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6o JOURNAL OP THE HELLENIC DIASPORA<br />

enjoying our reward." In contrast, the protagonist has lived "the life<br />

which was given to [him] to live," and he seems to feel remorse for<br />

that.<br />

The epigraph of the poem, "Quid nACcCrIyein opacissimus?" brings<br />

together the various aspects of this poem. The green leaves wrap around<br />

the woman he is with and he is losing her. "Under the heavy planes" is<br />

buried symbolically a person whose memory shadows the protagonist's life<br />

like an enormous tree and frustrates his attempt to bring his journey to<br />

a successful end.<br />

16<br />

Poem "16" of <strong>Mythistorema</strong>, with the epigraph "The name—Orestes,"<br />

presents the symbolic journey as a perpetual cyclical wandering that leads<br />

nowhere, since the protagonist is involved in a vicious circle of hubris<br />

from which he cannot escape.<br />

This circle is symbolized by the circular movement of a chariot as<br />

Orestes is presented participating in a chariot race in Delphi. Like the<br />

epigraph of the poem, the chariot race is taken from Sophocles' Electra."<br />

Seferis uses it as a metaphor for Orestes' predicament, his involvement<br />

in the perpetuation of crime in the Atreus family by the slaying of his<br />

mother."<br />

Again, again into the track, once more into the track !<br />

How many turns, how many laps of blood, how many black<br />

Circles of faces watching: the people watching me<br />

Who watched me when, upright in the chariot,<br />

I raised my hand, brilliant, and they roared applause.<br />

Certain aspects of this poem become more understandable by comparison<br />

with the section "Wednesday" of the sequence "Notes for a Week,"<br />

with which it has several similarities. The central similarity is the vicious<br />

circle in which the protagonists are caught up and which they wish to<br />

break. In both poems the protagonist is surrounded by a crowd of spectators,<br />

and he feels that he is constantly under observation. Also, in both<br />

poems, the only way the circle could be broken is through love. In<br />

"Wednesday" this is explicitly stated: "If we were to love, the circle<br />

""What becomes of the shady plane-tree grove?" Pliny, Letters, 1.3.<br />

"Orestes, admonished by the Delphic oracle to avenge his father's murder, goes<br />

to Mycenae and sends his old tutor to the palace to announce to Clytemnestra that<br />

Orestes has been killed in a chariot race at the Pythian games.<br />

"Modern Orestes' predicament is also inlirectly presented in the section "Saturday"<br />

of "Notes for a Week," where the actor interrupts the reenactment of an ancient<br />

tragedy and questions his role, which requires him to murder for justice.

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