 

A GEMSTONE ‘TUTTI FRUTTI’ 

SPRAY BROOCH 

Set throughout with sapphires, 

tourmaline, peridot, garnet, citrine, 

iolite and aquamarine; 9ct rose gold. 

Weight 16.3g. 

$600–800 

72 

A LIGHT OPAL AND DIAMOND 

PENDANT 

Featuring a pear shaped polished opal 

set with a light yellow round brilliant 

cut diamond of approx. 0.45cts, on 

a gold chain; set in 9ct rose gold. 


$800–1,200 

73 

A PAIR OF MABE PEARL EARRINGS 

Clip-on backings (one broken); 9ct 


$100–200 

74 

A TORTOISE SHELL AND DIAMOND 

HAIR CLIP 

Featuring a star burst feature with 

diamond terminals; 9ct gold. 

$500–700 

75 

A CARVED NEPHRITE PENDANT ON 

CHAIN 

Freeform carving; 18ct gold curb link 

chain. Chain weight 19.7g. 

$900–1,200 

76 

A VINTAGE GOLD LONGINES WATCH 

Automatic movement; 18ct gold case, 

Leather strap. 

$600–800 

77 

A VINTAGE GOLD WATCH 

Inner seconds dial, on a leather strap; 

9ct rose gold. Weight 26.3g. 

$150–250 

78 

A GOLD PIN SET WITH GEMSTONES 

Freeform design set with green 

chalcedony, synthetic colour-change 

Alexandrite and a cultured pearl; 


$300–500 

79 

A DIAMOND SET STICK PIN 

Styled as a bamboo walking stick, set 

with a horseshoe of old cut diamonds; 

15ct rose gold. 

Weight 6.3g. 

$200–300 

80 

AN ANTIQUE MOONFACE PIN SET 

WITH DIAMONDS 

Stick pin with a carved rock crystal 

Moonface, stylised star burst 

terminating to old cut diamonds; 

18ct rose gold. Weight 1.2g. 

$400–600

21 

81 

A VINTAGE LADY’S DIAMOND 

WRISTWATCH 

Textured gold work, pierced design 

set with an outer bordered of round 

brilliant cut diamonds, totalling 0.60cts, 

stamped Juvenia; 18ct white gold. 

Weight 32.9g 

$1,000–1,200 

81 

82 

A DIAMOND, SAPPHIRE AND RUBY 

STARBURST BROOCH 

Styled as a starburst ribbon, set with 

round cut sapphires and rubies, round 

brilliant cut diamonds totalling over 

1.50cts; 18ct yellow and white gold. 

Weight 17.3g. 

$1,200–1,500 

82

22 

83 

A GENTS GOLD BRACELET 

Textured and polished curb links; 9ct 


$1,000–2,000 

84 

AN ANTIQUE GOLD LADY’S 

WRISTWATCH 

Circular design, stamped Stewart 

Dawson & Co Ltd; watch case testing 

as 14ct rose gold. 

$200–300 

85 

A DIAMOND RING AND BAND RING 

Featuring a raised diamond cluster ring 

accompanied by a shaped diamond 

band set with round brilliant and 

baguette cut diamonds; 18ct gold and 

platinum. Ring sizes K & P respectively. 


$800–1,200 

86 

A FIRE AGATE AND LAPIS RING 

Of freeform design; 14ct gold. 


$280–320 

87 

AN OPAL MATRIX RING 

Featuring two figures holding the opal; 

9ct gold. Makers mark obscured. 


$200–300 

88 

A DYED LAPIS LAZULI 


Featuring a colour enhanced oval 

shaped lapis, set with baguette cut 

shoulders; 14ct white gold. 


$300–400 

83

23 

89 

89 


Elongated, rounded curb links; 18ct 


$1,400–1,600 

90 


Heavy curb link chain; 18ct gold. 

Weight 70.0g. 

$2,800–3,200 

90

24 

91 

A SUBSTANTIAL AMETHYST RING BY 

GARY BRADLEY 

Open wire-work freeform design, 

centrally set amethyst geode; 9ct 

gold. Signed GB. Ring size Q. Comes in 

vintage Gary Bradley pouch. 

Weight 36.3g. 

$1,000–1,500 

92 

A STAR RUBY RING BY GARY 

BRADLEY 

Featuring a heavily textured freeform 

panel, star ruby cabochon; 18ct gold. 

Signed GB. Ring size P. Weight 30.4g. 

$1,500–1,700 

93 

A GENTS BAND RING 

Open design, bark finish; 18ct gold, 

stamped WD (possible William 

Drummond). Weight 30.9g. Ring size Y. 

$1,200–1,500 

94 

A STAR RUBY AND DIAMOND RING 

Set within a substantial textured gold 

mount, central star ruby; 18ct gold. 

Ring size W. Weight 20.4g. 

$1,000–2,000 

95 

A LIGHT OPAL RING BY GARY 

BRADLEY 

Oval cut opal set within a freeform 

mount; 18ct gold. Signed GB. 


$1,000–1,500 

96 

A GENTS SIGNET RING 

Featuring the entwined figures of a 

man and a woman, possibly Matcham 

Skipper; 18ct gold. 

Ring size U. Weight 24g. 

$1,000–1,500 

97 

A SAPPHIRE AND DIAMOND 

DRESS RING 

Abstract, textured gold mount, set 

with sapphires of approx 0.55cts 

and round brilliant cut diamonds of 

approx 0.30cts, bark finish; 18ct gold. 

Ring size P. Weight 18.3g. 

$900–1,200 

98 

A GROUP OF THREE GEM SET RINGS 

Set with diamonds, garnet and 

aquamarine; all in 18ct gold. 

Ring sizes O (2) and K. Total weight 7g. 

$500–700 

99 

A DIAMOND DRESS RING 

Vintage design, set with diamonds 

totalling 0.15cts; 14ct white gold. 


$200–300 

100 

THREE GENTS GOLD RINGS 

Two set with synthetic stones; 

all in 9ct gold. Ring sizes O (x2) and Q. 


$300–400 

101 

A GENTS ONYX SIGNET RING 

Oval onyx plaque; testing as 14ct rose 

gold. Ring size U. Weight 12.7g. 

$300–400 

102 

A GROUP OF THREE GENTS RINGS 

One styled as a buckle with onyx and 

white stones, one set with a synthetic 

blue stone, the other a band ring; all in 

18ct gold. Ring sizes Q (x2) and R. 

Total weight 32g. 

$1,000–1,500 

103 

TWO COLOURED STONE SET RINGS 

Vintage settings with white stone 

shoulders; 9ct gold. Ring sizes O & R. 


$120–180 

104 

AN ANTIQUE-STYLE PLAQUE RING 

Pierced plaque set with vari-cut 

diamonds totalling approximately 

0.36cts; 18ct gold. Weight 4.4g. 

Ring size M. 

$600–800 

105 

A GOLD BAND RING 

Wide band featuring figures climbing 

across the ring; testing as 9ct gold. 

Signed RF. Ring size N. Weight 7.5g. 

$200–300 

106 

AN OPAL AND DIAMOND RING 

Featuring a centrally set light opal 

within a circular plaque, single round 

brilliant cut diamond totalling approx. 

0.35cts; 9ct rose gold. Ring size L. 

Weight 5.9g. 

$400–600 

107 

A DIAMOND COCKTAIL RING 

Featuring single cut diamonds and 

baguette cut diamonds in a floral spray 

totalling approximately 0.50cts; testing 

as 9ct white gold. Ring size L. 

$300–500 

108 

A TIGERS-EYE AND DIAMOND SPIDER 

RING 

Body of the spider set with a single 

cushion diamond of approx. 0.40cts 

and a cabochon cut tigers-eye; 9ct 

rose gold. Ring size P. Weight 9.8g. 

$500–700

25 

92 

91 

93 

94 

95 

97 

96

26 

109 

109 

A SUBSTANTIAL AUSTRALIAN SILVER 

PENDANT 

Featuring an Arts and Crafts-style flora 

and fauna 

Design centred around a kangaroo, on 

a silver collar; Sterling silver, makers 

mark RN. Pendant weight 52.8g. 

$1,000–2,000 

110 

A GROUP OF ASSORTED JEWELLERY 

ITEMS 

Including a bee brooch, Australian 

gemset drop earrings, 

Two rings, a tigers eye bead necklace 

and a brooch by Tony Kean; most in 

sterling silver. 

$200–300 

111 

AN ANTIQUE SAPPHIRE AND 

DIAMOND PIN 

Styled as a horse shoe with alternating 

sapphires and rose cut diamonds; 

14ct rose gold. 

Weight 3.9g. 

$300–400 

112 

AN OPAL DRESS RING 

Off-set design, bark finish to gold work; 

18ct gold. Ring size O. Weight 12.1g. 

Note: opal is crazed and cracked. 

$400–600 

113 

A PERIDOT RING BY DIANNE BAPTY 

Elongated, textured design, one stone 

missing; 9ct gold. Ring size H. 

Weight 12.6g. 

$300–400 

114 

A PAIR OF GENTS CUFFLINKS BY 

GARY BRADLEY 

Styled as abstract geometric cubes; 

sterling silver. Signed Gary Bradley. 

In original box. 

$300–600 

115 

A SUBSTANTIAL GILDED MODERNIST 

COLLAR 

Handmade collar with brutalist detail, 

gilded detail. 

$300–500 

116 

TWO METAL AND STONE SET 

PENDANTS 

Both mid-century modern design, one 

set with a glass stone, the other with 

semi-precious stones. 

$180–260

27 

117 

117 

A SILVER FREEFORM BRACELET BY 

DIANNE BAPTY 

Articulated organic stick form. 


$300–500 

118 

A HANDMADE AMEHTYST BANGLE 

Of brutalist design, styled with figures 

climbing over an amethyst geode, 

hinged bangle, possibly Matcham 

Skipper; silver. 

$800–1,200 

119 

A SUBSTANTIAL SUITE OF 

AMETHYST JEWELLERY 

Comprising a ring, pendant on 

chain and hinged bangle, all set with 

amethyst geodes, organic handmade 

form; sterling silver, signed ‘ross’. 

$500–700 

118

28 

120 

120 

A RETRO ROSE GOLD PANEL 

BRACELET 

Large alternating engraved panels; 

14ct rose and orange blossom gold. 

Weight 67.8g. 

$2,000–3,000 

121 

A GEM SET COLLAR 

Five tapered, engraved panels, 

articulated design, set throughout 

with various gemstones including 

amethyst, topaz, sunstone, turquoise, 

tigers eye, citrine and chalcedony; 

testing as 14ct gold. Weight 73.3g 

$1,800–2,400 

122 

A GROUP OF THREE GEM SET 

BOMBE RINGS 

All set throughout with various 

gemstones including emeralds, coral, 

lapis lazuli and cultured pearls; all in 

14ct gold. Ring sizes L, M & Q. 


$1,200–1,500 

123 

TWO STONE SET COCKTAIL RINGS 

One set with green chalcedony, the 

other with a mabe pearl; 14ct and 18ct 

gold respectively. Ring sizes J & L 

respectively. Total weight 16.4g. 

$200–300 

124 

A LIGHT OPAL RING 

Set with figures embracing the opal; 

9ct gold. Possibly Matcham Skipper. 


$400–600 

125 

A SYNTHETIC COLOUR-CHANGE 

SAPPHIRE RING 

Set within a freeform gold mount, 

diamond highlights; 18ct gold. 


$700–1,000 

126 

A DIAMOND BOMBE RING 

Beaded detail with a diamond set 

dome totalling approximately 0.70cts; 

testing as 18ct gold. Ring size K. 

Weight 10g. 

$600–800 

127 

AN ABSTRACT DIAMOND DRESS 

RING 

Abstract grid design featuring round 

brilliant cut diamonds totalling approx. 

0.50cts; Platinum and 18ct gold. 


$600–800 

128 

A GOLD NUGGET 

Freeform nugget, original paperwork. 

Weight 5.27g. 

$400–600 

129 

A GROUP OF 9CT GOLD JEWELLERY 

To include earrings, lockets, 

pendants, some stone set. 

Total weight 7.0 grams. 

$200–300 

130 

A HEAVY ORGANIC BANGLE BY 

DIANNE BAPTI 

Featuring pierced circular motifs, 

freeform design; sterling silver. 

$300–500

29 

121 

122

30 

131 

A VICTORIAN GOLD FOB CHAIN 

Engraved decorative links, T-bar 

attachment; 9ct rose gold. 

Weight 47.1g. 

$1,000–1,500 

132 

TWO SILVER NECKLACES 

One substantial collar set with stones, 

the other of fob-style; stamped 925. 

$200–300 

133 

A COLLECTION OF VINTAGE GOLD 

STICK PINS 

Of varying forms, some stone set; 9ct 


$800–1,200 

134 

A GROUP OF FOUR DIAMOND SET 

PINS 

All set with diamonds totaling approx. 

1.00ct. 

$700–1,000 

131

31 

135 

135 

A GOLD ‘STAR OF DAVID’ PENDANT 

ON CHAIN 

Featuring a handmade textured gold 

cross on a fully Hallmarked chain: 

both 14ct gold. Weight 30.9g. 

$1,400–1,600 

136 

A GROUP OF STONE SET STICK PINS 

Including opal, turquoise, peridot and 

cameo pins; All in gold. 

$800–1,200 

137 

A GROUP OF ANTIQUE STICK PINS 

Set with coral, seed pearls and pearl; 

All set in gold. Weight 28g. 

$700–900 

138 

A GROUP OF GEMSTONE SET STICK 

PINS 

Including sapphire, amethyst, 

garnet and moonstone; all in gold. 

Weight 32.3g. 

$800–1,200 

139 

A GROUP OF FOUR GOLD STICK PINS 

Including gold-in-quartz, pyrite; 

all in gold 

Weight 20g. 

$700–900 

140 

A GROUP OF THREE PINS 

Two stick pins with nephrite and a 

scarab, one diamond set tie pin; all in 


$400–600 

141 

THREE CULTURED PEARL STRANDS 

Two strands comprising dyed pearls, 

one freshwater, the other rice pearls, 

third strand natural rice pearls; all with 

gold stone-set clasps. 

$300–500 

142 

TWO CULTURED PEARL NECKLACES 

One a double strand closing to a seed 

pearl and opal doublet clasp, the 

other a single strand closing to a ruby 

set ball clasp; in 9ct and 14ct gold 

respectively. 

$400–600 

143 

A CULTURED FRESHWATER NECKLET 

WITH DIAMOND SET CLASP 

Featuring a pearl necklet with a 

diamond set feature clasp totalling 

approx. 1.00cts, central Akoya pearl of 

9.3mm; 18ct gold. 

$400–600

32 

144 145 

144 

ROGER KEMP (1908-1987) 

Flower Piece circa 1974 

oil on board 

32.5 x 15.5cm 

$2,200–3,000 

145 

ROGER KEMP (1908-1987) 

The Blue Vase 1960 

oil on board 

signed, dated and inscribed lower left: 

Roger Kemp 60 To Kath 

32.5 x 15cm 

$2,500–3,500

33 

146 

146 

ARTHUR MERRIC BLOOMFIELD BOYD (1920-1999) 

Marine Forms 

watercolour and collage 

signed lower right: Arthur Boyd 

57 x 78cm 

PROVENANCE 

Australian Galleries, Melbourne 

$3,000–5,000 

147 

ARTHUR MERRIC BLOOMFIELD BOYD (1920-1999) 

Prometheus 

ink and wash on paper 

34 x 47cm 

$1,000–1,500 

148 

MATTHEW PERCEVAL (BORN 1945) 

Spring Morning, Bay of Port de Selva 1971 

oil on canvas 

signed and dated upper left and right: 

Matthew Perceval 1971 

34.5 x 44.5cm 

$600–900 

149 

SIDNEY NOLAN (ATTRIBUTED) 

Figurative Study 

oil on board 

25 x 26.5cm 

$800–1,200

34 

150 151 

150 

KEVIN CONNOR (BORN 1932) 

Haymarket - Face in a Moonlit Park 1963 

oil on board 

signed and dated lower right: Connor 63 

titled verso: FACE IN A MOONLIT PARK 

45 x 60cm 

$500–900 

151 


Man who Lives in the Cemetery 1961 

oil on board 

signed and dated lower right: Connor 61 

titled verso: MAN WHO LIVES IN THE CEMETERY 

52 x 40.5cm 

PROVENANCE 


$600–900 

152 

ATHOL FARMER (BORN 1960) 

Snakes and Turtles 1991 

acrylic on canvas on board 

signed and dated lower right: Athol Farmer 91 

59 x 43.5cm 

$200–400 

153 

ROBERT BOYNES (BORN 1942) 

Archeology 1985 

oil and pastel on paper 

signed and dated lower right: Boynes 85 

27.5 x 38.5cm 

PROVENANCE 

Macquarie Galleries, Sydney 

$200–500

35 

154 


Portrait VII 1965 

oil on board 

signed and dated lower right: 

Connor 65 

60 x 60cm 

PROVENANCE 


$800–1,500 

154 

155 

LOUIS JAMES (1920-1996) 

Red Ikon 1963 

oil on canvas 

signed and dated lower left: 

LOUIS JAMES 63 

signed and titled verso: 

Louis James RED IKON 

101 x 75cm 

$1,500–2,500 

155

36 

156 

156 

DOUGLAS WRIGHT (BORN 1944) 

Pylon No. 1 1974 

acrylic on canvas 

signed and dated lower right: WRIGHT 74 

titled and dated verso Pylon No. 1 NOV 1974 

152.5 x 152cm 

$2,000–4,000

37 

157 

157 

ROGER KEMP (1908-1987) 

Poem in Space 

acrylic on board 

signed verso: Roger Kemp 

78.5 x 114.5cm 

PROVENANCE 

Leonard Joel Auctions, Australian, New Zealand, 

British and European Historical & Contemporary Paintings, 

Melbourne, 12 June 1974, Lot 479 

Christie’s, Australian Paintings, Melbourne, 1 March 1973, 

Lot 296 

$15,000–25,000

38 

158 

DONALD FRIEND (1915-1989) 

Moody and Sanky 1948 

mixed media 


Donald 48 

38.5 x 33.5cm 

$2,000–4,000 

158 

159 

LOUDON SAINTHILL 

(1919-1969) 

Design for the Red Light (Ballet) 

gouache and watercolour 

signed and titled lower right and left: 

Sainthill Design for The Red Light 

55 x 47cm 

$1,000–1,800 

159

39 

160 

160 

JAN SENBERGS (BORN 1939) 

Structure with Head 

oil on board 

signed lower right: J Senbergs 

inscribed with title verso: STRUCTURE WITH HEAD 

76 x 71cm 

$2,500–4,500

40 

161 

161 

NICOLE NEWMAN (BORN 1949) 

Bather 1971 

composite resin 

signed and dated verso: NICOLE NEWMAN 71 

37cm high, 54cm wide, 19.5cm deep (sculpture) 

127cm high, 91.5cm wide, 18cm deep (overall sizing 

including frame) 

$400–600

41 

162 

162 

EDWIN TANNER (1920-1980) 

Little Man 1962 

oil on board with collage 

signed and dated upper left: EDWIN TANNER 62 

105 x 121cm 

PROVENANCE 

Leonard Joel, ‘Australian, New Zealand, British and 

European Historical & Contemporary Paintings’, Melbourne, 

6 November 1974, lot 420 

$12,000–18,000

42 

163 

163 

GARETH SANSOM (BORN 1939) 

Man Form I 1967 

oil on board 

diptych 

signed, dated and titled verso: 

GARETH SAMSON 1967 MAN FORM I 

95.5 x 127cm (overall) 

$2,500–3,500 

164 


Humpty Dumpty Dying 1963 

mixed media 

signed and dated lower right: Sansom 63 


Gareth Sansom 63 Humpty Dumpty Dying 

51.5 x 73.5cm 

$600–1,000 

165 


Portrait 1982 

oil on paper 

40 x 30cm 

$300–600 

166 

YOSL BERGNER (1920-2017) 

Portrait Fanatic 1978 

oil on canvas 

signed and dated lower left: Y Bergner 78 

inscribed, dated and titled verso: 

Yosl Bergner 1978 PORTRAIT 

63.5 x 44.5cm 

$3,000–5,000

43 

166

44 

167 

167 

JOHN COBURN (1925-2006) 

Crucifixion 1955 

oil on board 

signed and dated lower left: Coburn 55 

32.5 x 46.5cm 

$3,000–6,000

45 

168 

168 

LEONARD FRENCH (1928-2017) 

Girl on Carousel 1950 

enamel on board 

signed and dated lower left: French 50 

66.5 x 88.5cm 

$6,000–9,000

46 

169 

169 

BERNARD HESLING (1905-1987) 

Face 1971 

vitreous enamel - platter 


HESLING 71 

65.5cm diameter 

$800–1,500 

170 


Horse of Another Colour 

vitreous enamel 

signed and titled: HESLING HORSE 

OF ANOTHER COLOUR 

36cm diameter 

$500–800 

171 

VYTAS KAPOCIUNAS 

(BORN 1943) 

Party 

oil on board 

signed lower right: Vytas Kapociunas 

60 x 42cm 

$200–400 

172 

VYTAS KAPOCIUNAS 

(BORN 1943) 

Two for Dinner 1986 

oil on canvas 


V Kapociunas 86 

inscribed and titled verso: 

V KAPOCIUNAS TWO FOR DINNER 

152 x 121.5cm 

$400–800 

173 

PETER ELLIS (BORN 1956) 

Woman With Spiders 1986 

mixed media on paper 

signed, dated and titled lower right and 

left: Ellis 1986 ‘woman with spiders’ 

122 x 80.5cm 

$400–800 

174 

PETER ELLIS (BORN 1956) 

Girl and Self Portrait 1980 

mixed media 


centre: Ellis 80 Girl and Self Portrait 

95 x 65cm 

$200–400

47 

175 

ANDY WARHOL (AMERICAN, 1930-1987) 

Boxing Glove 

painted boxing glove with black and silver ink 

signed: Andy Warhol 

housed in a perspex case 

16.5cm high, 25.5cm wide, 18.5cm deep 

PROVENANCE 

Christie’s, Australian, International & Contemporary Art, 

Melbourne, 22 August 2005, Lot 363 

NOTE 

This is the glove worn by Warhol for the sitting 

of the Warhol Basquiat Joint Show Party poster 

$3,000–5,000 

175

48 

176 

176 

RICHARD HAVYATT (BORN 1945) 

Abstract Landscape 1967 

oil on canvas 

diptych 

signed and dated lower right: RS Havyatt 67 

101 x 162.5cm 

$500–1,000 

177 


Untitled 1978 

watercolour and collage 

signed and dated lower right: R J Havyatt 78 

59 x 39.5cm 

PROVENANCE 


$200–400 

178 


Untitled 1988 

watercolour and ink 

signed and dated lower right: R J Havyatt 88 

38 x 58cm 

$200–400 

179 

PETER ADSETT (BORN 1959) 

Deforestation 1989 

oil on canvas 

signed and dated lower right: ADSETT 89 

inscribed verso: ADSETT 89 DEFORESTATION 

154 x 153cm 

PROVENANCE 

William Mora Galleries, Melbourne 

$400–600

49 

180 

180 

JEFFREY MAKIN (BORN 1943) 

Garden 

oil on canvas 

signed upper right: Makin 

signed verso: Jeffrey Makin 

166 x 166cm 

EXHIBITED 

Georges Invitation Prize for Painting 1974. 

