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GA028 - The Harry Oviss Collection

Harry Oviss was a successful clothing and fashion magnate, later turning his business interests to property and development. Over time, his interests in building and architecture spilled into a passion for the arts, culminating with his enthusiasm for collecting. Art slowly became a lifetime hobby that knew no bounds and which he enjoyed immensely, especially when it came to contemporary art. He immersed himself in that world, becoming a regular visitor to galleries and auction houses, befriending people in the art world - artists, gallerists and other avid collectors. His unique eclectic tastes translated into an extensive range of modern and contemporary artwork including Roger Kemp, Donald Friend and Leonard French; Australian ceramics and art glass including works by David, Merric and Guy Boyd, Reg Preston, Vic Greenaway and Deborah Halpern; mid-century Danish designer furniture including Hans Wegner; and a collection of modernist jewellery.

Harry Oviss was a successful clothing and fashion magnate, later turning his business interests to property and development. Over time, his interests in building and architecture spilled into a passion for the arts, culminating with his enthusiasm for collecting.

Art slowly became a lifetime hobby that knew no bounds and which he enjoyed immensely, especially when it came to contemporary art. He immersed himself in that world, becoming a regular visitor to galleries and auction houses, befriending people in the art world - artists, gallerists and other avid collectors.

His unique eclectic tastes translated into an extensive range of modern and contemporary artwork including Roger Kemp, Donald Friend and Leonard French; Australian ceramics and art glass including works by David, Merric and Guy Boyd, Reg Preston, Vic Greenaway and Deborah Halpern; mid-century Danish designer furniture including Hans Wegner; and a collection of modernist jewellery.

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177<br />

1087<br />

A matt glazed earthenware vase by<br />

Colin Bowes<br />

impressed mark to base: CB<br />

18cm high<br />

$100–200<br />

1088<br />

A glazed earthenware vase by Andrew<br />

Cope<br />

incised: Andrew Cope ‘91<br />

20cm high<br />

$100–200<br />

1089<br />

An glazed earthenware double gourd<br />

vase by Rynne Tanton<br />

with textured base and celadon glazed<br />

neck<br />

monogrammed to base<br />

21cm high<br />

$120–180<br />

1090<br />

A Remued glazed earthenware basket<br />

and beaker<br />

each with a treacle glaze<br />

incised to base: Remued 194/8 and<br />

145/4<br />

the basket 16cm high<br />

$150–250<br />

1091<br />

Two figural nude teapots by Maggie<br />

Brunton<br />

one pink, one black<br />

signed ‘Maggie Brunton’ to base<br />

the largest 25cm high<br />

$100–200<br />

1092<br />

An ovoid red earthenware vase by<br />

Sergio Sill<br />

incised to base: Sergio Sill<br />

23cm high<br />

$100–200<br />

1093<br />

A Schneider biomorphic crystal<br />

mantle clock and two candelabra,<br />

French, circa 1950<br />

each piece signed ‘Schneider France’<br />

to base<br />

the clock 24cm high<br />

$300–400<br />

1094<br />

A glazed earthenware vase by<br />

Marianne Cole<br />

decorated in tones of turquoise and<br />

brown<br />

incised to base: Marianne<br />

21cm high<br />

$50–100<br />

1095<br />

A French studio pottery vase by Les<br />

Hurets<br />

ovoid form with geometric decoration<br />

signed to base: Les Hurets Made in<br />

France<br />

20cm high<br />

$100–200<br />

1096<br />

A Spode Velamour vase<br />

the white glazed ovoid vase decorated<br />

with a continuous frieze of goldfish<br />

15cm high<br />

$60–100<br />

1097<br />

A glazed earthenware jug by Ellis<br />

Pottery<br />

with an antique bronze finish<br />

incised to base: Ellis<br />

29cm high<br />

$100–200<br />

1098<br />

A large glazed earthenware vase<br />

of bulbous form with a sgraffito<br />

decoration<br />

incised but illegible to base<br />

32cm high<br />

$100–200<br />

1099<br />

A blue glazed earthenware vase by<br />

Bruce Burton, 1991<br />

inscribed to base: Bruce Burton ‘91<br />

28cm high<br />

$100–200<br />

1100<br />

JENNIFER BRAIN (BORN 1954)<br />

an earthenware bust of an African lady<br />

incised to base: Jennifer J Brain 93<br />

30cm high<br />

$100–200<br />

1101<br />

A large earthenware vase<br />

of ovoid form with brown and green<br />

tones<br />

initialled to base: EC<br />

30cm high<br />

$100–200<br />

1102<br />

DAVID BOYD (1924-2011) AND<br />

HERMIA BOYD (1931-2000)<br />

a glazed earthenware circular bowl<br />

and cover<br />

with wing handles and winged lion finial<br />

incised to base: David & Hermia Boyd<br />

17cm high<br />

$150–250<br />

1103<br />

A large partially glazed studio pottery<br />

vase<br />

incised to base but illegible and<br />

dated:1984<br />

36cm high<br />

$150–250<br />

1104<br />

SYLVIA HALPERN (1918-2008)<br />

A studio pottery vase<br />

signed to base: Sylvia Halpern<br />

12cm high<br />

$100–200<br />

1105<br />

A Raku glazed earthenware pot, 1988<br />

with a lustred matte glaze<br />

impressed marks to base<br />

16cm high<br />

PROVENANCE<br />

Marvin Hurnall Antiques, Melbourne<br />

$150–250<br />

1106<br />

A studio pottery petalled form<br />

signed but illegible to base<br />

18cm high<br />

$100–200<br />

1107<br />

A Clarice Cliff porcelain shell form bowl<br />

factory marks to base<br />

29cm diameter<br />

$100–200

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