50 Years of the National Art School, Bonython Gallery, Sydney 

$4,000–8,000 

181 

MARK SCHALLER (BORN 1962) 

Still Life II 1991 

oil on board 

signed with initials and dated lower left: MS 91 

58 x 43.5cm 

PROVENANCE 


$200–500

50 

182 

182 

WILLIAM FRATER (1890-1974) 

Landscape 

oil on board 

signed lower right: William Frater 

60 x 79.5cm 

$700–1,200 

183 

RODNEY MILGATE (1934-2015) 

Valediction 

oil on board 

signed lower right: Milgate 

inscribed verso: 

RODNEY MILGATE VALEDICTION 

121 x 90cm 

EXHIBITED 

The Australian Commonwealth 

Government, Young Australian Painter 

Exhibition for Japan, Tokyo and Kyoto, 

April-May 1965, cat no.55 (label verso) 

$600–900 

183

51 

184 

184 

CLIFTON PUGH (1924-1990) 

White and Pink Heath 1989 

oil on canvas 

signed and dated lower right: Clifton 20.5.89 

90 x 110cm 

PROVENANCE 


$4,000–7,000 

185 

WILLIAM (BILL) FERGUSON (BORN 1932) 

Ancestral Figure 

oil on canvas 

signed lower right: Ferguson 

131.5 x 121.5cm 

$600–1,000

52 

186 

186 

NOEL COUNIHAN (1913-1986) 

The Negro 1963 

pastel and chalk 


Counihan 63 

47 x 73cm 

$1,500–2,500 

187 

ALBERT TUCKER (1914-1999) 

Nude 1955 

charcoal 


Tucker 55 

37 x 23.5cm 

$700–1,200 

188 

GUELDA PYKE (1905-1994) 

Balinese Cock Fight 

mixed mixed 

signed lower right: Guelda Pyke 

64 x 76.5cm 

$200–400 

187

53 

189 

189 

ROBERT DICKERSON 

(1924-2015) 

Pensive Young Girl 

charcoal 

signed lower right: Dickerson 

73 x 52.5cm 

$4,000–5,000 

190 

IAN DUNCAN (ACTIVE 1980s) 

The Nightmare 1987 

oil on canvas on board 


Duncan 87/88 The Nightmare 

121 x 208cm 

$800–1,200 

191 

ALUN LEACH-JONES 

(1937-2017) 

Through the Mirror 1987 

pastel and charcoal on paper 

signed with initials lower left: AL 

25.5 x 35cm 

$200–500

54 

192 

ANNE HALL (BORN 1945) 

Ex Post Facto 1968 

oil on canvas 

signed and dated centre left: 

Anne Hall 68 

101.5 x 84cm 

$600–900 

193 


Warrior (After Leonardo) 1967 

oil on canvas 


Anne Hall 67 

signed, dated and titled verso: Anne 

Hall 1967 ‘Warrior’ (after Leonardo) 

101.5 x 86.5cm 

$500–700 

192 

194 

ROBIN ANGWIN (1947-1976) 

Grey Space 1970 

mixed media 

signed, dated and title verso: 

R Angwin 1970 GREY SPACE 

73 x 60cm 

$200–500 

195 

IAN ARMSTRONG (1923-2005) 

Musicians 1969 



Ian Armstrong 69 

73.5 x 53cm 

$200–400 

196 

DONALD LAYCOCK 

(BORN 1931) 

Abstract 1966 

watercolour 


LAYCOCK 66 

28 x 37cm 

$150–300 

193

55 

197 


Mirka Mora 1967 

oil on canvas 


Anne Hall 67 


Anne Hall 1967 Mirka More 

81 x 61cm 

$800–1,200 

198 

ANDREW SIBLEY (1933-2015) 

Man and Moon 1962 

oil on board 

signed and dated lower right: Sibley 62 

75 x 60cm 

$300–500 

199 


The Priest 1967 

oil on canvas 


Anne Hall 67 


Anne Hall 67 The Priest 

101 x 85.5cm 

$500–800 

197 

200 


The Red Lounge 1970 

oil on paper 

signed and dated bottom right: 

Sibley 70 

55 x 75cm 

$300–600 

201 

D. MITRIES 

Abstract 

mixed media 

signed lower right: D Mitries 

18 x 25.5cm 

$250–450 

198

56 

202 

202 

ERIC SMITH (1919-2017) 

Spring Landscape 1962 

oil on board 


ERIC SMITH 62 

signed and inscribed verso: 

Eric Smith Spring Landscape 

29 x 36.5cm 

$500–700 

203 

ERIC SMITH (1919-2017) 

Owl 1955 

oil on board 


ERIC SMITH 55 

inscribed with title verso: OWL 

35 x 24cm 

$600–900 

203

57 

204 

204 

ERIC SMITH (1919-2017) 

Sydney Harbour 1960 

oil on board 


ERIC SMITH 60 

78.5 x 122cm 

$1,500–2,500 

205 

ARCH CUTHBERTSON 

(1924-2001) 

Arch Genesis, The Second Day 

1965 

watercolour 


Cuthbertson 65 

56.5 x 45cm 

$250–450 

205

58 

206 

DAVID BOYD (1924-2011) 

High Priest and Guard Angel 1965 



David Boyd 1965 

inscribed and titled verso: DAVID BOYD 

HIGH PRIEST & GUARD ANGEL 

35 x 25cm 

PROVENANCE 

The Johnstone Gallery, Brisbane 

$1,000–1,500 

207 

DAVID BOYD (1924-2011) 

The Emissary 1966 



David Boyd 66 

21 x 36.5cm 

$1,500–2,500 

208 

SHEPHERD 

Workshop 1973 

oil on canvas 


Shepherd 73 

122 x 121.5cm 

$300–500 

206 

207

59 

209 

209 


Wandering Figure 1963 

mixed media 


Sansom 63 

inscribed verso: GARETH LAURENCE 

SANSOM WANDERING FIGURE 

115 x 114.5cm 

$2,000–4,000 

210 

GARETH JONES-ROBERTS 

(1935-2013) 

Night Birds and Sleeping Figures 

oil on board 

signed lower right: G Jones Roberts 

inscribed with title verso: 

NIGHT BIRDS & SLEEPING FIGURES 

76 x 91cm 

$200–400 

211 

PASQUALE GIARDINO 

(BORN 1961) 

Nude 1999 



Pasquale Giardino 10/5/99 

84.5 x 55cm 

$200–500

60 

212 

213 

212 

CHARLES REDDINGTON (BORN 1929) 

Great Pan 

oil on canvas 

signed lower left: C. Reddington 

inscribed verso: Charles Reddington GREAT PAN 

67.5 x 122cm 

$400–600 

213 

C ROSE 

Abstract 

oil on board 

signed with initials lower left: CR 

61.5 x 91cm 

$200–400

61 

214 218 

214 

ROBERT (BOB) GRIEVE 

(1924-2006) 

Japanese Folk Toy Theme 1965 

oil on board 


R GRIEVE 65 

titled verso: 

JAPANESE FOLK TOY THEME 

60 x 35cm 

$600–900 

215 


(1924-2006) 

Han (Seal) 

mixed media 

signed upper right: R GRIEVE 

38 x 27cm 

$500–800 

216 


(1924-2006) 

The Seller 

oil on board 

signed lower left: R GRIEVE 

19.5 x 14.5cm 

$200–400 

217 


(1924-2006) 

Yellow Improvisation 

oil on board 

signed upper right: Robert Grieve 

32 x 22cm 

$300–600 

218 

THOMAS (TOM) CLEGHORN 

(BORN 1925) 

Bushfire 1958 

oil on board 


Thomas Cleghorn 58 

67.5 x 44cm 

$1,000–1,500 

219 

JEAN BELLETTE (1908-1991) 

Horse Rider 


signed lower left: J Bellette 

21.5 x 14cm 

$200–400

62 

220 

220 

LOUIS KAHAN (1905-2002) 

Hobart Harbour Scene 1961 

oil on board 


Louis Kahan 61 

inscribed verso: FOR WYNNE PRIZE 

Sold to ART GALLERY of NSW 

59.5 x 89.5cm 

$800–1,200 

221 


Farm Boy 


signed lower right: HESLING 

63.5 x 34cm 

$600–900 

222 

D KWIATKOWSKI 

Night Man with Newspaper 1964 

oil on canvas 


D.Kwiatkowski 64 

121 x 90.5cm 

$600–800 

221

63 

223 

SALVATORE ZOFREA 

(BORN 1946) 

Bush Landscape 

oil and board 

signed lower right: S ZOFREA 

136 x 121cm 

$1,000–1,500 

224 

BRIAN KEWLEY (BORN 1933) 

St Kilda 

oil on board 

signed lower left: B. KEWLEY 

70 x 104.5cm 

$500–800 

225 

ARTIST UNKNOWN 

Forgotten Landscape 

oil on canvas 

137.5 x 181cm 

$600–800 

226 

M R THOMPSON 

Green Interior 1974 

oil on canvas 


MR Thompson 1974 Green Interior 

152.5 x 153.5cm 

$500–800 

223 

227 

JOHN MONEY (BORN 1953) 

Dancers 1976 

oil on canvas 


JOHN MONEY 76 

166.5 x 136cm 

$400–600 

228 

JOHN MONEY (BORN 1953) 

The Lost Cause 1978 

pencil on paper 

diptych 

signed and dated upper right: 

JOHN MONEY 1978 

111 x 74cm 

$200–400 

224

64 

229 

STANISLAUS RAPOTEC 

(1913-1997) 

Red Flowers Windy Day 

oil on board 

74.5 x 59cm 

$600–900 

230 

FRANCIS LYMBURNER 

(1916-1972) 

The Lovers 

oil on board 

signed lower left: Lymburner 

36.5 x 47cm 

$400–600 

231 


Black September The Weather 

Man 

oil on board 

inscribed lower right and left: BLACK 

SEPTEMBER THE WEATHER MAN 

60 x 43cm 

$200–400 

229 

232 

HUGH (GIL) JAMIESON 

(1934-1992) 

The Bullfight 

oil on paper 

signed lower right: GIL JAMIESON 

57 x 89cm 

$200–400 

233 

IAN VAN WIERINGEN 

Carnivale 1975 

oil on canvas 


Van Wieringen 75 

176 x 128.5cm 

$600–1,000 

230

65 

234 

235 

234 

KEVIN (PRO) HART (1928-2006) 

Broken Hill Ant 

silver medallion 

incised lower and upper centre: 

Pro Hart BROKEN HILL ANT 

4.5 x 6cm 

$300–500 

235 


Broken Hill Mine 

silver medallion 

incised upper left: Pro Hart 

5.5 x 6cm 

$300–500 

236 

THOMAS (TOM) CLEGHORN 

(BORN 1925) 

Icon No.2 1966-1967 

bronze wall plaque 


Cleghorn 1966-67 ICON No. 2 

24 x 18.5cm 

$300–600 

236

66 

240 


(1924-2001) 

Saplings 1988 

oil on canvas 


Cuthbertson 88 

29.5 x 34cm 

$200–400 

241 

IAN PARRY (BORN 1947) 

Coastal View 

oil on board 

signed lower right: Parry 

32.5 x 34cm 

$200–500 

242 

DOUGLAS STUBBS (1927-2008) 

Bird Totem 1967 

oil on board 


STUBBS 67 

71 x 53.5cm 

$200–400 

237 

237 

JOHN KRZYWOKULSKI 

(BORN 1947) 

To Facilitate a Known Strange 

1972 

acrylic and autolacquer 

signed and dated verso: 

John Krzywokulski 72 

To Facilitate a Known Strange 

137 x 114cm 

PROVENANCE 

Sweeney Reed Galleries, Melbourne 

EXHIBITED 

Corio 5 Prize 1972 

$500–800 

238 

JOHN KRZYWOKULSKI 

(BORN 1947) 

Abstract 1968 

mixed media 


John KRZYWOKULSKI 68 

55 x 38cm 

$200–400 

239 

HORACE BRODZKY (1885-1969) 

Nude 1960 

ink 


HORACE BRODZKY 60 

28 x 26.5cm 

$300–500 

243 

LAURENCE PETERSON 

(BORN 1946) 

Abstract 1973 

oil on canvas 


L PETERSON 73 

168 x 121cm 

$700–1,000 

244 

BEN LAYCOCK (1956) 

Holiday in Cambodia 1983 

oil on canvas 

diptych 

signed, dated and titled lower left: 

Ben Laycock 1983 Holiday in 

Cambodia 

130.5 x 222cm (overall) 

$400–800

67 

245 

SILVIO APPONYI (BORN 1949) 

Female Form 

gilded bronze 

31cm high 

$1,000–2,000 

246 


The Wrestlers 

bronze 

43cm high, 33cm wide, 21cm deep 

$200–400 

247 


Kneeling Figure 

metal 

31cm high, 22cm wide, 14.5cm deep 

$200–500 

248 

DAVID GERSTIEN, NAN KAMP, 

LESLEY HERBERT 

Flower piece, Torso, Seated Figure 

Painted timber, glazed ceramic 

& terracotta 

each signed on base 

44cm high, 24cm, 22cm deep 

$200–500 

249 

IEVA POCIUS (1923-2010) 

two abstract sculptures 

welded metal 

89.5cm high and 73cm high 

$400–800 

245

68 

250 

GUY BOYD (1923-1988) 

Adam and Eve 1970 

aluminium 


Guy Boyd 1970 

36cm high, 27cm wide 

$800–1,000 

250 

251 

GUY BOYD (1923-1988) 

Ballet Practice 

bronze 

incised on base: Guy Boyd 


$2,000–4,000 

251

69 

252 

GUY BOYD (1923-1988) 

Adam’s Rib 1970 

bronze 

incised on base: G M BOYD 

63cm high, 35.5cm wide, 29cm deep 

PROVENANCE 

Christie’s, Melbourne, Australian 

and European Paintings, 

23 November 1998, Lot 338 

ILLUSTRATED 

VON BERTOUCH, Anne and 

HUTCHINGS, Patrick, Guy Boyd, 

Lansdowne Press, Melbourne, 1976, 

pg 84-85 

LITERATURE 

A. Von Bertouch & P. Hutchings, 

Guy Boyd, Melbourne, 1976 

$4,000–6,000 

252

70 

253 


Minataur 

bronze 

47cm high, 40cm wide, 

14cm deep 

$300–500 

253 

254 


Face 1987 

bronze 

incised and dated on base: RS 87 

37cm high 

$600–900 

254

71 

255 

NORMAN LINDSAY (1879-1969) 

Sphinx Radiator Cap 1988 

bronze 

impressed on base with initials: NL 

19.5cm high 

$1,800–2,500 

255 

256 

ROBERT JACKS (1943-2014) 

Guitar 1996 

bronze 

incised, dated and editioned on 

base: Jacks 96 2/3 

33cm high, 12.5 wide, 13cm deep 

$3,000–5,000 

256

72 

257 


Form 

gilded bronze 

20cm high 

$500–800 

258 

HERMANN HOHAUS 

(1920-1990) 

Crucifixion 1966 

bronze 


$300–600 

259 


The Feast 1976 

bronze 

incised, dated and titled on base: 

Pro Hart 21.2.76 ‘THE FEAST’ 

14.5cm high, 28cm wide, 11.5cm deep 

$200–400 

260 

ROD DUDLEY (BORN 1935) 

Man and Dog 

painted bronze 

signed and dated on base: 

Rod Dudley 86 

31.5cm high, 35cm wide, 5cm deep 

$300–500 

261 


Pig in a Pram 

painted plaster and fibre 

glass 

65cm high, 87cm wide, 42.5cm 

$200–500 

262 

HANS KNORR 

(GERMAN, 1915-1988) 

Untitled Form 

wood form on sandstone base 

107.5cm high (including base) 

$300–600 

263 

GARRY GREENWOOD 

(1972-2005) 

Untitled 1980 

leather and wood 

signed with initials and dated lower 

left: GG 80 

inscribed verso 


$300–500 

257

73 

264 

NORTON 

Form 

gilded bronze 

signed on base: Norton 

29cm high,12cm wide, 8.5cm deep 

$500–1,000 

265 

ARTISTS UNKNOWN 

A metal sculptured fan 

and a bronze figure 

the fan 37cm high 

and the figure 35cm high 

$200–500 

266 

ERICA BANETH-GOODEY 

(BORN 1928) 

Two Figures 

bronze 

signed on base: 

ERICA BANETH GOODEY 

32cm high and 28.5cm high 

$200–500 

267 

STEPHEN SKILLITZKI 

(BORN 1947) 

Goodnight Sweet Prince 

glass and wax sculpture 

44 x 57 x 16cm 

$300–500 

268 

A J LEMI 

Bending Nude 

metal 

incised on base: AJ Lemi 


$100–300 

269 

CARRASCO 

Seated Female Figure 

alloy composite 

edition 17/500 


$300–600 

270 

S GOLDMAN 

Mother and Child 

gilded bronze 

incised on base: S Goldman 

30.5cm high 

$250–500 

264

74 

271 


The Footballers 

welded metal 

incised but illegible on base 


$600–1,000 

272 

HERMANN HOHAUS 

(1920-1990) 

Standing Figure 

bronze 

incised on base: HOHAUS 

25cm high 

$600–1,000 

271 272

75 

273 

273 

LES KOSSATZ (1943-2011) 

Sheep 1975 

bronze 

incised and dated on base: Kossatz 75 


$2,000–4,000 

274 

AFTER PIERRE RENOIR 

Figure Washing 

bronze 

incised on base: Renoir 


$1,200–1,800 

275 

AFTER AUGUSTE RODIN 

Profile Figure 

bronze 

incised on base with foundry stamp: 

Rodin 


$400–600 

274

76 

276 

276 

MARC CLARK (BORN 1923) 

Girl on Park Bench 1967 

bronze 

signed with initials and dated verso: 

MC 67 


$400–600 

277 


Head 

bronze 


$250–500 

278 

WILLIAM (BILL) OGILVIE 

(BORN 1935) 

Floating Figure 1979 

stone, metal, bronze 

incised, dated and editioned on leg: 

Bill Ogilvy 79 5/5 


$200–400 

279 


Figures 

bronze 


$300–600 

280 

LEOPOLDINE MIMOVICH 

(BORN 1920) 

Dancer 

bronze 

incised on base: L MIMOVICH 

24cm high 

$200–500 

281 

JOHN HOWLEY (1931-2020) 

Williamstown 

painted plaster mask 


JOHN HOWLEY WILLIAMSTOWN 


PROVENANCE 

The Jewish Museum of Australia Mask 

Auction, 19 March 1998, cat no. 45 

$150–250 

282 

PHILIP HUNTER (1958-2017) 

AND VERA MOLLER 

(BORN 1945) 

Untitled 


signed verso: Hunter Moller 


PROVENANCE 



$150–250 

283 

INA ROSE AND ANNETTE 

IGGULDEN 

Sunset at Sea and Untitled 

two painted plaster masks 

signed verso: I. Rose and A Iggulden 


(each) 

PROVENANCE 

The Jewish Museum of Australia 

Mask Auction, 19 March 1998, 

cat no. 32 and 145 

$150–250

77 

284 

WILLIAM (BILL) FERGUSON 

(BORN 1932) 

AND KELVIN BUTLER 

Untitled 1997 and Untitled 1997 

two painted plaster masks 

signed and titled verso: WILLIAM 

FERGUSON 97 and Kelvin Butler ‘97 


PROVENANCE 

The Jewish Museum of Australia 

Mask Auction, 19 March 1998, 

cat no. 6 and 15 

$150–250 

285 

GARRY SHEAD (BORN 1942) 

Adam and Eve 1997 

painted plaster 


Garry Shead ‘97 Adam + Eve 


(each) 

PROVENANCE 



$300–500 

286 

DAVID LARWILL (1956-2011) 

Untitled Mask 1997 


signed with initials and dated verso: 

D. R. ‘97 


(each) 

PROVENANCE 



$250–350 

287 

FRANK HODGKINSON 

(1919-2001) 

For the Jewish Museum 


signed and titled verso: Frank 

Hodgkinson for the JEWISH MUSEUM 


(each) 

PROVENANCE 



$200–400 

288 

FREDERICK (FRED) CRESS 

(1938-2009) 

Untitled 1997 


signed and dated verso: Cress ‘97 


(each) 

PROVENANCE 



$150–250 

289 

PETER SMITH (1936-2005) 

Bending Lady 1973 

bronze 

incised, dated and editioned on base: 

Peter Smith 1973 2/10 


$200–500 

290 

PETER SMITH (1936-2005) 

Seated Nude 1982 

bronze 

incised, dated and editioned on base: 

Peter Smith 1982 2/7 


$200–500 

291 

IN THE STYLE OF MILO 

Female Figure 

bronze 

76cm high, 20.5cm wide, 20.5cm deep 

$500–800 

292 

CLIFFORD LAST (1918-1991) 

Quartette 1966 

bronze 

signed with initials and dated on base: 

L LXVI 

27.5cm high, 10.5cm wide, 13cm deep 

$200–400 

293 

IAN MARSHALL 

Nude 1972 

bronze 

incised and dated on base: 

Ian Marshall 72 


$200–500 

293

78 

294 

P G CAMPBELL 

House Abstract 1973 

oil on canvas 


P G Campbell 73 

167 x 167cm 

$700–900 

295 

CHRISTOPHER PYETT 

(BORN 1943) 

Saturday Afternooners 1975 

oil on canvas 

signed and dated lower left: Pyett 75 

signed and titled verso: Christopher 

Pyett SATURDAY AFTERNOONERS 

152.5 x 152cm 

$1,000–2,000 

294 

296 

ANDREW SOUTHALL 

(BORN 1947) 

Panel Van 1983 

oil on canvas 

signed with initials lower right: AS 

signed and dated verso: Southall 83 

34 x 44cm 

$200–400 

297 


(BORN 1947) 

Swimmer 1984 

oil on canvas 



65 x 82.5cm 

$200–500 

298 


(ATTRIBUTED) 

Forrest 

oil on canvas 

inscribed verso: FORREST 

83.5 x 83.5cm 

$250–500 

295

79 

299 

299 

ANNE GRAHAM (BORN 1925) 

Sydney 1968 

oil on board 


Anne Graham 1968 

58.5 x 89.5cm 

$1,500–2,500 

300 

MURRAY WALKER (BORN 1937) 

Little Bourke Street Festival 1988 

collage and mixed media 


left: Murray Walker 1988 Little Bourke 

Street Festival 

40.5 x 60.5cm 

PROVENANCE 

Powell Street Gallery, Melbourne 

$200–400 

301 

AFTER ROY LICHTENSTEIN 

Landscape with Figures 

colour reproduction 

inscribed and titled lower right and 

left: Roy Lichtenstein Landscape with 

Figures 

18 x 17.5cm 

$200–400 

302 

AFTER ROY LICHTENSTEIN 

Road Before the Forest 

colour reproduction 

inscribed and titled lower right and left: 

Roy Lichtenstein, Road Before The 

Forest 

12.5 x 15.5cm 

$200–400 

303 

DESIDERIUS ORBAN 

(ATTRIBUTED) 

Gathering Clouds 

oil on canvas board 

signed lower left: Orban 

40 x 50cm 

$200–400 

304 

STANISLAUS RAPOTEC 

(1913-1997) 

Abstract 

acrylic on paper 

inscribed verso: Stanislaus Rapotec 

30 x 41cm 

$200–500

80 

305 

306 

305 

CREAGH MANNING 

(BORN 1950) 

Mother and Child Forms Freed 

1974 

oil on canvas 


Creagh Manning 74 


CREAGH MANNING MOTHER 

& CHILD FORMS FREED 

168 x 122cm 

$800–1,200 

306 

JEFFREY BREN (1944-2007) 

The Tree 1990 

watercolour 


Jeffrey Bren 1990 

75 x 54cm 

$200–400 

307

81 

307 

JOHN OPIE 

Ibitza, Balearic Isles off Spain 


signed lower centre: OPIE 

39.5 x 31.5cm 

$500–800 

308 

JOHN PEART (1945-2013) 

Abstract 1968 

pastel on paper 


PEART 11/68 

55.5 x 56.5cm 

$500–800 

309 

BRIAN YATES (1946-2014) 

Sunrise 

oil on canvas 

signed lower centre: YATES 

50 x 55cm 

$300–500 

310 


Still Life with Wallpaper 

oil on canvas 

signed lower left: Jeffrey Bren 

inscribed and titled verso: JEFFREY 

BREN STILL LIFE WITH WALLPAPER 

61.5 x 66.5cm 

$400–600 

308 

311 


It’s Dark Outside 

oil on canvas 

signed lower left: Jeffrey Bren 

85.5 x 78cm 

PROVENANCE 

Tolarno Galleries, Melbourne 

$250–450 

309

82 

312 

IVAN DURRANT (BORN 1947) 

Horse in Landscape 1972 

oil on board 


I. DURRANT 72 

76 x 90.5cm 

$1,000–1,500 

313 

ANTHONY (TONY) WOODS 

(1940-2017) 

The Coat Hanger 1966 

oil on canvas 


Woods 66 

105 x 80cm 

$300–500 

312 

314 

JOHN MARTIN (1942-2017) 

Still Life with Dead Canary 1990 

oil on canvas 


John Martin 90 

STILL LIFE WITH DEAD CANARY 

76 x 101cm 

$200–400 

315 

GREG IRVINE (BORN 1947) 

Still Life 

gouache on paper 

signed with initials lower left: GI 

35 x 27.5cm 

$200–400 

316 

FRANK WERTHER (1922-2010) 

Lilith Up Ended 1965 

oil on board 


Werther 65 


FRANK WERTHER LILITH UP ENDED 

91 x 76cm 

$200–500 

313

83 

317 

317 

JOHN McLEAN (BORN 1944) 

Studio Nude 

oil on canvas 

signed lower right: McLEAN 

152 x 152cm 

$800–1,200 

318 

CRAIG GOUGH (BORN 1938) 

Cold Fire 1969 

oil on board 


Craig Gough 1969 

88 x 94.5cm 

$300–500 

319 

POLLY COURTIN (BORN 1951) 

Head Study 

oil on canvas 

signed lower right: Polly Courtin 

75 x 100.5cm 

$200–500

84 

320 

320 

FREDERICK (FRED) CRESS 

(1938-2009) 

Abstract 1965 

mixed media on board 

signed and dated lower centre: 

Cress 65 

51.5 x 88cm 

$900–1,500 

321 


The Dancer 1954 

mixed media 


Y Bergner 54 

33.5 x 23cm 

$300–500 

322 


Puppets 1956 



Y BERGNER 56 

20 x 27.5cm 

$300–500 

321

85 

323 

323 


Town at Night 


signed upper left: Hesling 

40 x 86cm 

$1,500–2,500 

324 

LOUIS JAMES (1920-1996) 

Sun Landscape 2 1964 

oil on canvas 


LOUIS JAMES 64 


Louis James SUN LANDSCAPE 

49.5 x 34cm 

$600–900 

325 

GEORGE MORANT (BORN 1934) 

The 53 Club 

oil on board 

signed lower right: MORANT 

121.5 x 90cm 

$300–500 

324

86 

326 

326 

KAAPA TJAMPITJINPA (1926-1989) 

Women’s Dreaming 


23.5 x 34cm 

$600–900 

327 

JUNE BIRD NGALE (BORN 1953) 

Yam Dreaming 


inscribed verso: CAAMA June Bird 13.2.88 

72 x 139.5cm 

$600–1,200 

328 

CLIFFORD POSSUM TJAPALTJARRI 

(CIRCA 1933-2002) 

Kartjara - Emu + Bush Food 



CLIFFORD POSSUM KARTJARA EMU + BIRD FOOD 

60 x 90.5cm 

PROVENANCE 

Papunya Community Council Inc, Papunya, NT 

$800–1,200 

329 

GEORGE BUSH TJANGALA (1940-1997) 

Bush Tucker Dreaming 


inscribed and titled verso: GEORGE BUSH TJANGALA BUSH 

TUCKER DREAMING 

cat no: 1287859GB 

91.5 x 60.5cm 

$300–500 

330 

LORNA BENNELL 

Snake Dreaming 


signed verso: LORNA BENNELL 

128 x 124cm 

$700–1,200 

331 

INDIGENOUS SCHOOL 

Untitled Landscape 


125.5 x 120.5cm 

$500–800

87 

327 

328

88 

332 333 

332 

JEANNE BRUNO NAMPITJINPA 

Untitled 

synthetic polymer paint on canvas 

inscribed verso: JEANNE BRUNO NAMPITJINPA 

91 x 61cm 

$300–500 

333 

RUTH NAPALYARRI 

Bush Tucker Dreaming 


inscribed verso: RUTH NAPALYARRI 

60.5 x 90cm 

$200–400 

334 

MICHAEL NELSON TJAKAMARRA (BORN 1945) 

Untitled 


inscribed verso: MICHAEL NELSON TJAKAMARRA 

cat no. MN5960105 

49 x 74cm 

$400–600 

335 

LILY (MAGGIE) HARGRAVES NUNGARRAYI (BORN 

CIRCA 1930) 

Women (Ngaliyipi) Bush Vine 1997 


inscribed, dated and titled verso: LILY NUNGARRAYI 

HARGREAVES 2-10-97 WOMEN (NGALIYIPI) (BUSH VINE) 

cat no: AA1 148 

89.5 x 69cm 

$200–400

89 

336 

MARGARET LOY PULA 

(BORN 1956) 

Bush Plum Utopia 



Margaret LOY PULA Bush Plum Utopia 

124 x 77.5cm 

$500–800 

337 

NGAJAWAH JUKURRPA 

Bush Tomarta Dreaming 


inscribed verso: Ngajawah Jukurrpa 

Bush Tomarta Dreaming 

61 x 91.5cm 

$200–500 

338 

GRAHAM BIGGIBILLA 

(ACTIVE 1980-1990) 

Gurreah 1997 


signed, titled and dated verso: Biggililla 

1997 ‘GURREAH’ BAIEME NARRAN 

MURRATHA GURREAH DOONGALLA 

90 x 111cm 

$400–600 

339 

GRAHAM BIGGIBILLA 

(ACTIVE 1980-1990) 

Emus 


91.5 x 112cm 

$400–600 

336

90 

340 

VICTOR MAJZNER (BORN 1945) 

Abstract 

oil on canvas 

214 x 152.5cm 

PROVENANCE 

Powell Street Gallery, Melbourne 

$800–1,200 

341 

JEFFREY MAKIN (BORN 1943) 

St Villa I 1972 

oil on canvas 

signed lower right: Makin 


Jeffrey Makin 1972 St Villa I 

63.5 x 50.5cm 

$800–1,200 

340 

342 

OWEN PIGGOTT (1931-2015) 

Landscape Forms – 

Birth 1962/1963 

oil on board 


OWEN PIGGOTT 1962/63 

121 x 105.5cm 

$500–800 

343 

PETER WRIGHT (1941-1999) 

Landscape with Figures 1966 

oil on board 


Peter Wright 1966 

70.5 x 76cm 

$300–500 

344 


Chromatic Lady 1968 

oil on board 

signed lower centre: Werther 


FRANK WERTHER 1968 

50 x 75.5cm 

$250–450 

341

91 

345 346 

345 

PHILLIP SCOTT 

Red Concept 

oil on canvas 


PHILLIP SCOTT RED CONCEPT 

122 x 244cm 

$500–800 

346 

PETER WALSH (1958-2009) 

Figure Approaching with Poppies 

1988 

oil on canvas 


Peter Walsh 1988 Figure 

approaching with Poppies 

152 x 121cm 

$600–900 

347 

CHARLES REDDINGTON 

(BORN 1929) 

Two Figures 1962 

mixed media 


C Reddington 1962 

54 x 74cm 

$300–500 

348 

CHARLES REDDINGTON 

(BORN 1929) 

Figure Vision 1962 

mixed media 


C Reddington 62 

54.5 x 75cm 

PROVENANCE 

South Yarra Gallery, Melbourne 

$200–400 

349 

GEORGE HAYNES (BORN 1938) 

Untitled Abstract 

oil on canvas 

inscribed verso: GEORGE HAYNES 

167 x 140cm 

PROVENANCE 

Skinner Galleries, Perth 

EXHIBITED 

Georges Invitation Art Prize, 

Melbourne, 1972 

$1,000–2,000 

350 

JOE ROSE (1915-1999) 

Abstract No. 2 

mixed media on board 

signed lower left: JOE ROSE 

90 x 59.5cm 

$300–500

92 

351 


(1940-2017) 

Fruit 1967 

oil on board 

signed lower right: TONY WOODS 

signed, dated and titled verso: TONY 

WOODS 1967 fruit 

36.5 x 29cm 

$250–500 

352 


Summer Still Life 1966 

oil on canvas 

signed and dated lower left: Sibley ‘66 

titled verso: Summer Still Life 

97 x 92cm 

$400–600 

353 


Abstract 

oil on canvas 

84 x 101cm 

$300–500 

351 

354 

RAYMOND REARDON 

(BORN 1939) 

Landscape 

oil on board 

signed lower right: Reardon 

28.5 x 58cm 

$200–400 

355 

PETER GANDRABOR 

Through the Trees 

oil on paper 

signed lower right: P Gandrabor 

37 x 31.5cm 

$100–300 

352 

356 


Kitchen 

oil on canvas 

45.5 x 51cm 

$200–500

93 

357 

WILLIAM (BILL) COLEMAN 

(1922-1993) 

Still Life 

oil on card 

signed lower left: Bill Coleman 

38.5 x 28.5cm 

$1,200–1,800 

358 

TONY TWIGG (BORN 1953) 

Two Images From My Mind 

Buddha Coogee 1986 

oil on board 

diptych 

signed, titled and dated verso: 

Tony Twigg 1986 2 images from 

my mine buddha coogee 1986 

42 x 59.5cm (overall) 

$300–600 

359 

IAN BOW (1914-1990) 

Aged Theme on an Incidental 

Palette 

oil on board 

signed lower right: BOW 

20 x 20cm 

$200–400 

360 

JOEL ELENBERG (1948-1980) 

Study for Sculpture 1970 

oil on canvas with collage 


Joel Elenberg 70 

40 x 51cm 

$400–800 

357 

361 


Figures in a Clearing 

oil on canvas 

140.5 x 133cm 

$400–600 

358

94 

362 365 

362 

MARK SCHALLER (BORN 1962) 

Man with Conch Shell 1997 

oil on canvas 

signed and dated centre right: Schaller 97 


Mark Schaller 1997 Man with Conch Shell 

170.5 x 151.5cm 

$600–900 

363 

PAUL DELPRAT (BORN 1942) 

Ode to Liz 


signed lower right: Paul Delprat 

60 x 91cm 

$200–400 

364 

BRUCE EARLES (BORN 1953) 

City Workers 1990 

oil on canvas 

signed and dated lower centre: B Earles 90 

121.5 x 152cm 

$800–1,500 

365 

HORACE BRODZKY (1885-1969) 

Nude 1934 

watercolour 

signed and dated lower left: H Brodzky 34 

23.5 x 15.5cm 

$300–500 

366 

S BASHAM 

The Metaphysical Paradox of Omen Barr – 

The Hermit 1979 

oil on canvas 

signed with initials and dated lower right: SB 79 

152.5 x 180cm 

$300–500 

367 

W HILL 

Dancing Figure 1961 

oil on paper 

signed and dated lower right and left: W Hill 61 

75 x 54cm 

$300–500

95 

368 

MURRAY WALKER (BORN 1937) 

Spring in the Garden 1962 

oil on canvas 


Murray Walker 1962 

91 x 71cm 

$600–900 

369 

MOSTYN BRAMLEY-MOORE 

(BORN 1952) 

Grey Figure 

oil on canvas 


M BRAMLEY MOORE GREY FIGURE 

76 x 91cm 

$400–800 

370 

VICTOR RUBIN (BORN 1950) 

Wrapped Figure 1979 

oil on canvas and steel bolts 


V M Rubin 79 

122 x 122cm 

$600–900 

371 

MAXIMILIAN FEUERRING 

(1896-1985) 

Old Entrance 

oil on board 

signed lower left: FEUERRING 

71.5 x 74.5cm 

$300–600 

368 

372 


Interior 

oil on canvas 

162 x 182cm 

$500–800 

373 


The Table 

oil on canvas 

120 x 152cm 

$500–800 

369

96 

374 

374 


(1924-2001) 

Untitled Abstract 3 

oil on canvas 

triptych 

each signed lower right: Cuthbertson 

56 x 56cm (each) 

$800–1,200 

375 

ALYCE PLATT (BORN 1963) 

Carnival 1993 

mixed media 


Alyce Platt 93 

54.5 x 74.5cm 

$200–400 

376 

COLIN MUNRO 

Figures in Landscape 1984 

oil on canvas 


right: CM 84 

75.5 x 91cm 

$200–400 

377 

RAFAEL GURVICH (BORN 1949) 

Sky Carnival 1985 

mixed media 


centre: GURVICH 85 Sky Carnival 

57 x 76cm 

$200–400 

378 

PAUL BAXTER (BORN 1949) 

Scream 1968 

oil on board 


PAUL BAXTER 68 

87 x 87.5cm 

$200–400 

379 

JOSIP (PUCO) PINTARIC 

(CROATIAN, 1927-2017) 

Field Flowers 1990 

oil on canvas 


Puco Pintaric 1990 

68 x 57.5cm 

$300–500 

380 

MILAN TODD (1922-2018) 

Flamingos Retreat 

gouache 

signed lower right: Milan 

32 x 80.5cm 

$200–500 

381 

ROBIN WALLACE-CRABBE 

(BORN 1938) 

Nude Shadows 1964 



R WALLACE CRABBE 64 

121 x 90.5cm 

$400–600 

382 

BERNARD OLLIS (BORN 1951) 

Portrait of an Australian 1994 

pastel on paper 

signed and dated lower right: OLLIS 94 

56 x 75cm 

PROVENANCE 


$200–400 

383 

D KWATKOWSKI 

Suburbia 1963 

oil on board 


D Kwatkowski 63 

74.5 x 59.5cm 

$200–400 

384 


The Cloud 

oil on board 

signed lower right: Milgate 

59.5 x 44.5cm 

$200–400 

385 


(1940-2017) 

Artist Drawing I 1972 

watercolour, pencil and gouache 

signed and dated lower left: Woods 72 

62 x 48.5cm 

$200–400

97 

386 

386 

AFTER SALVADOR DALI 

Design Tiles 

six painted ceramic tiles 

each inscribed in image: Dali 

19.5 x 19.5cm (each) 

$800–1,200 

387 

JOE ROSE (1915-1999) 

Thought 1980 

mixed media 


Joe Rose 80 

74.5 x 54.5cm 

$200–400 

388 


Head Study 1967 

oil on canvas 

signed but illegible and dated lower 

left: 1967 

60 x 34.5cm 

$200–400 

389 

FRENCH SCHOOL 

The Rose Garden 

oil on board 

signed lower right: Renoir 

19.5 x 24cm 

$200–500 

390 

VICTOR MAJZNER (BORN 1945) 

Named Description 1982 

oil on canvas 


V Mazjner 1982 NAMED DESCRIPTION 

45.5 x 46cm 

$400–600 

391 

MARLENE O’BREE (1947-2003) 

Still Life and Summer Flowers 

1980 

oil on canvas (2) 


M O’Bree 80 

39 x 49cm (each) 

$200–400

98 

392 

RICHARD LARTER (1929-2014) 

Portrait 1966 

oil on canvas 


right: RL 66 

signed and dated verso: R LARTER 66 

54 x 49cm 

$800–1,200 

393 

MICHAEL SHANNON 

(1927-1993) 

Sun Dance 1954 



Shannon 54 

31 x 46.5cm 

$500–800 

394 

SIGI GABRIE (BORN 1945) 

Landscape 

mixed media on canvas 

signed lower right: SIGI GABRIE 

118 x 181cm 

$800–1,500 

392 

395 

TONY LAWRENCE (ACTIVE 

1980s) 

The Race 1989 

oil on canvas 


Tony Lawrence 89 The Race 

121.5 x 121.5cm 

$500–800 

396 

MARLENE O’BREE (1947-2003) 

Spring Day 1986 

oil on canvas 


O’BREE 1986 SPRING DAY 

183 x 183cm 

$600–1,000 

393

99 

397 

397 

DAVID BROMLEY (BORN 1960) 

Hommage to Vincent 

(Van Gough) 1988 

oil on canvas 


DAVE BROMLEY 88 

100 x 125.5cm 

$900–1,500 

398 

MARTIN JONES (BORN 1945) 

Blue and Green Landscape 

oil on canvas 

inscribed verso: MARTIN JONES 

167.5 x 167.5cm 

$400–600 

399 

MARTIN JONES (BORN 1945) 

Blue Landscape 

oil on canvas 

signed lower left: M Jones 

152 x 182.5cm 

$400–600 

400 

JOHN SANDLER (BORN 1945) 

Shoe Unit 1972 

liquitex acrylic on canvas 


JOHN SANDLER 1972 SHOE UNIT 

183 x 122cm 

$500–800 

401 

SARAH GULLY 

Faces 1986 

oil on canvas 


SARAH GULLY 86 

101 x 100cm 

$200–400 

402 

JOHN SANDLER (BORN 1945) 

Boots 1973 

pencil on paper 


John Sandler 1973 

70 x 104cm 

$200–500

100 

403 

403 

KEITH LOOBY (BORN 1940) 

History of the World - No Longer Hamper Crowds 

mixed media 

signed lower right: LOOBY 

50.5 x 60.5cm 

PROVENANCE 


$200–400 

404 


Melbourne Club 

ink drawing 

signed lower right: LOOBY 

50 x 62cm 

$250–500 

405 


History of the World 

mixed media 

inscribed verso: KEITH LOOBY HISTORY OF THE WORLD 

50 x 60cm 

PROVENANCE 


$200–400 

406 

HENRIKAS (HENRY) SALKAUSKAS (1925-1979) 

Landscape 1962 

mixed media 

signed and dated lower right: Henry Salkauskas 1962 

53 x 73cm 

$300–500

101 

407 


Forced Separate 1988 

litho crayon on paper 


Looby 88 

101 x 74.5cm 

PROVENANCE 

Ray Hughes Gallery, Sydney 

(label verso) 

$700–1,200 

408 

BEN LAYCOCK (BORN 1956) 

I Love You 1984 

oil on canvas 


Ben Laycock 1984 

131 x 110.5cm 

$400–800 

409 

GERALDINE BURKE 

On the Beach 

oil on canvas 

signed lower right: G.Burke 

111 x 121.5cm 

$200–400 

410 

RONALD MILLAR (BORN 1927) 

Two Trunks 

oil on canvas 

signed bottom right: Ronald Millar 

inscribed verso: TWO TRUNKS 

114.5 x 88.5cm 

$700–1,200 

411 


(1935-2013) 

Two Figures 

oil on board 

signed lower left: 

Gareth Jones-Robert 

98.5 x 74cm 

$300–600 

412 

BRIAN YATES (1946-2014) 

Summer Holiday 

oil on board 

signed lower left: YATES 

112 x 105cm 

$400–600 

413 

PETER RODNEY 

The Acrobat 1994 

oil on board 

signed and dated lower right: Rodney 94 

124.5 x 87cm 

$200–500 

414 

JO RIMMER 

Serpent in Eden 1993 

oil on canvas 

signed, dated and titled lower right: 

Jo Rimmer 93 Serpent in Eden 

120.5 x 89.5cm 

$200–400 

415 


Nude with Guitar 

oil on board 

47 x 36.5cm 

$200–500 

407

102 

416 

WILLIAM (BILL) FERGUSON 

(BORN 1932) 

Sun Ceremony Okerka 1968 


signed lower centre: Ferguson 


Ferguson 68 OKERKA 

76 x 91cm 

$300–500 

416 

417 

JOHN PERCEVAL (1923-2000) 

The Visitation 1961 

oil on paper 


Perceval 61 

43.5 x 68.5cm 

$500–800 

418 


(1924-2006) 

Composition 1967 

oil on board 

signed and dated upper left: 

R GRIEVE 67 

25 x 32.5cm 

$200–400 

417 

419 


(1924-2006) 


oil on board 


R GRIEVE 62 

24 x 30cm 

$250–450 

420 

WEAVER HAWKINS (1893-1977) 

Ribbons of Sunlight 1959 

oil on board 

signed and dated lower left and right: 

Raokin 59 

71 x 49cm 

PROVENANCE 


$500–700 

418

103 

420 421 

421 

KENNETH (KEN) REINHARD 

(BORN 1936) 

Abstract Figure 

oil and mixed media on board 

inscribed verso: Ken Reinhard 

79.5 x 59cm 

$400–700 

422 

LES KOSSATZ (1943-2011) 

Wheel and Field 1965 

oil on board 

signed and dated lower right: Kossatz 65 

79 x 69.5cm 

$600–1,200 

422

104 

Part II 

Monday 4 October 2021, 11am 

Lots 423–739 

423 

A studio glass blue teardrop vase by 

Garry Nash, New Zealand, 1986 

with abstract decoration, on a frosted 

glass base, signed ‘Garry Nash ‘86’ to 

side of base 

32cm high 

$500–800 

423 

424 

A studio glass sculpture by Stephen 

Skillitzi, Australian, 1980 

signed and dated to base 

36cm high 

$400–600 

425 

A large orange and purple glass 

bowl by Schneider, French, early 

20th century 

together with a large brown and 

orange footed vase 

39cm diameter and 23cm high 

$200–300 

426 

A large Murano Venini emerald and 

amber glass platter 

54cm wide 

$200–300 

424

105 

427 

DALE CHIHULY 

(AMERICAN, BORN 1941) 

An oval royal blue shaped oval bowl 

decorated with black spotting and 

applied red rim 

incised to base: Chihuly 

22cm high, 15cm diameter 

PROVENANCE 

Sotheby’s Melbourne, Supporters of 

the Arts Auction, 31 May 1998 

$6,000–10,000 

428 

A Swedish Strombergshyttan blue 

glass bowl 

bearing original factory paper label 

31cm wide 

$150–250 

429 

A collection of glass ornaments, 

20th century 

including a Wedgwood otter and a 

Murano dog by Vincenzo Nason 

the dog 20cm high 

$200–300 

427

106 

430 

Five Australian iridescent studio glass 

goblets 

together with a silver mounted gum 

nut vase by Colin Heaney 

the tallest glass 22cm high 

$500–800 

431 

A collection of seven art glass goblets 

and vases, including Tricia Allen 

the largest 17cm high 

$200–300 

432 

A Cristalleries de Vannes-le-Châtel 

petalled clear glass flower vase, French 

signed 

27cm diameter 

$200–300 

433 

A yellow art glass vase 

with black and white swirling banded 

decoration 

21cm high 

$200–300 

434 

A tall Murano style glass vase, 

20th century 

with green and red dappled opaque 

yellow decoration 

29cm high 

$200–300 

435 

An Italian studio glass vase by Carlo 

Moretti 

of tall star form in tones of blue 

33cm high 

$200–300 

436 

A large studio glass vase by Julio 

Santos, Australian, 1982 

of slender baluster form form in tones 

of lilac and amber, signed and dated ‘J 

Santos 1982’ to base 

44cm high 

$200–300 

437 

A Murano style art glass vase 

in tones of green and dark blue 

21cm high 

$200–300 

438 

An amber art glass vase, second half 

20th century 

with applied green and blue roundels 

22cm high 

$200–300 

439 

Three Australian studio glass forms 

comprising two sculptural forms and a 

goblet by Stephen Stillitzi, 1980 

the largest piece 20cm high 

$200–300 

440 

Two glass float vases, second half 

20th century 

with applied green and blue roundels 

the amber bowl 21cm diameter 

$200–300 

441 

A pulled feather amethyst glass 

sculpture 

delicately moulded in the form of a 

conch shell 

27cm long 

$150–250 

430

107 

442 

A Maltese Mdina blue glass chalice 

by Michael Harris, 1974 


20cm high 

$300–400 

443 

A large iridescent turquoise studio 

glass column vase by Chuck 

Simpson, New Zealand 

with yellow, pink and green scrolling 

decoration 

signed to base 

38cm high 

$300–400 

444 

Two azure blue Mdina studio glass 

vases, Maltese, circa 1970 

one of mallet form with a moulded 

geometric design, the other bottle 

form with an applied Maltese cross 

and yellow swirl, each signed ‘Mdina’ 

to base 


$400–600 442 

443 

444

108 

445 

An Art Nouveau style feather lustre 

glass vase by Orient and Plume, 

American, 1982 

the translucent body decorated 

with an undulating pulled feather 

decoration, signed ‘Orient and Plume 

1982’ to base 

21cm high 

$400–600 

446 

A studio glass goblet attributed to 

Colin Heaney, Australian 

multi-coloured, on a double scrolled 

stem 

22cm high 

$300–500 

447 

A studio glass opalescent blue bowl by 

Patrick De Sumo, Australia, 1993 

signed and dated ‘De Sumo 93’ to 

base 

18cm diameter 

$200–300 

448 

A tall white and green striped art glass 

vase 

29cm high 

$200–300 

449 

A striped studio glass vase, possibly 

Murano 

with a controlled bubble sitting in the 

violet toned base 

28cm high 

$200–300 

450 

A Lalique frosted glass Bacchus 

vase, designed 1938 

moulded with fauns and trailing ivy, 

signed Lalique, France 

17.5cm high 

$600–800 

451 

A large pink ground studio glass vase 

by Glen Pattrick, Australian, 1995 

of tapering form with a scalloped rim, 

signed to base ‘G Pattrick 1995’ 

32cm high 

$200–300 

445 446

109 

452 

452 

A group of six yellow art glass vases 


$300–500 

453 

A lustred art glass form 

with royal blue disc decoration 

25cm high 

$200–300 

454 

A studio glass vase by Peter Viesnick, 

Australia 

with a torn rim in tones of blue, purple 

and green 

28cm high 

$200–300 

455 

Three Murano style glass vases 

each of serpentine form in tones of 

orange and yellow 


$200–300 

456 

An assembled collection of liqueur, 

sherry and wine glasses 

together with four hand blown art glass 

tumblers 

the sherry glasses 17cm high 

$400–600 

457 

A group of three Scandinavian studio 

glass vases, 20th century 

including a squat grey bottle vase 

by Erik Hoglund, a tall brown vase by 

Norway Plus and a black frosted glass 

vase 


$200–300 

458 

A studio glass vase by Glen Pattrick, 

Australian, 1994 

with applied vertical bands in 

aubergine tones, signed and dated 

to base 

26cm high 

$200–300 

459 

A collection of five studio glass vases 

comprising a pink heart form Kosta 

Boda vase, a Pasabahce for Gempo 

Australia vase, a Murano style pierced 

float vase, a globe form vase and a 

coral texture moulded glass stem vase 


$200–300 

460 

A group of five various art glass vases 

in tones of orange and yellow 


$250–350 

461 

A Murano bowl by Angelo Ballarin 

33cm wide 

$200–300

110 

462 

Two Kosta Boda glass vases by Bertil 

Vallien, Sweden, circa 1970 

one of flattened ovoid form with white 

‘pulled feather’ decoration, the straight 

edge vase cobalt with outwards 

moulded beading to the middle 


$300–400 

463 

A purple glass vase by Aimo Okkolin 

for Riihimäen Lasi Oy, circa 1970s 

etched ‘Riihimäen Lasi Oy Aimo 

Okkolin’ to base 

11cm high 

$200–300 

464 

A collection of four coloured glass 

vases 

each of elongated baluster form 

the tallest 39cm high 

$200–300 

465 

A collection of four coloured art glass 

bottle vases 


$200–300 

466 

An amethyst studio glass vase 

with coiled applied decoration 

23cm high 

$150–250 

467 

An abstract glass form by Sam 

Herman, Australian, 1976 

with a silvered glass band to the neck, 

signed ‘S Herman 1976’ to base 

13cm high 

$200–300 

468 

Two green lustre vases, probably 

Austrian 

each with serpentine decoration 


$200–300 

469 

An Australian studio glass vase by 

Jonathan Westacott 

of globular form with tones of pink and 

white 

signed to base ‘Jonathan Westacott’ 

19cm high 

$150–250 

470 

A large Murano glass vase 

of lobed form in tones of red and white 

30cm high 

$200–300 

471 

A green studio glass sphere vase by 

Julio Santos, Australian, 1984 

with blue leaves extending from 

the mouth and frilled purple lines 

extending down the body 

signed ‘Julio Santos 1984’ to base 

19cm high 

$200–300 

472 

A pale yellow baluster form frosted 

glass vase by Robert Wynne for 

Denizen Studio 

with scrolled brown and white 

horizontal bands and vertical red drop 

moulded Denizen mark to base 

10cm high 

$200–300 

462

111 

473 

473 

Three Kosta Boda glass vases 

one with black spiral decoration 

signed by Bertil Vallien, one blue 

and white ‘half-moon’ design by Kjell 

Engman and a clear tulip vase, each 

with factory marks 

the largest 19.5cm high 

$300–500 

474 

A group of three Murano glass 

nudes, in the style of Alfredo Rossi, 

Italian, 1983 

each raised on a black glass plinth 

engraved ‘Stefros Murano, 1983’ 

the figures 32cm high 

$600–800 

475 

A large translucent art glass vase 

of ovoid form decorated with 

translucent blue birds 

30cm high 

$200–400 

474

112 

476 

A group of three Murano glass vases 

in pale green and pink tones 


$200–300 

477 

An opaque pale aqua wide lipped 

sculptural studio glass vase by Sam 


signed and dated ‘Samuel Herman 

1979’ base 


$200–300 

478 

A pastel and silver striped column vase 

by Julio Santos, Australia, 1985 


29cm high 

$200–300 

479 

A large amethyst art glass vase 

signed ‘Parryne Smith 1985’ to base 

49cm high 

$200–300 

480 

An art glass axe form bud vase by the 

Iwatsu Glass Company, Japanese, 

circa 1970 

from their ‘Hineri’ line, with swirling pink 

and blue interior 

paper trade label to base 

23cm high 

$200–300 

481 


Richard Wynne, Denizen Studio 

in iridescent blue with silvered spiral 

decoration 

impressed mark to base: Denizen 

15cm high 

$200–400 

482 

A studio glass mottled purple 

cornucopia vase by Glen Pattrick, 


on an iridescent coiled base 

signed and dated ‘G Pattrick 93’ to 

base 

14cm high 

$200–300 

483 

Three polychrome hand blown glass 

column vases 


$200–300 

484 

A pale green and iridescent yellow 

bottle studio glass vase by Sam 



16cm high 

$200–300 

476

113 

485 

A smoky quartz biomorphic glass vase 

24cm high 

$200–300 

486 

Three small opaque white and applied 

stripe vases by Bertil Vallien 


$300–40 

487 

An Italian Cenedese blue glass vase 

of fluted cylindrical form 

incised to base ‘Cenedese’, bearing 

original label marked Cenedese Vetri 

30cm high 

$200–400 

488 

An Australian studio glass vase 

by G Pattinson, 1992 

of flared conical form with a scroll 

decorated base 


‘G Pattinson 1992’ 

25cm high 

$200–400 

489 

Three Murano style coloured 

glass vases 


$200–300 

490 

An opaque pale blue straight 

sided studio glass vase by 

Pauline Delaney, Australia, 1983 

with yellow, red and blue 

flashing 


25cm high 

$200–300 

491 

A large smoky glass vase with 

etched Art Deco motifs 

63cm high 

$200–400 

492 

An electric blue studio glass trumpet 

vase by Richard Morrell, Australian, 

circa 1980 

signed to base with paper trade label 

35cm high 

$200–300 

485 

486

114 

493 

493 

A group of four coloured studio glass 

vases 


$300–500 

494 

A group of four art glass vases 

comprising an amber glass bowl by 

Pauline Delaney, 1984 and three pink 

and purple glass vases 


$300–400 

495 

A slender everted lip opaque lavender 

art glass vase 

44cm high 

$200–400 

496 

A Finnish studio glass vase by Aimo 

Okkolin for Riihimaki 

in aubergine undulating cylindrical form 

20cm high 

$200–400 

497 

A collection of Murano style blue 

cased mauve glass vases 


$200–300 

498 


Julio Santos 

in flared form in tones green, red and 

white 

incised to base J Santos 1986 

26cm high 

$200–300 

499 

An Australian Studio iridescent glass 

vase by Colin Heaney 

signed and dated to base 1994 

11cm high 

$150–250 

500 

A studio glass vase by Sam Herman 

of stylised form in tones of blue and 

green 

signed and numbered to base ‘Samuel 

Herman BA997’ 

25cm high 

$200–300 

494

115 

501 

An Australian studio art glass vase by 

Richard Swift, 1993 

the waisted cylindrical body and 

everted rim with streaked amber 

decoration 

engraved to base Richard Swift 4/93 

and further lozenge marked 119 

34cm high 

$300–500 

502 

An iridescent New Zealand studio 

glass vase by Chuck Simpson 

incised to base Simpson NZ 80 

18cm high 

$200–300 

501 

503 

A large studio glass vase by Chris 

Pantano 

with ochre, brown and red rock art 

decoration, impressed stippling and 

shell forms to the foot, signed ‘Chris 

Pantano’ to base 

28cm high 

$600–800 

504 


David Herbert 

in tones of pale green and black with 

with a scrolling black rim 

signed and dated ‘8/92’ 

22cm high 

$150–250 

503

116 

505 

505 

Three magenta studio glass vases 

each of columnar form including a 

vase by Pauline Delaney, 1959 and 

Robert Morrell, 1981 


$300–500 

506 

A translucent mauve concentric swirl 

glass vase by Julio Santos, Australian, 

1986 

together with two bulbous purple bud 

vases 


$300–400 

507 

An iridescent orange and opaque 

yellow blown glass abstract bottle vase 

by Sam Herman, Australian, 1978 


22cm high 

$200–300 

506

117 

508 

A ruby frosted studio glass vase by 


of teardrop form with a beaded rim 

30cm high 

$500–800 

509 

An acid green with opaque white and 

brown swirl art glass bottle vase by 

Sam Herman, Australian, 1977 

18cm high 

$200–300 

510 

An Australian studio glass bottle 

vase by Sam Herman 

with swirling grey decoration to the 

bulbous blue toned body 

signed to base ‘Sam Herman’ 

22cm high 

$200–300 

513 

A trumpet glass vase 

of conical form in tones of orange 

and pink 

34cm high 

$200–300 

514 

An opaque white art glass bottle vase 

with orange and brown vertical 

scrolling 

17cm high 

$200–300 

515 

A slender baluster form opaque studio 

glass vase by Julio Santos, Australian, 

1986 

signed and dated to base ‘J Santos 

1986’ 

31cm high 

$200–300 

516 

A slender opaque yellow, grey and 

brown tulip rimmed vase 

42cm high 

$200–300 

517 

A tall art glass vase 

in tones of green and mauve with a 

flared rim and lugged base 

44cm high 

$200–300 

518 

An ovoid mottled white art glass vase 

with pale orange scrolls 

30cm high 

$200–300 

511 

A large red art glass vase 

49cm high 

$200–300 

512 

A blue and black striped with black 

collar art glass vase 


32cm high 

$200–300 

508

118 

519 

An large chartreuse art glass vase on 

stand 

of conical form with serpentine 

wrought iron support 

73cm high 

$500–800 

520 

A large opaque black geometric glass 

vase 

27cm high 

$200–300 

521 

A black ovoid art glass vase 

with silvered flecks and floating blue 

and orange decoration 

26cm high 

$200–300 

522 

Two opaque white art glass vases with 

gestural blue decoration 


$200–300 

523 

A lapis blue pulled feather decorated 

studio glass sphere vase by Julio 

Santos, Australian, 1987 

17cm high 

$200–300 

524 

A Murano amber interior faceted glass 

vase 

together with two amber toned glass 

vases 


$200–300 

525 

A high gloss ovoid ruby glass vase 

21cm high 

$200–300 

519

119 

526 

A tall opaque white and yellow bottle 

glass vase with scrolling neck and 

black spotting by Ulrica Hydmann for 

Kosta Boda 

68cm high 

$300–500 

527 

A blue ground studio glass bowl vase 

by Richard Morrell 

together with a mottled glass urn 

the bowl signed to base 


$200–300 

528 

An split rim mottled grey black and red 

accented studio glass vase by David 

Herbert, Australian 

with red accents to the split rim 

signed to base ‘David Herbert 11/91’ 

16cm high 

$200–300 

529 

An abstract mustard, orange and 

yellow drip textured glass vase, 

circa 1960 

21cm high 

$200–300 

530 

Three Murano style sculptural two 

toned glass vessels 

the largest 23cm wide 

$200–300 

531 

A Swedish orange studio glass 

decanter by Eric Hoglund for Kosta 

Boda 

incised to base: H1686/200 

32cm high 

$200–300 

532 

A pinched rim smoky glass bowl vase 

with asymmetrical blue and silver 

banding 

12cm high 

$200–300 

533 

A clear purple art glass bowl with 

orange, red and purple scrolls 

15cm high 

$150–300 

534 

A plum ground trailing stripe decorated 

studio glass vase by Richard Wynne 

for Denizen Studio, Australian 

impressed mark to base 

20cm high 

$200–300 

535 

An Australian studio glass vase of 

unusual form by Brian Hirst, 1983 

signed and dated to base ‘B Hirst 83’ 

17cm high 

$200–300 

536 

A large speckled flattened ovoid glass 

vase by Garry Nash, New Zealand, 

1983 

signed and dated ‘G Nash ‘83’ to base 

42cm high 

$600–800 

537 

A group of four orange toned Murano 

style blown glass vases 


$200–300 

526

120 

538 

An opaque dark green straight sided 

glass vase by Garry Nash, New 

Zealand, 1987 

with cut decoration, mounded 

signature 

31cm high 

$300–500 

539 

A large mottled ‘tree landscape’ art 

glass vase by Isle of Wight glass 

paper label to base 

34cm high 

$300–400 

540 

A opaque black studio glass vase by 


moulded signature ‘G. Nash ‘87’ to 

base 

33cm high 

$300–500 

541 

A large blue and red banded opaque 

black ovoid glass vase 

32cm high 

$200–300 

542 

A large red and green banded column 

floor vase 


55cm high 

$150–250 

543 

Two Australian studio glass vases by 

Peter Goss 

the lilac bottle with multi coloured 

flecking signed ‘PG ‘86’ to base and 

the square iridescent brown vase 

signed ‘Peter Goss ‘81’ 


$250–400 

544 

An Australian studio glass baluster 

vase by Richard Morrell 

with mottled iridescent green and 

brown colouring 


17cm high 

$200–300 

545 


Richard Wynne, Denizen Studio 

of flattened ovoid form, dark green 

with a brown overlay including white 

lines and two red blooms 

16cm high 

$200–400 

538 539 

540

121 

546 

A blue speckled glass vase by 

Moncrieff Glass Works, Scotland, 

circa 1980 

23cm high 

$300–500 

547 

A large studio glass vase by Brian 

Hirst, 2002 

incised and dated to base 

36cm high 

$200–300 

546 

548 

A Galle style cameo glass landscape 

vase, circa 1900 

in delicate autumn tones 

with etched ‘Galle’ signature to lower 

body 

26cm high 

$400–600 

549 

An Australian studio glass urn shaped 

vase by Richard Wynne, Denizen 

Studio 

with iridescent blue and bronze motif 

moulded mark to base 

23cm high 

$200–300 

548

122 

550 

A studio glass vase by Moncrieff Glass 

Works, Scotland, circa 1980 

of cylindrical form in tones of speckled 

orange with purple 

24cm high 

$300–500 

550 

551 

A large red and green candy striped art 

glass bottle vase 

59cm high 

$300–400 

552 

A Glasform iridescent art glass vase, 

English 

of inverted egg form with speckled red 

patination 

signed to base with original label 

20cm high 

$200–300 

553 

A collection of hand blown glass 

goblets 

comprising five glasses 

the largest goblet 22.5cm high 

$200–300 

551

123 

554 

A studio art glass vase by Brenden 

Scott French 

of tapering tear drop form in tones of 

white, pink and red 

incised to base: Brenden Scott French 

41cm high 

$300–500 

555 

An opaque lilac ground conical vase by 

Vivianne Karlsson for Orrefors 

decorated with a flowing iron red and 

black diamond pattern 

signed and editioned to base 

28cm high 

$300–600 

556 


Julio Santos, 1987 

with apricot flower form bands 

extending down the body 

15cm high 

$200–300 

557 

A Maltese Mdina marbled red studio 

glass bottle vase 

with applied turquoise scrolls 

engraved ‘Mdina’ to base 

15cm high 

$200–300 

558 

A group of three marbled abstract 

studio glass bottle vases 

each signed to base 


$200–300 

559 

A collection of three studio art glass 

vases 

including a green Murano glass vase, 

and two mid-century coloured glass 

vases 


$200–300 

560 

An opaque white studio glass vase by 

Richard Morrell 

with swirling turquoise decoration 


34cm high 

$200–300 

554 

555

124 

561 

561 

A collection of five coloured Murano 

glass vases, 20th century 

in tones of blue, red, green and orange 


$300–500 

562 

A lapis blue studio glass sphere vase 

by Julio Santos, Australia, 1992 

with an internal trailing feather 

decoration, signed and dated to base 

70cm high 

$300–400 

563 

Three baluster form opaque art glass 

vases 

of dual tone colouration 


$200–300 

562

125 

564 

564 

A collection of Australian studio glass 

by Michael Hook 

comprising an ovoid black and white 

swirled vase, a blue bowl and a brown 

vase, each signed to base 


$300–400 

565 

A group of four Murano style glass 

vases 

in tones of red, blue and orange 


$300–500 

565

126 

566 

566 

VICTOR GREENAWAY 

(BORN 1947) 

A large celadon glazed earthenware 

bowl, circa 1970 

impressed mark to side of base 


$200–300 

567 

VICTOR (VIC) GREENAWAY 

(BORN 1947) 

A glazed earthenware vase 

impressed personal seal 1975-1993 

19cm high 

$300–500 

568 

A collection of four glazed 

earthenware platters 

the largest by Vic Greenaway 

signed to base: Greenaway 91 

and impressed mark 

34/59cm diameter 

$200–400 

569 

A glazed earthenware vase and jug 

by John Campbell 

vase incised to base: 

John Campbell Tasmania B55M 

jug incised to base: 

John Campbell Tasmania 57J. 

the vase 14cm high 

$200–300 

570 

A New Zealand glazed earthenware 

vase by Peter Stichbury 

with a mottled celadon glaze 

label to base: ‘Stoneware Pottery Peter 

Stichbury 948 Great South Road, 

Manurewa’ 

27cm high 

$200–300 

571 

A collection of five studio pottery 

vases and vessels 


$300–500 

572 

A large Harold Hughen glazed 

earthenware platter 

together with two other large glazed 

earthenware platters 

the largest 40cm diameter 

$300–500 

573 

JOHN EDYE (BORN 1944) 

A glazed studio pottery vase by John 

Edye, Australian 

impressed: JE and the Sturt Pottery 

mark 

17cm high 

$200–300 

574 

An unusual studio pottery vase, 

mid 20th century 

impressed marks to base 

29cm high 

$200–300

127 

575 

JOHN PERCEVAL (1923-200) 

A glazed earthenware covered jar, 

1956 

of ovoid form with two handles 

incised to base and inside of cover: 

Perceval 1956 

32cm high 

$400–600 

576 

DEBORAH HALPERN 

(BORN 1957) AND STACHA 

HALPERN (1919-1969) 

A glazed earthenware jug 

and a small pot 

the pot incised: Deborah D Halpern 

the jug signed: S Halpern 

the jug 22cm high 

$200–300 

575 

577 



HALPERN (1919-1969) 

two glazed earthenware bowls 

one incised: D D Halpern 

one signed: S Halpern 83 

the largest bowl: 22cm diameter 

$400–600 

577

128 

578 


(BORN 1957) 

A hand painted and glazed 

earthenware teapot 

signed to base: D Halpern 

39cm high 

$400–600 

579 



HALPERN (1919-1969) 

two glazed earthenware goblets and 

a plate 

the goblets signed to base: 

Deborah Halpern and D. D Halpern 

the plate signed to base: S Halpern 

the largest goblet 20cm high 

$600–800 

578 

579

129 

580 


(BORN 1957) 

A tall glazed earthenware double teapot 

signed to the leg: D D Halpern 

97cm high 

$2,000–3,000 

581 


(BORN 1957) 

A painted earthenware vase 

of tripod form and decorated 

with foliage 

signed to base: D D Halpern 

13.5cm high 

$150–250 

582 


(BORN 1957) 

A glazed earthenware covered jar 

signed to base: Halpern 

15cm high 

$200–300 

583 


(BORN 1957) 

A glazed earthenware bowl by 

Deborah Halpern, Australian 

decorated in tones of black, blue and 

white and initialled to base: D D H 

together with a glazed earthenware 

bowl by Eric Juckert 

the Halpern bowl 11cm high, 

22cm diameter 

$200–300 

584 


(BORN 1957) 

A green glazed earthenware vase 

signed to base: Halpern 

15cm high 

$300–500 

580

130 

585 

A collection of nine hand painted 

slipware plates by Martin Boyd 

decorated with indigenous figures, 

motifs and landscapes 

each incised to base: 

Martin Boyd Australia 

26cm diameter 

$800–1,200 

586 

A collection of eight hand painted 


variously decorated with figures and 

landscapes 

incised to base: Martin Boyd Australia 


$600–800 

587 


by Kevin Boyd, 1988 

ovoid form in pink tones 

incised to base: Kevin Boyd 88 

17cm high 

$150–250 

588 

A large white glazed ceramic vase, 

20th century 

54cm high 

$200–300 

589 

A collection of seven studio pottery 

vases and vessels 

comprising three tall vases, a jug vase, 

a compressed ovoid vase and two 

black glazed form vessels 


$200–400 

585 

590 

A tall red and black glazed earthenware 

vase by Peter Ellis 

signed to base: Ellis 

57cm high 

$200–300 

586

131 

591 

A large studio pottery vase 

of compressed ovoid form with a 

stylised mid-century design 

36cm high 

$200–300 

592 

A collection of abstract stoneware 

comprising eight pieces 


$200–300 

593 

Seven glazed earthenware platters 

and bowls 

including a large figural bowl marked 

BS (possibly for Bernard Sahm) 

the largest bowl 40cm diameter 

$200–300 

594 

A large Australian glazed earthenware 

vase, 20th century 

relief decorated with semi-draped 

female figures, incised to the base 

‘Made in Australia, cB’ 

48cm high 

$200–300 

595 

A large glazed earthenware vase 

by Kim Smith 

of ovoid form decorated with flowers 

signed and dated to base: 

Kim Smith ‘94 

61cm high 

$250–350

132 

596 

VICTOR GREENAWAY 

(BORN 1947) 

A large earthenware form 


44cm high 

$300–500 

597 

HAROLD HUGHAN (1893-1987) 

two studio pottery jugs 

both signed to base 


$300–500 

598 

HAROLD HUGHAN (1893-1987) 

A black glazed earthenware vase 

monogrammed to base 

29cm high 

$200–300 

599 

IAN SPRAGUE (1920-1994) 

A tall glazed earthenware vase 

in tones of brown and blue 

29cm high 

$250–350 

600 

ALAN PEASCOD (1945-2007) 

An ovoid textured earthenware vase 

and cover 

28cm high 

$300–500 

601 

CHRISTOPHER SANDERS 

(BORN 1952) 


signed and dated base: Christopher 

Sanders 1991 

impressed mark to base: CS 

21cm high 

$150–250 

602 


stamped indistinctly near base 

26cm high 

$200–400 

596

133 

603 

ROBERT BARRON (BORN 1957) 

A large glazed earthenware charger 

signed to base: Robert Barron 2006 

impressed mark: Goose Neck Pottery 

(GNP) 

55cm diameter 

$400–600 

603 

604 

ROBERT BARRON (BORN 1957) 

A large glazed earthenware platter 

signed to base: Robert B 

54cm diameter 

$200–300 

605 

MILTON MOON (1926-2019) 

A glazed earthenware bowl 

decorated with stylised decoration 

incised to base: Milton Moon 

35cm diameter 

$300–500 

605

134 

606 

606 

REGINALD (REG) PRESTON 

(1917-2000) 

A large glazed earthenware platter by 

Reg Preston, Australian 



$300–500 

607 


(1917-2000) 

A studio pottery glazed earthenware 

lidded pot 


20cm high 

$200–300 

608 


(1917-2000) 

A brown glazed earthenware kendi 

signed to base: Preston 

23cm high 

$150–250 

609 


(1917-2000) 

A glazed earthenware plate 

decorated with leaves and berries 


31cm diameter 

$150–250 

610 

A collection of four glazed 

earthenware vessels including 

a Reg Preston vase 

together with a carved wooden 

sculpture 

the Preston vase 24.5cm high 

$200–300 

611 

A collection of eight Australian studio 

pottery vessels and vases 

including two vases by Reg Preston, 

a large vase by Robert Forster, a tall 

cylindrical vase by Greg Hamilton, a 

bottle vase and two other vases 


$300–500

135 

612 

ROBIN VAN SCHILAGAARGE 

An ovoid textured earthenware form 

32cm high 

$200–300 

613 

GUS McLAREN (1923-2008) 

An earthenware lidded box 

incised to base: Gus McLaren 

17cm high 

$200–300 

614 

A set of six turquoise glazed 

earthenware goblets by Lucy Beck 

incised to base: Beck 

each 14cm high 

$150–250 

615 

A large glazed earthenware bowl, 

20th century 

with a highly textured surface 

59cm diameter 

$200–300 

612 

615

136 

616 

616 

A collection of six hand painted 


variously decorated with landscapes 

and figures 

30cm diameter 

$600–800 

617 

A collection of eleven hand painted 


variously decorated fruit, figural and 

landscape scenes 



three fruit plates dated to base: 1950 

18cm diameter 

$500–800 

618 

A collection of three hand painted 

slipware vases by Martin Boyd 

decorated with indigenous figures 

all incised to base: Martin Boyd 


$300–500 

619 

A hand painted slipware charger by 

Martin Boyd 

decorated with a sage on horseback 

incised to base: Martin Boyd Australia 

35cm diameter 

$150–250 

620 


bowls and vases, 20th century 

including a Les Blakebrough, Sturt 

Pottery platter with impressed 

monograms, circa 1975 


$300–500 

621 

LES BLAKEBROUGH 

(BORN 1932) 

A large glazed earthenware lidded pot 


33cm high 

$200–300 

617

137 

626 

BARBARA SWARBRICK 

(BORN 1945) 

A glazed earthenware dish 

decorated with parrots, fruit and faces 

incised to base: Barbara Swarbrick 

1988 


26 x 20cm 

$200–400 

622 

An earthenware bowl and a covered jar 

by Sergio Sill 

incised signatures 


$300–500 

623 

A glazed textured earthenware bowl 

and a lidded jar by Sergio Sill 

in burnt umber terracotta tones 

the plate incised to base: Sergio Sill 

23cm diameter 

$200–300 

624 

A large studio pottery form 

signed to base: Judy 68 


$200–300 

625 

A large glazed earthenware studio 

pottery platter 

decorated with a ragged natural edge 

55 x 52cm 

$150–250 

627 

RUDOLF DYBKA (1935-2015) 

A substantial glazed earthenware 

platter 

relief moulded with stylised figures on 

a blue ground 

stamped and inscribed lower centre: 

Dybka 

85cm diameter 

$300–500 

628 

A large Italian glazed pottery 

‘Chess King’ vase, 20th century 

with a silver and gilt glaze, 

inscribed ‘Italy’ to the base 

52cm high 

$200–400

138 

629 

SHIGEO SHIGA (ATTRIBUTED) 

A tall glazed earthenware vase 

incised decoration, label to base 

inscribed Shigeo Shiga 

43cm high 

$500–900 

630 

630 

SHUNICHI INOUE 

(JAPANESE, BORN 1946) 

A pale celadon glazed studio pottery vase 

signed to base: S. Inoue 

incised with Japanese calligraphy mark 

30cm high 

$400–600 

631 

SHIGEO SHIGA (1928-2011) 

A glazed pottery bottle vase 

impressed signature mark and Asuka 

Pottery mark 

19cm high 

$300–500 

632 


A blue glazed earthenware bowl 

impressed signature mark and Asuka 

Pottery mark 

13.5cm high, 18cm diameter 

$300–500 

629

139 

633 

A large glazed earthenware bowl 

attributed to Mitsuo Shoji 

decorated with large flowers 

and leaves 

incised signature to base 

52cm diameter 

$800–1,000 

633 

634 


An earthenware bowl 

impressed signature mark 

and Asuka Pottery mark 

21cm diameter 

$400–600 

634 

635 



ovoid with a celadon and 

terracotta glaze 

impressed signature mark 

and Asuka Pottery mark 

26cm high 

$400–600

140 

636 

636 

ALLAN LOWE (1907-2001) 


incised to base: Allan Lowe 

33cm diameter 

$300–500 

637 

ALLAN LOWE (1907-2001) 

An aqua glazed earthenware vase 

incised to base: Allan Lowe 

19cm high 

$400–600 

638 

RALPH EBERLEIN (BORN 1951) 

A large glazed earthenware platter 

and bowl 

each decorated with classical figures 

the platter signed and dated: 

Eberlein 92 

the bowl signed: Eberlein 

the platter 57cm diameter 

the bowl 42cm diameter 

$300–500 

637

141 

639 

A large Continental porcelain tureen 

and cover 

of boar head form with gilt and silver 

scrolling acorn branches 


$600–800 

640 

PIPPIN DRYSDALE (BORN 1943) 

A glazed earthenware pale blue and 

green bowl, 1996 

signed and dated: Pippin Drysdale ‘96 

30cm diameter 

$200–400 

641 

TOM P SANDERS (1925-2008) 

A glazed earthenware stylised jug 

incised to base: T P Sanders 1962 

16cm high 

$150–250 

642 

A Chinese celadon glazed vase, 

20th century 

of ovoid form with a continuous 

overlapping leaf pattern 

two character calligraphy mark to base 

32cm high 

$300–500 

643 

FIONA MURPHY (BORN 1958) 

A mollusc vase, 1989 

incised to base: F Murphy 89 

together with a certificate of 

authenticity from Artefact, Melbourne 

53cm high 

$300–400 

644 

PETER PETRUCCELLI 

(1934-2013) 


of cylindrical form with decorated with 

a stylised landscape scene 

signed to base: Petruccelli 

43cm high 

$200–400 

645 

PETER PETRUCCELLI 

(1934-2013) 

A large glazed earthenware jar 

signed and dated to base: 

P Petruccelli 78 

56cm high 

$300–500 

639

142 

646 

646 

ARTHUR MERRIC BLOOMFIELD 

BOYD (1920-1999) 

Three studio pottery plates 

two decorated with indigenous figures 

and one yellow glazed 

two incised to base: A M Boyd 

the yellow glazed plate incised to base 

A M Boyd JP 

23cm diameter 

$500–800 

647 

WILLIAM MERRIC (MERRIC) 

BOYD (1888-1959) 

A miniature glazed earthenware 

vase by Merric Boyd (1888-1959), 


relief moulded with a windswept tree 

incised to base: Merric Boyd 1942 

5.5cm high 

NOTE 

For a similar example please see lot 

449 of Tempus Fugit: The Collection of 

George Gyori | Australian, Maritime & 

Exploration 

$200–300 

649 


BOYD (1920-1999) AND JOHN 

PERCEVAL (1923-2000) 

A pink and green glazed earthenware 

bowl 

incised to base: Perceval AMB 

stamped to base: Primrose Pottery 

10cm high 

$300–500 

650 


BOYD (1920-1999) 

A pink and white domestic ware series 

jug 

incised to base: A M Boyd 

34cm high 

$300–500 

651 


BOYD (1920-1999) 

A glazed earthenware vase, 

mug and beaker 

in tones of white, yellow and black 


Arthur Merric Boyd, A M Boyd 


$200–300 

652 

A studio pottery plate by Hermia Boyd 

hand painted with a foal 

signed to base: Hermia Boyd 

20cm diameter 

$200–300 

648 


BOYD (1920-1999) 

A glazed earthenware ewer 

on a black ground with yellow flowers 


33cm high 

$300–500

143 

653 

653 


BOYD (1920-1999) 

Three small glazed slipware vases 

each colourfully decorated and 

banded 

each incised to base: A M Boyd 

11cm high 

$400–800 

654 

DAVID BOYD (1924-2011) AND 

HERMIA BOYD (1931-2000) 

Two green and black glazed handled 

pots 

incised to base: D & H Boyd 

together with a covered sugar basin by 

Beryl Armstrong 

the largest Boyd pot 14cm high 

$200–300 

655 

A large collection of twenty three 

glazed slipware ramekins and bowls by 

Arthur Merric Bloomfield Boyd 

each incised to base: A M B or A M Boyd 


$200–300 

656 


BOYD (1920-1999) AND JOHN 

PERCEVAL (1923-2000) 

A glazed earthenware, lyrebird 

decorated bowl 

incised to based: JP AMB 

30cm diameter 

$600–800 

657 

A collection of nine hand painted 

slipware plates by Guy Boyd 

decorated with figures, flowers, 

animals and landscapes 


$600–800 

657

144 

658 

658 

A large purple and turquoise glazed 

earthenware charger by Ray Carlton 

incised to base: Ray Carlton ‘93 

50cm diameter 

$200–400 

659 

MERRIC BOYD (1862-1940) 

A blue glazed earthenware jardinière 

with leaf and landscape decoration 

incised to base: Merric Boyd 1948 

13cm high 

$400–600 

659

145 

660 

GREG DALY (BORN 1954) 

An ovoid glazed earthenware vase 

signed and impressed to base: 

Daly GD 

20cm high 

$600–800 

661 



of ovoid form with gilded and lustred 

decoration 

signed and stamped to base: Daly 

26cm high 

$300–500 

662 


A large glazed studio pottery platter by 

Greg Daly, Australian, 1988 

signed and dated to base: Daly 88 

43cm diameter 

$150–250 

660 

663 


A matt glazed studio pottery vase 

green toned, free form earthenware 

vase 

signed to base: Daly 

36cm high 

$200–300 

664 

A collection four studio pottery 

dishes 

comprising a platter by Greg Daly, 

a large dish and two bowls 


$200–300 

661

146 

665 

A large collection of glazed slipware 

ramekins and dishes by Martin Boyd 

and Arthur Merric Bloomfield Boyd 

variously signed: A M Boyd 

and Martin Boyd 


$400–600 

666 

A collection of thirteen studio pottery 

plates by Guy Boyd 

decorated with flora and fauna, 

portraits and landscapes 

twelve incised to base: Guy Boyd, 

one stamped to base: Martin Boyd 


$300–400 

667 

A collection of eight hand painted 

slipware plates by Guy Boyd 

decorated with figures, landscapes 

and flowers 


$300–500 

668 

A hand painted slipware plate and 

a collection of seven hand painted 

slipware bowls by Guy Boyd 

the plate decorated with an indigenous 

landscape and the bowls decorated 

with Australian fauna 

each incised to base: Guy Boyd 

the plate 30cm diameter 

$300–500 

669 

ELLEN HANSA-STANYER 

(BORN 1942) 


of ovoid form with white moulding 

incised to base: Ellen Stanyer 76 

18cm high 

$200–400 

670 

TED SECOMBE (BORN 1957) 

A circular glazed earthenware box 

incised to base 

15cm diameter 

$300–500 

671 

PAUL DAVIS (BORN 1955) 

A glazed earthenware square section 

bottle vase 

in tones of black and black 

48cm high 

$150–250 

672 

A large continental glazed earthenware 

ewer, probably Italian 

decorated with a continuous frieze of 

leafy fruiting branches 

51cm high 

$300–500 

665

147 

673 


BOYD (1920-1999) 

A navy and white domestic ware series 

jug 


32cm high 

$300–500 

674 


BOYD (1920-1999) 

A group of five glazed earthenware 

dishes and vessels 

the plate decorated with an indigenous 

figure 

all variously signed: A M Boyd 

the plate 18cm diameter 

$150–250 

675 

A large glazed earthenware floor 

vase 

with lily in blue, white and green 

tones 

68cm high 

$250–350 

676 

A large blue glazed earthenware vase, 

20th century 

68.5cm high 

$200–300 

677 

A large glazed earthenware 

vase, 20th century 

incised illegibly to the base 

52cm high 

$300–500 

673

148 

678 

678 

A glazed earthenware charger by 

Alexandra Copeland 

decorated with with frogs and verse 

signed and dated to base: Alexandra 

Copeland 9/8/1988 

40cm diameter 

$400–600 

679 

A collection of six hand painted 

slipware plates and bowls 

by Martin Boyd 

decorated with international themed 

landscapes and figures 

the plates incised to base: 

Martin Boyd 1950 

the bowls incised to base: 


25cm diameter (each) 

$400–600 

679

149 

680 

A German Mettlach porcelain cameo 

charger after Jean Baptiste Stahl, 

Bonn, circa 1860 

depicting a Greek goddess and 

attendants 

impressed factory marks marks: 

Mttlach, Ges. Gesch, 2443, 01 

46cm diameter 

$200–300 

681 

A large glazed earthenware studio 

pottery vase 

with an aged bronze patina 

40cm high 

$150–250 

682 

A collection of eight glazed 

earthenware studio pottery vases 


$200–300 

680 

683 

KLYTIE PATE (1912-2010) 

A glazed earthenware covered bowl 

incised to base: Klytie Pate 

19cm high 

$300–500 

684 


vases 

of various forms 

together with a brown glazed pot 


$200–300 

685 

A collection of eleven studio pottery 

vessels, vases, jugs and forms 


$300–500 

683

150 

686 

A collection of five silver and metal 

capped walking canes, first half 

20th century 

comprising two silver topped walking 

canes with scrolled decoration, 

London, 190, one London, 1929 by 

Henry Thomas & Co, and three other 

metal topped canes 

the largest 92cm 

$200–300 

687 

A Sevres style ball finial fiddleback 

blackwood walking cane 

the gilded royal blue ground painted 

with a cartouche of two cherubs 

94cm long 

$200–300 

688 

A Chinese cloisonné ball handled 

walking cane 

94cm long 

$120–180 

689 

A 9 carat gold handled walking stick, 

Birmingham 1911 

gold marks stamped to the base of 

the handle 

90.5cm high 

$200–300 

690 

A stainless set cutlery set for twelve 

including forks, knives, table spoons, 

tea spoons, cake servers, salad 

servers and assorted knives and bottle 

stoppers 

$200–400 

691 

A collection of ivory handled walking 

canes, London, late 19th/20th century 

two canes made of macassar and 

the walking stick with a silver band 

engraved ‘TO VA’ 

the longest stick 92cm long 

$200–300 

692 

Five sterling silver and metal mounted 

walking sticks, including one by 

Thomas Bishton, London, 1923 

two with polished horn handles 

the longest 92cm 

$200–300 

686 687 688

151 

693 

An Art Nouveau silver handle 

ebonised walking stick by C L Schutz 

of Germany and three metal handled 

walking sticks 

the Art Nouveau stick handle engraved 

to the back ‘Ohloff’ 


$200–300 

694 

A collection of carved wood walking 

sticks and canes 

comprising fifteen pieces 


$100–200 

695 

A collection of walking sticks including 

four silver mounted horn handled 

walking sticks, English, circa 1910 

comprising fifteen pieces including a 

cork walking cane 


$300–500 

696 

A collection of walking sticks including 

burr walnut, silver mounted horn and 

ebonised wood 



$200–300 

697 

A collection of bent wood walking 

sticks, including Macassar ebony 

and birch 



$100–200 

698 

A collection of bent wood walking 

sticks and walking canes 

including a silver mounted horn 

handled walking cane 



$100–200 

693

152 

699 

A collection of five sterling silver 

and metal mounted walking canes, 

19th century and later 

including Charles Weeden, London, 

1876 

the largest 87cm long 

$200–300 

700 

A 15 carat rose gold pommel handled 

walking stick 

engraved ‘Dr E.J.Mc Cardell’ 

80cm long 

$200–300 

701 

A collection of carved wood 

walking canes 

comprising five pieces 


$100–200 

702 

A collection of walking sticks and 

canes 

including a silver mounted ‘Bohemian 

Club Reward’ walking stick, and 

specimens of fiddleback blackwood 

and Macassar ebony 



$300–400 

703 

A large collection of walking sticks 

and canes 

comprising twelve pieces 

including three with bone handles, 

three silver mounted and a fiddleback 

blackwood walking stick 


$200–300 

704 

Three silver mounted bone handle 

walking sticks, late 19th century, 

together with various walking canes 

and sticks 

comprising nine pieces 

the buckle cuffed stick by 

J Howell & Co Ltd, Birmingham, 1901 

the Indian brass handled cane 94cm 

long 

$200–300 

705 

A silver and faceted crystal 

mounted cane by Ernest Lory, 

London, circa 1904 

together with a carved ebony 

walking stick and six other various 



$100–200 

699 700

153 

706 

A Continental silver erotic figural 

handled walking stick 

designed in the form of a reclining 

woman and a dove 

90cm long 

$200–300 

707 

A walking stick with the silver handle 

designed as a reclining female figure 

92cm long 

$200–300 

708 

A nine carat rose gold tipped handle 

walking cane 

81cm long 

$120–180 

709 

Five sterling silver and metal mounted 

walking canes, circa 1900 

one marked Birmingham 1900 and 

four others including Indian silver 

96cm 

$200–300 

710 

A large shell inlaid ebonised walking 

stick with a figural handle, together 

with two other carved sticks 

the ebonised walking stick with an 

elephant and cobra form handle 


$100–200 

711 

A sterling silver hoof handle walking 

stick and a collection of bone and 

carved wood handle walking sticks 


the horse hoof stick by 

Swain & Adeney, London 


$200–300 

712 

A faceted ivory and tortoiseshell 

walking cane 

topped with with an Indian ivory 

knopped handle 

$120–180 

713 

A collection of sterling silver pommel 

handled walking canes with various 

inscriptions, including one by John 

Henry Rawlings, London, 1889 


the longest cane 93cm long 

$300–400 

714 

A snakeskin walking stick, an ebonised 

elephant handle walking stick with five 

antler handled walking sticks 

including a simulated bamboo stick 



$100–200 

706 707 708

154 

715 

A collection of five silver handled 

walking canes, 19th century and later 

one decorated with two dog heads 

and a buckle, one of an owl, one 

marked London, 1909 by J Howell & 

Co and one marked London 1885 


$200–300 

716 

A walking cane with a bronze bust of a 

young indigenous man handle 

engraved monogram AD 

92cm long 

$200–400 

717 

A semi-precious gem set carved ivory 

elephant handled walking cane, Indian, 

late 19th century 

the stick ebonised with a gilded plate 

engraved ‘D. Packett Moulden’ 

92cm 

$300–500 

718 

An ebonised carved monkey handle 

walking stick and three faux ivory finial 

walking canes 

the three finials modelled as an owl, 

a dog and a two faced ghoul 


$200–300 

719 

A copper mounted thornwood walking 

stick with a snuff compartment and 

spirit flask segment, together with 

another cane and walking stick 


$150–250 

720 

A large Italian glazed pottery 

‘Chess King’ vase, 20th century 

with a silver and gilt glaze, inscribed 

‘Italy’ to the base 

52cm high 

$120–180 

721 

Three Australian fiddleback blackwood 


the horn handled cane carved 

with a bird 

the longest cane 89cm long 

$100–200 

722 

A collection of various riding 

crops, swagger sticks and canes, 

19th century and later 



$100–200 

723 

Two unusual walking sticks and a cane, 


comprising a whale tooth handled 

ebony walking stick, a polished 

jade handled walking stick and an 

Australian silver mounted ebony and 

bamboo cane, the cane engraved ‘K 

Gardner of Toorak’ to the inside of the 

scaled handle 

the cane 94cm long 

$200-300 

715 716 717

155 

724 

725 

726 

724 

An ebonised sterling silver mounted 

ivory cased baton 

inscribed: ‘Presented to P. Barnet 

Esq. by the Officers & Teachers of the 

B.S.W.S.S NOV 1895’ 

Birmingham assay marks 

52cm 

$150–250 

725 

A sterling silver mounted ivory cased 

baton 

inscribed: ‘Presented to T.C. Webb by 

the members of the Ilfracomb Coral 

Society in recognition of the value they 

place on his teaching. 13th Feby. 1877’ 

53cm 

$200–300 

726 

A sterling silver mounted ivory cased 

baton 

inscribed: ‘Presented to Mr Robert 

Jackson Adamstown Coral Union 

in recognition of his valuaele (sic) 

valuable services as Conductor’ 

55cm 

$200–300 

727 

Three silver handled walking sticks, 


including a sterling silver handled 

walking stick, marked London 1899 


$200–300 

728 

A Maori tiki motif walking stick 

together with two Oceanic style staffs 

the maori stick with paua shell inlay 


$100–200 

729 

A male New Guinea Sepik River 

carved and painted ceremonial figure 

(meat hook) 

with shells and textile 

93cm long 

$4,000-8,000 

727

156 

730 

730 

A pair of Danish CH28 teak Sawbuck 

chairs by Hans Wegner for Carl 

Hansen, designed circa 1955 

each with leather seats, stamped to 

the base ‘Made in Denmark by Carl 

Hansen & Son, Odense, Denmark, 

Designer Hans J. Wegner’ 


$4,000–6,000 

731 

A pair of Danish teak model 71 dining 

chairs by Arne Hovmand Olsen for 

Mogens Kold, designed 1959 

each bearing a metal plate stamped 

‘Craftsmanship, Made in Denmark’ 

$600–800 

731

157 

732 

A nest of three teak side tables by 

Arne Hovmand Olsen for Mogens Kold, 

designed circa 1960s 

the largest 50cm high, 58cm wide, 

39cm deep 

$300–500 

733 

A pair of Danish teak AP-19 Papa Bear 

armchairs, designed by Hans Wegner 

for A. P. Stolen, circa 1951 

each with original green fabric 

upholstery, stamped ‘Made in 

Denmark, Designer: Hans J. Wegner, 

A. P. Stolen, Copenhagen’ 

99cm high 

$12,000–15,000 

732 

734 

A Scandinavian teak lounge suite, 

Norway, circa 1960s 

comprising an upholstered four seat 

sofa and two matching arm chairs 

length of back 275cm 

$600–800 

733

158 

735 

A Danish teak dining suite, designed by 

Jens Risom, circa 1960s 

comprising an extension dining table 

and six chairs, labelled to the base 

‘Jens Risom Design, manufactured 

under licence by William Latchford & 

Sons Pty. Ltd., 50 Lexton Road, Box Hill, 

E11, Victoria 


(closed) 

$1,500–2,500 

736 

A Jean Lurcat Aubusson tapestry 

“Le Fauteuil” (The Armchair) 

tapestry signature lower left and right 

label verso: ‘Le Fauteuil’ Tracen 1 

Cartun de JEAN LURCAT suite P51 

TABARD AUBUSSON 


$800–1,200 

737 

A Danish teak coffee table by France 

& Son, Denmark, circa 1960s 


$400–600 

738 

An Australian pottery tile top table 

comprising twenty tiles set into a 

hardwood table frame 

tiles painted with an under water 

seascape 

tile lower right signed: Pat Phillips 

the tiles 61cm high, 76cm wide (overall) 

the table 69cm high, 81cm wide, 

66cm deep 

80 x 66cm 

$600-900 

735

159 

739 

739 

A set of four oak CH24 Wishbone chairs, 

designed by Hans Wegner for Carl Hansen 

each chair stamped ‘Made in Denmark by 

Carl Hansen & Son, Odense, Denmark 

$800–1,200 

735

160 

Part III Online Auction 

The Harry Oviss Collection Part III will occur as a 

timed online sale, closing Tuesday 5 October, 10am 

All bids are placed via the online catalogue on the Gibson’s website 

and are executed immediately against the lot’s reserve, or the current 

highest bid. In the case of multiple bids occurring within the last five 

minutes of the close of lot, the closing time is extended for a further 

five minutes. Please contact our office for further information. 

740 



mixed media 


HOWLEY 66 

29.5 x 49.5cm 

$150–300 

741 

MAXIMILIAN FEUERRING 

(1896-1985) 

Mystic Plant 

oil on board 

signed lower right: FEUERRING 


FEUERRING MYSTIC PLANT 

34.5 x 39.5cm 

$100–300 

742 


(1935-2013) 

Study for a Falling Man 1963 

watercolour 

signed, dated and titled lower left: 

G Jones Robert 63 

Study for a Falling Man 

47 x 23.5cm 

$80–150 

743 


Studio Nude 1971 

watercolour and gouache 


Frank Werther 71 

49.5 x 64cm 

$100–250 

744 

NOEL TUNKS (1942-2008) 

Head Study for the Christ Child 

1976 

oil on canvas 


N TUNKS 76 

74.5 x 59.5cm 

PROVENANCE 


$150–250 

745 


Four Figures 1970 

mixed media on paper 


Howley 70 

17 x 24cm 

$100–300 

746 


(1940-2017) 

Figures 1963 

mixed media and collage 

signed, dated and tiled verso: 

Tony Woods 1963 Figures 

38 x 48cm 

$100–500 

747 


(1940-2017) 

Studio 1967 

oil on board 


Woods ‘67 

65.5 x 74.5cm (irregular) 

$250–350 

748 

PAUL DELPRAT (BORN 1942) 

Figure Study 

oil on board 

signed lower right: DELPRAT 

15 x 16cm 

$100–200 

749 


Landscape with Thistles 1962 

oil on board 


Werther 62 

33 x 38.5cm 

$150–250 

750 

PATRICIA FOARD (BORN 1935) 

Foreshore 1963 

oil on board 


FOARD 63 

56.5 x 73cm 

$100–200 

751 

ROBERT (BOB) BARROW 

Highways and Byways 

oil on canvas 

inscribed verso: BOB BARROW 

HIGHWAYS & BYWAYS 

91 x 76cm 

$100–200

161 

752 


Studio Nude 


signed with initials lower left: MK 

49 x 39cm 

$100–200 

753 

MORROW 

Interior 1966 

pencil and charcoal 


Morrow 66 

34 x 45cm 

$100–300 

754 

ENID NANGALA GALLAGHER 

Fire Dreaming 


61 x 69cm 

PROVENANCE 

Warnayaka Art Centre, NT 

$100–300 

755 

JO DAVIDSON (BORN 1954) 

Portrait 

crayon and wash 

inscribed verso: Jo Davidson 

84.5 x 58cm 

$100–200 

756 

PETER KIRK 

Nude 1978 

pencil and chalk 


KIRK 78 

73.5 x 48cm 

$100–200 

757 

A THOMSON 

Nudes and Burning Landscape 

oil and mixed media on board 

signed lower right: A Thomson 

43.5 x 76.5cm 

$100–200 

758 

JENNY McMAHON 

(ACTIVE 1970-1980s) 

The Pink Jacket 1981 

oil on canvas 


J A McMahon 81 

90 x 82.5cm 

$100–200 

759 

GEOFFREY GOLDIE (1921-2007) 

Nude 1971 

mixed media 


GEOFFREY GOLDIE 1971 

68.5 x 43cm 

$100–200 

760 

TERRY TAYLOR (BORN 1958) 

Deidre 1985 

oil on canvas 


Terry Taylor 1985 

60.5 x 40.5cm 

$200–300 

761 

JANIS KANEPS (BORN 1948) 

Prometheus Bound 1965 

oil on canvas 


J KANEPS 65 

titled verso: PROMETHEUS BOUND 

102 x 75cm 

$100–200 

762 

THOMAS (TOM) FANTL 

(BORN 1947) 

The Cultured Jew of Melbourne 

1994 

oil on canvas 

signed lower right: Fantl 

signed, inscribed and titled verso: 

FANTL 1994 THE CULTURED JEW OF 

MELBOURNE 

76 x 45.5cm 

$150–250 

763 

THOMAS BUCKNELL 

Interior 1979 

oil on canvas 


T BUCKNELL 79 

60.5 x 75.5cm 

$100–300 

764 

DOUGLAS NORMAN 

Compound Colour 1973 


signed, dated and titled verso: Douglas 

Norman 1973 Compound Colour 

57.5 x 43cm 

$100–300 

765 

BRIAN NASH (BORN 1942) 

The Storm 

oil on board 

signed lower right: Brian Nash 

50 x 75.5cm 

$100–200 

766 

ALLEN DAVID (1926-2014) 

Totem 

oil on board 

inscribed verso: ALLEN DAVID 

91 x 61cm 

$100–300 

767 

HUGH (GIL) JAMIESON 

(1934-1992) 

Portrait of Matthew 

oil on board 

signed lower right: GIL 

74.5 x 54.5cm 

$100–300 

768 


Portrait 

oil on canvas 

signed but illegible upper right 

70 x 60cm 

$100–300

162 

769 

MARGARET HARRISON 


acrylic on canvas board 

inscribed verso: Margaret Harrison, 


42 x 52cm 

$100–200 

770 


Anna Reading 1986 

oil on paper 

signed, dated and titled lower centre: 

John Howley 1986 Anna Reading 

50.5 x 63.5cm 

$100–200 

771 

GEOFFREY DANCE (BORN 1930) 

Nude 1996 

oil on canvas 


right: 96 

67 x 76cm 

$150–250 

772 

DOUGLAS WRIGHT 

(BORN 1944) 

The Clearing 1965 

pastel 


Wright 65 

34.5 x 54.5cm 

$80–120 

773 

JENNY McMAHON (ACTIVE 

1970-1980s) 

Portrait of a Girl 1981 

oil on canvas 

signed and dated centre right: 

J A McMahon 81 

60 x 60cm 

$100–200 

774 

GREG DOYLE 

The Hat 1987 

oil on paper 


G DOYLE ‘87 

57 x 41.5cm 

$100–200 

775 

ASHER BILU (BORN 1936) 

Untitled 

mixed media 

inscribed verso: Bilu 

64 x 55cm 

$100–300 

776 


The Crucifixion 

oil on board 

signed but illegible lower right 

60 x 44cm 

$150–250 

777 

RAFAEL GURVICH (BORN 1949) 

Portrait 1974 

oil on canvas 


Gurvich 74 

37 x 30cm 

$100–200 

778 

GEORGE JOHNSON 

(BORN 1926) 

Nimbus 

mixed media 

signed lower right: G Johnson 

32.5 x 38.5cm 

$200–300 

779 

JOHN GRAEME 

Abstract 

oil on board 

inscribed verso: JOHN GRAEME 

48.5 x 39cm 

$80–150 

780 


Portrait 1974 

oil on canvas 


Anne Hall 74 

51 x 41cm 

$150–250 

781 

M MURRAY WILCOX 

Summer Daze 

oil on board 

signed lower right: M MURRAY WILCOX 

21 x 29.5cm 

$100–300 

782 

MAX HURLEY (1938-2019) 

Tearaway 1966 

oil on board 


MAX HURLEY 66 

29.5 x 19cm 

$100–300 

783 

JENNIE BOYLE (ACTIVE 1980s) 

Nude 

oil on paper 

signed lower right: Jennie M Boyle 

49 x 65.5cm 

$100–300 

784 

POLLY COURTIN (BORN 1951) 

Head Study 1988 

oil on paper 


Polly Courtin 88 

76 x 66cm 

$100–200 

785 

BRIAN NASH (BORN 1942) 

Nude 

oil on board 

signed lower right: Brian Nash 

23.5 x 39.5cm 

$100–200

163 

786 

THOMAS (TOM) FANTL 

(BORN 1947) 

Corner Seat 1971 

mixed media 


TOM FANTL 1971 

46.5 x 33cm 

$100–200 

787 

GEORGE DE NEMES 

(1909-1997) 

Circus 


signed upper right: 

GEORGE DE NEMES 

29.5 x 24cm 

$100–200 

788 


Young Girl 1970 



Ian Armstrong 70 

35.5 x 24.5cm 

$100–300 

789 

ROBIN ANGWIN (1947-1976) 

Young Pipe Container, Crushed 

Container and Assembly 1972 

three lithographs 

each signed, dated, titled and 

editioned on margin 

59.5 x 49.5cm (each) 

$150–300 

790 

GREGORY (GREG) MALLYON 

(BORN 1954) 

Lifsavers 1984 

gouache 


GREG MALLYON 84 

19.5 x 19.5cm 

$100–200 

791 

S SMITH 

Street Figure 1982 

oil on canvas 


S SMITH 82 

49.5 x 39.5cm 

$100–300 

792 

D HALL 

Seaside Vista 


signed with initial lower right: H 

49 x 62.5cm 

$100–300 

793 


Monkey 


signed with initials lower right: GI 

75 x 55cm 

$100–300 

794 

PAUL LAURIE (1928-2012) 

An Event 

oil on board 

signed lower right: Laurie Paul 

47 x 59.5cm 

$100–300 

795 


Human Image 

serigraph 

inscribed verso: Rodney Millgate 

65 x 52cm 

$100–200 

796 

MARTIN EVERETT 

Two Bats 1983 

mixed media 

signed and dated verso: EVERETT 83 

25 x 35cm 

$100–300 

797 


Thinking Man 


signed lower right: Ian Armstrong 

23.5 x 11cm 

$100–200 

798 

MICHAEL KITCHING 

(1940-2019) 

Nevada 1967 

collage and mixed media 


Kitching 67 Nevada 

34.5 x 34.5cm 

$100–300 

799 


In Memory of Kim 1980 

oil on board 

signed, dated and titled 

lower left and upper centre: 

Werther 1980 IN MEMORY OF KIM 

50 x 60cm 

$100–300 

800 

JAMES (JIM) PATERSON 

(BORN 1944) 

Nocturne Docks 1984 



Jim Paterson 84 

30.5 x 36cm 

$150–250 

801 

MICHAEL (MIKE) BROWN 

(1938-1997) 

Untitled 1966 

ink on paper 


Mike Brown 66 

36.5 x 46.5cm 

$150–300

164 

802 

JOHN SKEAPING (1901-1980) 

Deer 

drawing 

signed lower right: JR Skeaping 

36.5 x 30cm 

$100–300 

803 

JAKUMARRA 

(OF THE WESTERN DESERT) 

How the Snake got his Black 

Head circa 1995 


32 x 27.5cm 

$100–200 

804 

ALLEN DAVID (1926-2014) 

Abstract 1980 

mixed media 


Allen David 1980 

40 x 22.5cm 

$100–200 

805 


(1935-2013) 

Head Study 

oil on board 

signed lower right: G Jones Roberts 

35 x 25cm 

$100–200 

806 

K BERGEN 

Figures 1978 

oil on canvas 

signed and dated lower left: Bergen 78 

61 x 50.5cm 

$100–200 

807 

JOHN BAYTON 

The Jonah Series No. 7 

oil on canvas 

signed lower left: Bayton 

90 x 60cm 

$100–300 

808 


The Time Machine, Phallic 

Computer and Figures 

two ink drawings and a mixed media 

each signed and inscribed on image: 

Howley 

10 x 22cm, 24 x 25cm, 28 x 38cm 

$150–350 

809 

VIOLA BROMLEY (BORN 1915) 

Red Landscape 


signed lower left: V Bromley 


Viola Bromley Red Landscape 

30 x 37.5cm 

$100–200 

810 

ANGUS JONES (BORN 1962) 

Arabesque of an Idiots Boat Trip 

1986 

oil on board 


ANGUS JONES 1986 ARABESQUE OF 

AN IDIOTS BOAT TRIP 

49.5 x 38.5cm 

$200–400 

811 

CLEM MILLWARD (BORN 1929) 

Nocturne 

oil on board 


CLEM MILLWARD NOCTURNE 

11 x 21cm 

$80–120 

812 

GEORGINA BEIER (BORN 1938) 

Papua New Guinea 1975 

mixed media 


Georgina Beier June 75 Papua New 

Guinea 

30.5 x 46cm 

$100–300 

813 

JOHN ASHWORTH (1915-1979) 

Composition 1960 

oil on board 


J Ashworth 60 

60 x 50cm 

$100–300 

814 

JOY PECK (1928-2008) 

Memories of Childhood 

oil on canvas 

signed lower right: Joy Peck 

61 x 76cm 

$100–300 

815 

AUOTRUA MOM 

Houses 1976 

oil on canvas 

signed lower right: Auotrua Mom 

59 x 59cm 

$100–200 

816 

SONYA WEINFELD 

(ACTIVE 1960-1980) 

Village Gathering 

oil on paper 

signed lower left: Sonya Weinfeld 

49.5 x 59cm 

$100–200 

817 

JOHN LANDY 

Two Studies 

two pastel and crayon on paper 

each signed lower right: John Landy 

21 x 24cm and 21 x 28cm 

$100–200 

818 

IRENE AMOS (1927-2012) 

Farewell 

mixed media 

inscribed verso: Irene Amos 

62 x 49.5cm 

$100–300

165 

819 

FRANCIS ROY THOMPSON 

(1896-1966) 

Old House, Adelaide Hills 


signed lower right: 

Francis Roy Thompson 

31.5 x 37cm 

$200–400 

820 

DE KOONING 

Winter Scene 

oil on board 

signed lower left: De Kooning 

19 x 23.5cm 

$150–250 

821 


(BORN 1947) 

Stanhope Street 1982 

oil on canvas 



39 x 59.5cm 

$150–350 

822 

LAWRENCE ALCOCK 

Circus Players 1958 

oil on board 


LAWRENCE ALCOCK 58 

50 x 42.5cm 

$100–200 

823 

M MORIARTY 

Profile 1961 

oil on board 


M Moriaty 61 

40.5 x 30.5cm 

$50–150 

824 


European Street Scene 

oil on board 

signed with initials lower left: J N 

45 x 28cm 

$100–300 

825 


Festival 1984 

oil on paper 


right: 84 

28 x 34.5cm 

$150–250 

826 

W HILL 

The Bikie’s 1961 

oil on paper 

signed, dated and titled lower left and 

right: W Hill 61 THE BIKES 

74 x 54cm 

$200–400 

827 

A collection of fifteen prints, oil 

paintings, watercolours and ceramic 

reliefs 

$150–250 

828 

A collection of nine paintings oil 

paintings, watercolours and prints 

$100–300 

829 

A collection of twelve paintings oil 

paintings, watercolours and prints 

$150–250 

830 

A collection of sixteen prints, oil 

paintings, watercolours and drawings 

$200–400 

831 

A collection of six oil paintings 

$200–400 

832 

A collection of thirteen oil paintings, 

prints and glass relief 

$150–300 

833 

A collection of twelve prints, 

oil paintings, watercolours and 

embroideries 

$100–300 

834 


Lovers 

composite resin 

26.5cm high 

$100–300 

835 

AFRICAN SCHOOL 

African Head 

stone 

signed with initials on base: FM 


$40–60 

836 

LLOYD ORTON (1918-1996) 

Nude 1992 

wood 

signed and dated on base: ORTON 92 

37.5cm high 

$100–300 

837 

MARC CLARK (BORN 1923) 

Face 

bronze 


$150–250 

838 

COLSON 

Reclining Figure 1972 

bronze 

signed and dated on base: Colson 72 


$100–200

166 

839 

GARRY BISH (BORN 1950) 

Female Bust 

terracotta 

incised with initial on base: B 


$150–250 

840 

STAN SLY 

Figure 1967 

terracotta 


STAN SLY 9/67 

34cm high 

$40–60 

841 

G LIGNIERES 

Abstract Tower 

metal 

45.5cm high, 24.5cm wide, 

23.5cm deep 

$200–400 

842 


The Birth 

bronze 


$100–300 

843 

SARAH SAARONI 

Girl Reading 1987 

bronze 

signed and dated: S Saanroni 87 


$200–400 

844 


Two Figures 

bronze 

incised on base: H K 

23.5cm high 

$150–250 

845 


Head of a Boy 

terracotta 


$80–120 

846 


Nude Figure 

terracotta 


$150–300 

847 

PETER TAYLOR 

Orange Mask 

painted metal and wire 


$100–200 

848 

JEFFREY WILKINSON 

Head of a Man 

bronze 

incised on base: JEFFREY WILKINSON 

22cm high, 19cm wide, 10.5cm 

$150–350 

849 


Seated woman 

bronze 

incised with initials on base 


$100–200 

850 

DANIEL WOLLMERING 

Abstract 

painted bronze 

signed on base: WOLLMERING 


$200–400 

851 



bronze 

incised on base with monogram 

15.5cm high, 19.5cm wide, 5cm deep 

$150–250 

852 

ROBERT LANGLEY (BORN 1929) 

Lovers 

bronze 

incised on base: Robert Langley 

32.5cm high 

$150–350 

853 

ROBERT LANGLEY (BORN 1929) 

Seated Figure 1967 

terracotta 


Robert Langley 1967 


$60–150 

854 

ARTISTS UNKNOWN 

Two sculptures 

metal 

36cm high and 37cm high 

$200–400 

855 


Untitled 

welded steel 


$100–300 

856 


Mother and Child on Chair 

metal 


$80–150

167 

857 

RAYMON PARMENTER 

Male Dancer 

bronze 

incised, dated and editioned Raymon 

Parmenter 1988 3/74 


$100–300 

858 

VARIOUS ARTISTS 

Asian Figure, Duck, Owl Abstract 

Form and Standing Figure 

a collection of four small sculptures 

clay, tin, metal 

7–19cm high (size various) 

$60–100 

859 


African Head, Bust of Lindon 

B. Johnson, Rising Figure 

terracotta, clay and glazed terracotta 

1 signed J Mason 

22.5–29cm (various size) 

$200–400 

860 


A Standing Figure, Apple, Rose, 

Girl on Rock, Horseman and Nude 

with Bell 

metal, stone, tin, bronze, silver 

43cm high Standing Figure 

$100–300 

861 


Untitled Form, Two Figurative, 

Duck and Head 

a group of five sculptures 

wood, metal, ceramic 

untitled form signed: R Harris 

17–58cm high (various sizes) 

$100–300 

862 

MORTON STUDIO 

Two Hanging Wall Sculptures 

metal, ceramic and glass 

106cm high, 31cm wide, 5cm deep and 


$200–300 

863 


Standing Form 1969 

bronze 

incised but illegible and dated on base: 

1969 

21cm high 

$150–250 

864 

A collection of eight multicoloured 

goblets and glasses 


$50–80 

865 

A pair of Austrian Moser clear faceted 

glass goblets 

etched ‘Moser’ mark to base 

13.5cm high 

$100–200 

866 

Three glass goblets 

together with four coloured glass 

sculptures including a blown glass 

iridescent star fish, a striped tulip vase 

and two modelled as fish 

the largest piece 19.5cm high 

$100–200 

867 

A collection of five glass goblets 


$50–100 

868 

An Australian frosted magenta studio 

glass vase by Patrick De Sumo, 1991 

with applied vertical tentacles and a 

white rim, signed and dated ‘De Sumo 

0.11.91’ to base 

17cm high 

$200–300 

869 

A collection of six small art glass vases 


$200–300 

870 

Three large art glass bowls 


$200–300 

871 

A large cameo glass vase, in the style 

of Emile Gallé 

relief decorated with fruiting branches 

on a pale yellow ground, signed ‘Le 

Nancy’ 

29cm high 

$400–600 

872 

A large emerald green glass platter, 

20th century 

with etched ship mark to base 

36cm diameter 

$100–200 

873 

A collection of six coloured art glass 

bowls 

including Murano and Kosta Boda 


$100–200 

874 

A white ground art glass vase 

with green and blue swirled decoration 

30cm diameter 

$50–100 

875 

A group of three art glass vases 

two in the Murano style and a 

serpentine rim lustred vase 


$100–200 

876 

An Art Nouveau green lustre vase 

with delicate gilt flowers painted to 

the frieze 

12cm high 

$100–200

168 

877 

A large red ground art glass pitcher, 

20th century 

24cm high 

$200–300 

878 

A large dimpled metallic blue glass 

twin handled urn with silvered rim 

34cm high 

$100–200 

879 

An orange art glass light shade, 

circa 1970 

21cm high 

$100–200 

880 

A textured lustre art glass vase, 

20th century 

26cm high 

$100–200 

881 

A tall glass goblet vase 

29cm high 

$50–100 

882 

Two art glass bottle vases, 

20th century 


$100–200 

883 

An amber art glass vase, second half 

20th century 

12cm high 

$100–200 

884 

A slumped banded agate art glass 

vase 

12cm high 

$200–300 

885 

An opaque white art glass vase 

with applied swirling 

21cm high 

$100–200 

886 

An opalescent studio glass vase by 

Cape Byron Hot Glass, Australia, 1989 

with a gold hued splash form base, 

signed and dated ‘CBHg 89’ to base 

with gold paper trade label 

12cm high 

$100–200 

887 


Peter Crisp 

of flower form in tones of cobalt blue, 

labelled to base 

20cm high 

$50–100 

888 

An art glass vase, 20th century 

with mottled orange and maroon 

decoration 

14cm high 

$100–200 

889 

A vintage Caithness etched glass 

Autumn Leaves vase, 1981 

titled and signed ‘SR 81’ to base 

23cm high 

$50–100 

890 

An art glass vase 

decorated with swirls of blue, amber 

and opaque white 

14cm high 

$100–200 

891 

A contemporary blue banded glass 

decanter 

26cm high 

$100–200 

892 

An opaque white and ochre art glass 

vase 

19cm high 

$100–200 

893 

Two tall turquoise ground glass vases 

28cm high 

$50–100 

894 

A tall opaque white ground art glass 

vase 

with cobalt and tan ‘pulled feather’ 

decoration 

37cm high 

$50–100 

895 

An opaque grey art glass vase 

of spherical form with pink banding 

16cm high 

$50–100 

896 

A frosted white glass vase 

with a ripple edge, etched with flowers 

25cm high 

$50–100 

897 

A grey ground art glass vase 

with applied swirl decoration to the 

neck 

24cm high 

$100–200 

898 

A 19th century glass torpedo soda 

bottle, 

with moulded lettering ‘MILE END’ 

22cm 

$80–150 

899 

A gold flecked purple art glass bowl 

29cm diameter 

$50–100 

900 

An amber art glass bowl, circa 1983 

etched initials ‘BEH 83’ and ‘JS’ to 

base 

14cm high 

$100–200 

901 

A tall red Murano glass goblet vase 

30cm high 

$60–100

169 

902 

A collection of three glass ornaments 

the glass prism signed Bernini 


$100–200 

903 

Three Australian studio glass goblets 

with coloured bowls and petals 


20cm high 

$200–300 

904 

Two Australian studio glass pal goblets 

initialled TNG to base 

22cm high 

$100–200 

905 

Two Australian studio glass goblets by 

David Herbert 


$100–200 

906 

A glass goblet and a vase 

by Don Wreford, 1982 

the vase signed and dated ‘82’ 


$200–300 

907 

A Venetian ‘Carnevale’ glass goblet 

incised to base ‘Carnevale 2/91’ 

16cm high 

$100–200 

908 

A pair of orange lustre Tiffany style 

glass goblets 

31cm high 

$150–250 

909 

A group of three lily form glass bud 

vases, 20th century 

one green striped, one white flecked 

and a Loetz style iridescent vase 

12cm high 

$100–200 

910 

A collection of glass ornaments 

comprising seven pieces 


$100–200 

911 

A gold flecked amethyst glass vase 

26cm high 

$100–200 

912 

A collection of six coloured glass vases 


$200–300 

913 

A yellow lustre studio glass bottle vase 


19cm high 

$100–200 

914 

An art glass handkerchief vase 

the opaque white body with red and 

black swirled decoration 

23cm high 

$200–300 

915 

A collection of four coloured art glass 

bowls and vases 


$100–200 

916 

A collection of coloured glass bowls, 

including Murano 


$200–300 

917 

A purple lustre studio glass bowl, 1981 

signed, numbered and dated to base 

29cm diameter 

$100–200 

918 

A group of four coloured glass bowls 

including Murano 


$150–250 

919 

A large ovoid coloured glass shade 

32cm diameter 

$40–60 

920 

A collection of eight coloured art glass 

vases and ornaments 


$300–400 

921 

Three coloured glass vessels, 

20th century 

comprising two vases and a banded 

amber glass sphere vase 


$50–100 

922 

An orange cased glass vase 

22cm high 

$120–250 

923 

A tall green art glass vase 

30cm high 

$100–200 

924 

A feathered blue ground art glass vase, 

20th century 

23cm high 

$200–300 

925 

Three art glass bowls 

comprising a Murano red and green 

swirl bowl, a blue and white serpentine 

rim bowl and a yellow and opaque 

glass bowl 


$200–300 

926 

An opaque white studio vase by Karl 

Bengt for Kosta Boda 


24cm high 

$150–250

170 

927 

A studio glass vase, probably Murano 

gold splashed in tones of blue and 

mauve 

together with a milk glass vase 

studio glass vase 17cm high 

$100–200 

928 

A slender gold striped blue vase, 

possibly Murano 

21cm high 

$100–200 

929 

An ovoid art glass vase 

in tones of yellow, white and blue 

11cm high 

$100–200 

930 

A purple lustre art glass vase 

18cm high 

$100–200 

931 

A black and white art glass vase 


23cm high 

$100–200 

932 

A yellow and pink art glass vase 

21cm high 

$50–100 

933 

An orange and white art glass vase 

32cm high 

$100–200 

934 

A mushroom form amber art glass 

vase 

30cm high 

$100–200 

935 

A collection of five various glass vases 


$100–200 

936 

A Murano style glass vase 

25cm high 

$200–300 

937 

An amethyst ground art glass vase 

18cm high 

$100–200 

938 

A green uranium glass sculpture, 

circa 1930 

moulded as two children 

24cm high 

$40–60 

939 

A green glass studio vase, Adelaide, 

1980 

engraved to base 

17cm high 

$50–100 

940 

An art glass vase, circa 1980 

of tapering cylindrical form with yellow 

relief moulded banding 

20cm high 

$100–200 

941 

A purple lustre art glass vase 

signed illegibly to the base 

29cm high 

$200–300 

942 

A studio glass lustre vase by Colin 

Heaney 


18cm high 

$200–300 

943 

A blue lustre studio glass vase, by 

Cape Byron Hot Glass 

decorated in iridescent blue with 

swimming fish, initialled to base 

19cm high 

$50–100 

944 

An Australian studio glass amber 

cylinder vase by Richard Morell 

with a flared rim, signed ‘R Morell’ to 

base 

20cm high 

$100–200 

945 

A large aqua glass bottle vase 

41cm high 

$50–100 

946 

An Australian studio glass bottle vase 

by Samuel Herman, 1975 

of stylised form in tones of opaque 

yellow, incised to base Samuel Herman 

1975 SA239 

20cm high 

$200–300 

947 

A large Australian studio pale green 

ovoid glass vase by Sam Herman, with 

brown dotted and scrolling decoration, 

signed and dated, 1976 

26cm high 

$150–250 

948 

An opalescent studio glass bottle vase 

by Sam Herman, Australia 

with opaque brown speckles scrolling 

across the body, etched ‘Herman’ to 

base 

16cm high 

$150–250 

949 

A studio glass bottle vase by Sam 

Herman, 1976 

with metallic brown and blue bubble 

decoration 

signed and dated ‘Herman 1976’ to 

base 

13cm high 

$150–250 

950 

Two red art glass vases 

one with with white swirled application 


$150–250

171 

951 

A white swirled baluster art glass vase 

together with a white column vase 


$100–200 

952 

A pale blue frill neck blown glass vase 

with yellow, brown and blue swirling up 

from the base 

20cm high 

$100–150 

953 

An ovoid pink crackle glass vase 

19cm high 

$50–100 

954 

A blue and purple crackle textured art 

glass bowl vase 

21cm diameter 

$100–200 

955 

An ovoid glass vase with all over dark 

blue and yellow scrolling decoration 

25cm high 

$100–200 

956 

An opaque white with marbled red and 

blue tendrils bottle vase 

18cm high 

$50–100 

957 

An art glass sculpture 

of stylised swirling form in tones of 

blue, green and red 

25cm high 

$150–250 

958 

An opaque yellow glass straight sided 

vase 

19cm high 

$50–100 

959 

A cloudy yellow urn form glass vase 

31cm high 

$50–100 

960 

A tulip goblet together with an applied 

flower vase 

the goblet titled, editioned and dated 

to base 


$100–200 

961 

Two hand blown bottle vases and a 

crystal bowl by Orrefors 

the largest vase 26cm high 

$100–200 

962 

An electric orange ripple moulded 

translucent glass vase, circa 1970 

25cm high 

$100–200 

963 

A smoky glass cylinder art glass vase 

with abstract aqua striping 

17cm high 

$100–200 

964 

An opaque glass vase with all over 

orange, yellow and black scrolling 

decoration 

25cm high 

$100–200 

965 

A Mdina sulphur green glass ball 

stopper decanter, Maltese, circa 1970 

scrolled band, etched mark 

28cm high 

$100–200 

966 


of clear glass form with mottled 

decoration 

24cm high 

$100–200 

967 

A Murano style glass vase, 

20th century 

in tones of blue and purple with a 

flared rim 

38cm high 

$100–200 

968 

Two lapis blue Moncrieff style 

speckled glass vases 


$100–200 

969 

A frosted art glass slab vase with 

silvered sprays of leaves 

24cm high 

$50–100 

970 

An orange and brown striped opaque 

white art glass vase 

33cm high 

$100–200 

971 

Three amber glass vases, circa 1960 


$100–200 

972 

A tall opaque orange baluster vase 

with marbled decoration 

43cm high 

$120–180 

973 

A group of three moulded art glass 

bowls, Italian, circa 1980 

including one Murano 


$100–200 

974 

A large slender clear green art glass 

bottle vase 

77cm high 

$100–200 

975 

A long marbled red and white glass 

platter 

42cm wide 

$50–100 

976 

A maroon pulled feather pattern glass 

vase 

23cm high 

$50–100

172 

977 

A studio glass vase by J H White, 1996 

of baluster form in tones of yellow 

and blue 


21cm high 

$120–180 

978 

An opaque green and clear glass 

moulded vase, 20th century 


36cm high 

$100–200 

979 

A tall opaque pale blue art glass vase 

on circular foot with moulded scrolling 

tulip rim 

49cm high 

$100–200 

980 

A large blown glass purple conch shell 

vase 

24cm wide 

$100–200 

981 

An Australian studio clear glass 

decanter and ball stopper by Julio 

Santos 


34cm high 

$120–180 

982 

A handblown silver, grey and brown 

swirled glass vase 

engraved ‘E25’ to the base 

17cm high 

$100–200 

983 

Two striped opaque glass conical 

vases 


$50–100 

984 

A Whitefriars style rectangular water 

textured blue vase 

20cm high 

$50–100 

985 

An opaque moulded glass goblet 

the stem moulded in a clown face, in 

tones of pink, yellow and aqua 

25cm high 

$100–200 

986 

A lapis blue glass with yellow rim 

trumpet vase 


27cm high 

$100–200 

987 

A flared form green glass art glass 

vase 

29cm high 

$60–100 

988 

A conical glass vase 

with mottled white and black 

decoration 

10cm high 

$60–100 

989 

Three ovoid glass vases 

in various colours of green, orange 

and white 


$100–200 

990 

A ‘Seagull’ glass bowl by Catti 

Aselius-Lidbeck for Lindshammar of 

Sweden 

together with two blue and white blown 

glass bowls 

the seagull bowl signed ‘C.A.L 

Lindshammar Sweden’ 


$100–200 

991 

A collection of decorative enamelled 

copper dishes, circa 1970 

comprising three pieces, including a 

metallic orange and brown enamelled 

bowl by Beth Ben Ariel, signed and 

dated to base ‘Melb. ‘78’ 

the bowl 15cm diameter 

$50–80 

992 

A hand blown purple and opaque white 


16cm high 

$100–200 

993 

A silver overlaid ovoid green art glass 


18cm high 

$120–180 

994 

A tall Murano style translucent green 

glass pointed mouth vase 

45cm high 

$100–200 

995 

A studio glass bottle form vase 

of free form moulding in tones of green 

27cm high 

$100–200 

996 

A large swirling amber art glass vase 

31cm high 

$100–200 

997 


of flared form in tones of orange and 

white 

19cm high 

$100–200 

998 

A collection of four glass vases 

in tones of green and blue 


$100–200 

999 

A Murano style pale green ‘splash’ 

form bowl 

28cm high 

$100–200 

1000 

Three coloured glass goblets 


$100–200

173 

1001 

A studio glass translucent apricot 

navette vase by Maureen Williams, 


with an applied frosted glass band to 

the neck 

signed ‘M Williams ‘89’ to base 

24cm high 

$100–200 

1002 

An etched glass vase, circa 1950 

with red banding decoration 

16cm high 

$80–120 

1003 

A large opaque with blue clouding art 

glass bowl 

with an applied orange geometric 

motif to the front 

initialled to base 

27cm high 

$50–100 

1004 

A cylindrical and lustre decorated art 

glass vase 

35cm high 

$100–200 

1005 

Two speckled purple studio glass 

goblets by Stephen Morris 

together with a burgundy wine glass 


$100–200 

1006 

A tall art glass vase 

of cylindrical form with opaque twist 

decoration 

36cm high 

$100–200 

1007 

An Australian studio clear blue 

flattened ovoid glass vase by Tricia 

Allen 


10cm high 

$100–200 

1008 

A tall ovoid hand blown glass vase 

with pink, blue, black and yellow swirls 

cascading down the body 

etched to base ‘Randall 2000/12’ 

40cm high 

$100–200 

1009 


Richard Morrell 

together with another columnar art 

glass vase 


$120–180 

1010 

An Australian studio speckled glass 

urn vase by Richard Morrell 

signed to base ‘Morell’ 

11cm high 

$120–180 

1011 

A mottled blue and clear glass striped 

vase 

signed to base: C Pachents 95 

15cm high 

$50–100 

1012 

A ruby speckled handblown glass bud 

vase by Glen Pattrick, 1992 

together with an iridescent bowl and 

an art glass goblet 

the goblet 20cm high 

$100–200 

1013 

A cobalt sphere glass vase with an 

opaque yellow everted mouth 

16cm high 

$100–200 

1014 

Two blown glass decorative dishes, 

circa 1985 

the speckled purple dish signed to 

base 

the emerald green handled dish 

34cm diameter 

$100–200 

1015 

A opaque pink glass cup vase in the 

style of Moncrieff 

with gilt and purple flecking decoration 

23cm high 

$100–200 

1016 

A Murano style opaque orange glass 

bottle vase with multi coloured dots 

27cm high 

$100–200 

1017 

An ovoid opaque green and yellow 

glass vase 

22cm high 

$100–200 

1018 

A green and amber art glass vase 

24cm high 

$100–200 

1019 

A white pulled feather pattern art glass 

vase 

29cm high 

$100–200 

1020 

An opaque white spotted scalloped 

edge vase 

36cm high 

$100–200 

1021 

A large Murano orange glass vase 

50cm high 

$150–250 

1022 

A Murano art glass vase by Barovier 

and Tose 

straight sided and decorated with a 

‘tortoiseshell’ pattern 


20cm high 

$100–200

174 

1023 

A white ground baluster glass vase 

with orange, yellow and brown flecking 

33cm high 

$100–200 

1024 

An opaque brown and orange ground 


with ‘natural rock’ decoration 

26cm high 

$50–100 

1025 

A French studio glass vase 

of ovoid form with mottled white 

decoration 

marked ‘Lunéville’ 

19cm high 

$150–250 

1026 

A collection of decorative glass 

objects with a quartz geode 

comprising a Veikkaus bird, a blown 

glass pen, a Glebe Hot Glass Studio 

weight, a pink bell 

the largest object 15cm wide 

$50–100 

1027 

An iridescent blue art glass glass 

perfume bottle 

signed but illegible to base 

16cm high 

$100–200 

1028 

A collection of sculptural studio glass 

vases 

including Holmegaard and Pauline 

Delaney 



$200–400 

1029 

An Australian pottery lamp base by 

Guy Boyd 

painted with an indigenous hunter and 

kangaroo 

incised to base: Buy Boyd 

18cm high 

$150–250 

1030 

A large ‘leopard skin’ blown glass twin 

handled vase 

47cm high 

$200–300 

1031 

Three art glass vessels 

comprising an iridescent blue vase, an 

aqua and red square bud vase and an 

iridescent ovoid white vase 


$150–250 

1032 

A translucent yellow vase with white 

scrolling overlay by Clare Belgrave, 

Australia 


24cm high 

$100–200 

1033 

A collection of four art glass vases 

of various forms in tones of orange, 

purple and white 


$200–300 

1034 

A pinched mouth ‘rock’ pattern art 

glass vase 

24cm high 

$120–200 

1035 

An Australian pottery jug decorated by 

Ken Done 

15cm high 

$50–100 

1036 

A collection of Dyson Studio pottery 

and slipware 


$60–100 

1037 

A glazed slipware jar and cover by 

Martin Boyd 

incised to base: Martin Boyd 

15cm high 

$60–100 

1038 

A terracotta seated figure by 

Sorennsen 

incised to base: Sorennsen 1988 

15cm high 

$60–100 

1039 

GUY BOYD (1923-1988) 

Five Australian pottery mugs 

all signed to base 


$150–250 

1040 

A collection of hand painted slipware 

mugs by Martin Boyd 

comprising six pieces 

signed to base: Martin Boyd 


$150–250 

1041 

A collection of seven slipware vessels 


each hand painted 

each incised to base: Martin Boyd 


$60–100 

1042 

A collection of six Australian pottery 

jugs and vessels by Guy Boyd 

each inscribed with signature to base 


$100–200 

1043 

A collection of eight glazed and 

painted slipware bowls by Martin Boyd 

each signed to base: Martin Boyd 


$100–200 

1044 

A collection of six glazed and painted 

slipware ramekins by Martin Boyd 

each signed to base: Martin Boyd 


$60–100

175 

1045 

A collection of four hand painted 

slipware dishes by Guy Boyd 

each incised to base: Guy Boyd 


$60–100 

1046 

Nine slipware pottery plates by Martin 

Boyd, Australian 

some with indigenous decoration 

each with inscribed signatures 


$100–200 

1047 

A collection of green and pink slipware 

pottery by Guy Boyd 

comprising three sugar bowls and 

three small ovoid vases 

inscribed signature to base 


$150–250 

1048 

A small collection of vases by Guy 

Boyd 

comprising three pieces 

incised signatures to base 


$200–300 

1049 

A collection of eight studio pottery 

vases and vessels by Martin Boyd 


$150–250 

1050 

A hand painted earthenware sculpture 

of a head, 20th century 

signed ‘Roberts’ 

19cm high 

$50–100 

1051 

A collection of ceramics and a stained 

glass box 

includes a Fowlers Pottery Australia 

koala box, a Villeroy and Boch box and 

a blue Adderley’s ceramic goblet 

comprising four pieces 

the largest piece 20.5cm high 

$50–100 

1052 

A collection of four hand painted 


decorated with Mexican scenes 

each incised to base: Martin Boyd 

27cm diameter 

$150–250 

1053 

A collection of metal and copper ware 

comprising two kettles, two teapots, a 

sugar bowl and a quantity of goblets 


$120–200 

1054 

A collection of white earthenware 

goblets together with a blue jug by 

Martin Boyd 


incised signature to base 

15cm high 

$100–200 

1055 

A collection of white speckled 

earthenware goblets 

comprising ten pieces 


$100–200 

1056 

A collection of brown glazed 




$100–200 

1057 

A collection of glazed earthenware 

goblets 



$100–200 

1058 

A collection of grey and brown 



16cm high 

$100–200 

1059 

A collection of abstract earthenware 

goblets, including Brendan Foley 


variously singed to base ‘O’Loughlin’, 

‘Singer’ and ‘Foley’ 

the paw footed cup 19cm high 

$100–200 

1060 

A collection of earthenware goblets by 

Brendan Foley, Australian 


the largest 

$100–200 

1061 

A collection of high gloss glazed 




$100–200 

1062 

A collection of blue and olive glazed 




$100–200 

1063 

A collection of multicolour glazed 




$100–200 

1064 

A collection of foliate painted 




$100–200 

1065 


goblets, including Bendigo Pottery 



$150–250

176 

1066 

A Remued Pottery high gloss green 

and brown glazed vase 

incised ‘Remued’ to base 

23cm high 

$100–200 

1067 

A textured earthenware jug 

by Ellen Bjorn 


30cm high 

$100–200 

1068 

A glazed earthenware teapot by Shane 

McDonald 

decorated with gum nuts and leaves 

signed and dated to base: Shane 

McDonald 1991 

18cm high 

$100–200 

1069 

A Wedgwood porcelain yellow and 

orange lidded jar 

black factory stamp to base 

17cm high 

$100–200 

1070 

TOM P SANDERS (1925-2008) 

A glazed earthenware platter 

decorated with a figure and an emu 

incised to base: Tom Sanders Eltham 

Victoria Australia 


$150–250 

1071 

CHRISTOPHER SANDERS 

(BORN 1952) 

A blue glazed earthenware vase 

signed to base: C Sanders 1/500 

27cm high 

$100–200 

1072 

GUS MCLAREN (1923-2008) 

A compressed ovoid double handled 

earthenware vase 

signed on base: Gus McLaren 

42cm high 

$150–250 

1073 

GERALD MAKIN (BORN 1929) 

A glazed earthenware sculpture of a 

head, 1978 

incised to base: Gerald Makin 1978 

Part of Sport Sculpture 

29cm high 

$200–300 

1074 

A large studio pottery vase 

by Sandy Caldow 

decorated in high relief with two faces 

incised to base: Caldow 1997 

37cm high 

$60–80 

1075 

A hand painted slipware platter by Guy 

Boyd 

decorated with indigenous motifs 

incised to base: Guy Boyd 

39cm diameter 

$150–250 

1076 

A glazed earthenware jug 

incised to base: GM 

16cm high 

$60–100 

1077 


mottled blue and green tones 

signed with initials to base: SB 

24cm high 

$150–250 

1078 

A large glazed pottery form by Ray 

Blaber 

of swirling cylindrical form 

incised to base: Blaber 

40cm high 

$100–200 

1079 

An ovoid textured bottle vase by Mary 

Hick 

incised to base: Mary Hick 

18cm high 

$100–200 

1080 

PETER TRAVIS (1929-2016) 

An earthenware sculpture 

incised to base: Peter Travis 73 

32cm high 

$200–300 

1081 


by John Campbell, 1932 

incised to base: J Campbell 1932 

21cm diameter 

$200–400 

1082 


BOYD (1920-1999) 

A green and white domestic ware 

series jug 


30cm high 

$150–250 

1083 

An glazed earthenware jug 

by Bendigo Pottery 

decorated with gum nuts and leaves 

impressed marks near base: Bendigo 

Pottery G L Epsom 2 80 

24.5cm high 

$100–200 

1084 

A large glazed earthenware vase by 

Tony Carlin 

of ovoid form in tones of blue, green 

and pink 

33cm high 

$100–200 

1085 

An glazed earthenware two-handled 

lidded pot 

incised to base: Stambuk 

30cm high 

$60–100 

1086 

A large earthenware vase by 

Jacqueline Mary Thomas 

of ovoid form with moulded sheep 

around the rim 

40cm high 

$100–200

177 

1087 

A matt glazed earthenware vase by 

Colin Bowes 

impressed mark to base: CB 

18cm high 

$100–200 

1088 

A glazed earthenware vase by Andrew 

Cope 

incised: Andrew Cope ‘91 

20cm high 

$100–200 

1089 

An glazed earthenware double gourd 

vase by Rynne Tanton 

with textured base and celadon glazed 

neck 

monogrammed to base 

21cm high 

$120–180 

1090 

A Remued glazed earthenware basket 

and beaker 

each with a treacle glaze 

incised to base: Remued 194/8 and 

145/4 

the basket 16cm high 

$150–250 

1091 

Two figural nude teapots by Maggie 

Brunton 

one pink, one black 

signed ‘Maggie Brunton’ to base 


$100–200 

1092 

An ovoid red earthenware vase by 

Sergio Sill 

incised to base: Sergio Sill 

23cm high 

$100–200 

1093 

A Schneider biomorphic crystal 

mantle clock and two candelabra, 

French, circa 1950 

each piece signed ‘Schneider France’ 

to base 

the clock 24cm high 

$300–400 

1094 

A glazed earthenware vase by 

Marianne Cole 

decorated in tones of turquoise and 

brown 

incised to base: Marianne 

21cm high 

$50–100 

1095 

A French studio pottery vase by Les 

Hurets 

ovoid form with geometric decoration 

signed to base: Les Hurets Made in 

France 

20cm high 

$100–200 

1096 

A Spode Velamour vase 

the white glazed ovoid vase decorated 

with a continuous frieze of goldfish 

15cm high 

$60–100 

1097 

A glazed earthenware jug by Ellis 

Pottery 

with an antique bronze finish 

incised to base: Ellis 

29cm high 

$100–200 

1098 


of bulbous form with a sgraffito 

decoration 

incised but illegible to base 

32cm high 

$100–200 

1099 

A blue glazed earthenware vase by 

Bruce Burton, 1991 

inscribed to base: Bruce Burton ‘91 

28cm high 

$100–200 

1100 

JENNIFER BRAIN (BORN 1954) 

an earthenware bust of an African lady 

incised to base: Jennifer J Brain 93 

30cm high 

$100–200 

1101 

A large earthenware vase 

of ovoid form with brown and green 

tones 

initialled to base: EC 

30cm high 

$100–200 

1102 

DAVID BOYD (1924-2011) AND 

HERMIA BOYD (1931-2000) 

a glazed earthenware circular bowl 

and cover 

with wing handles and winged lion finial 

incised to base: David & Hermia Boyd 

17cm high 

$150–250 

1103 

A large partially glazed studio pottery 

vase 

incised to base but illegible and 

dated:1984 

36cm high 

$150–250 

1104 

SYLVIA HALPERN (1918-2008) 

A studio pottery vase 

signed to base: Sylvia Halpern 

12cm high 

$100–200 

1105 

A Raku glazed earthenware pot, 1988 

with a lustred matte glaze 


16cm high 

PROVENANCE 

Marvin Hurnall Antiques, Melbourne 

$150–250 

1106 

A studio pottery petalled form 

signed but illegible to base 

18cm high 

$100–200 

1107 

A Clarice Cliff porcelain shell form bowl 

factory marks to base 

29cm diameter 

$100–200

178 

1108 

A glazed earthenware ovoid vase by 

Martin Boyd 

decorated with zebra in landscape 

incised to base: Martin Boyd 

13cm high 

$150–250 

1109 


(1917-2000) 



18cm high 

$100–200 

1110 

A brown and green glazed earthenware 

teapot 

incised signature but illegible and 

dated to base: 63 

25cm high 

$100–200 

1111 

OLA COHN 

Seated Female Figure with Owl 

plaster 

incised on base: Ola Cohn 


$120–220 

1112 


(1917-2000) 

A large glazed earthenware casserole 

dish 



22cm high, 33cm diameter (across 

handles) 

$100–200 

1113 

A glazed earthenware drinks set by 

Felicity Winter 

comprising a wine jug and six goblets 

each colourfully decorated and relief 

moulded 

signed to base: Felicity Winter 


$150–250 

1114 

A large glazed earthenware tea pot, 

20th century 

brightly painted with a zebra finial, 

giraffe handle and clock to the spout 

inscribed to side: Nairobi 

46cm high 

$80–120 

1115 

A large cream glazed earthenware bust 

with black and crimson decoration 

signed with initials and dated to base: 

GR 1993 

40cm high 

$150–250 

1116 

Christopher Sanders (Born 1952) 

a glazed earthenware cheese plate 

and cover 

incised to base: Christopher Sanders 

1976 

28cm diameter 

$150–250 

1117 

A crackle glazed earthenware vase 

by Sergio Sill 

of ovoid form with a terracotta glaze 

incised to base: Sergio Sill and 

monogramme 

22cm high 

$100–200 

1118 

An large studio pottery vase 

by Janine Pilven 

ovoid decorated with flowers and 

leaves 

signed and dated to base: Pilven ‘84 

31cm high 

$150–250 

1119 

A textured earthenware form by 

Lorraine Lee 

18cm high 

$60–100 

1120 

A collection of six studio pottery vases 


$150–250 

1121 

An Israeli earthenware face vase and 

cover 

incised to base: Israel 

27cm high 

$20–40 

1122 

Three large studio pottery vases 

each of globular form with vibrant 

glazes 


$120–220 

1123 

An assembled group of glazed 

earthenware, glass, ceramics and 

carved wood ornaments 


$100–200 

1124 


vessels 

comprising a large Gunda Pottery jug, 

two vases, a corked pot, a goblet and 

a covered jar 


$100–200 

1125 

A group of six glazed earthenware 

vases 

comprising three globular form vases, 

a tall two handled vase and a heavy 

pottery form 

together with a celadon stylised 

shaped vase with impressed stamp 

Vic Greenaway, circa 1970s 


21/37cm high 

$200–300 

1126 

A collection of slipware by Martin Boyd 



the largest dish 29cm long 

$100–200 

1127 

Two Chinese ceramic temple dogs 

33 and 51.5cm high 

$100–200

179 

1128 


teapots 

one teapot by Terri Boyd, one by Kevin 

Boyd and another by William Hick 

the largest 24cm high (excluding 

handle) 

$150–250 

1129 

A Murano glass red candy dish by 

Archimede Seguso, 20th century 

with gold flecked clear glass edge 

with two original foil trade labels 

8cm high 

$100–200 

1130 

A collection of abstract ceramic 

teapots including pieces by Tom 

Stracham, Fiona Howes and monkey, 

1980 and later 



$200–300 

1131 

A collection of abstract ceramic vases 

and earthenware sculptures 



$50–100 

1132 

A collection of ceramic tea 

and coffee wares 

together with a white bowl 

by Eric Juckert 

the largest coffee pot 25cm high 

$150–250 

1133 


vessels 

including a coffee pot by Stephen 

Fletch, two vases, a covered pot and a 

beaker jug 


$150–250 

1134 

A collection of matte glazed 

earthenware bowls 

the largest 16cm high, 27cm diameter 

$150–250 

1135 

A collection of ceramic, glass, metal, 

glass and resin figures and vessels 



$100–200 

1136 

A collection of glazed earthenware, 

including Victor Greenaway circa 1980 


the largest 24.5cm high 

$100–200 

1137 

A collection of studio pottery vases 

and vessels 



$100–200 

1138 

A large glazed earthenware fruit bowl 

by Robert Mair 

the interior decorated with figures of 

fish 

incised to base: 72 

stamped to base: RM and dated ‘72 


$150–250 

1139 

A collection of earthenware vases 



$150–250 

1140 

A collection of glass, ceramic and 

earthenware vessels 


$100–200 

1141 

A collection of studio pottery vases, 

jugs and ornaments 


$150–250 

1142 

A collection of three abstract figural 

forms 


$100–200 

1143 

A collection of unusual earthenware 

vessels 

comprising a tall covered urn, a footed 

bowl and a small jug 


$150–250 

1144 

A collection of seven glazed 

earthenware vessels, vases and jugs 


$150–250 

1145 

A collection of glazed earthenware and 

slipware vessels, including Eric Juckert 


the largest jug 23cm high 

$150–250 

1146 

A collection of abstract ceramic and 

glass bowls, vases and figurines 


the largest vase 25.5cm high 

$150–250 

1147 

A collection of earthenware platters 

and bowls 

including a Remued Pottery bowl 

incised to base: Remued 91-SH 


$100–200 

1148 

A large ceramic bowl and platter 


$100–200 

1149 

A collection of various boxes, vases 

and ceramics 

including Moorcroft 


$100–180 

1150 

A collection of eight metal, carved 

wood, ceramic face masks 


$100–200

180 

1151 

A collection of decorative walking 

sticks including tramp art, macassar 

ebony and fiddleback blackwood 



$200–300 

1152 

A modern oak pedestal office desk 

and return 

together with a three drawer filing 

cabinet and a sideboard 

73.5cm high, 178cm wide, 95cm deep 

(desk) 


(sideboard) 

$300–500 

1153 

An assortment of stemmed glass 

tableware 

including three gilded ‘Caulfield 

Southern Indoor Bowls Club’ glasses 

comprising thirteen pieces 

the wine glass 16cm high 

$50–100 

1154 

A gilded porcelain bouillon and tea set 

for twelve by Richard Ginori 

including tea cups and bouillon bowls 

with matching saucers, two types of 

side plates and a set of dinner plates 

comprising eighty four pieces 

the dinner plates 25cm diameter 

$200–300 

1155 

A group of domestic items, ceramic 

dishes and plates, a small coffee 

service, glassware and 6 Selangor 

pewter mugs 

$80–120 

1156 

A Royal Albert Rose patterned 

porcelain tea service 

consisting of nine cups, eleven side 

plates, ten saucers, two serving plates, 

two sugar bowls and a milk jug 

$100–200 

1157 

A cold painted bronze owl ornament 

together with a glass lined copper urn 

the urn 31cm high 

$50–100 

1158 

Three tribal style carved wooden 

walking canes 

the longest 90cm long 

$50–100 

1159 

A collection of Remued pottery vases 

and jugs 



the largest jug 11cm high jugs and 

vases 

$150–250 

1160 

STACHA HALPERN (1919-1969) 

a glazed earthenware jug 

signed to base: S Halpern 

11cm high 

$100–200 

1161 

A glazed earthenware pot by Charles 

Wilton 

incised to base: Wilton 

9cm high 

$20–40 

1162 

A collection of Raku fired earthenware 

comprising three dishes, two 

cupcakes, two teapots and a vase 


$50–100 

1163 


A pair of salt and pepper shakers 

glazed earthenware 

incised and signed to base: G Irvine 

10.5cm high (each) 

$120–150 

1164 

A collection of multicoloured 

earthenware plates and platters, 

including Fran Swinden and Kevin 

Boyd 


the largest platter 43cm diameter 

$100–200 

1165 

A collection of three graduated 

embossed metal platters 

the largest platter 40cm diameter 

$50–100 

1166 

A collection of brown and white glazed 

earthenware vessels 


the largest bowl 23cm diameter 

$50–100 

1167 

A collection of high gloss glazed 

ceramic and earthenware platters 



$100–200 

1168 

A small collection of pale textured 

earthenware 

comprising a bowl, a vase and a platter 


$100–200 

1169 

A group of earthenware jars and vases 



$100–200 

1170 

A collection of small vases and various 

domestic pottery wares 



$100–200 

1171 

A polished burl wood bowl 

48cm diameter 

$100–200

181 

1172 

A collection of multicoloured 

earthenware dishes and vessels 


the purple bottle vase 16cm high 

$100–200 

1179 

A collection of earthenware bowls and 

vases 



$150–250 

1187 

A collection of earthenware lidded 

vessels and vases 


the plum glazed vase 27cm high 

$100–200 

1173 


bowls and vessels 

the largest bowl 13cm high, 

22cm diameter 

$80–120 

1174 


dishes and bowls 

including a large platter, two large 

bowls, three small vases, three bowls, a 

tall vase and a dish 


$100–200 

1175 

A collection six glass objects 

comprising a pink dish, two blue toned 

vases, a yellow bear, mottled amber 

pear and a Murano glass mouse 


$100–200 

1176 

A collection of abstract earthenware 

vases and bowls 


the teapot 20cm high 

$100–200 

1177 


earthenware 


the charger 33cm diameter 

$100–200 

1178 

A collection of decorative tableware 

and a clock 

including a stainless steel bowl 

and jug, a set of coasters and five 

enamelled dishes 



$100–200 

1180 

A large collection of earthenware 

plates 



$50–100 

1181 

A Wedgwood of Etruria matte black 

glazed tea set 

comprising six cups and saucers 

the cups 6cm high 

$100–200 

1182 

A collection of stoneware jars and 

vases with two dishes 



$50–100 

1183 

A collection of off-white glazed 




$100–200 

1184 

An unusual cream ceramic teapot 

together with five ceramic bowls 


$50–100 

1185 

A collection of blue and white teapots 

comprising five pieces with carved and 

applied decoration, one teapot signed 

‘R. Hartman’ to base 


$50–100 

1186 

A collection of seven ceramic bowls 

by Guy Boyd 

the largest 18.5cm diameter 

$100–200 

1188 

A collection of handpainted ceramic 

objects, including pieces by Janet 

Gray and Monkey Australian, 

circa 1980 

comprising eight bowls by Janet Gray, 

a slipware cast ceramic paperboy hat 

and a Luna Park teapot by Monkey 


$100–200 

1189 

An slender opaque orange blown glass 


trade label to base 

40cm high 

$50–100 

1190 

JENNY ORCHARD (BORN 1951) 

a hand painted stylised form vase 

signed to base: Jenny Orchard 

together with four coffee mugs 


$100–200 

1191 

A collection of decorative serving 

porcelain, including Royal Winton 


the footed platter 6cm high 

$100–200 

1192 


vessels 

comprising two teapots, a stylised jug 

and a small plate 


$100–200 

1193 

A collection of pastel coloured 

ramekins by Martin Boyd 


6cm high 

$100–200

182 

1194 

A violin together with a collection of 

metal and ceramic objects 

comprising six pieces, including a 

glass platter, a hip flask, an oil burner, a 

bell and an ash tray 

the platter 35cm diameter 

$50–100 

1195 

A collection of black ramekins by 

Martin Boyd 

with various pastel coloured interiors 



6cm high 

$100–200 

1196 

A collection of multicoloured ramekins 




6cm high 

$50–100 

1197 

A collection of small ceramic ramekins 




9cm diameter 

$100–200 

1198 

A collection of multicoloured ceramic 

ramekins by Martin Boyd 


6cm high 

$100–200 

1199 

A blue ‘cracked shell’ glazed 

earthenware urn 


36cm high 

$100–200 

1200 

A mosaic tile top teak coffee table, 

circa 1960s 


$100–200 

1201 

A collection of ceramic platters and a 

porcelain top hat bowl 

including a Royal Doulton ‘Spindrift’ 

pattern platter 


the hat 13cm high 

$100–200 

1202 

A collection of decorative metal 

objects 

including a commemorative dish and a 

Wedgwood style lidded bucket 


the pewter dish 30cm diameter 

$100–200 

1203 



terracotta 

signed with initials to base: HK 

14.5cm, 19cm wide, 5cm deep 

$60–80 

1204 

GARRY GREENWOOD 

(1972-2005) 

Ear Bowl 1978 

leather 


left: GG 78 


$150–250 

1205 

A modern circular oak table 


$100–200 

1206 

A pair of modern pine side tables 


$100–200 

1207 

A nest of three glass top oak tables, 

circa 1960s 


(largest) 

$100–200 

1208 

A modern pine side table 

together with a pine coffee table 


(side table) 

$100–200 

1209 

A modern oak saddle stool 

$100–200 

1210 

Two modern black lacquer bar stool 

together with a black low stool 

$50–100 

1211 

LILY SANDOVER KNGWARREYE 

(1942-2003) 

Dancing Music Sticks 

two painted wood 

26cm (each) 

$100–200 

1212 

A large Moorcroft vase, circa 1940s 

of baluster form with a multi coloured 

mottled glaze 

37cm high 

$150–250 

1213 

A Satava art glass vase, 20th century 

the mottled surface decorated with 

rock art markings 

incised mark to base: Satava 995-99 

28cm high 

$100–200 

1214 

COLIN LANCELEY (1938-2015) 

Untitled Blue and White 1997 



Lanceley 97 UNTITLED BLUE AND 

WHITE 

21cm high,13.5cm wide, 6cm deep 

(each) 

PROVENANCE 



$200–400

183 

1215 

A small novelty taxidermy tortoise 

and toad 

15cm high 

$100–200 

1216 


earthenware vessels and platters 

comprising a heavily potted chimney 

form vase, a covered pot, a jardinière, 

two platters and two other vases 

the largest pot 25cm high, 

26cm diameter 

$200–300 

1217 

A collection of glazed earthenware, 

ceramics and pottery 

including works by Eric Juckert and 

Kevin Boyd 

the Boyd bowl 13cm high, 

22cm diameter 

$100–200 

1218 

A stylised metal mounted art glass 

lamp 

with a marble base 

101cm high 

$40–60 

1219 

A glazed earthenware face form table 

lamp 

together with a glass shade and fitting 

the base 34cm high 

$100–200 

1223 

A travertine console table 


$200–300 

1224 


vessels 

together with five composite moulded 

heads 

comprising eleven pieces 


$50–100 

1225 


(1917-2000) 


of ovoid form with black and blue 

tones 


impressed mark near base 

17cm high 

$150–250 

1226 

Two glazed ceramic bowls 


$60–100 

End of Sale 

1220 

A leather bar stool 

77 cm high 

$100–200 

1221 

Two teak side tables 


$80–120 

1222 

A low travertine coffee table 


$200–300

184 

Terms & Conditions of Sale 

The terms and conditions of sale listed here contain 

the policies of Gibson’s Auctioneers & Valuers 

Pty Ltd. They are the terms on which Gibson’s 

Auctioneers & Valuers Pty Ltd and the Seller contract 

with the Buyer. They may be amended by printed 

Saleroom Notices or oral announcements made 

before and during the sale. By bidding at auction you 

agree to be bound by these terms. 

1. Background to the Terms used in 

these Conditions 

The conditions that are listed below contain terms 

that are used regularly and may need explanation. 

They are as follows: 

“the Buyer” means the person with the highest bid 

accepted by the Auctioneer 

“the Lot” means any item depicted within the sale for 

auction and in particular the item or items described 

against any lot number in the catalogue. 

“the Hammer price” means the amount of the highest 

bid accepted by the auctioneer in relation to a lot 

“the Buyers Premium” means the charge payable by 

the Buyer to the auction house as a percentage of 

the hammer price. 

“the Reserve” means the lowest amount at which 

Gibson’s Auctioneers & Valuers has agreed with the 

Seller that the lot can be sold. 

“Forgery” means an item constituting an imitation 

originally conceived and executed as a whole, with 

a fraudulent intention to deceive as to authorship, 

origin, age, period, culture or source, where the 

correct description as to such matters is not 

reflected by the description in the catalogue. 

Accordingly no lot shall be capable of being a forgery 

by reason of any damage or restoration work of any 

kind (Including re-painting). 

“the insured value” means the amount that Gibson’s 

Auctioneers & Valuers in its absolute discretion 

from time to time shall consider the value for which 

a lot should be covered for insurance (whether or 

not insurance is arranged by Gibson’s Auctioneers 

& Valuers.) 

All values expressed in Gibson’s Auctioneers & 

Valuers Pty Ltd catalogues (in any format) are in 

Australian Dollars (AU$). All bids, “hammer price”, 

“reserves”, “Buyers Premium” and other expressions 

of value are understood by all parties to be in 

Australian Dollars (AU$) unless otherwise specified. 

2. Gibson’s Auctioneers & Valuers 

Auctions as Agent 

Except as otherwise stated Gibson’s Auctioneers & 

Valuers Pty Ltd acts as agent for the Seller. 

The contract for the sale of the property is therefore 

made between the Seller and the Buyer. 

3. Before the Sale 

A) EXAMINATION OF PROPERTY 

Prospective Buyers are strongly advised to examine 

in person any property in which they are interested 

before the Auction takes place. Neither Gibson’s 

Auctioneers & Valuers nor the Seller provides any 

guarantee in relation to the nature of the property 

apart from the Limited warranty in the paragraph 

below. 

The property is otherwise sold “AS IS” 

B) CATALOGUE AND OTHER DESCRIPTIONS 

All statements by Gibson’s Auctioneers & Valuers 

in the catalogue entry for the property or in the 

condition report, or made orally or in writing 

elsewhere, are statements of opinion and are not 

to be relied upon as statements of fact. Such 

statements do not constitute a representation, 

warranty or assumption of liability by Gibson’s 

Auctioneers & Valuers of any kind. References in the 

catalogue entry to the condition report to damage 

or restoration are for guidance only and should be 

evaluated by personal inspection by the bidder or 

a knowledgeable representative. The absence of 

such a reference does not imply that an item is free 

from defects or restoration, nor does a reference to 

particular defects imply the absence of any others. 

Estimates of the selling price should not be relied 

on as a statement that this is the price at which 

the item will sell or it’s value for any other purpose. 

Neither Gibson’s Auctioneers & Valuers nor The 

Seller is responsible for any errors or omissions in the 

catalogue or any supplemental material. 

Images are measured height by width (sight size). 

Illustrations are provided only as a guide and should 

not be relied upon as a true representation of colour 

or condition. Images are not shown at a standard 

scale. Mention is rarely made of frames (which may be 

provided as supplementary images on the website) 

which do not form part of the lot as described in the 

printed catalogue. 

Foreign buyers should note that all transactions 

are in Australian dollars (AU$)so there may be a 

small exchange rate risk. The costs associated 

with acquiring a good certificate will be carried by 

the purchaser. If the item turns out to be forged or 

otherwise incorrectly described, all reasonable costs 

will be borne by the vendor. 

C) BUYERS RESPONSIBILITY 

All property is sold “as is” without representation 

or warranty of any kind by Gibson’s Auctioneers 

& Valuers or the Seller. Buyers are responsible for 

satisfying themselves concerning the condition 

of the property and the matters referred to in the 

catalogue by requesting a condition report 

4. At the Sale 

A) REFUSAL OF ADMISSION 

Gibson’s Auctioneers & Valuers reserves the right at 

our complete discretion to refuse admission to the 

auction premises or participation in any auction and 

to reject any bid. 

B) REGISTRATION BEFORE BIDDING 

Any prospective new buyer must complete and sign 

a registration form and provide photo-identification 

before bidding. Gibson’s Auctioneers & Valuers may 

request bank, trade or other financial references to 

substantiate this registration. 

C) BIDDING AS A PRINCIPAL 

When making a bid, a bidder is accepting personal 

liability to pay the purchase price including the 

buyers premium and all applicable taxes, plus all 

other applicable charges, unless it has been explicitly 

agreed in writing with Gibson’s Auctioneers & Valuers 

before the commencement of the sale that the 

bidder is acting as agent on behalf of an identified 

third party acceptable to Gibson’s Auctioneers & 

Valuers and that Gibson’s Auctioneers & Valuers will 

only look to the principal for payment. 

D) INTERNATIONAL REGISTRATIONS 

All International clients not known to Gibson’s 

Auctioneers & Valuers will be required to scan or fax 

through an accredited form of photo identification 

and pay a deposit at our discretion in cleared funds 

into Gibson’s Auctioneers & Valuers’ account at least 

48 hours before the commencement of the auction. 

Bids will not be accepted without this deposit. 

Gibson’s Auctioneers & Valuers also reserves the 

right to request any additional forms of identification 

prior to registering an overseas bid. 

This deposit can be made using a credit card, 

however the balance of any purchase price in excess 

of $5,000 can not be charged to this card without 

prior arrangement. This deposit is redeemable 

against any auction purchase. 

E) ABSENTEE BIDS 

Gibson’s Auctioneers & Valuers will use reasonable 

efforts to execute written bids delivered to us AT 

LEAST 24 Hours before the sale for the convenience 

of those clients who are unable to attend the auction 

in person. If we receive identical written bids on a 

particular lot, and at the auction these are the highest 

bids on that lot, then the lot will be sold to the person 

whose written bid was received and accepted first. 

Execution of written bids is a free service undertaken 

subject to other commitments at the time of the sale 

and we do not accept liability for failing to execute 

a written bid or for errors or omissions which may 

arise. It is the bidder’s responsibility to check with 

Gibson’s Auctioneers & Valuers after the auction if 

they were successful. Unlimited or “Buy” bids will not 

be accepted. Please refer to our indicative bidding 

increments below for appropriate absentee bid 

amounts (Section K). 

F) TELEPHONE BIDS 

Priority will be given to overseas and interstate 

bidders. Arrangements for this service must be 

confirmed AT LEAST 24 HOURS PRIOR to the auction 

commencing. Gibson’s Auctioneers & Valuers 

accepts no responsibility whatsoever for any errors 

or failure to execute bids. In telephone bidding the 

buyer agrees to be bound by all terms and conditions 

listed here and accepts that Gibson’s Auctioneers 

& Valuers cannot be held responsible for any 

mis-communications in the process. The success 

of telephone bidding cannot be guaranteed due to 

circumstances that are unforeseen. Buyers should 

be aware of the risk and accept the consequences 

should contact be unsuccessful at the time of 

Auction. You must advise Gibson’s Auctioneers & 

Valuers of the lots in question and recommend a 

‘Cover Bid’ amount should there be any issues with 

technology or communication via the telephone 

number provided. Gibson’s Auctioneers & Valuers 

will advise Telephone Bidders who have registered 

at least 24 hours before the auction of any relevant 

changes to descriptions, withdrawals or any other 

sale room notices. 

G) ONLINE BIDDING 

Gibson’s Auctioneers & Valuers accepts no 

responsibility for any errors, failure to execute bids or 

any other miscommunications regarding this process. 

It is the online bidder’s responsibility to ensure the 

accuracy of the relevant information regarding bids, 

lot numbers and contact details. 

H) RESERVES 

Unless otherwise indicated, all lots are offered subject 

to a reserve, which is the confidential minimum price 

below which the Lot will not be sold. The reserve will 

not exceed the low estimate printed in the catalogue. 

The auctioneer may open the bidding on any Lot 

below the reserve by placing a bid on behalf of the 

Seller. The auctioneer may continue to bid on behalf 

of seller up to the amount of the reserve, either 

by placing consecutive bids or by placing bids in 

response to other bidders. 

I) AUCTIONEERS DISCRETION 

The Auctioneer has the right at his absolute and sole 

discretion to refuse any bid, to advance the bidding 

in such a manner as he may decide, to withdraw or 

divide any lot, to combine any two or more lots and, 

in the case or error or dispute and whether during or

185 

after the sale, to determine the successful bidder, to 

continue the bidding, to cancel the sale or to reoffer 

and resell the item in dispute. If any dispute arises 

after the sale, then Gibson’s Auctioneers & Valuers’s 

sale record is conclusive. 

J) SUCCESSFUL BID AND PASSING OF RISK 

Subject to the auctioneer’s discretion, the highest 

bidder accepted by the auctioneer will be the buyer 

and the striking of his hammer marks the acceptance 

of the highest bid and the conclusion of a contract 

for sale between the Seller and the Buyer. Risk and 

responsibility for the lot (including frames or glass 

where relevant) passes immediately to the Buyer. 

K) INDICATIVE BIDDING STEPS, ETC. 

Gibson’s Auctioneers & Valuers reserves the right to 

refuse any bid, withdraw any lot from sale, to place 

a reserve on any lot and to advance the bidding 

according to the following: 

Increment Amount 

Dollar Range 

$20 $0–$500 

$50 $500–$1,000 

$100 $1,000–$2,000 

$200 $2,000–$5,000 

$500 $5,000–$10,000 

$1,000 $10,000–$20,000 

$2,000 $20,000–$50,000 

$5,000 $50,000–$100,000 

$10,000 $100,000–$200,000 

$20,000 $200,000–$500,000 

$50,000 $500,000–$1,000,000 

Absentee bids must follow these increments and any 

bids that don’t follow the steps will be rounded up to 

the nearest acceptable bid. 

5. After the Sale 

A) BUYERS PREMIUM 

In addition to the hammer price, the buyer agrees to 

pay to Gibson’s Auctioneers & Valuers the buyers 

premium. The buyer’s premium is 22% of the 

hammer price plus GST. (Goods and Services Tax) 

where applicable. 

B) PAYMENT AND PASSING OF TITLE 

The buyer must pay the full amount due (comprising 

the hammer price, buyers premium and any 

applicable taxes and GST) not later than three (3) 

days after the auction date. 

The buyer will not acquire title for the lot until 

Gibson’s Auctioneers & Valuers receives full 

payment in cleared funds, and no goods under any 

circumstances will be released without confirmation 

of cleared funds received. This applies even if the 

buyer wishes to send items interstate or overseas. 

Payment can be made by the following means: 

• Bank Transfer/Direct Deposit is our preferred 

method of payment 

Account Name: Gibsons Auctions 

Bank: 

Bank of Melbourne 

(A division of St George) 

BSB: 193879 

Account No: 441701443 

Swift Code: SGBLAU2S 

Routing Code: 021000021 

Bank Address: 197-201 Glenferrie Road, 

Malvern, Vic, 3144 

The buyer is responsible for any bank fees and 

charges applicable for the transfer of funds into 

Gibson’s Auctioneers & Valuers’s account 

• Personal, Company and Bank Cheques are not 

accepted without prior approval. 

• Eftpos (no charge) 

• Credit cards: Visa and Mastercard (1.2% incl GST 

merchant fee) and American Express (2% incl 

GST merchant fee) 

Please note that credit card transactions over 

$5,000 will not be accepted over the telephone 

unless by prior arrangement. 

• Cash up to AU$10,000 can accepted in 

cash. For any amount over this, cash is to be 

deposited directly into our account at a Bank of 

Melbourne/St George branch 

C) COLLECTION OF PURCHASES & INSURANCE 

Gibson’s Auctioneers & Valuers is entitled to retain 

items sold until all amounts due to us have been 

received in full in good cleared funds. Subject to this, 

the Buyer shall collect purchased lots within three 

(3) days from the date of the sale unless otherwise 

agreed in writing between Gibson’s Auctioneers & 

Valuers and the Buyer. 

At the fall of the hammer, insurance is the 

responsibility of the purchaser. 

D) PACKING, HANDLING AND SHIPPING 

At the request of the buyer, Gibson’s Auctioneers & 

Valuers may assist with packing of goods but takes 

no responsibility for loss, damage or breakage that 

may occur. 

Gibson’s Auctioneers & Valuers at the request of the 

buyer may arrange for a carrier, packer or shipper to 

have the property packed, insured and shipped at 

the buyer’s expense. All packing, shipping, insurance, 

postage & associated charges will be borne by the 

purchaser. 

Gibson’s Auctioneers & Valuers can assist with 

removal companies that the buyer can use but takes 

no responsibility whatsoever for the actions of any 

recommended third party. 

E) CULTURAL HERITAGE EXPORT LICENCES 

Unless otherwise agreed by us in writing, the fact 

that the buyer wishes to apply for an export licence 

does not affect his or her obligation to make full 

payment immediately, nor our right to charge 

interest or storage charges on late payment. It 

is the Buyer’s responsibility to check Australia’s 

Protection of Moveable Cultural Heritage Act 1986 

before purchase. If the Buyer requests Gibson’s 

Auctioneers & Valuers to apply for an export licence 

then we shall be entitled to charge a fee for this 

service. We shall not be obliged to rescind a sale nor 

to refund any interest or other expenses incurred 

by the Buyer where payment is made by the Buyer 

in circumstances where an export licence is not 

granted. 

F) REMEDIES FOR NON-PAYMENT 

If the Buyer fails to make full payment immediately, 

Gibson’s Auctioneers & Valuers is entitled to exercise 

one or more of the following rights or remedies (in 

addition to asserting any other rights or remedies 

available under the law) 

i) to charge interest at the ANZ visa credit card 

rate as published weekly in the Australian 

Financial Review 

ii) 

iii) 

iv) 

to hold the defaulting Buyer liable for the 

total amount due and to commence legal 

proceedings for it’s recovery along with interest, 

legal fees and costs to the fullest extent 

permitted under applicable law 

to cancel the sale 

to resell the property publicly or privately on 

such terms as we see fit 

v) to pay the Seller an amount up to the net 

proceeds payable in respect of the amount bid 

by the defaulting Buyer. In these circumstances 

the defaulting Buyer can have no claim upon 

Gibson’s Auctioneers & Valuers in the event that 

the item(s) are sold for an amount greater than 

the original invoiced amount. 

vi) 

vii) 

to set off against any amounts which Gibson’s 

Auctioneers & Valuers may owe the Buyer in 

any other transactions, the outstanding amount 

remaining unpaid by the Buyer. 

where several amounts are owed by the Buyer to 

us, in respect of different transactions, to apply 

any amount paid to discharge any amount owed 

in respect of any particular transaction, whether 

or not the Buyer so directs. 

viii) to reject at any future auction any bids made by 

or on behalf of the Buyer or to obtain a deposit 

from the Buyer prior to accepting any bids. 

ix) 

to exercise all the rights and remedies of a 

person holding security over any property in 

our possession owned by the Buyer whether by 

way of pledge, security interest or in any other 

way, to the fullest extent permitted by the law of 

the place where such property is located. The 

Buyer will be deemed to have been granted such 

security to us and we may retain such property 

as collateral security for such Buyer’s obligations 

to us. 

x) to take such other action as Gibson’s 

Auctioneers & Valuers deem necessary or 

appropriate 

If we do sell the property under paragraph 

(iv), then the defaulting Buyer shall be liable 

for payment of any deficiency between the 

total amount originally due to us and the 

price obtained upon reselling as well as for 

all costs, expenses, damages, legal fees and 

commissions and premiums of whatever kinds 

associated with both sales or otherwise arising 

from the default. 

If we pay any amount to the Seller under 

paragraph (v) the Buyer acknowledges that 

Gibson’s Auctioneers & Valuers shall have all 

of the rights of the Seller, however arising, to 

pursue the Buyer for such amount. 

G) FAILURE TO COLLECT PURCHASES 

Where purchases are not collected within three (3) 

days from the sale date, whether or not payment 

has been made, we shall be permitted to remove the 

property to a warehouse at the buyer’s expense, and 

only release the items after payment in full has been 

made of removal, storage handling, insurance and 

any other costs incurred, together with payment of all 

other amounts due to us. 

6. Extent of Gibson’s Auctioneers & 

Valuers Liability 

Gibson’s Auctioneers & Valuers agrees to refund 

the purchase price in the circumstances of the 

Limited Warranty set out in paragraph 7 below. 

Apart from that, neither the Seller nor we, nor any 

of our employees or agents are responsible for 

the correctness of any statement of whatever kind 

concerning any lot, whether written or oral, nor 

for any other errors or omissions in description 

or for any faults or defects in any lots. Except as 

stated in paragraph 7 below, neither the Seller 

ourselves, our officers, agents or employees give any 

representation warranty or guarantee or assume any 

liability of any kind in respect of any lot with regard 

to merchantability, fitness for a particular purpose, 

description, size, quality, condition, attribution, 

authenticity, rarity, importance, medium, provenance, 

exhibition history, literature or historical relevance. 

Except as required by local law any warranty of any 

kind is excluded by this paragraph. 

7. Limited Warranty 

Subject to the terms and conditions of this 

paragraph, the Seller warrants for the period of 

fourteen (14) days from the date of the sale that 

any property described in this catalogue (noting 

such description may be amended by any saleroom 

notice or announcement) which is stated without 

qualification to be the work of a named author or

186 

authorship is authentic and not a forgery. The term 

“Author” or “authorship” refers to the creator of the 

property or to the period, culture, source, or origin 

as the case may be, with which the creation of such 

property is identified in the catalogue. 

The warranty is subject to the following: 

i) it does not apply where a) the catalogue 

description or saleroom notice corresponded 

to the generally accepted opinion of scholars 

and experts at the date of the sale or fairly 

indicated that there was a conflict of opinions, 

or b) correct identification of a lot can be 

demonstrated only by means of a scientific 

process not generally accepted for use until 

after publication of the catalogue or a process 

which at the date of the publication of the 

catalogue was unreasonably expensive or 

impractical or likely to have caused damage to 

the property. 

ii) 

iii) 

iv) 

the benefits of the warranty are not assignable 

and shall apply only to the original buyer of the 

lot as shown on the invoice originally issued by 

Gibson’s Auctioneers & Valuers when the lot was 

sold at Auction. 

the Original Buyer must have remained the 

owner of the lot without disposing of any interest 

in it to any third party 

The Buyer’s sole and exclusive remedy against 

the Seller in place of any other remedy which 

might be available, is the cancellation of the sale 

and the refund of the original purchase price 

paid for the lot less the buyers premium which is 

non refundable. Neither the Seller nor Gibson’s 

Auctioneers & Valuers will be liable for any 

special, incidental nor consequential damages 

including, without limitation, loss of profits not for 

interest. 

v) The Buyer must give written notice of claim 

to us within fourteen (14) days of the date of 

the Auction. The Seller shall have the right, 

to require the Buyer to obtain two written 

opinions by recognised experts in the field, 

mutually acceptable to the Buyer and Gibson’s 

Auctioneers & Valuers to decide whether or not 

to cancel the sale under warranty. 

vi) 

the Buyer must return the lot to Seller in the 

same condition that it was purchased. 

8. Severability 

If any part of these Conditions of Sale is found by any 

court to be invalid, illegal or unenforceable, that part 

shall be discounted and the rest of the Conditions 

shall continue to be valid to the fullest extent 

permitted by law. 

9. Copyright 

The copyright of all images, illustrations and written 

material produced by Gibson’s Auctioneers & 

Valuers relating to a lot including the contents of this 

catalogue, is and shall remain the property at all times 

of Gibson’s Auctioneers & Valuers and shall not be 

used by the Buyer, nor by anyone else without our 

prior written consent. Gibson’s Auctioneers & Valuers 

and the Seller make no representation or warranty 

that the Buyer of a property will acquire any copyright 

or other reproduction rights in it. 

10. Law and Jurisdiction 

These terms and conditions and any matters 

concerned with the foregoing fall within the exclusive 

jurisdiction of the courts of the state in which the 

auction is held. 

11. Pre-Sale Estimates 

Gibson’s Auctioneers & Valuers publishes with each 

catalogue our opinion as to the estimated price range 

for each lot. These estimates are approximate prices 

only and are not intended to be definitive. They are 

prepared well in advance of the sale and may be 

subject to revision. Interested parties should contact 

Gibson’s Auctioneers & Valuers prior to auction for 

updated pre-sale estimates and starting prices. 

12. Sale results 

Gibson’s Auctioneers & Valuers will provide auction 

results, which will be available as soon as possible 

after the sale. Results will include buyer’s premium 

(22% plus GST). These results will be posted at 


13. Goods and Service Tax 

In accordance with A New Tax System (Goods 

and Services Tax) Act 1999 Gibson’s Auctioneers 

& Valuers Auctions will collect on behalf of the 

Australian tax office (ATO) a Goods and Service Tax 

(GST) of 10% on all applicable transactions. 

ABN: 26 440 767 899 

GST is applicable on the hammer price in the case 

where the seller is selling property that is owned by 

an entity registered for GST. GST is also applicable 

on the hammer price in the case where the seller is 

not an Australian resident. These lots are denoted by 

a dagger symbol † placed next to the estimate. 

GST is also applicable on the buyer’s premium. 

Overseas buyers and buyers non-resident in Australia 

will not be charged GST on both hammer price and 

premiums under the following conditions: 

1. The items are exported through a Gibson’s 

Auctioneers & Valuers approved freight 

company including Australia Post 

2. The items are exported within 60 days of the 

date of the sale 

The invoice supplied by Gibson’s Auctioneers & 

Valuers for purchases will be regarded as a Tax 

invoice for GST purposes. 

14. Resale Royalty Scheme 

Under the legal obligations of the Resale Royalty 

Scheme for Visual Artists Act 2009, sellers must 

provide the following information to comply with 

the act: 

• was the artwork acquired after 8 June 2010? 

• is the sale/reserve price (including GST) $1,000 

or more? 

• is the artist from Australia or a country listed in 

the Regulations to the Act? 

• is the artist alive, or deceased less than 70 

years? 

The seller: 

i) acknowledges that he or she understands his or 

her legal obligations under the Resale Royalty for 

Visual Artists Act 2009 (the Act); 

ii) 

iii) 

iv) 

undertakes to comply with all requirements of 

the Act, including by providing its agent, the 

company, with accurate information sufficient for 

compliance with sections 28 and 29 of the Act; 

undertakes to indemnify the company for any 

loss incurred by the company as a result of 

the vendor’s failure to comply with any of the 

vendor’s legal obligations under the Act; and 

acknowledges that if he or she fails to comply 

with any of his or her legal obligations under 

the Act, the company may provide the vendor’s 

name and contact details to Copyright Agency 

Limited (CAL). 

Lots subject to payment of the Resale Royalty 

Scheme will be denoted by the §. The Australian 

Resale Royalty is a flat rate of 5% on the hammer 

price (including GST). The Australian Resale Royalty 

is payable by the seller in addition to the buyers 

premium plus any applicable GST. 

15. Jewels & Watches 

GEMSTONES 

Gemstones have historically been subjected to a 

variety of treatments to enhance their appearance. 

Sapphire and rubies are routinely heat treated to 

improve their colour and clarity, similarly emeralds 

are frequently treated with oils or resin for the same 

purpose. Other treatments such as staining or dyeing, 

irradiation, filling or coating may have been used 

on other precious and semi-precious gemstones 

and organic material. These treatments may be 

permanent, whilst others may need special care to 

preserve their appearance. Buyers should assume 

that each lot has been subject to some form of 

treatment and that the estimates reflect this. 

A number of laboratories issue certificates that 

give detailed descriptions of gemstones, and in 

the event that Gibson’s Auctioneers & Valuers has 

been supplied with or obtained certificates for any 

lot, this shall be noted in the catalogue. However, 

as there may not be consensus between different 

laboratories on the degree, or types of treatment 

of the gemstones, Gibson’s Auctioneers & Valuers 

supplies these without warranty. 

Buyers should assume that all gemstones sold by 

Gibson’s Auctioneers & Valuers may have been 

subjected to such treatments, and that the catalogue 

estimates reflect this. 

PEARLS 

Pearls, like gemstones, are also subject to various 

treatments. Buyers should assume that any pearls 

sold by Gibson’s Auctioneers & Valuers may have 

been subjected to such treatments, and that the 

catalogue estimates reflect this. 

WATCHES 

Please note: All watches sold by Gibson’s 

Auctioneers & Valuers are sold on an “as is” 

basis. Gibson’s Auctioneers & Valuers makes no 

representation or warranty that any watch is in 

working order. Many watches have been repaired 

over their lifetime and may contain non-original parts. 

The absence of any reference to the condition of a 

watch does not imply that the lot is in good condition 

and without defects, repairs or restorations. Buyers 

should be aware that a general service, change of 

battery or further repair work, for which the Buyer is 

solely responsible for, may be necessary. 

ESTIMATED WEIGHTS 

If a stone has a known weight, it has been weighed 

out of the mount. If a stone has an estimated weight, 

it is an approximate weight only and has been 

measured by us in the mount and is a statement of 

opinion only. The information is given as a guide only 

and Buyers should satisfy themselves with regard to 

this information as to its accuracy.

Lot 214 (Detail)

GA028 - The Harry Oviss Collection

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